|Born||in New York City, New York, USA|
|Birth Name||Sylvester Enzio Stallone|
The Italian Stallion
|Height||5' 9½" (1.77 m)|
Mini Bio (1)
This athletically built, dark-haired American actor/screenwriter/director may never be mentioned by old-school film critics in the same breath as, say, Richard Burton or Alec Guinness; however, movie fans worldwide have been flocking to see Stallone's films for over 30 years, making "Sly" one of Hollywood's biggest-ever box office draws.
Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and the University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie franchises in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star.
Stallone followed Rocky (1976) with F.I.S.T. (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky"; however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another mega-franchise was about to commence for the busy actor.
The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plotline about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express".
Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell.
Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3-D: Game Over (2003). Showing that age had not wearied his two most popular franchises, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand.
Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood; plus, he has considerably influenced modern popular culture through several of his iconic film characters.
- IMDb Mini Biography By: email@example.com
|Jennifer Flavin||(17 May 1997 - present) ( 3 children)|
|Brigitte Nielsen||(15 December 1985 - 13 July 1987) ( divorced)|
|Sasha Czack||(28 December 1974 - 14 February 1985) ( divorced) ( 2 children)|
Trade Mark (4)
Personal Quotes (179)
"These days, I'm not one-half as aggressive as I was. I've been working on it. People have seemed to notice it. My energy level is just as high, but I can be more impersonal about myself. I'm learning to take life at face value. Instead of my greed, my demands, I'm turning things over to fate. I was always so serious about everything! Who was I trying to impress? I brought a lot of trouble down on myself. If you're too envious, too hostile, it all comes pouring down on you. There's a natural law of karma that vindictive people, who go out of their way to hurt others, will end up broke and alone.
So I was brought back to basically prove to young Jimmy Bly how he should never be, as a bad example. And then the more we worked on it, it became the dark side, a little seedy, and I didn't know where the upside of it was ever going to be. So we began to reduce his role and make it more of an ensemble, so he's just there as a guy who did his job, wasn't very spectacular, would race like hell, sometimes he'd win, sometimes lose, but he had a certain work ethic code, that old school that could be applied to Jimmy. So that all made it more ensemble, and then in the editing we reduced it even more. I originally had a relationship going with the reporter. But that began to de-emphasise the other people, so we put that on the back burner.
The most important scene was going to be cut for lack of money [Rocky's prefight crisis of confidence, when he confides to Talia Shire's Adrian, "I can't beat him. Who'm I kidding? All I want to do is go the distance."]. They were literally packing up the equipment. But I stood my ground. So they said, 'Okay, you only get one take, no angles, no coverage.' The next day, they said, 'You know, Sly, that's the most important scene in the movie.' I said, 'Thank you."'
"The movie came out just when we wanted to treat the Russians as our friends. That hurt. I think if we had done the film a year earlier, the results would have been a lot different. So I've learned not to do geopolitical stories anymore."
|The Party at Kitty and Stud's (1970)||$200|
|Death Race 2000 (1975)||$700|
|Rocky III (1982)||$7,000,000|
|First Blood (1982)||$3,500,000|
|Staying Alive (1983)||$10,000,000|
|Rocky IV (1985)||$12,000,000|
|Over the Top (1987)||$13,000,000|
|Rambo III (1988)||$16,000,000|
|Lock Up (1989)||$15,000,000|
|Tango & Cash (1989)||$15,000,000|
|Rocky V (1990)||$15,000,000|
|Demolition Man (1993)||$15,000,000|
|The Specialist (1994)||$12,000,000|
|Judge Dredd (1995)||$15,000,000|
|Cop Land (1997)||$60,000|
|The Expendables 2 (2012)||$15,000,000|
|Bullet to the Head (2012)||$12,000,000|
|Escape Plan (2013)||$10,000,000|
|The Expendables 3 (2014)||$15,000,000|