|Born||in Los Angeles, California, USA|
The Scream Queen|
The Queen of Screams
|Height||5' 7" (1.7 m)|
Mini Bio (1)
Jamie Lee Curtis was born on November 22, 1958 in Los Angeles, California, the daughter of legendary actors Janet Leigh and Tony Curtis. She got her big break at acting in 1978 when she won the role of Laurie Strode in Halloween (1978). After that, she became famous for roles in movies like Trading Places (1983), Perfect (1985) and A Fish Called Wanda (1988). She starred in one of the biggest action films ever, True Lies (1994), for which she won a Golden Globe Award for her performance. Curtis also appeared on Buck Rogers in the 25th Century (1979), and starred in Death of a Centerfold: The Dorothy Stratten Story (1981) as the title role. Her first starring role was opposite Richard Lewis on the ABC situation comedy Anything But Love (1989). In 1998, she starred in Halloween: H20 (1998) in which she reprised her role that made her famous back in 1978.
Her paternal grandparents were Hungarian Jewish immigrants, while two of her maternal great-grandparents were Danish.
Jamie Lee served as an honorary chairperson for the Building Resilience for Young Children Dealing with Trauma program held at the Shakespeare Theatre - Harman Center for the Arts in Washington, D.C. She was an inspiration for the youth that were celebrated. Curtis was also given an award from US Department of Health and Human Services Kathleen Sebelius and National Endowment for the Arts Chairman Rocco Landesman for her work on behalf of children through her charities and children's books.
- IMDb Mini Biography By: Barry Leger and Jessey Love-Wadkins
|Christopher Guest||(18 December 1984 - present) ( 2 children)|
Trade Mark (5)
Personal Quotes (32)
Family Circle, 4-18-06.
Now, to this day, I regret that I didn't say to everyone, If Debra Hill's not the one producing this movie, I'm not doing it. But what ended up happening was, she wasn't part of it, John wasn't part of it, and I was still part of it, and it was a machine going down the road. I was excited about it, and, honestly, I was going to be paid well. I hadn't made any money on the Halloween franchise at all. I mean, really, in all of those years I hadn't really made any money. It just gave me a lot of fame. And now I was going to get a paycheck.
And I was excited about it, because I liked where we were going with [the film]. It was, in a weird way, a movie about post-traumatic stress then. The difference [from the new Halloween (2018)] was, it was someone who had run. So, she had fled from Haddonfield, she had changed her name, she had run as fast as she could in the other direction, and Michael Myers caught up with her. But, you see, she told no one, no one knew who she was, she was a new person in a new town. She had a child and her life was proceeding. And I liked that. By the way, I insisted she be an alcoholic, I insisted that she not be traumatized. And then, of course, there's a moment when she turns back. Because really the intent of that movie was to say, You really aren't alive if you're running for your life all the time. If you're running for your life your whole life, you're not alive. So, you're really dead. So, if you're dead, why not try to face the fear, and in the facing of the fear maybe you'll die, but if you don't die, maybe you'll finally live. And that was really the emotional intent of that movie.
If you see that movie, it's not a great movie, it's a good movie, and that emotional intent is in the movie. But it was never what I hoped it would be for all these reasons that ended up being things that were out of my control.
|Halloween II (1981)||$100,000|
|Love Letters (1983)||25,000|
|Halloween: Resurrection (2002)||$3,000,000|