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Michael Anderson, ‘Logan’s Run’ Director, Dies at 98

Michael Anderson, ‘Logan’s Run’ Director, Dies at 98
Michael Anderson, the British director who was nominated for an Academy Award for his direction on “Around the World in 80 Days,” died in Vancouver Wednesday. He was 98.

Anderson’s career began in the ’40s as an assistant director before he joined the Royal Signal Corps during the war. After Anderson was discharged, he signed a contract with Associated British Picture Corporation, for whom he directed five films.

The third film, 1955’s “The Dam Busters,” starring Richard Todd, which was the biggest film of the year for Britain at the box office.

Anderson was asked to direct “Around the World in 80 Days” after the original director John Farrow had a falling out with producer Mike Todd. Anderson also received a Golden Globe nod in addition to his Oscar nom for his work in the film, which won best picture in 1956. The film starred David Niven, Shirley Maclaine, Robert Newton and Cantinflas,
See full article at Variety - Film News »

Milos Forman Remembered: A Rebel in His Time, and for the Future

  • The Wrap
Milos Forman Remembered: A Rebel in His Time, and for the Future
Milos Forman, who died on April 14 at the age of 86, has left behind some of the most sharply observed portraits of human behavior in cinema.

When I think of Forman’s work, my mind doesn’t necessarily go first to his two Oscar-winning juggernauts — “One Flew Over the Cuckoo’s Nest” (1975) or “Amadeus” (1984) — or the Czech films that garnered him worldwide acclaim in the 1960s, such as “Loves of a Blonde” (1965) or “The Firemen’s Ball” (1967). Rather, I think of the opening scene from his lesser-known comedy, “Taking Off” (1971): a series of static shots of young women, one after the other, performing songs for an off-screen producer.

Most of the women are earnest and serious; some seem awkward or shy, dressed in contemporary hippy-ish clothes; their hair is often long and frizzy. Some of these audition singers include Carly Simon, Kathy Bates (credited as Bobo Bates) and a blink-and-you’ll-miss-her Jessica Harper. What is remarkable about these relatively straightforward snippets is that Forman isn’t nudging the audience for what to make of these young people, or their songs. He’s not telling the audience how to react; he’s simply presenting these young people as they are.

Also Read: Milos Forman, 'Amadeus' and 'Cuckoo's Nest' Director, Dies at 86

The first 5-10 minutes of this film paints a picture of these flower children of the Woodstock era that feels authentic, admiring and compassionate. And kind. It’s a quality in Forman’s cinema I can see throughout his career.

Forman sprang forth from the extraordinary group of filmmakers known as the Czech New Wave, most of whom were trained at the Film and TV School of the Academy of Performing Arts in Prague (including Věra Chytilová, Jaromil Jireš, Ján Kadár, Jan Němec and Ivan Passer), and, like his cinematic compatriots, Forman’s early films are often political in nature, portraying figures of authority as inept and corrupt. In “The Firemen’s Ball,” the volunteer fire department in a small town decides to organize a ball in honor of their recently retired chairman.

Also Read: Milos Forman Hailed as 'Champion of Artists' Rights' by Directors Guild of America

At the event, the firefighters’ committee decide to host a beauty contest and proceed to procure some of the unsuspecting young women to pose for them. The women appear hesitant, guarded, and a few are even somewhat amused by the ramshackle way they are being put on display by these old men. (Most of the actors were local to the area of Vrchlabí, where it was filmed.) The spunkiest of the young women seems to have an awareness of how ridiculous and sexist this is. She laughs and then runs off halfway through her walk for the judges, triggering a mass exodus by the other contestants, and the scene ends in comedic chaos.

Clearly, the characters who buck the system, like the young woman in “The Firemen’s Ball,” are what hold director’s greatest interest. Forman is fixed on the idea of the outsider as being the true hero of his work: Jack Nicholson’s R.P. McMurphy, Treat Williams’ George Berger, Howard E. Rollins’ Coalhouse Walker Jr., Tom Hulce’s Wolfgang Amadeus Mozart, Woody Harrelson’s Larry Flynt and Jim Carrey’s Andy Kaufman are all individuals that won’t fit into society’s prescribed mold for them.

Also Read: Milos Forman Remembered by Larry Flynt, Judd Apatow and More: 'Genius of Cinematography'

Forman’s rebels, though clearly stemming from his Czech roots, found fertile ground in America. His two most critically and financially successful films, “One Flew Over the Cuckoo’s Nest” (adapted by Lawrence Hauben and Bo Goldman from Ken Kesey’s novel) and “Amadeus” (Peter Shaffer adapting his own stage play), both impeccably produced by Saul Zaentz, together garnered 13 Oscars total, including two for Forman for directing.

At his best, Forman’s greatest work (I would include the woefully underrated musical adaptation of “Hair”) shows both compassion for his characters and wry humor in the predicaments in which these characters find themselves. His work with actors is exemplary, and his filmography is flooded with memorable performances and ensemble work: from Nicholson and Louise Fletcher in “Cuckoo’s Nest” to Rollins, Elizabeth McGovern and James Cagney in “Ragtime” (1981), F. Murray Abraham and Hulce in “Amadeus,” Harrelson and Courtney Love in “The People vs. Larry Flynt” (1996), and back to Hana Brejchová in “Loves of a Blonde” and Lynn Carlin, Buck Henry, Georgia Engel and Audra Lindley in “Taking Off,” to name a few.

Cinematically, I’m just so impressed with the way he and his cinematographers captured these actors’ faces and performances. This is filmmaking that is not trying to impress you with flashy editing and swirling cameras (though the camerawork in the opening “Aquarius” number in “Hair,” accompanied by Twyla Tharp’s wonderful choreography, is a wonderful exception), it’s focused on its characters and story.

Possibly because of his lack of flash and cutting-edge technique, there is a danger that Forman’s work may not be immediately appreciated by younger filmmakers — though in this current era where young people are rising up to stand for their beliefs to their schools, their City Halls, and the world at large, Forman’s filmography is ripe for rediscovery by a new generation of rebels.

Read original story Milos Forman Remembered: A Rebel in His Time, and for the Future At TheWrap
See full article at The Wrap »

Peter Travers: How Milos Forman Injected Warmth and Mischief Into Stellar Films

Peter Travers: How Milos Forman Injected Warmth and Mischief Into Stellar Films
Hearing the news of the death of master filmmaker Milos Forman, images flooded in. Not of his movies; at least not right away. I remembered Milos, at his Connecticut farmhouse eight years ago poking at me with his cigar. Any threat in the motion dissipated instantly by the warm, mischievous glint in his eye.

I was there to talk of his career; of all those Oscars he won for One Flew Over the Cuckoo’s Nest and Amadeus and the success of his early Czech films (Loves of a Blonde,
See full article at Rolling Stone »

Milos Forman, Oscar-winning Director, Dead At 86

  • CinemaRetro
Forman directing James Cagney in "Ragtime".

By Lee Pfeiffer

Milos Forman, the Czech immigrant to Hollywood who would be awarded two Oscars, has died at age 86. Forman was a rising star in Czechoslovakia in the 1960s, directing such lighthearted, quirky films as "Black Peter" and "The Fireman's Ball". Forman's films were breaking new ground at a time when the progressive Czech government was pushing the envelope against Soviet control and enjoying new freedoms. All of that came crashing down in 1968 when the short-lived "Prague Spring" was crushed by the Soviet invasion. Forman immigrated to America and found the opportunity to make films for major studios. However, his first effort, the critically acclaimed 1971 generation gap comedy "Taking Off" failed at the boxoffice. In 1975, Forman was given another chance, this time by producer Michael Douglas to direct the film version of Ken Kesey's "One Flew Over the Cuckoo's Nest". The film
See full article at CinemaRetro »

Along Came Jones

Big star Gary Cooper kids his screen image as an infallible hero in a western that almost plays as a screwball comedy, complete with the ultimate grouchy sidekick, William Demarest. Loretta Young’s attraction to Coop’s goofy ‘bronc stomper’ seem glowingly authentic. The jokes are funny, and the sentiment feels real, right up to the unexpectedly violent ending. . . for 1945, that is.

Along Came Jones



1945 / B&W / 1:37 Academy / 90 min. / Street Date January 16, 2018 / 39.99

Starring: Gary Cooper, Loretta Young, William Demarest, Dan Duryea, Frank Sully, Don Costello, Walter Sande, Russell Simpson, Arthur Loft, Willard Robertson, Ray Teal, Lance Fuller, Chris-Pin Martin.

Cinematography: Milton Krasner

Film Editor: Thomas Neff

Original Music: Arthur Lange

Written by Nunnally Johnson from the novel by Alan Le May

Produced by Gary Cooper

Directed by Stuart Heisler

At the end of WW2 came forth a burst of new independent film production companies headed by actors and directors.
See full article at Trailers from Hell »

Tom Hardy Is 'Al Capone'

Sneak Peek actor Tom Hardy ("Mad Max: Fury Road") as iconic gangster 'Al Capone', from director Josh Trank's new feature, chronicling the life of the former Chicago mob boss, prior to his death:

The cast of "Fonzo" (aka "Cicero") also includes Matt Dillon, Kyle MacLachlan, Kathrine Narducci and Linda Cardellini.

Hardy said he has been working closely with Warner Bros, "watching their gangster films — the ones with James Cagney, Humphrey Bogart and Edward G. Robinson...it’s interesting to get them, and a bit of 'Capone', into the bloodstream… The idea isn’t to remake those films but to get a flavour of them as we explore Capone’s career as a racketeer."

The "Cicero" screenplay was originally written by Walon Green, noted for writing director Sam Peckinpah's classic western "The Wild Bunch".

Actors previously playing Capone in film include Rod Steiger in "Al Capone" (1959), Neville Brand,
See full article at SneakPeek »

Entertainment Industry Foundation Celebrates 75 Years Of Success

Hollywood observed an important anniversary last week – 75 years of charitable giving under the aegis of the Entertainment Industry Foundation (Eif).

Entertainment Industry Foundation 75th Anniversary Party hosted by Tony and John Goldwyn

Credit/Copyright: Tommaso Boddi/Getty Images for Entertainment Industry Foundation

Tony and John Goldwyn hosted the 75th anniversary celebration for the Entertainment Industry Foundation, one of Hollywood’s leading charities, which their grandfather Samuel Goldwyn helped found.

Eif was founded in 1942 by Hollywood luminaries Samuel Goldwyn, Humphrey Bogart, James Cagney, Gene Kelly, Joan Crawford, Cecil B. DeMille, and the Warner brothers, to leverage the voices and creative talents of the entire entertainment industry to raise funds for vital causes. With the support of actors and executives; guild and union members; and employees of studios, networks and talent agencies, more than $1 billion has been pledged since its inception for Eif initiatives addressing important health, education and social issues.

“For 75 years,
See full article at Look to the Stars »

Top 6 Oscar acceptance speeches: Guillermo del Toro, Frances McDormand, Allison Janney …

Top 6 Oscar acceptance speeches: Guillermo del Toro, Frances McDormand, Allison Janney …
Man, there were some great speeches at Sunday’s Oscars. Some were wordy and made grand points about the times we live in, like Best Director winner Guillermo del Toro. Others were simple and stood out because of a clever or memorable line like Allison Janney did when she won Best Supporting Actress. With that in mind, here’s a look at the six speeches that stood out the most during this year’s Oscar ceremony. Scroll down to vote in our poll at the bottom of this post, and check out the full list of winners right here.

Best Director: Guillermo del Toro, “The Shape of Water

While it’s been clear to most of us that del Toro would win this honor for several months now, the director seemed a little startled when Emma Stone called his name. But if he was nervous to speak in front of that massive crowd,
See full article at Gold Derby »

2018 Oscars: Best Picture presenters should be Jack Nicholson and Meryl Streep (even though she stars in a nominee)

2018 Oscars: Best Picture presenters should be Jack Nicholson and Meryl Streep (even though she stars in a nominee)
To celebrate the 90th anniversary of the Academy Awards, the two all-time nominations champs (and two-time co-stars) Jack Nicholson and Meryl Streep should hand out Best Picture on March 4. Yes, Streep stars in one of the nine nominees, “The Post.” But does anyone really think that film will win?

While Nicholson has been the academy’s go-to guy for this award a record eight times, Streep — who has starred in a couple of Best Picture champs (“Kramer versus Kramer” and “Out of Africa”) — has never had a turn. Sure, she has presented other awards, both honorary and competitive, but surely it is time for her to be given this honor, especially in the year in which she reaped her 21st Oscar nomination. And with her headline-making speeches, viewers are sure to stay tuned to the end of the show to see if Streep once again goes after Donald Trump.

See full article at Gold Derby »

Dorothy Malone Dead at 93

Actress Dorothy Malone, who starred in the primetime soap opera Peyton Place, died Friday in her hometown of Dallas. She was age 93.

Malone died in an assisted living center from natural causes days before her 94th birthday, said her daughter, Mimi Vanderstraaten.

After 11 years of mostly roles as loving sweethearts and wives, the brunette actress decided she needed to gamble on her career instead of playing it safe. She fired her agent, hired a publicist, dyed her hair blonde and sought a new image.

"I came up with a conviction that most of the winners in this business became stars overnight by playing shady dames with sex appeal," she recalled in 1967. She welcomed the offer for Written on the Wind, in which she played an alcoholic nymphomaniac who tries to steal Rock Hudson from his wife, Lauren Bacall.

"And I've been unfaithful or drunk or oversexed almost ever since— on the screen,
See full article at We Love Soaps »

Unsoundies: The Caveman Impulse Behind Talking Pictures

  • MUBI
Allen Jenkins. Illustration by Tony Millionaire.We had a lurid fantasy life. And it was not pre-Code, it was prehistoric. Synchronized sound technology created Neanderthal Cinema, an aesthetic slouching and slack-jawed, a case of temporarily thwarted evolution. In a brief era with no accepted form and before industrial standardization, experimentation raged, and some of sound cinema's experiments were dumb, inept, or too far ahead of their time to have a prayer of working. So the exceptional and the clunking are both responses to a general ignorance about what will work. Take the split screen of sleeping sweethearts in Love Me Tonight (1932), with dream voice-overs singing on top: All we see is snoring people. Or the endless tracking shot in Cape Forlorn (1931) in which director E.A. Dupont hopes we'll be transfixed by the gradually transforming acoustics. Tod Browning is asleep in his chair for a reel of Dracula (1931) while the
See full article at MUBI »

Jim & Andy: The Great Beyond - in praise of a profound and moving documentary

Ryan Lambie Nov 21, 2017

A documentary about Jim Carrey's method antics on the set of Man On The Moon turns out to be a profound and moving must-see, Ryan writes...

Why bother? It's a question occasionally worth levelling at the 'Method' - an immersive, all-consuming kind of acting created by the filmmaker and actor Konstantin Stanislavski. At its best, method acting brings us searing, self-searching performances like Robert De Niro's famous turns in Taxi Driver or Raging Bull.

See related Peaky Blinders series 4 episode 1 review Peaky Blinders series 4: Tommy has “atrophied emotionally” Peaky Blinders series 4: "there's no stopping" Aunt Polly Peaky Blinders series 4: who is Jessie Eden?

On the other hand, method acting can sometimes come across as needy and attention-seeking or, perhaps worst of all, a bit of a waste of time. For David Ayer's Suicide Squad, actor Jared Leto reportedly got so embroiled in his character,
See full article at Den of Geek »

Gloria Allred on Latest Harvey Weinstein Suit: ‘It Won’t Be the Last’

Gloria Allred on Latest Harvey Weinstein Suit: ‘It Won’t Be the Last’
Attorney Gloria Allred has promised that she’s going to continue pursuing justice for victims of sexual harassment.

Allred made the pledge Tuesday night at SAG-aftra’s national headquarters during a panel on sexual harassment and abuse, a few hours after filing a lawsuit against disgraced mogul Harvey Weinstein in which an unnamed actress alleged Weinstein raped her at the Montage Hotel in Beverly Hills, Calif. last year. The actress, identified in the suit only as Jane Doe, claims Weinstein also masturbated in front of her without her consent during an earlier meeting at the same hotel.

The lawyer, who has represented several Weinstein accusers, including Heather Kerr, Louisette Geiss, and Mimi Haleyi, said the suit “won’t be the last.”

Allred explained to an audience of about 200 SAG-aftra members at the James Cagney room that accusers do not have to go public in order to to file such lawsuits.

“You can be a Jane Doe,
See full article at Variety - Film News »

114 days until Oscar

This season's Oscar ceremony, the Academy's 90th annual shindig, is on March 4th, 2018. Did you know that only two Oscar ceremonies have ever happened on a March 4th? Late February, Late March, and early April have been the most frequent time frames over the decades.

the acting winners of '42: Van Heflin, Greer Garson, James Cagney, and Teresa Wright

Both of the March 4th ceremonies were very early in Oscar history:The 1936 Oscars honoring The Great Ziegfeld (March 4th, 1937 at the Biltmore Hotel) and the 1942 Oscars honoring Mrs Miniver (March 4th, 1943 at the Cocoanut Grove in the Ambassador Hotel). I was delighted to realize that we've written about a few of the winners from those years in the past: the dance direction in The Great Ziegfeld,  My Gal Sal's Art Direction, Mrs Miniver as Best Picture, The Great Ziegfeld as Best Picture, and Black Swan's Cinematography. 
See full article at FilmExperience »

France’s UniversCine Offers Much More Than Standard Streaming and Disc-in-a-Box DVDs

France’s UniversCine Offers Much More Than Standard Streaming and Disc-in-a-Box DVDs
Lyon — In 2015, vinyl sales went up 53% to hit a 25-year-high, whatever the low base, while this year physical book sales have overtaken digital. In the world of film, there are still plenty of people who want physical copies of their content, especially if it’s packaged the right way. France’s UniversCine has come up with a new way of satisfying that sector of the market, while continuing to cash in on digital.

In Lyon to represent the company at the Lumière Festival are UniversCine and Blaq Out CEO Jean-Yves Bloch, and head of editions Charles Hembert. The two sister-companies are looking to update the ways that French audiences access classic, arthouse, documentary, short-form and animated films.

In the digital distribution business for nearly 15 years, UniversCine has navigated the ever-changing markets facing digital distributors.

“We’ve spent the last three years renovating and updating our platforms, because we’ve seen a shift in the digital market from transactional
See full article at Variety - Film News »

The Sea Wolf

Now restored to perfection, this genuine classic hasn’t been seen intact for way over sixty years. Michael Curtiz and Robert Rossen adapt Jack London’s suspenseful allegory in high style, with a superb quartet of actors doing some of their best work: Robinson, Garfield, Lupino and newcomer Alexander Knox.

The Sea Wolf


Warner Archive Collection

1941 / B&W / 1:37 flat Academy / 100 min. uncut! / Street Date October 10, 2017 / available through the WBshop / 21.99

Starring: Edward G. Robinson, Alexander Knox, Ida Lupino, John Garfield, Gene Lockhart, Barry Fitzgerald. Stanley Ridges, David Bruce, Francis McDonald, Howard Da Silva, Frank Lackteen, Ralf Harolde

Cinematography: Sol Polito

Film Editor: George Amy

Art Direction: Anton Grot

Special Effects: Byron Haskin, Hans F. Koenekamp

Original Music: Erich Wolfgang Korngold

Written by Robert Rosson, from the novel by Jack London

Produced by Hal B. Wallis, Henry Blanke

Directed by Michael Curtiz

Chopping up films for television was once the
See full article at Trailers from Hell »

Footlight Parade

Another pre-code musical from director Lloyd Bacon and more unforgettably wack-a-doo dance sequences from Busby Berkeley. This one features a powerhouse cast including Joan Blondell, Dick Powell and the incendiary James Cagney (whose galvanic tap dancing leaves the adorably klutzy Ruby Keeler in the dust). Fun-starved depression audiences made this another big hit for Warners, the film doubled its budget at the box-office.
See full article at Trailers from Hell »

The Best Child Performances in Movie History — IndieWire Critics Survey

The Best Child Performances in Movie History — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: In honor of “The Florida Project,” which has just started its platform release across the country, what is the greatest child performance in a film?

Jordan Hoffman (@JHoffman), The Guardian, Vanity Fair

I can agonize over this question or I can go at this Malcolm Gladwell “Blink”-style. My answer is Tatum O’Neal in “Paper Moon.” She’s just so funny and tough, which of course makes the performance all the more heartbreaking. She won the freaking Oscar at age 10 for this and I’d really love to give a more deep cut response, but why screw around? Paper Moon is a perfect film and she is the lynchpin.
See full article at Indiewire »


The scope of this slice of wartime history is so small, it’s almost the movie equivalent of a one-man show. There are perhaps only a dozen speaking roles. Brian Cox is impressive as The Man Who Saved England in its Darkest Hour, but the drama reduces both the man and the historical crisis to trivial status, as little more than a personal emotional crisis: “Winston, the Haunted Imperialist.”



Cohen Media Group

2017 / Color / 2:39 widescreen / 105 min. / Street Date October 3, 2017 / 30.99

Starring: Brian Cox, Miranda Richardson, John Slattery, Ella Purnell, Julian Wadham, Richard Durden, James Purefoy.

Cinematography: David Higgs

Film Editor: Chris Gill

Original Music: Lorne Balfe

Written by Alex von Tunzelmann

Produced by Claudia Bluemhuber, Nick Taussig, Piers Tempest, Paul Van Carter

Directed by Jonathan Teplitzky

No, it isn’t Gary Oldman as Winston Churchill … that’s another movie, Darkest Hour. This is the Brian Cox Churchill movie.

See full article at Trailers from Hell »
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