Beautiful Ladies of "Columbo"

Suzanne Pleshette achieved television immortality in her role as Bob Newhart's wife in the 1970s classic situation comedy, The Bob Newhart Show (1972). For her role as "Emily Hartley," wife of psychologist "Bob Hartley" (played by Bob Newhart), Pleshette was nominated for the Emmy Award twice, in 1977 and 1978. She was also nominated for an Emmy in 1962 for a guest appearance on the TV series, Dr. Kildare (1961) and, in 1991, for playing the title role in Leona Helmsley: The Queen of Mean (1990) in a 1990 TV movie. Her acting career lasted almost 50 years.

Suzanne Pleshette was born on January 31, 1937, in New York, New York, to Gene Pleshette, a TV network executive who had managed the Paramount Theaters in Manhattan and Brooklyn during the Big Band era, and the former Geraldine Kaplan, a dancer who performed under the pseudonym Geraldine Rivers. Pleshette claims that she was not an acting natural, but just "found" herself attending New York City's High School of the Performing Arts. After graduating high school, she attended Syracuse University for a semester before returning to NYC to go to Finch College, an elite finishing school for well-to-do young ladies. After a semester at Finch, Pleshette dropped out of college to take lessons from famed acting teacher Sanford Meisner at the Neighborhood Playhouse.

She made her Broadway debut in 1957 as part of the supporting cast for the play Compulsion (1959). Initially cast as "The Fourth Girl," she eventually took over the ingénue role during the play's run.

Blessed with beauty, a fine figure, and a husky voice that made her seem older than her years, she quickly achieved success on both the small and big screens. She made her TV debut, at age 20, in Harbourmaster (1957), then was chosen as the female lead opposite superstar Jerry Lewis in his 1958 comedy, The Geisha Boy (1958). On Broadway, she replaced Anne Bancroft in the Broadway hit The Miracle Worker (1962).

Once Pleshette started acting, her career never lagged until she was afflicted with cancer.

Her most famous cinematic role was in Alfred Hitchcock's classic, The Birds (1963), as the brunette schoolteacher jilted by the hero of the film, "Mitch Brenner" (played by Rod Taylor). Pleshette's warm, earthy character was a perfect contrast to the icy blonde beauty, "Melanie Daniels" (Tippi Hedren).

Frankly, it is hard to understand how Taylor's Mitch would jilt Pleshette's Annie, other than to work out Hitchcock's dark vision of society and psychosexual relations between the sexes, in which amoral blondes triumph for aesthetic rather than moral reasons.

Still, it is for Emily Hartley she will always be remembered, for both the original show and her part in another show that had the most clever sign-off episode in TV series history. Bob Newhart had enjoyed a second success during the 1980s with his TV sitcom Newhart (1982), and when he decided to end that series, he asked Suzanne Pleshette to come back. She did, reprising her tole of Emily in a final episode of Newhart, where Newhart woke up as Bob Hartley from "The Bob Newhart Show" in the bedroom of the Hartley's Chicago apartment, Pleshette's Emily at his side. Bob Hartley then told his wife Emily of a crazy dream he'd just had, where he was the proprietor of a Vermont inn overrun with eccentrics, the premise of the second show.

After "The Bob Newhart Show" ceased production, Suzanne Pleshette worked regularly on television, mostly in TV movies. Although she was a talented dramatic actress, she had a flair for comedy and, in 1984, she headlined her own series at CBS. She helped develop the half-hour sitcom, and even had the rare honor of having her name in the title. Suzanne Pleshette Is Maggie Briggs (1984), however, was not a success. She co-starred with Hal Linden in another short-lived CBS TV series, The Boys Are Back (1994), in the 1994-95 season, then had recurring roles in the TV series Good Morning, Miami (2002) and 8 Simple Rules (2002).

Pleshette was married three times: In 1964, she wed teen idol Troy Donahue, her co-star in the 1962 film Rome Adventure (1962) and in 1964's A Distant Trumpet (1964), but the marriage lasted less than a year. She was far more successful in her 1968 nuptials to Texas oil millionaire Tommy Gallagher, whom she remained married to until his death in 2000. After becoming a widow, she and widower Tom Poston (a Newhart regular) rekindled an old romance they had enjoyed when appearing together in "The Golden Fleecing," a 1959 Broadway comedy. They were married from 2001 until Poston's death, in April 2007.

Pleshette was diagnosed with lung cancer and underwent chemotherapy in the summer of 2006; she rallied, but in late 2007, she barely survived a bout of pneumonia. She died of respiratory failure on January 19, 2008, a few days shy of her 71st birthday.

Suzanne Pleshette was remembered as a gregarious, down-to-earth person who loved to talk and often would regale her co-stars with a naughty story. Newhart and his producers had picked her for the role of Emily in "The Bob Newhart Show" after watching her appearances with Johnny Carson on The Tonight Show Starring Johnny Carson (1962), where she showed herself to be a first-rate raconteuse. Because she could hold her own with Newhart's friend Carson, it was felt she would be a perfect foil as Newhart's TV wife.

She accepted the part, and TV history was made.

Blonde Pamela Austin was born Pamela Joan Akert in Omaha, daughter of Chester William Akert (1918-90) and his wife Virginia May (née Moon). She spent her pre-teens in Europe, where her father was stationed with the Air Force. Pamela studied singing and ballet in Hungary and Germany. Once her family returned to the United States, she continued to attend further dance classes at Sacramento State College. As a 17-year old, Pamela made her stage debut in the Broadway musical revue La Plume de Ma Tante (billed as a 'light soprano'). In 1961, she got her first gig in Hollywood in a nightclub act with Tony Martin. This expanded into a six months-long nationwide tour.

That same year, she began acting in films and is perhaps best remembered in that medium for her two appearances opposite Elvis Presley (both as girls named Selena, in Blue Hawaii (1961) and Kissin' Cousins (1964)). Her career gained momentum thanks to a series of TV and newspaper commercials for the automobile manufacturer Dodge. Dubbed the "Dodge Rebellion Girl", she featured in some twenty ads until her replacement by a 23 year-old in 1967. During the remainder of the 60s and 70s, Pamela made guest appearances in TV shows of diverse genres. She was featured several times in comedy skits, as well as song-and-dance routines on Rowan & Martin's Laugh-In (1967). The peak of her career was a starring role as the perennial damsel-in-distress in the zany slapstick comedy The Perils of Pauline (1967). It was based on the classic 1914 cliffhanger serial with Pearl White and inspired by the over-the-top antics of the 1960s Batman (1966) series. Intended as a TV pilot, it failed to gain traction, either commercially or with critics. Pamela had another lead, as amiable schoolmarm Betsy Potter in the cultish comedy western Evil Roy Slade (1972).

Pamela was briefly married (1963-64) to NFL defensive player Charley Britt of the Los Angeles Rams. Her second, also short-lived (1965-67), husband was Hollywood press agent Guy McElwaine. From 1974 until his death in 2019, she was married to the aeronautical engineer, MIT graduate and founder of Tre Corporation Leopold S. Wyler.

Blythe Danner was born in Philadelphia, Pennsylvania, to Katharine (Kile) and Harry Earl Danner, a bank executive. She has German, as well as English and Irish, ancestry. Danner studied acting and got her degree from Bard College and began her career in Boston theater companies. By 25, she won the Theater World Award for her work in Molière's "The Miser", at Lincoln Center. She also won the 1970 Tony award for her role in "Butterflies Are Free". She made her film premiere in the same year in the television production of Dr. Cook's Garden (1971). For 25 years, she has been a regular performer at the Williamstown Summer Theater Festival. She has also been nominated for Tonys for performances in "A Streetcar Named Desire" and "Betrayal". Married to director Bruce Paltrow, she is the mother of two acting children, Gwyneth Paltrow and Jake Paltrow.

Making people laugh was only one facet of Valerie Harper's career, which extended from the stage to television and feature films. A native of Suffern, New York -- "I was born to suffer" -- Harper began her career as a dancer with the corps de ballet at Radio City Hall during its spectacular heyday. She gradually moved into acting, working in everything from industrial shows to regional theatre to the Second City comedy troupe of Chicago. Eventually, she made it to Broadway in productions of Dear Liar, the Tony Award winning Story Theatre, Something Different and Metamorphosis. Stardom came with television, including four Emmy Awards and a Golden Globe for her work in The Mary Tyler Moore Show (1970) and Rhoda (1974), in which the latter she played the title role. Harper won Harvard's Hasty Pudding Woman of the Year, and her Rhoda's Wedding episode set that 1974's ratings record. Since retiring Rhoda Morganstern to re-runs, Harper was active on stage and in movies. Her feature films included Freebie and the Bean (1974), Chapter Two (1979), The Last Married Couple in America (1980) and Blame It on Rio (1984). In television, she starred on all three networks in movies of the week, including Farrell for the People (1982) (NBC), Don't Go to Sleep (1982) (ABC) and An Invasion of Privacy (1983) (CBS). A strong supporter of women's rights, Harper worked since the mid-80s on a film with second husband Tony Cacciotti which will probably never reach fruition after all this time, based on a true story involving domestic violence.

Julia Chalene Newmeyer was born on August 16, 1933, in Los Angeles, California, the eldest of three children. Her father, Don, was a one-time professional football player (LA Buccaneers, 1926), her mother, Helene Jesmer, was a star of the Follies of 1920 and later became a fashion designer under the professional name of Chalene. From an early age, Julie studied piano, dance, and classical ballet. She graduated from high school at the age of 15, and spent a year touring Europe with her mother and brother. She became prima ballerina for the Los Angeles Opera. She attended UCLA studying classical piano, philosophy, and French.

Newmar went to New York and tried out for Broadway musicals; in 1955, she made her Broadway debut as the ballerina in "Silk Stockings." She won acclaim for her role as Stupefyin' Jones in "Li'l Abner." Though audiences and critics alike were stupefied by her good looks, that was not the compliment Newmar wanted.

Newmar wanted to be known for her comedy, as she told the New York Times: "Tell me I'm funny, and it's the greatest compliment in the world." She had beauty, brains and a fantastic sense of humor. Promoting her various Broadway and off-Broadway show appearances, she often posed as a pin-up girl. Making the transition to television, Newmar appeared in Rod Serling's science-fiction series The Twilight Zone (1959), playing Miss Devlin (devil). As physical perfection, Julie was perfect to play Rhoda the Robot in My Living Doll (1964); the sitcom had an enthusiastic cult following. In 1966, urged on by her friends, she tried out for and was cast as Catwoman (a character she had never heard of) in the wildly popular television series Batman (1966) On account of a movie commitment, Newmar was unavailable to play Catwoman in the third season. (Her role was taken over by Eartha Kitt.)

Newmar was very busy in the 1960s and 1970s, making guest appearances in many television series and several television movies. She toured the country in stage productions of "Damn Yankees" and "Dames at Sea," among others. Becoming an entrepreneur, in 1977, Newmar turned up in People magazine wearing her new invention, Nudemar pantyhose. In the 1980s, she appeared in nine films while she was busy raising her son and working in the real-estate business. Newmar went back to UCLA to take a few real-estate courses. In 1991, she toured in a stage production of "The Women." Still very active, and very beautiful, she occasionally has appeared at fan conventions.

Joyce Jillson was born on 26 December 1945 in Cranston, Rhode Island, USA. She was an actress, known for Superchick (1973), Peyton Place (1964) and The Man from U.N.C.L.E. (1964). She was married to Joseph Gallagher. She died on 1 October 2004 in Los Angeles, California, USA.

Arlene Martel was likely best-known (if not by name) to Star Trek (1966) fans, and possibly most television viewers of a certain age, as Spock's treacherous Vulcan betrothed, T'Pring, in the episode, Amok Time (1967).

Born Arline Greta Sax to Austrian Jewish immigrants on April 14, 1936 in New York City, she spent her early years in one of the poorest slums in the Bronx. When her mother's boss saw her poor living conditions, he personally underwrote her attendance at an upper-crust boarding school in Connecticut. At age 12, she assumed personal responsibility to audition for New York's famed High School of the Performing Arts. Not only did she gain entrance, she went on to excel at the school and graduated with the school's top drama award. Her professional career began in her teens when she landed the role of Esther in the Broadway production of 'Uncle Willie', also starring Norman Fell.

After heading to Hollywood, Martel began making guest appearances on television series such as The Untouchables (1959), Route 66 (1960) and The Twilight Zone (1959). She had the recurring role of Tiger on the situation comedy Hogan's Heroes (1965). Her facility with accents and dialects enabled her to play a wide variety of characters, earning her the nickname of "The Chameleon". Her relationship with James Dean was chronicled in Joe Hyams's biography, "The James Dean Story".

Married and divorced three times, Arlene had three children: Adam Palmer, Avra Douglas, and Jod Douglas.

Martel died at age 78 of a heart attack on August 12, 2014 in Santa Monica, California. She had battled breast cancer some years earlier.

One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.

Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.

Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.

TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.

Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.

Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."

In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.

Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.

The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"

Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.

Tall, lovely and shapely blonde Sharon Johansen was born on October 11, 1948 in Norway. Her family moved from Norway to Wisconsin when Johansen was one year old. Sharon worked as both a dog trainer and a receptionist for White House press secretary Pierre Salinger prior to becoming the Playmate of the Month in the October, 1972 issue of "Playboy." Johansen did a follow-up nude pictorial called "Playmates Forever!" in the December, 1979 issue of "Playboy." Following her stint as a Playmate of the Month, Sharon Johansen embarked on a brief acting career: She not only did guest spots on episodes of such TV shows as "Columbo", "Barnaby Jones," "Love, American Style," "Flying High," and "Charlie's Angels," but also had small parts in the comedy features "Your Three Minutes Are Up" and "The Jerk."

Anne Baxter was born in Michigan City, Indiana, on May 7, 1923. She was the daughter of a salesman, Kenneth Stuart Baxter, and his wife, Catherine Dorothy (Wright), who herself was the daughter of Frank Lloyd Wright, the world-renowned architect. Anne was a young girl of 11 when her parents moved to New York City, which at that time was still the hub of the entertainment industry even though the film colony was moving west. The move there encouraged her to consider acting as a vocation. By the time she was 13 she had already appeared in a stage production of 'Seen but Not Heard'", and had garnered rave reviews from the tough Broadway critics. The play helped her gain entrance to an exclusive acting school.

In 1937, Anne made her first foray into Hollywood to test the waters there in the film industry. As she was thought to be too young for a film career, she packed her bags and returned to the New York stage with her mother, where she continued to act on Broadway and summer stock up and down the East Coast. Undaunted by the failure of her previous effort to crack Hollywood, Anne returned to California two years later to try again. This time her luck was somewhat better. She took a screen test which was ultimately seen by the moguls of Twentieth Century-Fox, and she was signed to a seven-year contract. However, before she could make a movie with Fox, Anne was loaned out to MGM to make 20 Mule Team (1940). At only 17 years of age, she was already in the kind of pictures that other starlets would have had to slave for years as an extra before landing a meaty role. Back at Fox, that same year, Anne played Mary Maxwell in The Great Profile (1940), which was a box-office dud. The following year she played Amy Spettigue in the remake of Charley's Aunt (1941). It still wasn't a great role, but it was better than a bit part. The only other film job Anne appeared in that year was in Swamp Water (1941). It was the first role that was really worth anything, but critics weren't that impressed with Anne, her role nor the movie. In 1942 Anne played Joseph Cotten's daughter, Lucy Morgan, in The Magnificent Ambersons (1942). The following year she appeared in The North Star (1943), the first film where she received top billing. The film was a critical and financial success and Anne came in for her share of critical plaudits. Guest in the House (1944) the next year was a dismal failure, but Sunday Dinner for a Soldier (1944) was received much better by the public, though it was ripped apart by the critics. Anne starred with John Hodiak, who would become her first husband in 1947 (Anne was to divorce Hodiak in 1954. Her other two husbands were Randolph Galt and David Klee).

In 1946 Anne portrayed Sophie MacDonald in The Razor's Edge (1946), a film that would land her an Academy Award for Best Supporting Actress. She had come a long way in so short a time, but for her next two films she was just the narrator: Mother Wore Tights (1947) and Blaze of Noon (1947). It would be 1950 before she landed another decent role--the part of Eve Harrington in All About Eve (1950). This film garnered Anne her second nomination, but she lost the Oscar to Judy Holliday for Born Yesterday (1950). After several films through the 1950s, Anne landed what many considered a plum role--Queen Nefretiri in Cecil B. DeMille's The Ten Commandments (1956). Never in her Hollywood career did Anne look as beautiful as she did as the Egyptian queen, opposite Charlton Heston and Yul Brynner. After that epic, job offers got fewer because she wasn't tied to a studio, instead opting to freelance her talents. After no appearances in 1958, she made one film in 1959 Season of Passion (1959) and one in 1960 Cimarron (1960).

After Walk on the Wild Side (1962), she took a hiatus from filming for the next four years. She was hardly idle, though. She appeared often on stage and on television. She wasn't particularly concerned with being a celebrity or a personality; she was more concerned with being just an actress and trying hard to produce the best performance she was capable of. After several notable TV appearances, Anne became a staple of two television series, East of Eden (1981) and Hotel (1983). Her final moment before the public eye was as Irene Adler in the TV film Sherlock Holmes and the Masks of Death (1984). On December 12, 1985, Anne died of a stroke in New York. She was 62.

Despite being in just seven episodes, Nita Talbot is best remembered for her Emmy-nominated role as the crafty Russian spy Marya Parmanova in the iconic 60s wartime sitcom Hogan's Heroes (1965). Her character was the only one in the show capable of outmaneuvering Bob Crane's shrewd Colonel Hogan.

Nita was born Anita Sokol of Hungarian/Jewish ancestry in the Bronx, New York. Determined to break into show business, she often accompanied her older sister, Gloria Stone, to auditions at the various studios. On one of these outings, she was spotted by a talent scout and signed under contract by Warner Brothers, making her screen debut, aged eighteen, in 1949. This was followed two years later with her first curtain call on Broadway. Sultry, blonde, husky-voiced and with her gray/green eyes, Nita was proclaimed by studio publicists to resemble Hollywood legend Lauren Bacall. With that in mind, she was usually cast during the early years of her career as hard-boiled, street-wise chicks and ambitious career girls.

Nita's first recurring character role was that of Gloria in one of the first ever private detective serials, Man Against Crime (1949). She had to wait a decade for her next co-starring turn as an enterprising aide-de-camp to the star in The Jim Backus Show (1960), a sitcom which revolved around a second-rate news service. In addition to numerous anthology dramas, Nita regularly featured in prime time shows like Perry Mason (1957), The Thin Man (1957), Mike Hammer (1958), Johnny Staccato (1959) and Mr. Lucky (1959), often as gals named Blondie, Mimi, Narcissa, Kitten, Belle or Delilah (one cannot omit from this list her French Quarter nightclub singer and dancer 'Lusti Weather' in four episodes of Bourbon Street Beat (1959)).

In Kolchak: The Night Stalker (1974)'s The Werewolf, her Paula Griffin helped Darren McGavin take down the creature with the requisite silver bullets during a swinging sixties cruise. She was Mickey Rooney's ex-flame in an episode of The Fugitive (1963) and the pawn in a cat-and-mouse game between Peter Falk and Leonard Nimoy in the Columbo (1971) episode A Stitch in Time. Nita fared rather less well in Alfred Hitchcock Presents (1955) (strangled), McCloud (1970) (poisoned), The Untouchables (1959) and Mannix (1967) (shot in both).

In the 70s and 80s, Nita was co-star in a couple of half-hour sitcoms: as a conceited socialite and magazine editor in Here We Go Again (1973), and as Rose, the acerbic receptionist of veterinarian Bill Daily in Starting from Scratch (1988). She also featured as a semi-recurring character in the soap General Hospital (1963). Never short of work, Nita remained steadily engaged in television guest appearances right up to her retirement in 1997.

Her roles on the big screen seem to have paralleled those on TV: nightclub singer 'Saturday Night' in Who's Got the Action? (1962), Sunny Daze in the Elvis beach party musical Girl Happy (1965), tycoon Roddy McDowall's Girl Friday (Dee Dee Howitzer!) in the perfectly awful comedy The Cool Ones (1967) and brassy Madam Esther in the blaxploitation western Buck and the Preacher (1972). She had a small part in the acclaimed satirical drama The Day of the Locust (1975) (set in 1930s Hollywood) as the pretentious and hedonistic Joan Schwartzen.

The prolific Miss Talbot has racked up an impressive tally of 153 acting credits (according to IMDB). She was formerly married to actors Don Gordon and Thomas A. Geas. Both unions ended in divorce.

Born in Boise City, Oklahoma, Vera Miles attended school in Pratt, Kansas and Wichita, Kansas. The patrician beauty of Miss Miles won her the title of "Miss Kansas" in 1948, leading soon to small roles in Hollywood films and television series. Fame came to the forthright, spirited Miles when she attracted the attention of two master directors, Alfred Hitchcock and John Ford. Ford cast her in the classic western The Searchers (1956) and Hitchcock, who put her under personal contract and hailed her as his "new Grace Kelly", paired her with the great Henry Fonda in The Wrong Man (1956). Hitchcock cast Miles in the potentially star-making role of Judy Barton in Vertigo (1958), but Miles withdrew from the film when she became pregnant. Hitchcock gave Miles a supporting role in another masterpiece Psycho (1960), as did Ford when he cast her opposite John Wayne and James Stewart in The Man Who Shot Liberty Valance (1962), She also starred in such films as Beau James (1957) opposite Bob Hope, The FBI Story (1959) opposite Stewart, Back Street (1961) opposite Susan Hayward and John Gavin and Sergeant Ryker (1968) opposite Lee Marvin, as well as showing her consistently remarkable and versatile talent on dozens of popular television movies and series including The Alfred Hitchcock Hour (1962), The Twilight Zone (1959), The Outer Limits (1963), The Fugitive (1963), My Three Sons (1960), Bonanza (1959), Columbo (1971) and Murder, She Wrote (1984). In 1983, she reprised her role as "Lila Crane" in the film sequel Psycho II (1983), starring Anthony Perkins. Although, too often, the stunningly beautiful Miles' gifts were underutilized, before her retirement in 1995, hers was a most intriguing and enduring Hollywood career.

Joanne Linville made her mark on television from the 1950s-1980s, appearing in such respected anthology series as Studio One (1948), Kraft Theatre (1947) and Alfred Hitchcock Presents (1955), among others. While her film work consisted mainly of smaller character roles and she never had regular roles on television, she guest-starred on numerous series over her career, often in Westerns but, especially in the 1970s, in a variety of drama and detective series. Star Trek (1966) fans will remember her in the episode "The Enterprise Incident", in which she played a Romulan commander--the first female Romulan ever portrayed on the series--who goes up against Captain James T. Kirk and is romanced by Mr. Spock.

The ex-wife of director Mark Rydell, she has two children by that marriage who are also actors, Amy Rydell and Christopher Rydell. She was a master teacher at Stella Adler's Academy and later started her own acting school.

Tisha Sterling was born on 10 December 1944 in Los Angeles, California, USA. She is an actress, known for Coogan's Bluff (1968), Village of the Giants (1965) and The Whales of August (1987). She was previously married to Lal Baum.

Gretchen Corbett was born on 13 August 1945 in Portland, Oregon, USA. She is an actress, known for The Rockford Files (1974), Pig (2021) and Otherworld (1985).

Joanna Cameron (born Patricia Kara Cameron) was an American actress and model, whose relatively brief acting career lasted from 1969 to 1980. She is primarily remembered for portraying the superheroine Isis/Andrea Thomas in the short-lived series "The Secrets of Isis" (1975-1976). Her character was depicted as a distant descendant of the Pharaoh Hatshepsut (15th century BC). An amulet that once belonged to her ancestor bestowed on Andrea elemental powers, and turned her into a representative of the goddess Isis (from which the powers derived). The series lasted for 2 seasons, and a total of 22 episodes. Cameron also portrayed Isis in three guest appearances in the superhero series "Shazam!"(1974-1976).

Cameron attended college during the late 1960s. She befriended fellow college student Linda Hope, a daughter of the comedian Bob Hope (1903-2003). Linda introduced Cameron to her father. Bob decided to cast Cameron in the role of the main character Nancy Benson in the comedy film "How to Commit Marriage" (1969). In the film, Nancy is a 19-year-old music student who is impregnated by her boyfriend. She plans to give birth and then offer the child for adoption, while her parents conspire to adopt their grandchild without informing Nancy of its fate. This film was Cameron's film debut.

Cameron was subsequently cast as a female student in the black comedy film "Pretty Maids All in a Row" (1971). In the film, high school football coach and guidance counselor Michael "Tiger" McDrew (played by Rock Hudson) systematically seduces female students, and has flings with them. The girls are unaware that Tiger is secretly a serial killer, and that he is responsible for killing several young girls. This was the only feature film scripted by the famed television writer Gene Roddenberry.

Cameron ceased making film appearances by 1971, but she had already started being cast in guest star roles in various television series. She had a recurring role as Nurse Anne MacAndrews in the medical drama "Marcus Welby, M.D.". She also depicted an unrelated one-shot character in the same series. Cameron was a relatively familiar face to television viewers by the time she gained the lead role in "The Secrets of Isis".

Following the end of her series, Cameron resumed making guest appearances in various television series. Her most notable role in this period was playing the young journalist Gale Hoffman in the first two episodes of the superhero series "The Amazing Spider-Man" (1977-1979). Her character was determined to get an interview from the mysterious Spider-Man. Gale was unaware that Spidey was her work colleague, Peter Parker. She and Peter even traveled together on an assignment by J. Jonah Jameson.

By the late 1970s, Cameron appeared regularly in television commercials. She had become the chosen model for several brands of cosmetics, shampoo, wine, beer, pantyhose, and breath freshener. At one point, she held the record for the most appearances in commercials. She had reportedly appeared in 105 commercials within a few years. Her commercials had a combined length of 150 hours.

Cameron chose to retire from acting in 1980, at the age of 32. She subsequently worked for a decade as a nurse in the home health-care industry. She retired from this role in order to work in the marketing department of the hotel industry. Her marketing career lasted for several decades.

In October 2021, Cameron died at the age of 73. Her death was caused by complications in the aftermath of a stroke. Her death was announced to the press by Joanna Pang Atkins, Cameron's former co-star in "The Secrets of Isis". They had apparently maintained contact since the series ended. Cameron's death attracted considerable press attention, though she had remained out of the spotlight for 40 years. "The Secrets of Isis" still has a cult following, and versions of Andrea Thomas have appeared in comic books by DC Comics.

Poupée Bocar was born on 15 August 1940 in San Diego, California, USA. She is an actress, known for Columbo (1971), Get Smart (1965) and The Last Movie (1971).

Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story.

The New York-born actress (August 16, 1946) is the daughter of a night club singer, Margot Warren (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under Lee Strasberg at his Actors Studio, the youngest student to ever be accepted at the time.

Looking for on-camera work, the teenager appeared unbilled as Shelley Winters's young daughter in the melodrama The Chapman Report (1962) and was given a bit in the daytime TV show "The Doctors." The slender, young hopeful gathered early musical stage experience in such shows as "Bye Bye Birdie" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and won Broadway's "Most Promising Newcomer" Award. She subsequently received the Theatre World Award for her lead work as a "cat burglar" opposite Elliott Gould in the very short-lived (8 performances) musical "Drat! The Cat!" in 1965.

The attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the Richard Rodgers/Oscar Hammerstein II TV musical production of Cinderella (1965) with Stuart Damon as her Prince and a glittering, all-star cast in support. The Walt Disney people immediate signed the exquisite "Cinderella" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.

Rebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her more mature goal, she was hired in 1970 to replace Barbara Bain in the long-running espionage series Mission: Impossible (1966) when Bain left over contractual issues. Audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.

After only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure Seven in Darkness (1969) as one of several blind survivors; the love drama Love Hate Love (1971) co-starring Ryan O'Neal; a failed pilot in the title role of Cat Ballou (1971); a mild western as one of The Daughters of Joshua Cabe (1972); the exotic "silent star" biopic The Legend of Valentino (1975); the rags-to-riches story Harold Robbins' 79 Park Avenue (1977), for which she won a Golden Globe award; the epic WWII story Pearl (1978); and the social melodramas Betrayal (1978) and Portrait of a Stripper (1979). Lesley also impressed with her starring roles in the Civil War miniseries Beulah Land (1980) and as a Polish-Jewish immigrant in Evergreen (1985). On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite Pernell Roberts's Rhett Butler in a 1973 Broadway-bound musical version of "Gone with the Wind: The Musical." The show quickly died on the West Coast before ever reaching New York.

In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical Victor/Victoria (1982). Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by Alan Rudolph -- Choose Me (1984) and Songwriter (1984). Warren went on to receive a Golden Globe nomination supporting Willie Nelson and Kris Kristofferson in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly "cougar" type opposite young blond and boyish Christopher Atkins in the critically-panned drama A Night in Heaven (1983). She also played Miss Scarlet in the movie version of the board game Clue (1985).

Award-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries Harold Robbins' 79 Park Avenue (1977). She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (Powers Boothe) in Family of Spies (1990), as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in Baja Oklahoma (1988). In 1997, she returned to Broadway with the musical revue "Dream" co-starring Margaret Whiting, which focused on classic "Golden Age" standards.

Entering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the Losing Grace (2001), Secretary (2002), My Tiny Universe (2004), When Do We Eat? (2005), The Shore (2005), Stiffs (2010), I Am Michael (2015), The Sphere and the Labyrinth (2015) and 3 Days with Dad (2019). Among her later TV credits are "Touched by an Angel," "The Practice," "Less Than Perfect," "American Princess," and a recurring role as an overly dependent mom named Jinx in the mystery crime series In Plain Sight (2008). Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on Will & Grace (1998) and Desperate Housewives (2004).

Lesley has a son, actor/producer Christopher Peters, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec and sometime actor Ron Taft, a former vice-president at Columbia.

Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.

Lola Jean Albright was born on July 20, 1924 in Akron, Ohio, the daughter of John Paul Albright and Marion Harvey, both of whom were gospel singers. She worked as a model before moving to Hollywood in the mid-1940s, studied piano for 20 years and worked as a receptionist at radio station WAKR in Akron. Considered one of the most stylish, sultriest and beautiful actresses in Hollywood, with one of the throatiest, smokiest and most distinctive voices in the business, she starred with Kirk Douglas in the film noir Champion (1949). From 1958 to 1961, she played sultry nightclub singer Edie Hart on the popular television series Peter Gunn (1958).

She also made guest appearances on the television series Gunsmoke (1955), Bonanza (1959), Alfred Hitchcock Presents (1955), The Beverly Hillbillies (1962) and The Man from U.N.C.L.E. (1964). She played Constance McKenzie on the night-time soap opera Peyton Place (1964) after Dorothy Malone became sick and could no longer play the role. She received critical acclaim for her performances in A Cold Wind in August (1961), Joy House (1964) and How I Spent My Summer Vacation (1967). Retired from acting, Lola Albright died at age 92 on March 23, 2017 in Toluca Lake, California.

Shera Danese was born on 9 October 1949 in Philadelphia, Pennsylvania, USA. She is an actress, known for Risky Business (1983), John Q (2002) and Alpha Dog (2006). She was previously married to Peter Falk.

Trish Van Devere is an American actress best-known for her comedic turn in Carl Reiner's cult classic, Where's Poppa? (1970), in support of George Segal and Ruth Gordon, and for being the wife and widow and frequent co-star of legendary actor, George C. Scott. Born Patricia Louise Dressel on March 9, 1941 in Tenafly, New Jersey, she first made her mark, professionally, on the soap opera, One Life to Live (1968). She met Scott when they co-starred (along with his then-wife Colleen Dewhurst) in the neo-noir, The Last Run (1971). Scott eventually shed Dewhurst (for the second time) and married Van Devere in 1972. She co-starred with him in Mike Nichols' thriller, The Day of the Dolphin (1973), which was not a success, and The Savage Is Loose (1974), a flop, directed by Scott, that was barely released. During the rest of the decade, they co-starred in the TV movie, Beauty and the Beast (1976), Movie Movie (1978), and The Changeling (1980) (1980), a period that coincided with the decline of Scott's stardom and critical reputation. After 1980, when the two appeared on Broadway in a calamitous flop, she continued to appear in less prestigious movies and on TV until 1994.

Van Devere became a stage actress under the tutelage of Scott. She made her Broadway debut in 1975 in a revival of Eugene O'Neill's "All God's Chillun Got Wings", directed by her husband. She also co-starred with him on the Great White Way in "Sly Fox", a retelling of Ben Jonson's "Volpone", that was a great hit. In 1980, they co-starred for the final time on Broadway in the mystery-romance, "Tricks of the Trade", which closed on opening night.

Molly Hagan was born the seventh child of Jack and Betty Hagan in Minneapolis, Minnesota. At the age of 4 the entire family moved to Ft. Wayne, Indiana. She grew up among cornfields and limestone quarries. Molly always wanted to be an actor. She toiled with her sister, Lucy Hagan, to create the best living room theatre a family could watch. But had her first real break as Glinda the good witch in "The Wizard of Oz" at St. Therese's Elementary School. After crushing it, doing the best Billie Burke she could, Molly went on to be kicked out of High School drama. She then attended Northwestern University.

Julia Montgomery was born in Kansas City, Missouri, USA. She is an actress and producer, known for Revenge of the Nerds (1984), Anatomy of an Illness (1984) and Revenge of the Nerds III: The Next Generation (1992). She has been married to Jon David Reede since 17 March 1996. They have two children.

Fionnula Flanagan was born and raised in Dublin, Ireland. From an early age she grew up speaking both English and Irish on a daily basis. Her parents weren't native Irish speakers but wanted Fionnula and her four siblings to learn the language. Her mother used to say, "A nation without a language is a nation without a soul". Fionnula has said she will be forever grateful to them for that. She was educated at the Abbey Theatre School in Dublin and in Switzerland. She moved to Los Angeles in 1968 and lives with her husband, psychiatrist Dr. Garrett O'Connor, in Beverly Hills. Of her enormous body of work, including stage, television and film, she might be most well-known for James Joyce's Women (1985), in which she plays six different women who had a profound influence on James Joyce's life. Besides giving an award-winning performance, she also wrote, adapted and produced the piece for the stage, and subsequently as a feature film. She believes Joyce is the most important writer in the English language, most notably for "Ulysses", "Finnegan's Wake" and "The Portrait of an Artist as a Young Man". When she was growing up she thought the much lauded author was a good friend of her parents, because they were always saying, "Joyce said this, Joyce said that". When she was finally old enough to read Joyce for herself, the characters were like old friends.