List Of all the people I was like to October 5, 1990.
This is a list of all the people that I was like before I was born to opposite what was known as the day one of my favorite musicians "Eric Clapton" performed "No Alibis" Live in Argentina on that day which was "October 5, 1990". So I decided to put a list of all past even numbered/future odd numbered day people that including me since I was really born September 9, 1997 were not really like this day in history. Have fun looking at my list anyways!
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- Known primarily in Britain for his many "matinée idol" roles during the 1950s, Anthony Steel is perhaps best remembered in Hollywood and elsewhere as the erstwhile husband of Anita Ekberg.
His career never really took off in Hollywood; at one point during his marriage to Ms. Ekberg, he was referred to as "Mr. Ekberg" - a slight that reflected his success (or lack of it) in movies following the eventual breakup of the marriage.
Steel was born in London and was the son of an Indian army officer. He was educated at Cambridge and in World War II served as a Major in the Grenadier Guards Parachute Regiment and for a time served in the infant Special Air Service (S.A.S.) leaving in 1948.
It wasn't until after the war he decided to pursue acting, starring in such adventure-charged films as Malta Story (1953) for the J. Arthur Rank studio. His career was at its pinnacle and he was lauded as one of Britain's biggest movie stars when he married Ekberg in 1956 and set out with her to break into Hollywood pictures. Finding Hollywood unsatisfactory and even hostile, he turned primarily to making some not-so-memorable European films in the '70s and '80s - including The Story of O (1975) (The Story of O)- and some guest spots on British TV.
He died on March 21, 2001, in Northwood, Middlesex, England. - Robert Beatty graduated with a B.A. from the University of Toronto and started in amateur dramatics with the Hamilton Player's Guild. For a while, he made a living as a cashier for a gas and fuel company. In order to further hone his acting skills, he made his way to London in 1936 (on the advice of Leslie Howard) to train for acting at RADA. He made his theatrical debut in "Idiot's Delight" at the Apollo, and from there obtained regular work on both stage and screen in bit parts and walk-ons, eventually making his breakthrough on radio as a broadcaster for the BBC. He was famously on hand, reporting eyewitness accounts of the London Blitz for the Overseas News Service during the war years.
On the strength of this, Beatty was promoted to more substantial film roles, beginning with San Demetrio London (1943), in which he played a brash, alcoholic American sailor mellowed by his good-natured British crewmates in the best 'stiff-upper-lip' tradition. This seemed to set the tone for his future screen personae, for he was henceforth typecast as tough, down-to-earth Canadians or Americans, many of them cops or gumshoes in low budget potboilers. That notwithstanding, he had his share of quality assignments as well, notably as loyal friend to IRA fugitive James Mason in Odd Man Out (1947); as a plausible Lord Beaverbrook in The Magic Box (1951); as Lieutenant William Bush, best friend and second-in-command to Gregory Peck's Captain Horatio Hornblower (1951); and as a washed-out heavyweight prizefighter in The Square Ring (1953). Throughout his career, Beatty's stock-in-trade was masculinity, dependability and forthrightness.
Immensely popular on radio, Beatty provided the voice for private eye Philip Odell in a long-running series for the BBC "Light Programme" between 1947 and 1961. From the late 1950's, he also became increasingly prolific on television and as a narrator of documentaries. If his face was not yet recognisable enough, he appeared in commercials for a hair care product. For two years, Beatty starred in his own half-hour series, Dial 999 (1958), as a Canadian mountie seconded to Scotland Yard. On the big screen he was cast as Dr. Ralph Halvorsen in Stanley Kubrick's 2001: A Space Odyssey (1968). Towards the end of his lengthy career, he gave one of his finest performances, a thoroughly convincing impersonation of President Ronald Reagan in the documentary-drama Breakthrough at Reykjavik (1987). - In a career spanning 50 years, Isabel Dean demonstrated talent and versatility while never fulfilling the great promise initially indicated. With large eyes and classically chiseled features, she became best known as an exponent of somewhat steely patrician ladies of elegance and breeding. That she was capable of much more was demonstrated by her work on stage in both the classics and contemporary drama, but most of this was done in provincial theatres, partly no doubt because early in her career she offended "Binkie Beaumont", the West End's leading theatrical manager. She was born Isabel Hodgkinson in Aldridge, Staffordshire, in 1918. Her first ambition was to be an art teacher. She studied painting at the Birmingham Art School and in 1937 joined the Cheltenham Repertory Company as a scenic artist. Soon she was taking both acting lessons and small parts with the company. "It was inevitable, with her ravishing looks," commented one of the company later.
After appearing with repertory companies in Brighton and Norwich, she made her London debut on 1 May 1940 as Maggie Buckley in an adaptation of Agatha Christie's thriller Peril at End House, following this with a Shakespearean role, Mariana in Robert Atkins's Regent's Park production of All's Well That Ends Well. A major break came in 1943 when she played Jenny in John Gielgud's celebrated production of Congreve's Love for Love at the Phoenix.
The following year she was asked to join Gielgud's repertory company at the Haymarket, again playing Prue in Love for Love, but also understudying Peggy Ashcroft as Ophelia to Gielgud's Hamlet (the last time the great actor played the role). She played Ophelia several times when Ashcroft was sick and followed this with a performance as Hermia in A Midsummer Night's Dream which, according to Harold Hobson, was "as pretty and sharply defined as it was lovely".
When Beaumont asked her to go with Gielgud's company to tour India, but only to play the role of the maid in Coward's Blithe Spirit and again to under-study Ophelia, she refused and Beaumont made it clear he considered her ungrateful. She never worked for his management again and made few more West End appearances. Instead she played leading roles in Oxford, Brighton and the Boltons Theatre, including a luminous Juliet.
She returned to the West End in 1956 to play Mary Dallas in the thriller The Night of the Fourth at the Westminster, and three years later played Miss Frost, the Catholic lodger seduced by a young student, in the hit production of J.P. Donleavy's The Ginger Man at the Fortune.
She had meanwhile become a familiar face on television. She had the principal female role in Nigel Kneale's enormously popular blend of science-fiction and horror The Quatermass Experiment (1953), six 30-minute episodes which went out live, with filmed inserts. Dean played the scientist whose astronaut husband returns from a mission with an alien infection that causes him to mutate into a vegetable-like creature.
When A Life of Bliss, a successful radio comedy series, was transferred to television with its original star, George Cole, as the bumbling bachelor hero, Dean was cast as his forthright sister Anne.
Other television roles included Jane Austen's Sense and Sensibility, David Mercer's The Parachute (as mother to John Osborne), Julian Bond's 13-part series A Man of Our Times and a high-toned soap-opera, 199 Park Avenue, sat in a luxury apartment block where the stories of the inhabitants are linked by a gossip columnist searching for stories. Created and written by Dean's husband, William Fairchild, it went out twice weekly, but lasted only nine weeks. (Dean's 1953 marriage to Fairchild, who wrote such screenplays as Morning Departure, The Malta Story and Star!, was dissolved in the early Seventies.)
In the theatre, she had successes in several contemporary plays, including the Royal Court production of John Osborne's A Hotel in Amsterdam (1968), which moved into the West End, and in provincial productions of Orton's What the Butler Saw and John Bowen's chilling Robin Redbreast. She had a particularly notable triumph as Hester in Rattigan's The Deep Blue Sea (at Guildford in 1971 and Nottingham in 1972), once more following in the footsteps of Peggy Ashcroft. Her wrenching portrayal of the clergyman's daughter, married to a High Court judge, who leaves her husband to pursue a hopeless and obsessive affair with a young air force pilot, clearly demonstrated that Dean's gifts had not always been appropriately exploited.
In 1977 she played with Gielgud, for the first time since she had been his Ophelia, in Julian Mitchell's Half Life at the National Theatre.
Dean's film career began in 1943 with a tiny role in The Man in Grey. Later films included Lean's The Passionate Friends (1948), and Sidney Gilliatt's The Story of Gilbert and Sullivan (1953), in which she was the epitome of droll elegance as wife to Robert Morley's Gilbert. "How does it feel to be married to a transcendent genius?" asks her husband as he puts the finishing touches to The Mikado. "I suppose I've always taken it for granted, dear," is her reply.
In Alexander Mackendrick's A High Wind in Jamaica, she presented a beautiful and touching picture of Victorian motherhood in the film's early sequences. Her last appearance on the West End stage was as the tragic mother of Alan Turing (Derek Jacobi) in Hugh Whitemore's Breaking the Code (1986).
A few years earlier the critic Harold Hobson had written: "Our own stage is rich in actresses of whom the chief jewel is Peggy Ashcroft - and the most undervalued is Isabel Dean."
Dean died aged 79 in 1997. - Marie Lohr was born on 28 July 1890 in Sydney, New South Wales, Australia. She was an actress, known for Pygmalion (1938), Notorious Gentleman (1945) and South Riding (1938). She was married to Anthony Leyland Val Prinsep. She died on 21 January 1975 in London, England, UK.
- Lloyd Lamble was born on 8 February 1914 in Melbourne, Victoria, Australia. He was an actor, known for The Belles of St. Trinian's (1954), The Invisible Man (1958) and Sex Through the Ages (1974). He was married to Lesley Jackson, Doris Barbara Smith and Marjorie Ellerton Barrett. He died on 17 March 2008 in Falmouth, Cornwall, England, UK.
- Harold Kasket was born on 26 July 1926 in London, England, UK. He was an actor, known for Moulin Rouge (1952), The 7th Voyage of Sinbad (1958) and Reluctant Bandit (1965). He was married to Esther Laredo. He died on 20 January 2002 in London, England, UK.
- An engineer's daughter, she had first planned on becoming a ballerina, using her original Christian name Muguette, but abandoned those plans by the age of 17 when she realized that her physique was more in keeping with her other first name, Megs. She trained in Liverpool at the School of Dancing and Dramatic Art and then joined the Liverpool Repertory Company in 1933 before moving to London to appear at the Player's Theatre four years later.
During the 1950's, Megs was busy acting on stage and had considerable critical success in two plays by Emlyn Williams, 'Light of Heart' (1940) and 'The Wind of Heaven' (1945). Against character, she also played the vicious, unstable Alma Winemiller in 'Summer and Smoke' (1951) by Tennessee Williams. In 1956, she was awarded the Clarence Derwent Award as Best Supporting Actress for her role as the stoic wife of a longshoreman harbouring incestuous feelings for his niece in 'A View from the Bridge' by Arthur Miller. The previous year, she had made her Broadway debut in Chekhov's 'A Day by the Sea' as a supportive governess to an alcoholic physician.
Among her screen roles, best remembered are those of Nurse Woods in the excellent murder mystery Green for Danger (1946); her plump, homely innkeeper providing final happiness to the title character at the end of The History of Mr. Polly (1949)); and three of her many housekeepers : the proper one of Indiscreet (1958), the nervously anxious one, sensing danger in The Innocents (1961) and the warm, dependable one in the musical Oliver! (1968). From the 1960's, Megs did a lot of television work, starred in her own series, Weavers Green (1966), as a country veterinarian, and even made tea bag commercials. Her versatility and popularity as an actress ensured that she was never out of work. - Actor
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Gordon Harker born in 1885 in London into a well-known family of theatrical artists, he first appeared on stage in 1903. Lugubrious, shifty cockney character who starred and supported in over 60 films his first film role as Major Kent in Harold M. Shaw 'General John Regan' starring Milton Rosmer for the Stoll Film Company in 1921 he was often cast as a comical cockney crook or cop in many comedy and thrillers, he appeared in three silent films directed by Alfred Hitchcock 'The Ring' in 1927 'The Farmer's Wife' in 1928 and Champagne' in 1929 busy throughout the 1930's with some of his best, including 'Rome Express' in 1932, Boys Will Be Boys' in 1935 with Will Hay, and Michael Powell's 'The Phantom Light' in 1935, and also the 'The Frog' in 1937, he was noted for his performances as 'Inspector Hornleigh' in a trilogy of films made between 1938-40, his last appearance as Hardy in 'Left Right and Centre' in 1959 starring Ian Carmichael and Alastair Sim, also popular on radio and t.v. he died in 1967 in London age 82.- Michael Howard was born on 4 March 1916 in Holywell Green, Yorkshire, England, UK. He was an actor, known for A Sister to Assist 'Er (1948), Golden Rendezvous (1977) and Front Page Story (1954). He was married to Peggy Evans and Betty Kelly. He died on 18 February 1988 in London, England, UK.
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Debonair British actor at home on stage (since the age of 15), screen and TV. Initially, his roles tended to be dramatic but, by his 40s, he was increasingly playing tongue-in-cheek comedy parts. His smooth lounge-lizard voice has frequently been used for voice-overs on television advertisements (most famously a long-running campaign for Schweppes drinks) and TV trailers.Even though I was like William Franklyn to that day I was talking about, I'm not gonna be like September 22 in the future because September 9 is different category than September 22 a.k.a. even numbered vs. odd numbered days.- Russell Napier was born on 28 November 1910 in Perth, Western Australia, Australia. He was an actor, known for A Night to Remember (1958), The Case of the Red Monkey (1955) and The Time Machine (1949). He was married to Lois Mary Caird Miller. He died on 19 August 1974 in Surbiton, Surrey, England, UK.
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Popular Hollywood leading man of late silents and early talkies. He is best remembered for his teaming with Janet Gaynor in 12 screen romances between 1927 and 1934. He retired from films in the early 1940s, but TV audiences of the 1950s would see him as Gale Storm's widower dad in the popular television series My Little Margie (1952).- Andy Ho was born on 2 July 1913 in Singapore. He was an actor, known for Kiss the Girls and Make Them Die (1966), Swiss Family Robinson (1960) and The Avengers (1961). He died in January 1992 in London, England, UK.
- Born on October 1, 1896, in Rangoon, Burma, to Burmese-Jewish parents, and the son of a well-to-do merchant, distinguished veteran character actor Abraham Isaac Sofaer was a one-time schoolteacher in both Rangoon and London. He switched gears to acting after a short time and made his stage debut in 1921 as a walk-on in William Shakespeare's "The Merchant of Venice."
Sofaer scored his first prominent London appearance with "The Green Goddess" in 1925 and, from the 1930s on, alternated between the London and Broadway repertory stages playing an assortment of Shakespearean roles (Othello, Lear, Cassius, etc.) among other classical plays. He scored a personal triumph in New York as Benjamin Disraeli opposite Helen Hayes in "Victoria Regina" in 1936. The following year, he directed Ms. Hayes in "The Merchant of Venice", in which he played the title role of "Shylock". A theatre repertory player of note, he soon focused on the big screen and made his British film debut with The Dreyfus Case (1930). Subsequent noteworthy British film roles included his judge in A Matter of Life and Death (1946) and as Disraeli in The Ghosts of Berkeley Square (1947). Recognized for his bulgy, wide-eyed stare, resonant tones and imposing stance, he built up a solid reputation over the years playing odd and interesting Eastern ethnics -- sultans, swamis, high priests, witch doctors, foreign dictators and dignitaries, he was even convincing playing Indian chiefs on occasion. His characters ranged from wise and warm-hearted to cunning and wickedly evil.
In the mid-1950s, Sofaer settled in Hollywood wherein he became a main staple in exotic dramas and costumed adventure, appearing almost exclusively in movies and TV. Some of his better known U.S. films include Quo Vadis (1951), His Majesty O'Keefe (1954), Elephant Walk (1954), Taras Bulba (1962) and Chisum (1970). Throughout the 1960s, he could be counted on for guest appearances on all the popular shows of the day including Perry Mason (1957), Wagon Train (1957), Gunsmoke (1955), Daniel Boone (1964) and Star Trek (1966). On TV, he may be best remembered for his recurring role of Haji, the master of all genies, on I Dream of Jeannie (1965).
Married to wife Angela for nearly seven decades and affectionately called "Abe" to closer friends, Sofaer was the father of six children. Retiring from acting in 1974, Sofaer died of congestive heart failure at the Motion Picture & Television Country House and Hospital in Woodland Hills, California at the age of 91 in 1988.Even though I was not like Abraham Sofaer to that day, however in my opinion both October 1 and October 5 days in my world were both future even numbered days. - Clifford Buckton was born on 5 January 1897 in Leeds, West Yorkshire, England, UK. He was an actor, known for Detective Lloyd (1932), Battle for Music (1943) and Someone at the Door (1939). He died on 9 July 1960 in Kensington, London, England, UK.
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Jill Adams (nee Siggins), was discovered while working as a model, having been asked to step in at the department store where she was an artist, when a model failed to show up. She was the daughter of Irish-American silent film actress Molly Adair, and New-Zealand writer, Arthur James Siggins (published under the name A.J. Siggins),. He had first sailed from the Antipodes to Africa as a young man to fight in the Boer war, where he served with the Matabele Mounted Police and later represented The ANZACs at Cecil Rhodes funeral in1902. His first wife was from Mozambique. The couple first met in Tanganyika (now Tanzania), where he was working with the High Commission. She was there on location to star in the silent film version of 'The Blue Lagoon' The young ingénue became A.J. Siggins' 2nd wife. After several years in Africa, during which time two sons were born, they relocated to England, where Jillian M.M.J. Siggins was born in London. During WWII, the family moved to North Wales, where they had 2 working farms. Upon returning to London following the war, and after Jill had become a successful model, she married a young US Navy officer stationed in the British capital, by the name of James Adams, in 1951. They had a daughter (Tina) in 1952. Jill's career began to flourish, but sadly the marriage did not, and now alone she began securing a few minor TV and film roles, before eventually being signed by J. Arthur Rank as one of the corporation's 'starlets'. The bubbly blonde actress, Jill Adams, soon made a string of popular films for the studios - many of which were light-hearted comedies such as 'Doctor at Sea' and 'Brothers in Law' - and she was often referred to as Britain's answer to Marilyn Monroe. She also made a few films in the US and Australia. In 1957, she married the well-known BBC radio and TV personality, Peter Haigh, and they were very much the 'It' couple. They had a daughter, Peta Louise, in 1962. Jill also starred in the popular TV series 'The Flying Doctor' which lasted for 39 episodes. Over the next few years, although no longer getting the bigger roles, Adams continued to work both in radio and on stage. But, by the end of the 60s, with fewer opportunities available, she essentially retired from show business. In 1971, she and her husband Peter moved the family to the Algarve in Portugal, where they ran a hotel and restaurant in Albufeira. When that marriage ended, Adams spent several years with Michael Johnson, a former British radio host and musician, with whom she ran two businesses. She then eventually went solo until meeting Alan 'Buster' Jones, and moved first to the Lisbon area to be with him, and then they relocated to Spain. Following Jones's death in 1996, in the Costa del Sol, she returned to Portugal to be nearer to family. Always a prolific, popular and talented artist, she continued to paint even after being diagnosed with cancer in 2005 and right up until her death in Clareanes, in the Algarve., on May 13, 2008, at the age of 77.- Jim Tyson was born on 2 September 1912 in England, UK. He was an actor, known for St. Ives (1967), Pegasus (1969) and The Benny Hill Show (1955). He died on 9 September 1974 in England, UK.
- Extremely prolific and ubiquitous British background player Victor James Harrington was born on August 27, 1909 in Casal Paola, Malta. Harrington first began appearing in movies in uncredited minor roles in the mid-1930's. One of the most busy and tireless of British bit players, Victor could be frequently spotted in countless films and TV shows as a patron in a pub, nightclub, casino, or restaurant, a party guest, a military officer, a spectator at a sporting event, or an audience member at a play or concert. His daughter Victoria Harrington was also an actress. Harrington died at age 70 on July 23, 1980 in Brighton, East Essex, England.
- Martin Lyder was born on 30 September 1922 in Germany. He was an actor, known for Sweet Beat (1959), Rock You Sinners (1958) and The Rat Catchers (1966). He was married to Marion Shaw. He died on 12 January 2003 in Westminster, London, England, UK.Same thing with Martin Lyder, his day was exactly past odd numbered to me like William Franklyn. I'm still not going to be like Martin Lyder in the distant future as of my own birthday.
- British bit player Chris Adcock was born on April 7, 1922 in Rochdale, Lancashire, England. Adcock first began appearing in films in uncredited minor roles in the late 1940's. A husky fellow with a rough face and short dark hair, Chris was frequently cast as soldiers, sailors, or assorted working class blokes. Adcock died at age 75 on January 1, 1998.
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Rex Garner was born on 31 January 1921 in Wolverhampton, West Midlands, England, UK. He was an actor and director, known for Shadow Squad (1957), Survivor (1987) and Birds of Paradise (1981). He was married to Tammy Bonell. He died on 17 May 2015 in Havant, Hampshire, England, UK.- Actor
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Lane Meddick was born on 18 March 1924 in Barry, Glamorgan, Wales, UK. He was an actor and writer, known for Flower of Evil (1961), The Death Wheelers (1973) and Journey's End (1954). He died on 1 January 2017 in Binfield Heath, Berkshire, England, UK.- British character actress, on stage from 1894. Her many notable theatrical appearances include "Little Lord Fauntleroy" at the Prince's Theatre in Bristol, and, as Lady McClean, in "Escape Me Never" at the Apollo in London (1933) - a part she subsequently took to Broadway two years later. Until well into her seventies, Katie's screen career consisted almost exclusively of smallish parts, until she was cast as sweet, frail Mrs. Wilberforce in the classic Ealing comedy The Ladykillers (1955). A most quintessentially British role, it finds her in a crumbling boarding house with dodgy plumbing, surrounded by Victorian memorabilia, a parrot named General Gordon, and an assortment of genteel, but pixillated, old friends. Her innocence and moral fortitude ultimately precipitate the downfall of a gang of bank robbers, posing as a string quartet.
This was the defining role of Katie's career and it won her the 1955 BAFTA Award as Best Actress. She had another juicy role, as eavesdropping would-be sleuth Aunt Alice, in How to Murder a Rich Uncle (1957). Sadly, there was to be no more from this delightful scene stealer, as she passed away shortly after, at the age of 78. - Actor
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Sir Dirk Bogarde, distinguished film actor and writer, was born Derek Jules Gaspard Ulric Niven van den Bogaerde on March 28, 1921, to Ulric van den Bogaerde, the art editor of "The Times" (London) newspaper, and actress Margaret Niven in the London suburb of Hampstead. He was one of three children, with sister Elizabeth and younger brother Gareth. His father was Flemish and his mother was of Scottish descent.
Ulric Bogaerde started the Times' arts department and served as its first art editor. Derek's mother, Margaret - the daughter of actor and painter Forrest Niven - appeared in the play "Bunty Pulls The Strings", but she quit the boards in accordance with her husband's wishes. The young Derek Bogaerde was raised at the family home in Sussex by his sister, Elizabeth, and his nanny, Lally Holt.
Educated at the Allen Glen's School in Glasgow, he also attended London's University College School before majoring in commercial art at Chelsea Polytechnic, where his teachers included Henry Moore. Though his father wanted his eldest son to follow him into the "Times" as an art critic and had groomed him for that role, Derek dropped out of his commercial art course and became a drama student, though his acting talent at that time was unpromising. In the 1930s he went to work as a commercial artist and a scene designer.
He apprenticed as an actor with the Amersham Repertory Company, and made his acting debut in 1939 on a small London stage, the Q Theatre, in a role in which he delivered only one line. His debut in London's West End came a few months later in J.B. Priestley's play "Cornelius," in which he was billed as "Derek Bogaerde". He made his uncredited debut as an extra in the pre-war George Formby comedy Come on George! (1939).
The September 1939 invasion of Poland by Nazi Germany and the Soviet Union triggered World War II, and in 1940 Bogarde joined the Queen's Royal Regiment as an officer. He served in the Air Photographic Intelligence Unit and eventually attained the rank of major. Nicknamed "Pippin" and "Pip" during the war, he was awarded seven medals in his five years of active duty. He wrote poems and painted during the war, and in 1943, a small magazine published one of his poems, "Steel Cathedrals," which subsequently was anthologized. His paintings of the war are part of the Imperial War Museum's collection.
Similar to his character, Captain Hargreaves, in King & Country (1964), he was called upon to put a wounded soldier out of his misery, a tale recounted in one of his seven volumes of autobiography. While serving with the Air Photographic Intelligence Unit, he took part in the liberation of the Bergen-Belsen concentration camp, which he said was akin to "looking into Dante's Inferno".
In one of his autobiographies, he wrote, "At 24, the age I was then, deep shock stays registered forever. An internal tattooing which is removable only by surgery, it cannot be conveniently sponged away by time."
After being demobilized, he returned to acting. His agent re-christened him "Dirk Bogarde," a name that he would make famous within a decade. In 1947 he appeared in "Power Without Glory" at the New Lindsay Theatre, a performance that was praised by Noël Coward, who urged him to continue his acting career. The Rank Organization had signed him to a contract after a talent scout saw him in the play, and he made his credited movie debut in Dancing with Crime (1947) with a one-line bit as a policeman.
His first lead in a movie came that year when Wessex Films, distributed by Rank, gave him a part in the proposed Stewart Granger film Sin of Esther Waters (1948). When Granger dropped out, Bogarde took over the lead. Rank subsequently signed him to a long-term contract and he appeared in a variety of parts during the 14 years he was under contract to the studio.
For three years he toiled in Rank movies as an apprentice actor without making much of a ripple; then in 1950, he was given the role of young hood Tom Riley in the crime thriller The Blue Lamp (1950) (the title comes from the blue-colored light on police call-boxes in London), the most successful British film of 1950, which established Bogarde as an actor of note. Playing a cop killer, an unspeakable crime in the England of the time, it was the first of the intense neurotics and attractive villains that Bogarde would often play.
He continued to act on-stage, appearing in the West End in Jean Anouilh's "Point of Departure". While he was praised for his performance, stage acting made him nervous, and as he became more famous, he began to be mobbed by fans. The pressure of the public adulation proved overwhelming, particularly as he suffered from stage fright. He was accosted by crowds of fans at the stage door during the 1955 touring production of "Summertime," and his more enthusiastic admirers even shouted at him during the play. He was to appear in only one more play, the Oxford Playhouse production of "Jezebel," in 1958. He never again took to the boards, despite receiving attractive offers.
He first acted for American expatriate director Joseph Losey in The Sleeping Tiger (1954). Losey, a Communist and self-described Stalinist at the time, had emigrated to England after being blacklisted in Hollywood after he refused to direct The Woman on Pier 13 (1949) at RKO Pictures, which was owned by right-wing multi-millionaire Howard Hughes at the time, and he was accused in testimony before the House Un-American Activities Committee of being a Communist. The director, like Bogarde, would not find his stride until the early 1960s, and Losey and Bogarde would build their reputations together.
First, however, Losey had to overcome Bogarde's reluctance to star in a low-budget film (shot for $300,000) with a blacklisted American director. Losey, who had never heard of Bogarde until he was proposed for the film, met with him and asked Bogarde to view one of his pictures. After seeing the film, Bogarde was enthusiastic, and Losey talked him into taking the role, which he accepted at a reduced fee (Losey originally was not credited with directing the film due to his being blacklisted in the States). A decade later they would make more memorable films that would be watersheds in their careers.
It was not drama but comedy that made Dirk Bogarde a star. He achieved the first rank of English movie stardom playing Dr. Simon Sparrow in the comedy Doctor in the House (1954). The film was a smash hit, becoming one of the most popular British films in history, with 17 million admissions in its first year of release. As Sparrow, Bogarde became a heartthrob and the most popular British movie star of the mid-50s. He reprised the character in Doctor at Sea (1955), Doctor at Large (1957).
The title of the latter film may have described his mood as a serious actor having to do another turn as Dr. Sparrow between his career-making performances in Losey's The Servant (1963), with a script by Harold Pinter, and Losey's adaptation of the stage play King & Country (1964), in which Bogarde memorably played the attorney for a young deserter (played by Tom Courtenay).
Bogarde, hailed as "the idol of the Odeons" in honor of his box-office clout, was offered the role of Jimmy Porter in Look Back in Anger (1959) by producer Harry Saltzman and director Tony Richardson, based on the play that touched off the "Angry Young Man" and "Kitchen Sink School" of contemporary English drama in the 1950s. Though Bogarde wanted to take the part, Rank refused to let him make the film on the grounds that there was "altogether too much dialog." The part went to Richard Burton instead, who went over-the-top in portraying his very angry, not-so-young man.
After this disappointment, Bogarde went to Hollywood to play Franz Liszt in Song Without End (1960) and to appear in Nunnally Johnson's Spanish Civil War drama The Angel Wore Red (1960) with Ava Gardner. Both were big-budgeted films, but hampered by poor scripts, and after both films failed, Bogarde avoided Hollywood from then on.
He was reportedly quite smitten with his French "Song Without End" co-star Capucine, and wanted to marry her. Capucine, who suffered from bi-polar disorder, was bisexual with an admitted preference for women. The relationship did not lead to marriage, but did result in a long-term friendship. It apparently was his only serious relationship with a woman, though he had many women friends, including his I Could Go on Singing (1963) co-star Judy Garland.
In the early 1960s, with the expiration of his Rank contract, Bogarde made the decision to abandon his hugely successful career in commercial movies and concentrate on more complex, art house films (at the same time, Burt Lancaster made a similar decision, though Lancaster continued to alternate his artistic ventures with more crassly commercial endeavors). Bogarde appeared in Basil Dearden's seminal film Victim (1961), the first British movie to sympathetically address the persecution of homosexuals. His career choice alienated many of his old fans, but he was no longer interested in being a commercial movie star; he, like Lancaster, was interested in developing as an actor and artist (however, that sense of finding himself as an actor did not extend to the stage. His reputation was such in 1963 that he was invited by National Theatre director Laurence Olivier to appear as Hamlet to open the newly built Chichester Festival Theatre. That production of the eponymous play also was intended to open the National Theatre's first season in London. Bogarde declined, and the honor went instead to Peter O'Toole, who floundered in the part.)
Jack Grimston, in Bogarde's "Sunday Times" obituary of May 9, 1999, entitled "Bogarde, a solitary star at the edge of the spotlight," said of the late actor that he "belonged to a group that was rare in the British cinema. He was a fine screen player who owed little to the stage. Dilys Powell, the Sunday Times film critic, wrote of him before her own death: 'Most of our gifted film players really belonged to the theater. Bogarde belonged to the screen.'" Bogarde had won the London Critics Circle's Dilys Powell award for outstanding contribution to cinema in 1992.
Appearing in "Victim" was a huge career gamble. In the film, Bogarde played a married barrister who is being blackmailed over his closeted homosexuality. Rather than let the blackmail continue, and allow the perpetrators to victimize other gay men, Bogarde's character effectively sacrifices himself, specifically his marriage and his career, by bravely confessing to be gay (homosexuality was an offence in the United Kingdom until 1967, and there reportedly had been a police crackdown against homosexuals after World War II which made gay men particularly vulnerable to blackmail).
The film was not released in mainstream theaters in the US, as the Production Code Administration (PCA) refused to classify the film and most theaters would not show films that did not carry the PCA seal of approval. "Victim" was the antithesis of the light comedy of Bogarde's "Doctor" movies, and many fans of his character Simon Sparrow were forever alienated by his portrayal of a homosexual. For himself, Bogarde was proud of the film and his participation in it, which many think stimulated public debate over homosexuality. The film undoubtedly raised the public consciousness over the egregious and unjust individual costs of anti-gay bigotry. The public attitude towards the "love that dared not speak its name" changed enough so that within six years, the 1967 Sexual Offences Act decriminalizing homosexual acts between adults passed Parliament. Bogarde reported that he received many letters praising him for playing the role. His courage in taking on such a role is even more significant in that he most likely was gay himself, and thus exposed himself to a backlash.
Bogarde always publicly denied he was a homosexual, though later in life he did confess that he and his manager, Anthony Forwood, had a long-term relationship. When Bogarde met him in 1939, Forwood was a theatrical manager, who eventually married and divorced Glynis Johns. Forwood became Bogarde's friend and subsequently his life partner, and the two moved to France together in 1968. They bought a 15th-century farmhouse near Grasse in Provence in the early 1970s, which they restored. Bogarde and Forwood lived in the house until 1983, when they returned to London so that Forwood could be treated for cancer, from which he eventually died in 1988. Bogarde nursed him in the last few months of his life. After Forwood died, Bogarde was left rudderless and he became more reclusive, eventually retiring from films after Daddy Nostalgia (1990).
Mark Rowe and Jeremy Kay, in their obituary of Bogarde, "Two brilliant lives - on film and in print," published in "The Independent" on May, 9, 1999, wrote, "Although he documented with frankness his early sexual encounters with girls and later his adoring love for Kay Kendall and Judy Garland, he never wrote about his longest and closest relationship - with his friend and manager for more than 50 years, Tony Forwood. Sir Dirk said the clues to his private life were in his books. "If you've got your wits about you, you will know who I am." The British documentary The Private Dirk Bogarde: Part One (2001) made with the permission of his family, stressed the fact that he and Forwood were committed lifelong partners.
In the same issue, the National Film Theatre's David Thompson, in the article "The public understood he was essentially gay," wrote about Bogarde at his high-water mark in the 1950s, that "Audiences of that time loved him . . . Very few people picked up on the fact that there was a distinct gay undertone. It says something about British audiences of the time. He had the good fortune to break out of that prison, and it came through the film Victim (1961), where he played a gay character, and through meeting with Joseph Losey, who directed him in The Servant (1963). For the first time, Bogarde's ambivalence was exploited and used by film."
Bogarde's sexuality is not the issue; what was striking was that it was an act of personal courage for one of Britian's leading box-office attractions to appear in such a provocative and controversial film. Even in the 21st century, many mainstream actors are afraid to play a gay character lest they engender a public backlash against themselves, which is much less likely than it was more than 40 years ago when Bogarde made "Victim."
Apart from sociology, "Victim" marks the milestone in which critics and audiences could discern the metamorphosis of Bogarde into the mature actor who went on to become one of the cinema's finest performers. Most of Bogarde's best and most serious roles come after "Victim," the film in which he first stretched himself and broke out of the mold of "movie star." He received the first of his six nominations as Best Actor from the British Academy of Film & Television Arts (BAFTA) for the film.
Bogarde co-starred with John Mills in The Singer Not the Song (1961), and with Alec Guinness in Damn the Defiant! (1962) (a.k.a. "Damn the Defiant!"). In 1963 he reunited with Losey to film the first of two Losey films with screenplays by Pinter. Bogarde's participation in the two Losey/Pinter collaborations, The Servant (1963) and Accident (1967), in addition to 1964's "King & Country", solidified his reputation. Critics and savvy moviegoers appreciated the fact that Bogarde had developed into a first-rate actor. For his role as the eponymous servant, Bogarde won BAFTA's Best Actor Award. He had now "officially" arrived in the inner circle of the best British film actors.
These three films also elevated Losey into the ranks of major directors (Bogarde also starred in Losey's 1966 spy spoof Modesty Blaise (1966), but that film did little to enhance either man's reputation. He turned down the opportunity to appear in Losey's The Assassination of Trotsky (1972) due to the poor quality of the script).
Philip French, in his obituary "Dark, exotic and yet essentially English", published in "The Observer" on May 9, 1999, said of Bogarde, "Losey discovered something more complex and sinister in his English persona and his performance as Barrett, the malevolent valet in 'The Servant,' scripted by Harold Pinter, is possibly the most subtle, revealing thing he ever did - by confronting his homosexuality in a non-gay context."
Losey told interviewer Michel Ciment that his work with Bogarde represented a turning point in the actor's career, when he developed into an actor of depth and power. He also frankly admitted to Ciment that without Bogarde, his career would have stagnated and never reached the heights of success and critical acclaim that it did in the 1960s.
Interestingly during the filming of "The Servant." Losey was hospitalized with pneumonia. He asked Bogarde to direct the film in order to keep shooting so that the producers would not cancel the film. A reluctant Bogarde complied with Losey's wishes and directed for ten days. He later said that he would never direct again.
Bogarde co-starred with up-and-coming actress Julie Christie in John Schlesinger's Darling (1965), for which Christie won a Best Actress Oscar and was vaulted into 1960s cinema superstardom. During the filming of the movie, both Bogarde and Christie were waiting to hear whether they would be cast as Yuri Zhivago and his lover Lara in David Lean's upcoming blockbuster Doctor Zhivago (1965). Christie got the call, Bogarde didn't, but he was well along in the process of establishing himself as one of the screen's best and most important actors. He won his second BAFTA Best Actor Award for his performance in "Darling."
Bogarde went on to major starring roles in such important pictures as The Fixer (1968), for which Alan Bates won a Best Actor Academy Award nomination. While Bogarde never was nominated for an Oscar, he had the honor of starring in two films for Luchino Visconti, The Damned (1969) ("The Damned") and Death in Venice (1971), based on Thomas Mann's novella "Death in Venice." Bogarde felt that his performance as Gustav von Aschenbach, the dying composer in love with a young boy and with the concept of beauty, in "Death in Venice" was the "the peak and end of my career . . . I can never hope to give a better performance in a better film."
Visconti told Bogarde that when the lights went up in a Los Angeles screening room after a showing of "Death in Venice" for American studio executives, no one said anything. The silence encouraged Visconti, who believed it meant that the executives were undergoing a catharsis after watching his masterpiece. However, he soon realized that, in Bogarde's own words, "Apparently they were stunned into horrified silence . . . A group of slumped nylon-suited men stared dully at the blank screen." One nervous executive, feeling something should be said, got up and asked, "Signore Visconti, who was responsible for the score of the film?"
"Gustav Mahler," Visconti replied.
"Just great!", said the nervous man. "I think we should sign him."
After "Venice", Bogarde made only seven films over the next two decades and was scathing about the quality of the scripts he was offered. To express himself artistically, he began to write. In his third volumes of autobiography, he wrote, "No longer do the great Jewish dynasties hold power: the people who were, when all is said and done, the Picture People. Now the cinema is controlled by vast firms like Xerox, Gulf & Western, and many others who deal in anything from sanitary-ware to property development. These huge conglomerates, faceless, soulless, are concerned only with making a profit; never a work of art . . . "
He rued the fact that "it is pointless to be 'superb' in a commercial failure; and most of the films which I had deliberately chosen to make in the last few years were, by and large, just that. Or so I am always informed by the businessmen. The critics may have liked them extravagantly, but the distributors shy away from what they term 'A Critic's Film', for it often means that the public will stay away. Which, in the mass, they do: and if you don't make money at the box-office you are not asked back to play again."
However, the courageous artist was not to be daunted: "But I'd had very good innings. Better than most. So what the hell?" His well-written works were enthusiastically received by critics and the book-buying public.
Bogarde appeared in another film that flirted with the theme of German fascism, Liliana Cavani's highly controversial The Night Porter (1974) ("The Night Porter"). He played an ex-SS officer who encounters a woman with whom he had been engaged in a sado-masochistic affair at a World War II Nazi extermination camp. Many critics found the film, which featured extensive nudity courtesy of Charlotte Rampling, crassly offensive, but no one faulted Bogarde's performance.
He played Lt. Gen. Frederick "Boy" Browning in the all-star blockbuster A Bridge Too Far (1977). Although some of his fellow actors were World War II veterans, only Bogarde had been involved in the actual battle. His performance arguably is the best in the film. Appearing in Alain Resnais' art house hit Providence (1977) gave Bogarde the opportunity to co-star with John Gielgud. He also starred in German wunderkind Rainer Werner Fassbinder's adaptation of Vladimir Nabokov's Despair (1978), with a script by Tom Stoppard. Though the film was not much of a critical success, Bogarde's acting as 1930s German businessman Hermann Hermann, a man who chooses to go mad when faced with the paradoxes of his life in his proto-fascist fatherland, was highly praised.
Bogarde enjoyed working with Fassbinder. He wrote that "Rainer's work was extraordinarily similar to that of Visconti's; despite their age difference, they both behaved, on set, in much the same manner. Both had an incredible knowledge of the camera: the first essential. Both knew how it could be made to function; they had the same feeling for movement on the screen, of the all-important (and often-neglected) 'pacing' of a film, from start to finish, of composition, of texture, and probably most of all they shared that strange ability to explore and probe into the very depths of the character which one had offered them."
After his experience with Fassbinder, he acted only four more times, twice in feature films and twice on television. Bogarde was nominated for a Golden Globe for playing Roald Dahl in The Patricia Neal Story (1981). He got rave reviews playing Jane Birkin's father in Bertrand Tavernier's Daddy Nostalgia (1990), his last film.
In 1984 Bogarde was asked to serve as president of the jury at the Cannes Film Festival, a huge honor for the actor, as he was the first Briton ever to serve in that capacity. Two years earlier he had been made a Chevalier de l'Ordre des lettres 1982. A decade later, he was knighted by Queen Elizabeth II on February 13, 1992.
Bogarde won two Best Actor Awards out of six nominations from the British Academy of Film & Television Arts, for "The Servant" and "Darling" in 1964 and 1966, respectively. He was also nominated in 1962 for "Victim," in 1968 for "Accident" and Our Mother's House (1967) and in 1972 for "Morte a Venezia."
Bogarde suffered a stroke in 1996, and though it rendered him partially paralyzed, he was able to recover and live in his own flat in Chelsea. However, by May of 1998 he required around-the-clock nursing care, and he had his lawyers draw up a "living will," also known as a no-resuscitation order. Bogarde publicly came out in favor of voluntary euthanasia, becoming Vice President of the Voluntary Euthanasia Society. He publicly addressed the subject of his own "living will," which ordered that no extraordinary measures be taken to keep him alive should he become terminally ill.
The living will proved unnecessary. Dirk Bogarde died of a heart attack on May 8, 1999, in his home in Chelsea, London, England. According to his nephew Brock Van den Bogaerde, the family planned to hold a private funeral but no memorial service in accordance with his uncle's wish "just to forget me." Bogarde wanted to be cremated and have his ashes scattered in France, and accordingly, his remains were returned to Provence.
Margaret Hinxman, in her May 10, 1999, obituary in "The Guardian", said of him, "At his peak and with directors he trusted - Joseph Losey, Luchino Visconti and Alain Resnais - Dirk Bogarde . . . was probably the finest, most complete, actor on the screen."
Clive Fisher's obituary in "The Independent" on May 10, 1999, praised Bogarde as "a major figure because, wherever they were made, his finest films are all somehow about him. He was a great self-portraitist and the screen persona he fashioned, a stylization of his private being, not only dominated its surroundings but spoke subliminally and powerfully to British audiences about the tensions of the time, about connivances and cruel respectabilities of England in the Fifties and Sixties."
The secret of Dirk Bogarde's success as a great cinema actor was his intimate relationship with the camera. Bogarde believed that the key to acting on film was the eyes, specifically, the "look" of the actor. Like Alan Ladd, it didn't matter if an actor was good with line readings if they had mastery over the "look." For many critics and movie-goers at the end of the 20th century, Dirk Bogarde's face epitomized the "look" of Britain in the tumultuous decades after the Second World War.
David Tindle's portrait of Bogarde is part of the collection of London's National Portrait Gallery, London. In 1999, the portrait, on temporary loan, was displayed at 10 Downing Street, the Prime Minister's official residence, with other modern works of art. Officially, Dirk Bogarde had become the look of Britain.- Gladys Henson was born on 27 September 1897 in Dublin, Ireland. She was an actress, known for Derby Day (1952), The Happiest Days of Your Life (1950) and Frieda (1947). She was married to Harry Wright and Leslie Henson. She died on 21 December 1982 in London, England, UK.Same thing with Gladys Henson, I'm still going to be like her day, but I was not exactly like her day to that day since I wasn't even born yet so that means she was like Abraham Sofaer to me!
- Clive Morton worked for four years for the East India Dock Company, before training at the Royal Academy of Dramatic Art and entering the acting profession. He made his stage debut in 1920 and did not act on screen until 1932. He was regularly employed for the next four decades, except for wartime service in the British Army. He was usually cast in small roles as pompous upper-crust types, dignified aristocrats, officers or executives. He appeared in some of the greatest British films made during the post-war period, including Scott of the Antarctic (1948), Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and Laurence Olivier's Richard III (1955). On television he appeared in classic serials such as The Forsyte Saga (1967) and Wives and Daughters (1971). He is also fondly remembered by cult television fans for giving an impeccable performance in one of his final roles as the decent, patriotic but gullible and ultimately doomed prison governor Colonel Trenchard, who falls under the spell of Roger Delgado's scheming Master, in the classic Doctor Who (1963) serial The Sea Devils: Episode One (1972).
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Campbell Singer was born on 16 March 1909 in London, England, UK. He was an actor and writer, known for The Saint (1962), Murder on Monday (1952) and Take a Pair of Private Eyes (1966). He was married to Gillian Maude. He died on 16 February 1976 in London, England, UK.- Actor
- Producer
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Robert Flemyng was born on 3 January 1912 in Liverpool, England, UK. He was an actor and producer, known for Funny Face (1957), Kafka (1991) and Battle of Britain (1969). He was married to Carmen Martha Sugars. He died on 22 May 1995 in London, England, UK.- Actor
- Soundtrack
Meredith Edwards was born on 10 June 1917 in Rhosllannerchrugog, Wales, UK. He was an actor, known for A Run for Your Money (1949), Flower of Evil (1961) and The Great Game (1953). He was married to Daisy Clark. He died on 8 February 1999 in Denbighshire, Wales, UK.- Norman Shelley was born on 16 February 1903 in Chelsea, London, England, UK. He was an actor, known for The Railway Children (1957), Wuthering Heights (1967) and Madame Bovary (1964). He was married to Monica Brett. He died on 22 August 1980 in London, England, UK.
- Arthur Rigby was born on 27 September 1900 in London, England, UK. He was an actor and writer, known for Wolves of the Underworld (1933), Dixon of Dock Green (1955) and Love Lies (1931). He was married to Sheila MacEvoy. He died on 25 April 1971 in Worthing, Sussex, England, UK.He shares the same birthday as Gladys Henson but they're two different people.
- Actress
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Jennifer Jayne was born on 14 November 1931 in Yorkshire, England, UK. She was an actress and writer, known for The Crawling Eye (1958), Danger Man (1960) and They Came from Beyond Space (1967). She was married to Peter Mullins. She died on 23 April 2006 in London, England, UK.- William Mervyn was born on 3 January 1912 in Nairobi, Kenya. He was an actor, known for The Ruling Class (1972), Silas Marner (1964) and The Eustace Diamonds (1959). He was married to Anne Margaret Payne-Cook. He died on 6 August 1976 in London, England, UK.
- Frederick Piper was born on 23 September 1902 in London, England, UK. He was an actor, known for Fly Away Peter (1948), Passport to Pimlico (1949) and Hue and Cry (1947). He died on 22 September 1979 in Berkshire, England, UK.
- The younger brother of matinee idol Donald Houston attended elementary school in Wales but was largely self-educated with a love of sports and a strong leaning towards the arts and humanities. Glyn's working life began on his grandmother's milk round in Tonypandy. After leaving the Rhondda Valley he held down a variety of short-lived jobs and war-time appointments: with the Bristol Aeroplane Company, as a gunner with the Fleet Air Arm, a labourer on the docks at Cardiff and with the Military Police. Eventually posted to Singapore, Glyn served with the Royal Signals Regiment where his comedic potential was first recognised. Having joined the Entertainments National Service Association (and being promoted to Acting Sergeant) he put together a variety show for serving troops which toured India.
Following demobilisation at war's end, brother Donald helped him secure a position as assistant stage manager with the Guildford Repertory Theatre. On-the-job training in touring plays was to provide the foundation for a screen career which began when the director Basil Dearden created a part specifically for him in the Ealing production of The Blue Lamp (1950). Over the next six years, Glyn would appear regularly in films playing assorted working class types, sailors and soldiers (frequently Cockneys) in dramas with a crime, naval or military theme. These included classic productions like The Clouded Yellow (1950), The Cruel Sea (1953), Turn the Key Softly (1953) (famously, as Joan Collins's first onscreen lover) and The One That Got Away (1957). Many were small parts or even cameos, but occasional leads eventually followed. In Solo for Sparrow (1962), Glyn enjoyed a rare starring turn as a Scotland Yard Inspector turned private eye who brings down a gang of villains (one of them a young Michael Caine). He had a further leading role as yet another policeman in Emergency (1962), surfaced in a couple of Hammer horrors and played the comic foil in four Norman Wisdom farces, beginning with A Stitch in Time (1963). From 1958 Glyn also appeared in a staple of TV shows, live broadcasts, anthologies, soap operas and classic adaptations (notably, Lord Peter Wimsey's impeccable manservant Mervyn Bunter in Clouds of Witness (1972)) and Rosa Bud's guardian Grewgious in The Mystery of Edwin Drood (1993) .
His most consistent stock-in-trade characters continued to be serious professionals, generally in uniformed garb as officers (Colonel Wolsey in Doctor Who (1963) "The Awakening"), or, most frequently, police inspectors and superintendents (Outbreak of Murder (1962), Gideon C.I.D. (1964), Z Cars (1962), Softly Softly (1966)). Though he maintained a prolific career on stage in plays by Chekov, Shaw, Miller and others, his one self-confessed regret was not having become a leading light on the Shakespearean stage. Glyn Houston became recipient of a Bafta Cymru special award in 2008 for outstanding contribution to film and television. His autobiography, "Glyn Houston, A Black and White Actor", appeared the following year. - Michael Golden was born on 15 August 1913 in Bray, Ireland. He was an actor, known for Murder She Said (1961), Quatermass II (1955) and Clochemerle (1972). He died in 1983 in Hastings, East Sussex, England, UK.
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- Soundtrack
Betty Ann Davies was born on 24 December 1910 in London, England, UK. She was an actress, known for It Always Rains on Sunday (1947), The Man in Black (1950) and She Knew What She Wanted (1936). She was married to Alexander Blackford. She died on 14 May 1955 in Manchester, England, UK.- Tall, serious-looking British character actor, formerly a graduate of Edinburgh Academy and Sandhurst. He was a member of the Black Watch, but resigned his commission in 1932 to join the chorus of the Drury Lane Theatre as a specialty dancer. He later turned to films, usually acting in small supporting roles in which he invariably projected an air of confidence and authority. He rejoined the British Army in 1939 for wartime service. His one noteworthy screen success after 1945 was as the titular star of Patrol Car (1954), playing real-life detective Robert Fabian. In 1963, upon the death of his brother, Sir Alexander Hay Seton, he became the eleventh Baronet of Abercorn. Along with other actors, Bruce Seton was one of the founder members of the Lord's Taverners in 1950, Britain's premier youth cricket and disability sports charity association.
- Ann Lancaster was born on 5 May 1920 in London, England, UK. She was an actress, known for Carry on Again Doctor (1969), Theatre Night (1957) and Rhubarb (1970). She died on 31 October 1970 in London, England, UK.
- Gwynne Whitby was born on 8 July 1903 in Leamington Spa, England, UK. She was an actress, known for Mine Own Executioner (1947), Time Without Pity (1957) and Princess (1969). She was married to Hugh Williams. She died on 11 July 1984 in Denville Hall, Northwood, London, England, UK.
- Renee Gadd was born on 22 June 1908 in Bahía Blanca, Buenos Aires, Argentina. She was an actress, known for Dead of Night (1945), David Copperfield (1935) and The Love Captive (1934). She was married to Joe Wilson, Guy Tooth and Harry Hardman. She died on 20 July 2003 in Hove, East Sussex, England, UK.
- Charles Saynor was born on 12 December 1902 in Blackburn, Lancashire, England, UK. He was an actor, known for The Avengers (1961), The Man in the White Suit (1951) and Blackmailed (1951). He died on 6 May 1979 in South Norwood, London, England, UK.
- Duncan Lewis was born on 1 January 1904 in Gunnersbury, London, England, UK. He was an actor, known for BBC Sunday-Night Theatre (1950), ITV Television Playhouse (1955) and Julius Caesar (1960). He died on 24 September 1965 in Westminster, London, England, UK.
- Actor
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The son of Alexander Sim JP and Isabella McIntyre, Alastair Sim was educated in Edinburgh. Always interested in language (especially the spoken word) he became the Fulton Lecturer in Elocution at New College, Edinburgh University from 1925 until 1930. He was invited back and became the Rector of Edinburgh University (1948 - 1951). His first stage appearance was as Messenger in Othello at the Savoy Theatre, London. He went on to create some of the most memorable (usually comedic) roles in British films from 1936 until his death in 1976.- Mervyn Johns was born on 18 February 1899 in Pembroke, Wales, UK. He was an actor, known for Dead of Night (1945), A Christmas Carol (1951) and The Day of the Triffids (1963). He was married to Diana Churchill and Alice Maud Steele Wareham. He died on 6 September 1992 in Norwood, England, UK.
- Actor
- Director
Glyn Dearman was born on 30 December 1939 in Horncastle, Lincolnshire, England, UK. He was an actor and director, known for A Christmas Carol (1951), Billy Bunter of Greyfriars School (1952) and Four Sided Triangle (1953). He was married to Susan MacDonald. He died on 30 November 1997 in Westminster, London, England, UK.- Actor
- Soundtrack
Some of Hordern's finest work was not in films or television but on radio: His performance as Gandalf in the BBC's radio adaptation of The Lord of the Rings was arguably the definitive portrayal of that character (contrast Hordern's Gandalf with that of Ian McKellen in the 3-part film adaptation of The Lord of the Rings directed by Peter Jackson).- John Charlesworth was born on 12 November 1935 in Hull, England, UK. He was an actor, known for A Christmas Carol (1951), Tom Brown's Schooldays (1951) and The Children of the New Forest (1955). He died on 2 April 1960 in Birmingham, England, UK.
- Rona Anderson was born on 3 August 1926 in Edinburgh, Scotland, UK. She was an actress, known for A Christmas Carol (1951), Circumstantial Evidence (1952) and The Labours of Erica (1989). She was married to Gordon Jackson. She died on 23 July 2013 in Hampstead, London, England, UK.
- Brian Worth was born on 14 July 1914 in Willesden, London, England, UK. He was an actor, known for Holiday Week (1952), Quatermass and the Pit (1958) and A Christmas Carol (1951). He died on 25 August 1978 in Seville, Spain.
- Actor, playwright and screenwriter Miles Malleson's list of credits reads like a history of British cinema in the first half of the 20th century. Born in Croydon in Surrey, he was educated at Brighton College in Sussex and Emmanuel College Cambridge. He had intended to become a schoolmaster but he opted instead for the stage and went into repertory theatre in Liverpool and then onto the Royal Academy of Dramatic Art (RADA) in London.
He wrote his first play in 1913 and, in contrast to the characters he often portrayed on screen, held socially progressive views which were often reflected in his work. His output included two plays about the First World War, "D Company" and "Black Eill", and one about the Tolpuddle Martyrs. He also worked as a screenwriter on two documentaries for Paul Rotha, Land of Promise (1946) and World of Plenty (1943).
Following the outbreak of The Great War in July 1914 Malleson enlisted in the British Army as a Private (No. 2227) in the 1/1st (City of London) Battalion (Royal Fusiliers). He served from 5th September 1914 until receiving a medical discharge in 1915, which included a period spent in Egypt. Malleson made no secret of his objection to the war as both a member of the Independent Labour Party and a supporter of the No-Conscription Fellowship.
His most prolific period as a screenwriter was in the 1930s and 1940s, initially on historical subjects like Nell Gwyn (1934), Rhodes (1936), and Victoria the Great (1937). In many of these films he also began appearing in supporting roles, and from the mid-'30s onward he found himself in increasing demand as an actor as well as a writer. Over the next 30 years he appeared in nearly 100 films, featuring in everything from Alfred Hitchcock thrillers and Ealing comedies to Hammer horrors.
Usually cast as a befuddled judge or a doddering old doctor, academic or other local eccentric, he first caught audiences' imagination as the hearse driver in the Ealing chiller compendium Dead of Night (1945), after which he began to get bigger and better parts. He was particularly memorable as the philosophical hangman in Kind Hearts and Coronets (1949), Canon Chasuble in The Importance of Being Earnest (1952), Dr. McAdam in Folly to Be Wise (1952), the barrister Grimes in Brothers in Law (1957) and as Windrush Sr. in Private's Progress (1956) and I'm All Right Jack (1959).
Towards the end of his career he continued to appear in cameo roles in comedy films, and made several appearances in Hammer horror films including Horror of Dracula (1958) and The Hound of the Baskervilles (1959), before failing eyesight forced him into retirement in his late 70s. - Although he made nearly 60 films in a 50-year acting career, it is for the two he made with director James Whale that Ernest Thesiger will be best remembered. Born Ernest Frederic Graham Thesiger in London on January 15, 1879, he was the grandson of the first Baron of Chelmsford. Educated at Marlbrough college and the Slade, he originally hoped to become a great painter. Greatness proved elusive, however (though he remained an accomplished watercolour artist), and he quickly turned to the theatre, making his first appearance on stage in a production of "Colonel Smith" in 1909. He put his career on hold when, in 1914, he enlisted as a private in the British army when World War I broke out (he originally hoped to join a Scottish regiment because he wanted to wear a kilt). He did see some action in the trenches but had to be sent home after being wounded (he was quoted afterwards as saying of these experiences, "My dear, the noise! And the people!"). He made his first film appearance in 1916 with The Real Thing at Last (1916) and then returned to the theatre with "A Little Bit of Fluff",' which ran for over 1200 performances and led to him appearing in a film adaptation (A Little Bit of Fluff (1919)).
In 1925 he appeared in Noël Coward's production of "On With the Dance", in which he got to show off his knack for camp performances by playing one of two elderly women sharing a boarding house. In the early 1930s his old friend, actor-turned-director James Whale (who had moved to Hollywood and was enjoying huge success with Frankenstein (1931)), requested that his friend join him there to play the role of Horace Femm in Whale's upcoming production of The Old Dark House (1932). Thesiger agreed and, along with co-star Eva Moore, stole the film, which became a huge success. He returned to Britain to make The Ghoul (1933) with Boris Karloff. Whale requested Thesiger's services in Hollywood again, this time to appear in his sequel to Frankenstein (1931), Bride of Frankenstein (1935). Thesiger was given the role of the sinister Dr. Pretorious, after Whale had refused the studio's suggestion of Claude Rains for the role. With help from Whale's direction, some classic dialogue ("Have some gin. It's my only weakness . . .", "To a new world of gods and monsters") and expert camera work (which helped accentuate his skeletal frame), Thesiger stole the show once more. He returned to Britain and, unfortunately, never worked with Whale again. He appeared in the Alexander Korda-produced The Man Who Could Work Miracles (1936) and had a memorable role in the thriller They Drive by Night (1938). He appeared with Will Hay in My Learned Friend (1943) and Don't Take It to Heart! (1944). His other notable films of the 1940s include Henry V (1944) and The Winslow Boy (1948). He returned briefly to America to appear in "As You Like It" on Broadway and afterwards divided his time between theatre and film. Notable later films include Last Holiday (1950) (as Sir Trevor Lampington, discoverer and eponym of Lampington's disease), Laughter in Paradise (1951), A Christmas Carol (1951) and The Man in the White Suit (1951) (as an elderly industry magnate). He made his last film appearance in The Roman Spring of Mrs. Stone (1961) and his last stage performance, opposite Sirs Ralph Richardson and John Gielgud, in a production of "The Last Joke". He passed away shortly afterwards, on the eve of his 82nd birthday, at his home on Gloucester Road in Kensington, London. - Eliot Makeham was born on 22 December 1881 in Edmonton, Middlesex, England, UK. He was an actor, known for Dark Journey (1937), Lorna Doone (1934) and Candles at Nine (1944). He was married to Betty Shale and Johanna Geertruida De Vries. He died on 8 February 1956 in Westminster, London, England, UK.
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Tony Wager was born on 24 June 1932 in Willesden, London, England, UK. He was an actor and writer, known for Great Expectations (1946), Silent Number (1974) and BBC Sunday-Night Theatre (1950). He died on 23 December 1990 in Bali, Indonesia.- Richard Pearson was born on 1 August 1918 in Monmouth, Monmouthshire, Wales, UK. He was an actor, known for Pirates (1986), Macbeth (1971) and Middlemarch (1968). He was married to Patricia Dickson. He died on 2 August 2011 in Northwood, Hillingdon, London, England, UK.
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British actor Patrick Macnee was born on February 6, 1922 in London, England into a wealthy and eccentric family. His father, Daniel Macnee, was a race horse trainer, who drank and gambled away the family fortune, leaving young Patrick to be raised by his lesbian mother, Dorothea Mary, and her partner. Shortly after graduating from Eton (from which he was almost expelled for running a gambling ring), Macnee first appeared on stage and made his film debut as an extra in Pygmalion (1938). His career was interrupted by World War II, during which he served in the Royal Navy. After military service, Macnee attended the Webber Douglas School of Dramatic Art in London on scholarship. He also resumed his stage and film career, with bit parts such as Young Jacob Marley in A Christmas Carol (1951). Disappointed with his limited roles, Macnee left England for Canada and the United States.
In 1954, he went to Broadway with an Old Vic troupe and later moved on to Hollywood, where he made occasional television and film appearances until returning to England in 1959. Once back home, he took advantage of his producing experience in Canada to become co-producer of the British television series Winston Churchill: The Valiant Years (1960). Shortly thereafter, Macnee landed the role that brought him worldwide fame and popularity in the part of John Steed, in the classic British television series The Avengers (1961). His close identification with this character limited his career choices after the cancellation of the series in 1969, prompting him to reprise the role in The New Avengers (1976), which, though popular, failed to recapture the magic of the original series. During the 1980s and 1990s, Macnee became a familiar face on American television in such series as Gavilan (1982), Empire (1984), Thunder in Paradise (1994) and NightMan (1997). In the past decade, Macnee has also made several audio recordings of book fiction.- Francis De Wolff was born on 7 January 1913 in Essex, England, UK. He was an actor, known for From Russia with Love (1963), Moby Dick (1956) and The Hound of the Baskervilles (1959). He was married to Linda Finch, Melissa Dundas and Jean Fairlie. He died on 18 April 1984 in Sussex, England, UK.
- Noel Howlett was born on 22 December 1902 in Maidstone, England, UK. He was an actor, known for A Christmas Carol (1951), Please Sir! (1971) and Quatermass and the Pit (1967). He died on 26 October 1984 in Hammersmith, London, England, UK.
- David Hannaford was born on 1 October 1942 in London, England, UK. He is an actor, known for The Pickwick Papers (1952), A Christmas Carol (1951) and Now Barabbas (1949).
- Henry Hewitt was born on 28 December 1885 in London, England, UK. He was an actor, known for Where's Charley? (1952), Rembrandt (1936) and A Christmas Carol (1951). He was married to Hilda Geraldine Powell. He died on 23 August 1968 in Newbury, Berkshire, England, UK.
- Hugh Dempster was born on 3 August 1900 in London, England, UK. He was an actor, known for The Fan (1949), Johnny in the Clouds (1945) and The Winslow Boy (1948). He was married to Emma Trekman. He died on 30 April 1987 in Chicago, Illinois, USA.
- Clifford Mollison was born on 30 March 1897 in London, England, UK. He was an actor, known for A Christmas Carol (1951), The Lucky Number (1932) and A Southern Maid (1934). He died on 4 June 1986 in Cyprus.
- John Barrard (born 1924 in Cape Town, South Africa, died 2013 in England, UK) was a British character actor who had a career spanning five decades and who perhaps is best known for playing Dooley, Santa's #2, in Santa Claus: The Movie (1985).
Barrard's television appearances included the Concierge in 'The Count of Monte Cristo', Gatekeeper in an episode of Armchair Theatre (1956), George in The Larkins (1958), Napoleon in The Army Game (1960), Carlos the Pedlar in The Saint (1962), Mr Craddock in Crossroads (1964), the Shopkeeper in the Doctor Who story The Reign of Terror (1964) and two roles in Coronation Street; Harry Mascall in 1972 and Sidney Wilson in 1974. Before these roles he appeared in the Coronation Street (1960) spin-off Pardon the Expression (1965). Other appearances included Ludo McAllister in Dr. Finlay's Casebook (1965), Sid Seaton in Softly, Softly (1966), Arnold Maddox in The Troubleshooters (1966), Harris in Public Eye (1968), Valarti in The Avengers (1969), Sir Bruce Ingoe in Callan (1969), King of Diamonds in Here Come the Double Deckers (1970), Mr Whitfield in Doctor at Large (1971), Shop Assistant in Budgie (1972), and Mr Forbes/Mr Finch in The Fenn Street Gang (1971-1972).
Further television credits included Gem Setter in The Protectors (1972), Pilkington in Follyfoot (1973), Lionel in The Growing Pains of PC Penrose (1975), Chauffeur in The Sweeney (1976), Mr Oliver in Survivors (1977) Judge Lambsfoot in Dick Turpin (1980), Scruffy Man in The Professionals (1980), Dr Losborne in Oliver Twist (1982), Jonathon Hopper in Whoops Apocalypse (1982), Mr Barraclough/Executive in Metal Mickey (1980-1982), Lapsley/Josie's Dad in Last of the Summer Wine (1976-1983), Mr Adam in The Witches and the Grinnygog (1983), the Retired Morris Dancer in The Black Seal episode of The Black Adder (1983), Old Mr Brooks in We'll Think of Something (1986), Arkroyd in Never the Twain (1986-1987), Bernie in Terry and June (1979), Oskar Friedman in War and Remembrance (1989), Harold Wharton in One Foot in the Grave (1990), Anatole in Jeeves and Wooster (1990), Mr Pebbles in Sean's Show (1992), Baths Attendant in Minder (1993), Houseowner in Keeping Up Appearances (1990), Norman Spencer/Mr Jeffries in The Bill (1989-1999), Stamp Collector in Mr. Bean (1994) Security Guard in As Time Goes By (2000), and Mr Taylor in Doctors (2002).
His film roles included the Taxidermist in The Man Who Knew Too Much (1956), Lennie Ross in Cover Girl Killer (1959), Small Man in Peeping Tom (1960), There Was a Crooked Man (1960), Honeydew in The Primitives (1962), Consul in We Joined the Navy (1962), Zebra Man in Don't Raise the Bridge, Lower the River (1968), Wedding Guest in Crossplot (1969), Patron in Our Miss Fred (1972), Blind Man in Tales from the Crypt (1972), Benjamite Elder in King David (1985), Dooley in Santa Claus: The Movie (1985), Walter in Buster (1988), and Old Man in Swinging with the Finkels (2011).
Theatre appearances included The Tenth Man (1961) at the Comedy Theatre.
Barrard was the Chairman of the North West London branch of the actors' union Equity.
He died in 2013 aged 89. He was cremated at Golders Green Crematorium on 17 October 2013 and his ashes were interred at the Golders Green Jewish Cemetery in May 2014. - Ian Wilson was born on 2 July 1901 in Hampstead, London, England, UK. He was an actor, known for The Wicker Man (1973), The Good Companions (1957) and The Day of the Triffids (1963). He died in December 1987 in Exeter, Devon, England, UK.
- Fanny Carby was born on 2 February 1925 in Sutton Coldfield, Warwickshire, England, UK. She was an actress, known for The Elephant Man (1980), Lassiter (1984) and The Good Companions (1980). She was married to Roderick Horne. She died on 20 September 2002 in London, England, UK.
- Lawrence Ward was born on 15 January 1929 in England, UK. He was an actor, known for Fanciulle di lusso (1952) and Mad About Men (1954). He was married to Elizabeth Seal, Lisa Heseltine, Fay Brooke, Susan Stephen and Lettice Laird-Clowes. He died on 17 April 2011.
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Denis Martin was born on 2 June 1920 in Belfast, Ireland. He was an actor and producer, known for A Little of What You Fancy (1968), Here and Now (1955) and Tonight's the Night (1954). He died on 23 October 1988 in Westminster, London, England, UK.- Actor
- Writer
Alex Lowe was born on 15 January 1968 in Brent, Middlesex, England, UK. He is an actor and writer, known for Much Ado About Nothing (1993), Frankenstein (1994) and Peter's Friends (1992).- Leo Genn was the son of a successful jewelry merchant Woolfe (William) Genn and his wife Rachel Asserson. He attended the City of London School as a youth and went on to study law at Cambridge. He received his law degree as a qualified barrister (which in English law tradition is a lawyer who is a specialist in law and who appears in court as representative of a client, whereas a solicitor is also a lawyer but further defined as an attorney who deals directly with the client, writing all case-related briefs and hiring a barrister for court appearance - there is no such division in the USA). He began practice in 1928, however law was not his only interest. Acting caught his eye, and about 1930 he made the acquaintance of actor/manager Leon M. Lion, who needed an actor and a legal advisor. Genn fitted both and was hired and later that year made his stage debut. It was certainly of practical value that he continued offering legal counsel into the 1930s to augment the small income of a budding stage performer learning his craft. In 1933 he met and married Marguerite van Praag, a casting director at Ealing Studios.
His first screen role was as Shakespeare's Shylock in the UK production The Immortal Gentleman (1935). It mortised nicely between his two year (1934-36) period of Shakespearean apprenticeship as a member of the Old Vic Company where he appeared in many productions of Shakespeare. Genn had a very pleasant neutral British accent that could fit anywhere. And his voice was wonderfully smooth and yet authoritative, likened to "black velvet", that fit like a glove to his refined manner. Douglas Fairbanks Jr.., in London for one of his many UK starring vehicles, hired Genn as a technical advisor on the law for Accused (1936) and received a bit role - not for his legal advice - but for a "splendid voice and presence". But the legal side of his character stuck to him as he was in the process of dropping the law for acting full time. He spent 1937 playing film prosecutors and defending attorneys - not something he expected. Things picked up the next year - though still wading through some crime dramas - when he nabbed a small Indian character role in The Drum (1938), the ambitious adventure yarn by producer Alexander Korda. And he was the prince dance partner to Wendy Hiller in Pygmalion (1938) - uncredited - as was a young Anthony Quayle. Obviously, small featured extra roles allowed time for more ambitious outings. He starred in the stage hit "The Flashing Stream" also in 1938. It received the nod from Broadway, and Genn made his American debut in early 1939 in the play's successful run in New York.
Though still tagged for law officialdom in several films, Genn moved on to more hearty supporting roles in 1940 with war looming. He joined the Royal Artillery and received a rank of Lieutenant Colonel in 1943. In that year he was already wanted for film's war effort agenda as movie narrator. In 1944 he was given leave for two flag-waver movies - the second a most unusual and significant cinematic event. For Genn, it was a small part, but it was part of a glorious celebration of England and English history during the crisis of World War II - the Henry V of Laurence Olivier. Genn was the Constable of France, and though the lines were few, Shakespeare infused them with a sardonic wink that Genn delivered perfectly in an understated style that became one of his hallmarks. This part brought him to notice as a film actor, but he did not entertain its fruits until later 1946, for with the end of the war Genn, who had been awarded the French Croix de Guerre in 1945, went back to law counseling. He volunteered his legal knowledge to the British army unit involved in the investigation and prosecution of Nazi war crimes perpetrated at the Belsen concentration camp near Luneburg, Germany. And in the subsequent tribunals, Genn served as assistant prosecutor.
He was back in film in 1946, but more so he was being courted by Broadway to return - which he did in that crowded year with one of his best stage roles in the Lillian Hellman classic "Another Part of the Forest". Hollywood waited in the wings to grab him for the Eugene O'Neill update Mourning Becomes Electra (1947) of the ancient Greek tragedy triangle "Orestaia". It was not Genn's American film debut, for he had appeared in the UK/US crime drama The Girl in the News (1940) - as - what else - a prosecuting counsel - a barrister. He was competing with the American debut of Michael Redgrave in the O'Neill adaptation (3 hours, pared to about 2 hours for general release). The film was a great piece of dialog display but a disaster at the box office. But the chemistry of Genn with Rosalind Russell was such that they were marketed together again the next year in another American film, The Velvet Touch (1948), more whodunit but with snappy lines. Subsequently Genn was about equally in demand for film and stage on both sides of the Atlantic.
His film roles on into the 1950s were somewhat uneven, but Genn was always to form - the calm, understated but in control male lead or supporting character, whether war adventure or the inevitable crime drama - many a steady military officer and understanding professional - with a bit of comedy and a few shady characters thrown in.
Perhaps his best known American film role was as the sardonic Gaius Petronius Arbiter in Quo Vadis (1951). Genn's generous part as the ancient Roman satirist was filled with double meaning quips and understated sarcasm that Genn delivered with his poker face charm and subtle sidelong glances. He is so good that the audience hangs on his next sub-level dig with anticipation that partially eclipses the first rate histrionics of Peter Ustinov as a tongue-in-cheek deranged Nero. The level of Genn's performance was recognized with a Best Supporting Actor Oscar nomination. The next year he was more than just a straight-laced William Bradford of American colonial history fame in Plymouth Adventure (1952), a much maligned American film that was, in fact, a realistic portrayal of the trials and tribulations of the Pilgrims (they were not all religious dissenters, not the dour, black and white Puritans who were later arrivals). Having to compete with a cantankerous, perhaps too hammy Spencer Tracy as the ship's captain, Genn's understated intensity brings off a compassionate portrayal.
Genn helped grace some of the most ambitious films of the later 1950s and into the 1960s: Moby Dick (1956), The Longest Day (1962), and 55 Days at Peking (1963). He embraced TV playhouse, both American and British programs, and US/UK episodic series through the period, as well as more outings on Broadway. He made six appearances on the Great White Way - the last in a short run of "The Only Game in Town" in mid 1968. All along Genn's voice had found welcoming slots in narration. Beside films, he was the voice of the royal coronation programs of 1937 and 1953. And he always kept a foot in his first love, British theater; he was a governor of London's The Mermaid Theatre. - Actor
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David Tomlinson is best known for his role as George Banks in Walt Disney's Mary Poppins (1964). As a youth he spent a short spell in the guards. He joined the RAF in WW2 where he survived the trauma of a plane crash on his first solo flight due to engine failure, then becoming a flying instructor for the remainder of the war. He began his film career in the pre-war British film Quiet Wedding (1941) and followed that with Leslie Howard's 'Pimpernel' Smith (1941). Altogether he has made over 50 films and on stage he has had long-running successes in many plays including "The Little Hut" with Robert Morley and Roger Moore as his understudy. During the 1930s he understudied Alec Guinness. By the time he went to Hollywood to make Mary Poppins (1964) he was a veteran film and stage actor. David returned to Disney to great success in The Love Bug (1969) and Bedknobs and Broomsticks (1971). David was close friends with Errol Flynn, Robert Morley and Peter Sellers. He also spent time with Walt Disney whilst they discussed his role in Mary Poppins (1964). He retired in the early 1980s after an exemplary career on film and stage, and will always be remembered as one of the centuries greatest character actors.- Michael Goodliffe was born on 1 October 1914 in Bebington, Cheshire, England, UK. He was an actor, known for A Night to Remember (1958), Peeping Tom (1960) and The One That Got Away (1957). He was married to Dorothy Margaret Tyndale. He died on 20 March 1976 in Wimbledon, London, England, UK.
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David Greene had a varied early career, beginning with his first job as junior reporter for the Walthamstow Guardian. Life as a journalist was not to be his forte, however. During the years spanning the mid- to late 1930's, he tried his luck variously in the furniture removal business, as a deck hand and as a hospital porter, before signing on with the Merchant Navy at the onset of World War II. He lasted a year before being invalided out in 1941. Becoming affiliated with the Everyman Theatre in London as its publicity manager, he finally found his vocation in the acting profession and subsequently enrolled at RADA. From 1948, he performed in repertory which included a season or two at the Old Vic. Movies followed, with supporting roles in films like The Wooden Horse (1950).
While travelling through Canada with the touring Broadway Company of 'Anthony and Cleopatra' in 1952, Greene decided to accept an offer from the Canadian Broadcasting Company to join their television department. He emigrated officially in 1953, and moved to New York three years later. By the end of the decade, he had become one of the most sought-after TV directors in the business. Working on both sides of the Atlantic, he helmed episodes of popular action and adventure series like Sir Francis Drake (1961) and The Defenders (1961). He also directed the occasional feature. Three of these stand out.
His first, The Shuttered Room (1967), was a macabre story, loosely based on H.P. Lovecraft. Greene's eye for off-beat location, combined with his clever use of subjective camera technique, gave the film a striking visual sense and considerably heightened its suspense value. Sebastian (1968), with its stark Orwellian visions of London, was a stylish espionage thriller about code breaking that did not take itself all that seriously. It boasted an excellent cast, headed by Dirk Bogarde, Susannah York and Lilli Palmer, and was directed with style, fairly obscuring the numerous incongruities within the plot. Third of the trio, The Strange Affair (1968), was a gritty, somewhat unpleasant, tale of police corruption and obsession set in swinging 60's London. More overtly violent than its predecessors in the genre, it imported Greene's American experience into British film and is worth viewing chiefly for the director's taut handling.
Once again back in the U.S. from the mid-1970's, Greene directed several instalments of the popular miniseries Rich Man, Poor Man (1976) and then specialised in made-for-TV films, also occasionally working as producer or executive producer. Arguably, his most successful spell in the medium was between 1976 and 1979, winning three of his four Emmy Awards for Outstanding Directing of a Drama Series or Special. The oft-married Greene retired in 1999 and died in April 2003, aged 82.- Actor
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Bryan Forbes was born on July 22, 1926 in Stratford, London, England as John Theobald Clarke. He was an actor, writer, and director, known for The Guns of Navarone (1961), The Whisperers (1967) and Seance on a Wet Afternoon (1964). He was married to Nanette Newman and Constance Smith. He died on May 8, 2013 in Virginia Water, Surrey, England.- Actor
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Patrick Waddington was born on 19 August 1901 in Great Ouseburn, Yorkshire, England, UK. He was an actor, known for A Night to Remember (1958), Department S (1969) and The Black Tulip (1937). He died on 4 February 1987 in York, England, UK.- Actor
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Russell Waters began his acting career in the 1930s and soon found himself cast in various film roles at the start of what promised to be a bright future as an actor. Unfortunately, WWII radically changed his prospects; conscripted into the army for the duration and wounded at some point around mid to late 1944 which saw him invalided back to England.
Shortly after his return home he met a young war widow Barbara; they married and produced four children: John Waters, Angela, Stephen, and Fiona Fizz Waters. The Waters family lived in a rented top floor 2 bedroom flat in Anlaby Road, Teddington, Middlesex close to the Thames TV studios. Russell's career was capricious to say the least, an obviously talented actor, underrated and often overlooked probably due to the vagaries of time and circumstance brought about by the events of WWII.- Actor
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He made his film debut in The Conspirator in 1949 and went on to starring roles in such as Geordie and The Bridal Path, He's probably better known though for the animal films which he made with his actress wife Virginia McKenna such as Born Free, An Elephant Called Slowly and Ring of Bright Water, His sister was the actress Linden Travers and his niece is the actress Penelope Wilton- Franz Schafheitlin was born on 9 August 1895 in Berlin, Germany. He was an actor, known for Raumpatrouille - Die phantastischen Abenteuer des Raumschiffes Orion (1966), The Ringer (1932) and Was wissen Sie von Titipu? (1972). He was married to Hertha Scheel, ??? and Ika. He died on 6 February 1980 in Pullach im Isartal, Bavaria, Germany.
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Jacques B. Brunius was born on 16 September 1906 in Paris, France. He was an actor and writer, known for Sea Devils (1953), Life Is Ours (1936) and Violons d'Ingres (1939). He was married to Cecile Chevreau and Colette Hulmann. He died on 24 April 1967 in Exeter, Devon, England, UK.- Actor
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Despite being one of the finest actors of his generation, Peter Finch will be remembered as much for his reputation as a hard-drinking, hell-raising womanizer as for his performances on the screen. He was born in London in 1916 and went to live in Sydney, Australia, at the age of ten. There, he worked in a series of dead-end jobs before taking up acting, his film debut being in the mediocre comedy The Farmer Goes to Town (1938). He made his stage debut as a comedian's stooge in 1939. Laurence Olivier spotted him and persuaded him to return to Britain to perform classic roles on the stage. Finch then had an affair with Olivier's wife, Vivien Leigh. Despite being married three times, Finch also had highly-publicized affairs with actresses Kay Kendall and Mai Zetterling. Finch soon switched to film after suffering appalling stage fright. As a screen actor, he won five BAFTA awards and his talent was beyond doubt. His two finest roles, the only two for which he received Oscar nominations, were as the homosexual Jewish doctor in Sunday Bloody Sunday (1971) and as the "mad prophet of the air-waves" in Network (1976). He died a couple of months before being awarded the Oscar for Best Performance by an Actor in a Leading Role in Network (1976) and was the first actor to have won the award posthumously.- Dan Cunningham was born on 1 January 1917 in Beverly, Yorkshire, England, UK. He was an actor, known for The Mulberry Accelerator (1955), Richard III (1955) and The Six Proud Walkers (1954). He was married to Rosalie Crutchley. He died in September 2001 in Lancashire, England, UK.
- Prolific and ubiquitous British background player George Hilsdon was born on April 25, 1907 in West Ham, London, England. Hilsdon first began appearing in films in often uncredited minor roles in the mid-1940's. A burly fellow with a gruff face and receding silver gray hair, George was frequently cast as policemen, news vendors, or security guards. Hilsdon died at age 75 on May 28, 1982 in Essex, England. Predeceased by his wife Ivy Lilian Benge, he was survived by two children.
- Prolific and ubiquitous British bit player Jim Brady was born on May 13, 1907 in England. Jim first began popping up in films in uncredited minor roles in the mid-1940's. A large and imposing fellow with a rough face and a husky build, Brady was frequently cast as pirates, villagers, brutish thugs, pub patrons, or scruffy working class blokes. He died at age 83 on January 1, 1991 in Islington, London, England.
- Michael Rittermann was born on 30 June 1910 in Möllersdorf, Lower Austria, Austria-Hungary. He was an actor, known for Der Andere (1959), The Saint (1962) and Mystery Submarine (1962). He died on 8 August 1989 in London, England, UK.
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Sabu Dastagir (or Selar Shaik Sabu, depending on your resource) was born on January 27, 1924, in the little town of Mysore, India, which is nestled in the jungles of Karapur. The son of an elephant driver (mahout) in service for the Maharajah of his town, the young stable boy learned responsibility early in life when, at age 9, his father died and Sabu immediately became the ward of the royal elephant stables. As with many Hollywood success stories, good timing, and dumb luck allowed the impoverished youth a chance for a better life. By sheer chance the timid 12-year-old orphan was discovered by a British location crew while searching for a youth to play the title role (an elephant driver!) in their upcoming feature Elephant Boy (1937). Quite taken aback by his earnest looks, engaging naturalness and adaptability to wild animals and their natural habitat, the studio handed the boy a film career on a sterling silver platter and was placed under exclusive contract by the mogul Alexander Korda himself.
Sabu and his older brother (as guardian) were whisked away to England to complete the picture and became subsequent wards of the British government. They were given excellent schooling in the process and Sabu quickly learned the English language in preparation for his upcoming films. Elephant Boy (1937) was an unqualified hit and the young actor was promptly placed front and center once again in the film The Drum (1938) surrounded by an impressive British cast that included Raymond Massey and Valerie Hobson. With the parallel success of the Tarzan jungle movies in America, Hollywood starting taking a keen look at this refreshingly new boy talent when he first arrived in the U.S. for a publicity tour of the film. Again, his second film was given rave reviews, proving that Sabu would not be just a one-hit wonder.
His third film for Korda is considered one of the great true classics. In the Arabian fantasy-adventure The Thief of Bagdad (1940), Sabu plays Abu the Thief and is not only surrounded by superb actors -- notably June Duprez, John Justin, Rex Ingram (as the genie) and Conrad Veidt (as the evil Grand Vizier) -- but exceptional writing and incredible special effects. Sabu's name began stirring international ears. His last pairing with Korda was the excellent adaptation of Rudyard Kipling's classic book The Jungle Book (1942) playing Mowgli, the boy raised by wolves, who must adapt to the ways of mankind after being returned to his mother. The movie was directed by Alexander's brother Zoltan Korda.
Following this triumph, Sabu officially became the exotic commodity of Universal Pictures and he settled in America. Although initially rewarding monetarily, it proved to be undoing. Unfortunately (and too often typical), a haphazard assembly-line of empty-minded features were developed that hardly compared to the quality pictures in England under Korda. Saddled alongside the unexceptional Maria Montez and Jon Hall, his vehicles Arabian Nights (1942), White Savage (1943) and Cobra Woman (1944) were, for the most part, drivel but certainly did fit the bill as colorful, mindless entertainment.
Almost 20 years old by the time he became a citizen of the U.S. in 1944, he enlisted in the Army Air Force and earned WWII distinction in combat missions (Distinguished Flying Cross, Air Medal, among others) as a tail gunner. By the time Sabu returned to Universal and filming, the charm of his youth had worn off and the boyish stereotype impossible to escape.
Post-war audiences developed new tastes, but Sabu had no choice but to trudge on with retreads of his former glory. Films such as Tangier (1946) again opposite Ms. Montez, Man-Eater of Kumaon (1948) and Song of India (1949) opposite lovely princess Gail Russell did little to advance his career. While filming the last-mentioned movie, Sabu met and married actress Marilyn Cooper who temporarily filled in for an ailing Ms. Russell on the set. The couple went on to have two children.
Sabu actually fared better back in England during the late 40s, starring in the crime drama The End of the River (1947) and appearing fourth-billed as a native general in the exquisitely photographed Black Narcissus (1947). Daring in subject matter, the film had Deborah Kerr heading up a group of Anglican nuns who battle crude traditions, unexpected passions and stark raving madness while setting up a Himalayan order. By the mid-50s Sabu's career was rapidly approaching extinction, seeking work wherever he could find it - in low-budget Europe productions, public appearances, etc. An attempt to conjure up a TV series for himself failed. His life was further aggravated by unpleasant civil and paternity suits brought about against him. His last two pictures were supporting roles in Rampage (1963), which starred Robert Mitchum, and A Tiger Walks (1964), a thoroughly routine Disney picture which was released posthumously.
Sabu died unexpectedly at age 39 of a heart attack on December 2, 1963, at his home in Southern California and was buried at Forest Lawn Cemetery in the Hollywood Hills. Son Paul Sabu developed into an accomplished songwriter and even formed a rock band called Sabu; daughter Jasmine Sabu, who died in 2001, was a noted horse trainer whose skill was utilized occasionally for films. Although he went the way of too many of our former stars, Sabu continues to enchant and excite newer generations with his unmatched athletic skills and magnetic charm in those early adventure fantasies of yesteryear.- Edward Lexy was born on 18 February 1897 in London, England, UK. He was an actor, known for South Riding (1938), The Terror (1938) and Family Affairs (1949). He died on 31 January 1970 in Dublin, Ireland.
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Alf Goddard was born on 28 November 1896 in Bethnal Green, London, England, UK. He was an actor, known for Alf's Button (1930), Fanny Hawthorne (1927) and Downhill (1927). He died on 23 February 1981 in Harlow, Essex, England, UK.- Gerald Campion was born on 23 April 1921 in Bloomsbury, London, England, UK. He was an actor, known for Chitty Chitty Bang Bang (1968), Department S (1969) and Carry on Sergeant (1958). He was married to Suzie Mark and Jean Symond. He died on 9 July 2002 in Agen, Lot-et-Garonne, France.
- Archibald Batty was born on 6 November 1887 in North Mymms, Hertfordshire, England, UK. He was an actor, known for The Four Feathers (1939), Discord (1933) and Over She Goes (1937). He was married to Mary Miller. He died on 24 November 1961 in Budleigh Salterton, Devon, England, UK.
- Frederick Culley was born on 9 March 1879 in Plymouth, Devon, England, UK. He was an actor, known for The Four Feathers (1939), The Conquest of the Air (1931) and The Suicide Club (1914). He died on 3 November 1942 in London, England, UK.He was actually born March 8, 1879.
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Roy Emerton was a big, brawny character actor whose scarred face and resounding deep voice made him a natural for menacing roles. One of his best and most typical was as the evil Boss McGinty in The Triumph of Sherlock Holmes (1935).- Laurence Baskcomb was born on 13 October 1883 in London, England, UK. He was an actor, known for The History of Mr. Polly (1949), Knight Without Armor (1937) and The Challenge (1938). He was married to Alice Dorothy Newnham. He died on 12 February 1962 in London, England, UK.
- Veteran British character player Ralph Truman was a pioneer radio actor and appeared in over 5000 broadcasts during his career. Born in London at the turn of the century, his overall film career was commendable but less enviable than his voice work on the airwaves. Originally from the stage, he had just finished a run of "Josef Suss" in 1930 when he moved directly into films, making his unbilled debut in the early talkie Farewell to Love (1931). Throughout the 1930s he would be found steadily in "B" films including The Bells (1931), That's My Uncle (1935), The Lad (1935), Mr. Cohen Takes a Walk (1935), Under the Red Robe (1937) and Dinner at the Ritz (1937). In the 1940s the distinctively balding, hook-nosed actor found featured work in more important films such as his Mountjoy in Laurence Olivier's stellar Shakespearean piece Henry V (1944). A natural for period settings, Truman played the nefarious Monks in Oliver Twist (1948), and was part of the large-scale proceedings in Christopher Columbus (1949) and Treasure Island (1950), giving animated Robert Newton a run for the money in the latter with a ripe, over-the-top pirate performance as George Merry. Married to fellow radio artist Ellis Powell, he was best known in later years for playing men of high ranking or position (lords, captains, admirals, governors, etc.). He retired after appearing in two final period epics: Nicholas and Alexandra (1971) and Lady Caroline Lamb (1972). He passed away a few years later.
- Though primarily a stage actor, Sebastian Shaw appeared in some forty film and television productions from 1930 to 1991. Born in Holt, Norfolk, England, he first appeared on stage as a child in 1913, graduating to lead roles by the late 1920s. It was in 1930 that he made his first film appearance in Caste (1930). His most notable film roles of this period were as an aspiring actor opposite Miriam Hopkins and Rex Harrison in the Alexander Korda-produced Men Are Not Gods (1936); as a crime suspect in another Korda production, Murder on Diamond Row (1937); and opposite Conrad Veidt and Valerie Hobson in Michael Powell's U-Boat 29 (1939). His later films included Roy Boulting's documentary-style Journey Together (1945), The Glass Mountain (1949) (in which he played an eccentric Scottish lyricist), and Scotch on the Rocks (1953).
In the 1960s, he appeared in Kevin Brownlow and Andrew Mollo's imaginative It Happened Here (1964), made in semi-documentary style showing Britons coping during a Nazi persecution. Mostly stage and television work followed (including an appearance as a judge in Rumpole of the Bailey (1978)). In 1982, Shaw was approached by George Lucas to make an appearance in the final episode of his Star Wars films, Star Wars: Episode VI - Return of the Jedi (1983). The role was the small but crucial one at the film's climax of the unmasked Darth Vader (Anakin Skywalker) and in the final scene as Anakin's ghost. The role has since made him a cult figure all over the world. Much of Shaw's remaining career was spent playing distinguished elderly gent roles, such as cold war spy-cum-art critic Basil Sharpe in High Season (1987). Shaw continued to act on stage, film and television well into his eighties. Sebastian Shaw died at age 89 of natural causes on December 23, 1994. - Associated with gritty, flashy film villainy, veteran character actor Torin Herbert Erskine Thatcher was born in Bombay, India to British parents on January 15, 1905. The son of a police officer (who died when Torin was 10) and a voice/piano teacher, he was educated in England at the Bedford School and the Royal Academy of Dramatic Art.
A former schoolteacher, he appeared on the London stage, notably the Old Vic, in 1927 before entering British films in 1934. He would be notable for his stage prowess in the works of Shaw, Shakespeare, and the Greek tragedies. Among his earlier stage plays was a 1937 version of "Hamlet" which starred Laurence Olivier and Vivien Leigh. During World War II he served with the Royal Artillery and achieved the rank of lieutenant colonel. He was an extremely imposing, powerfully built specimen and it offered him a number of tough, commanding, often sinister roles over the years primarily in larger-than-life action sequences.
Thatcher began in minor roles and progressed to better ones in a number of classic British films in the late 1930s and 1940s as the years went on. They included Sabotage (1936), Dark Journey (1937), Night Train to Munich (1940), Major Barbara (1941), I See a Dark Stranger (1946), The Captive Heart (1946), Great Expectations (1946), as Bentley ("The Spider") Drummle, Jassy (1947) and The Fallen Idol (1948).
In Hollywood from the 1950s on, the actor's looming figure and baleful countenance were constantly in demand, gnashing his teeth in a slew of popular costumers such as The Crimson Pirate (1952), Blackbeard, the Pirate (1952) as reformed pirate Sir Henry Morgan, The Robe (1953), Helen of Troy (1956) as Ulysses, The 7th Voyage of Sinbad (1958) as the evil, shaven-domed magician Sokurah who shrinks the princess to miniature size, Witness for the Prosecution (1957) as the prosecuting attorney, The Miracle (1959) as the Duke of Wellington, the Marlon Brando/Trevor Howard remake of Mutiny on the Bounty (1962), and Hawaii (1966).
Thatcher returned to the stage quite frequently, notably on Broadway, in such esteemed productions as "Edward, My Son" (1948), "That Lady" (1949) and "Billy Budd" (1951). In 1959 he portrayed Captain Keller in the award-winning play "The Miracle Worker" with Anne Bancroft and Patty Duke.
Also a steady fixture on American TV from the mid-1950's on, Torin appeared in a number of quality TV anthologies ("Omnibus," "Playhouse 90, "Zane Grey Theatre") before making fairly steady guest appearances on such shows as "The Millionaire," "Ellery Queen," "Peter Gunn," "Wagon Train," "Bonanza," "Perry Mason," "The Real McCoys," "The Untouchables," "My THree Sons," "Voyage to the Bottom of the Sea," "Perry Mason," "Get Smart," "Lost in Space," "Star Trek," "Gunsmoke," "Daniel Boone," "Mission: Impossible," "Night Gallery," "Search" and "Petrocelli." He also showed up in support in the TV movies The Strange Case of Dr. Jekyll and Mr. Hyde (1968) starring Jack Palance and Brenda Starr (1976), his final on-camera appearance, starring Jill St. John.
Diagnosed with cancer, Thatcher died on March 4, 1981, in Thousand Oaks, California (near Los Angeles). The widower of TV actress Rita Daniel, he was long married to second wife, Anne Le Borgne, at the time of his death. - Actor
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The son of Dr. Charles Buckman Goring M.D. and Kate Winifred (nee MacDonald). Marius Goring was educated at Perse School, Cambridge, England and at the Universities of Frankfurt, Munich, Vienna and Paris. He studied for the stage under Harcourt Williams at the Old Vic dramatic school, London. His first stage appearance was at Cambridge in 1925 in "Crossings". His first London appearance was at the Rudolph Steiner Hall, December 1927 as Harlequin. He performed at the Old Vic, Sadler's Wells and toured France and Germany. he played Macbeth, Romeo, Trip in School for Scandal amongst others. His first west end appearance was at the Shaftesbury Theatre, May 1934 in the Voysey Inheritance. He joined the army in June 1940 and became the supervisor of productions of the BBC service broadcasts. Most of his army work was done under the alias Charles Richardson. For some reason the name GORING wasn't too popular at the time. He was a founder member of British Equity in 1929. He lists his recreations as walking, riding, skating and travelling.- Robert Rendel was born on 2 December 1884 in St. Marys Abbots, London, England, UK. He was an actor, known for The Four Feathers (1939), The Hound of the Baskervilles (1931) and Twice Branded (1936). He died on 9 May 1944 in Marylebone, London, England, UK.
- Diminutive Scots character actor of quirky personality and gift of gab. As a drama student at St. Andrews, he first performed in productions staged by the university's dramatic society. He served with the Royal Scots during World War I, then forged a career playing comic roles on the Shakespearean stage, where he was often billed as 'D.Hay Petrie'. With the Old Vic from 1920, he was much acclaimed for his performances as Sly in "The Taming of the Shrew" and as Puck in "A Midsummer Night's Dream". The screen saw him as eccentric personae, well-cast in period drama and in Dickensian parts (such as the malevolent debt-collector Quilp, in The Old Curiosity Shop (1934) and as the corn-chandler Uncle Pumblechook in Great Expectations (1946)). An inveterate scene-stealer, Petrie was able to slip with consummate ease from genre to genre and from comical to villainous.
He is perhaps best remembered as The MacLaggan in The Ghost Goes West (1935) and as the evil Dr. Fosco in Crimes at the Dark House (1940). To his ever-lasting regret, he missed out on the two parts he most coveted: that of Sancho Panza in Feodor Chaliapin Sr.'s film version of Don Quixote (1933) and as Quasimodo in The Hunchback of Notre Dame (1939). Petrie died suddenly, just two weeks after his 53rd birthday, from undisclosed causes. - John Penrose was born on 5 May 1914 in Southsea, England, UK. He was an actor, known for Kind Hearts and Coronets (1949), The Adventures of Tartu (1943) and The Adventures of P.C. 49: Investigating the Case of the Guardian Angel (1949). He died on 22 May 1983 in London, England, UK.
- Agnes Lauchlan was born on 10 February 1905 in Putney, London, England, UK. She was an actress, known for The Young Mr. Pitt (1942), Ann Veronica (1964) and Persuasion (1960). She died on 28 August 1993 in Surrey, England, UK.