Celebrity Full Names: Actors - W

The television heartthrob from the 1960s and 1970s was the proverbial tall, dark and classically handsome actor. Completing the solid package was a great, muscular build, smooth charm, and an almost perfect set of teeth. Born in 1935 in Kansas City, Kansas, and raised in St. Louis, Missouri, he certainly paid his dues before landing his breakthrough as the suave announcer on The Carol Burnett Show (1967) in the late 1960s. The one-time door-to-door encyclopedia peddler, prior to his prime TV job, appeared in poorly-made sci-fi and beach party flicks with such dubious titles as Women of the Prehistoric Planet (1966), Swamp Country (1966), Time Wrap (1967) and Catalina Caper (1967). In time, he was more than just a gorgeous hunk with a resonant voice, and they began to incorporate Waggoner into the show as a comedy sketch partner along with Vicki Lawrence and Harvey Korman. His better scenes typically had him essaying the superficial cad or gleamy-toothed, self-important star. After seven seasons on the knockabout variety show, however, Waggoner felt like a "third banana" and yearned to take a chance on solo stardom. During his off-times, he had prepared himself by appearing in summer stock and/or dinner theater in such breezy assignments as "Boeing, Boeing", "Send Me No Flowers", and "Once More, with Feeling". He also hosted the syndicated quiz show It's Your Bet (1969), and earned added "exposure" as Playgirl Magazine's first semi-nude centerfold in 1973.

Not long after his departure from the Burnett show, he landed the role of Major Steve Trevor on the popular comic strip-based series Wonder Woman (1975), playing the dashing, no-nonsense boss to Diana Prince. Again, the challenge was not there and he remained on the periphery for three seasons. In later years, Waggoner became more personality than performer and only sporadically appeared in glossy mini-movies and TV episodes, occasionally as himself. He appeared in a few feature films (including Love Me Deadly (1972), Surf II (1983) and Wizards of the Demon Sword (1991)). Perhaps surmising he was undone by being too perfect a specimen, he wisely looked into business ventures. In 1979, he successfully started up "Star Waggons", which served film/TV companies with rental trailers. His charming, vainglorious romancer act was for the cameras only. He married only once, to Sharon Kennedy, an actress, financial consultant and realtor. They were married for 59 & 1/2 years and had two sons.

He may have made TV history as the first black game show host back in the 1970s, but the talents of singer/actor/musician Adam Wade extend far wider. Born Patrick Henry Wade, he grew up in Pittsburgh, Pennsylvania. In the late 1950s he served as a lab assistant for Dr. Jonas Salk, who invented the polio vaccine.

In 1959, he switched to performing and found in himself a smooth, gifted vocalist, his early influences being Johnny Mathis and Nat 'King' Cole. In 1960, he decided to make the journey to New York and pursue his dream. He signed with CoEd Records within a very short time and scored quickly with a string of mild successes including "Ruby" and "I Can't Help It." He also started traveling as a night-club entertainer playing all over the world and highlighting in such important venues as the Copacabana. The next year (1961) proved to be the peak of his recording success with "Take Good Care of Her," "Writing on the Wall" and "As If I Didn't Know" making the charts. Comparisons to Mathis at CoEd Records, however, damaged his momentum and he looked elsewhere, moving to Epic Records. Only one of his singles, "Crying in the Chapel," broke the "Top 100" charts.

In the late 1960s, he discovered voiceover work and started grooving as an actor. After appearing in the national tour of the musical "Hallelujah, Baby!" with Kim Weston and Julius LaRosa, the became a part of the film "blaxploitation" scene of the early 1970s. He bounced around in a few hip support roles such as Shaft (1971), Come Back Charleston Blue (1972), Across 110th Street (1972) and The Education of Sonny Carson (1974), among others. On television, he was seen in the soaps "The Guiding Light" and "Search for Tomorrow," and was a familiar presence on the popular black-oriented sitcoms of the day including "Sanford & Son", "The Jeffersons", "What's Happening", and "Good Times." The handsome actor became the first African-American to host a national television game show with Musical Chairs (1975). The resulting attention encouraged him to restart his recording career in a funkier vein on Kirshner Records in 1978 with songs including "Alexander's Soul Time Band".

He returned to acting and, in 1978, co-starred in an all-black cast of "Guys and Dolls" starring Leslie Uggams in Las Vegas. He also gave able support in such films as Texas Lightning (1981) and Kiss Me Goodbye (1982). An occasional stage director ("Cafe Society," "Guys and Dolls"), the gray-haired actor understudied Ben Vereen on Broadway in "I'm Not Rappaport" in 2002, and subsequently appeared in the movie Brother to Brother (2004). He took time out to go back to school (after forty years) and earned his BA and Master's degrees, at Lehman College and Brooklyn College, respectively. He was a speech and theater adjunct at LIU and Bloomfield College for some time and appears frequently on the L.A.-area stage.

Formerly married to Kay Wade, with whom he had three children, Adam remarried to entertainer Jeree Wade. They produced shows and performed together on cruise ships and in concert forums.

Michael Wager was born on 29 April 1925 in New York City, New York, USA. He was an actor, known for Exodus (1960), King of Kings (1961) and Hill 24 Doesn't Answer (1955). He was married to Susan Blanchard and Mary-Jo Van Ingen. He died on 26 December 2011 in Connecticut, USA.

R.J. Wagner was born 1930 in Detroit, the son of a steel executive. His family moved to L.A. when he was six. Always wanting to be an actor, he held a variety of jobs (including one as a golf caddy for Clark Gable) while pursuing his goal, but it was while dining with his parents at a Beverly Hills restaurant that he was discovered by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). In the mid-'60s, however, his film career skidded to a stop after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979 through 1984 and has since been sporadically revived in TV-movie form (another series, Lime Street (1985), was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith). Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in Austin Powers: International Man of Mystery (1997) and its sequels, and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003). Wagner is married to Jill St. John and lives in Aspen.

Donald Edmond "Donnie" Wahlberg Jr. was born on August 17, 1969 in Boston, Massachusetts into a family of Swedish (from his paternal grandfather), Irish, and more distant French-Canadian, English, and Scottish, descent. He is the eighth of nine children of Alma Elaine Conroy (née Donnelly), a nurse's aide and clerk & Donald Edward Wahlberg, a delivery driver. His parents eventually divorced and Donnie, finding himself already in trouble, discovered a positive outlet performing in school plays and became involved in varied aspects of theater -- acting, writing, and directing. At 15, he became a member of the teen vocal group originally called NYNUK. Donnie's little brother, Mark Wahlberg was originally one of the Boys but balked at the direction the group was taking and backed out.

A founding member of the boy band "New Kids on the Block," the five teens survived a false start with their debut album and proceeded to hit #1 with the single "Please Don't Go Girl" on their second in 1988. They continued to bombard the market with one-after-another "Top Ten" hits including "The Right Stuff" and "I'll Be Loving You Forever." Leaving the young girls panting for more, they became one of the hottest young singing/line-dancing groups to hit the late 80s/early 90s. The Boys went on to sell over 70 million albums worldwide, and provoke the spawning of other five-member harmony groups such as Backstreet Boys and *NSYNC. During its heyday, Donnie played up his resident "bad boy" persona by tallying up several run-ins with the law, including an alleged arson at a Kentucky hotel (charges were dropped). He also delved into "body art" with numerous tattoos and body piercings in an effort to buck their already-cloying image. Amid intergroup dissension and Milli Vanilli-like charges of not contributing all the vocals to their albums, the pop band finally disbanded in 1994 -- partly out of frustration but also having outgrown the group's juvenile moniker.

Unsure of his direction while attracting more trouble in the tabloids, Donnie, who helped write, arrange and produce brother Mark's Funky Bunch group's first two albums a few years earlier, switched gears. He rapped some and modeled some, then transformed himself into an actor, a route taken earlier by his talented bro. While Mark has turned out to become the bigger film star over the years, Donnie has stepped out of his shadows to receive raves and renewed respect for his own tense and compelling character work.

He first showed up in big screen action. Making his debut as a "tough guy" thug in the Mickey Rourke urban outing Bullet (1996), filmed in 1994 but not released until two years later. Usually cast as an amoral heavy, Donnie moved up the quality ladder with director Ron Howard's thriller Ransom (1996) as part of a gang of kidnappers who nab Mel Gibson's son, to their eventual regret, of course. His next repellent took the form of a drug dealer in the goth indie horror Black Circle Boys (1997), but the film came and went. After a couple of TV movies, he finally nabbed a starring role in the film Southie (1998) playing more or less himself as an Irish-American prodigal son who returns to the mean streets of his native Boston. The movie also featured another brother Robert Wahlberg who also was testing the acting waters.

Ironically, one of Donnie's most powerful roles during this period was also one of his briefest. Seen in the opening sequence, he is nearly unrecognizable (having dropped an alarming amount of weight) portraying a deranged former patient of psychiatrist Bruce Willis whose sudden explosion into unfathomable violence sets up the clever twists and turns that turned M. Night Shyamalan's classic psychological thriller The Sixth Sense (1999) into a critically-acclaimed box office hit. Donnie's opening bit was mouth dropping and jarring in its horror. He also proved he wasn't a flash in the pan by backing up this performance with a major role as a WWII paratrooper in the critically-hailed ten-part epic Band of Brothers (2001), which won multiple Emmy awards (6).

This TV role directly led to his casting as a gritty L.A. detective in the NBC dramatic series Boomtown (2002), an acclaimed series that didn't survive a second season. Since then Donnie has patented his unrefined intensity into a number of films such as Triggermen (2002), Dreamcatcher (2003), Saw II (2005), Annapolis (2006), Saw III (2006), Saw IV (2007) and Zookeeper (2011). He has also clocked in lead roles for such roughhewn TV series as Runaway (2006), The Kill Point (2007), Return of the Mac (2017) and, most notably, as detective Danny Reagan in Blue Bloods (2010).

Donny has two sons, Xavier and Elijah, by first wife Kim Fey, and is married to actress/producer/writer Jenny McCarthy-Wahlberg. As a former teen heartthrob seemingly headed down a troubled and dangerous path after his initial success, he somehow managed to avoid the traditional pitfalls of drugs and self-destruction, and has since proven himself an actor with "the right stuff." In addition, the "New Kids on the Block" reteamed in 2007 in recording and book tours. The group received a Hollywood Walk of Fame star in 2014.

American actor Mark Wahlberg is one of a handful of respected entertainers who successfully made the transition from teen pop idol to acclaimed actor. A Best Supporting Actor Oscar nominee for The Departed (2006) who went on to receive positive critical reviews for his performance in The Fighter (2010), Wahlberg also is a solid comedy actor, proven by his starring role in Ted (2012).

Mark Robert Michael Wahlberg was born June 5, 1971 in a poor working class district, Dorchester, of Boston, Massachusetts. He is the son of Alma Elaine (Donnelly), a nurse's aide and clerk, and Donald Edward Wahlberg, a delivery driver. Wahlberg is the youngest of nine children. He is of Swedish (from his paternal grandfather), French-Canadian, English, Irish and Scottish, descent. The large Wahlberg brood didn't have a lot growing up, especially after his parents divorced when he was eleven. The kids crammed into a three-bedroom apartment, none of them having very much privacy. Mark's mother has said that after the divorce, she became very self-absorbed with her own life. She has blamed herself for her son's subsequent problems and delinquency. Wahlberg dropped out of high school at age fourteen (but later got his GED) to pursue a life of petty crime and drugs. He'd spend his days scamming and stealing, working on the odd drug deal before treating himself to the substances.

The young man also had a violent streak - one which was often aimed at minorities. At age sixteen, he was convicted of assault against two Vietnamese men after he had tried to rob them. As a result of his assault conviction, he was sentenced to serve 50 days in prison at Deer Island penitentiary. Whilst there, he began working out to pass time and, when he emerged at the end of his sentence, he had gone from being a scrawny young kid to a buff young man. Wahlberg also credits jail time as being his motivation to improve his lifestyle and leave crime behind him.

Around this time, his older brother Donnie Wahlberg had become an overnight teen idol as a member of the 1980s boy band New Kids on the Block. A precursor to the boy-band craze, the group was dominating the charts and were on top of their game. Mark himself had been an original member of the band but had backed out early on - uncomfortable with the squeaky clean image of the group. Donnie used his connections in the music business to help his little brother secure a recording contract, and soon the world was introduced to Marky Mark and the Funky Bunch, with Wahlberg as a bad-boy rapper who danced in his boxers. Despite a lack of singing ability, promoters took to his dance moves and a physique they knew teenage girls would love.

Donnie scripted some easy songs for Mark, who collected a troupe of dancers and a DJ to become his "Funky Bunch" and "Marky Mark and the Funky Bunch" was born. His debut album, "Music for the People", was a smash hit, which was propelled along by the rapper's willingness to disrobe down to boxer-briefs on stage, not to mention several catchy tunes. Teenage girls thrilled to the rapping "bad boy". Record producer David Geffen saw in Wahlberg a cash-cow of marketing ability. After speaking to designer Calvin Klein, Marky Mark was set up as the designer's chief underwear model.

His scantily clad figure soon adorned billboards across the nation. Ironically, while the New Kids on the Block's fame was dwindling as audiences tired of their syrupy lyrics, "Marky Mark's" bad boy image was becoming even more of a commodity. He was constantly in the headlines (often of the tabloids) after multiple scandals. In 1992, he released a book dedicated to his penis. Wahlberg was constantly getting into rumored fights, most memorably with Madonna and her entourage at a Los Angeles party. While things were always intense, they were relatively harmless and made for enjoyable reading for the public. However, when the story of his arrest for assault (and the allegations of racism) broke in the press, things took on a decidedly darker note. People were not amused. Soon after, while on a British talk show along with rapper Shabba Ranks, he got into even more trouble. After Ranks made the statement that gays should be crucified, Wahlberg was accused of condoning the comments by his silence. Marky Mark was suddenly surrounded by charges of brutality, homophobia and racial hatred. His second album, "You Gotta Believe", had not been faring well and, after the charges surfaced, it plummeted from the charts.

Adding to the hoopla, Wahlberg was brought to court for allegedly assaulting a security guard. He was ordered to make amends by appearing in a series of anti-bias advertisements. Humbled and humiliated by his fall from grace in the music world, Wahlberg decided to pursue another angle, acting. He dropped the "Marky Mark" moniker and became known simply as Mark Wahlberg. His first big screen role came in Penny Marshall's Renaissance Man (1994). Despite the name change, many people snickered at the idea of the has-been rapper thinking he could make it as an actor. From the get-go, he was proving them wrong. In Renaissance Man (1994), he gave an utterly charming performance as a simple but sincere army recruit. What naysayers remained found it increasingly difficult to write Mark Wahlberg off as he delivered one fine performance after another. He blew them away in the controversial The Basketball Diaries (1995) and chilled them in Fear (1996) as every father's worst nightmare.

The major turning point in Wahlberg's career came with the role of troubled porn star Dirk Diggler in Paul Thomas Anderson's Boogie Nights (1997). Since then, Wahlberg has chosen roles that demonstrate a wide range of dramatic ability, starring in critically acclaimed dramas such as Three Kings (1999) and The Perfect Storm (2000), popcorn flicks like Planet of the Apes (2001) and Contraband (2012), and even indies such as I Heart Huckabees (2004).

Wahlberg was the executive producer of such television series as Boardwalk Empire (2010), In Treatment (2008) and the highly successful comedy Entourage (2004), which was partly based on his experiences in Hollywood.

Wahlberg and his wife Rhea Durham have four children.

David Wain was born and raised in Shaker Heights, Ohio.

He met the other members of the comedy troupe The State while a film student at NYU, where he graduated from in 1991.

As part of The State, he co-created and co-starred on their self-titled MTV sketch comedy show in the mid 90's. He then continued to work with his State partners on many other projects, beginning with Stella (2005), a nightclub show which then became a series of web shorts and a Comedy Central Series.

His first film as co-writer and director was the indie summer camp comedy Wet Hot American Summer (2001), which was then turned into two mini-series on Netflix.

He has subsequently co-written and directed a total of five feature films, the most successful being Role Models (2008).

His most recent feature, A Futile and Stupid Gesture (2018), is a biopic about Doug Kenney, the founder of National Lampoon.

He is executive producer of the Emmy award winning series Childrens Hospital (2008) as well as its spin-offs Newsreaders (2013) and Medical Police (2020).

He's also worked consistently over the years as an actor, including the recurring role of Rabbi Jewy McJewJew on "Childrens Hospital", a version of himself in his semi-autobiographical web series Wainy Days (2007), and as "Yaron" in the Netflix series Wet Hot American Summer: First Day of Camp (2015).

Loudon Snowden Wainwright III was born in Chapel Hill, North Carolina, to Martha Taylor, a yoga teacher, and Loudon Wainwright II, longtime editor of Life Magazine. LWIII eschewed magazines in favor of folk music, which he began playing professionally in the '60s. Part of the "New Bob Dylan" scene in the late '60s, early '70s (and subject of a humorous ode to Dylan on the singer's 50th birthday). Probably best known for song "Dead Skunk"; continues to put out new albums and to tour.

Liam Waite was born on 20 March 1971 in Boston, Massachusetts, USA. He is an actor, known for Ghosts of Mars (2001), Flatland (2002) and Civility (2000).

Malcolm Waite was born on 7 May 1892 in Menominee, Michigan, USA. He was an actor, known for The Gold Rush (1925), A Notorious Affair (1930) and Noah's Ark (1928). He died on 25 April 1949 in Van Nuys, California, USA.

Thomas Alan Waits was born in Pomona, California, to schoolteachers Alma Fern (Johnson) and Jesse Frank Waits. Described as one of the last beatniks of the contemporary music, Waits in fact has two separate careers. From 1973 (LP "Closing Time") to 1983 ("One From The Heart" soundtrack), he recorded nine LPs for Asylum Records, writing songs mainly in the manner of Tin Pan Alley, mixing them with jazz and blues. Extraordinarily, he never produced a hit, but he earned a cult following all over the world. In 1983, he signed with Island Records and released a series of albums that stunned the music world. Beginning with "Swordfishtrombones", he introduced a whole new orchestration, which included some of the instruments invented by Harry Partch. He found a new ground for his innovations, searching in sound fields that never before were searched. This second part of his career coincided with his marriage to Kathleen Brennan, a former writer for Francis Ford Coppola (Zoetrope (1999)). His LPs "Rain Dogs" (1985), "Big Time" (soundtrack) and "The Black Rider" are today what Kurt Weill's music was once. "The Black Rider" brings music written for the show directed by Bob Wilson and staged in Germany.

He was one of filmdom's last dying breed of crooning cowpokes following WWII. Jimmy Wakely had many talents (singing, songwriting, guitar-playing) and performed in many venues (radio, film, TV, rodeos, clubs) over his career. He began life in Mineola, Arkansas in 1914, but was raised in Depression-era Oklahoma. He started off simply as a farmer but his musical talents could not be denied. Eventually he created the vocal trio "The Bell Boys" along with Johnny Bond and entertained in local hot spots while cutting studio recordings. Country western lore has it that a happenstance meeting with Gene Autry while the star was touring in Oklahoma led to the vocal group high-tailing it to California and performing on his Melody Ranch radio program at CBS. The boys eventually settled in California and made their musical film debut in the Roy Rogers Republic western Saga of Death Valley (1939). Wakely's group ended up a staple on Autry's radio show as well, but Jimmy left within a couple of years to focus on films and a recording contract with Decca Records. He and his group appeared in two Hopalong Cassidy films in 1941, Twilight on the Trail (1941), and Stick to Your Guns (1941) and within the films they sang memorable songs such as Lonesome Guitar, Blue Moon on the Silver Sage, Lady O Lay, and My Kind of Country. He would become known for perfecting the hillbilly style with such classic songs as "Cimarron (Roll On)" (his first big hit), "I'm Sending You Red Roses," ""One Has My Name (The Other Has My Heart)," "Beautiful Brown Eyes," "Too Late" and "I'll Never Let You Go."

Over an extended period of time Jimmy's country trio would warble for a number of top westerns stars in their film vehicles. Known vicariously during their film stay as "Jimmy Wakely and his Rough Riders," "The Jimmy Wakely Trio," "Jimmy Wakely and his Saddle Pals" and "Jimmy Wakely and His Oklahoma Boys," the popular Dick Reinhart and Scotty Harrel often completed the trio along with Wakely and Bond. The boys traveled from studio to studio fine-tuning an assembly line of westerns for such established stars as Don 'Red' Barry, Johnny Mack Brown, Tex Ritter and Charles Starrett, among others.

Thanks to the meteoric successes of Gene Autry and Roy Rogers, the various studios were competitively grooming top country singers into film icons. "Poverty Row"-level Monogram Pictures exec Scott R. Dunlap managed to snag the slim, laidback, good-looking Jimmy as their own representative. For the next five years, the dark-haired singer would star in over two dozen oaters, his character heroes usually taking on his own name -- Jimmy Wakely. Dubbed the Bing Crosby of C&W, his stay at Monogram went considerably well though certainly not up to par with the success of the afore-mentioned.

Wakely's first Monogram vehicle was Song of the Range (1944), and he rode off into the sunset five years later with Lawless Code (1949). In between he smooth-sang a lot of tunes and was outfitted with a variety of different sidekicks, notably 'Lee "Lasses" White' and Dub Taylor. Though he took a distant ranking compared to others of his ilk, he proved to be a fine commodity for the fledgling studio. His lasting power was curtailed, however, by the demise of the singing cowboy (and eventually "B" westerns in general).

Following his heyday and into the 1950s, Jimmy continued writing songs and singing on stage. He remained a sturdy name on the rodeo circuit and in country western clubs. As a recording artist he charted a few country hits and was one of the few singers to cross over to the mainstream. In 1952, he became the star of "The Jimmy Wakely Show" for CBS radio and briefly alternated hosting duties on ABC-TV's Five Star Jubilee (1961) with Snooky Lanson, Carl Smith, Rex Allen and old film pal Tex Ritter. He eventually developed his own record company called Shasta Records in the 1960s and 1970s and owned two music publishing companies. Converting part of his California homestead into a recording studio, he made commercial records for other country western artists as well. Two of his children, Linda Lee and Johnny, showed singing talents and occasionally joined him on the performing stage. Long wed to wife Inez (since 1936) who became his business manager, they had two other daughters, Carol and Deanna. Jimmy developed emphysema in later years and died in California of heart failure in 1982.

Gregory Walcott grew up in North Carolina and went into the Army just after the end of World War II. After leaving the service, he grew restless on the East Coast and, with $100 in his pocket, thumbed his way west to pursue an acting career. An agent who spotted him in a little theater play helped Walcott land his debut movie role in Red Skies of Montana (1952). Two years later, on the strength of his performance as a drill instructor in the Marine Corps movie Battle Cry (1955), he was placed under contract at Warner Brothers. He co-starred (as a drill instructor again) in another Marine Corps story, The Outsider (1961), which earned him a Universal contract and his own TV series, 87th Precinct (1961) (1961-62) with Robert Lansing.

Robert Walden plays Fran Drescher's father Glen in TV Land's original sitcom Happily Divorced (2011).

Walden's acting credits include hits in both television and film, such as the smash series Lou Grant (1977) (for which he received three Emmy® nominations), the show Brothers (1984) (two CableACE nominations) and the films All the President's Men (1976), Whiskey School (2005), The Out of Towners (1970), and Audrey Rose (1977). He has also guest starred on Law & Order: Special Victims Unit (1999), The West Wing (1999), and Judging Amy (1999). Walden's stage credits include off-Broadway productions of "House of Blue Leaves" (Cincinnati Playhouse), "The American Clock," "Prymate" (Florida State University) and "Mr. Rickey Calls a Meeting" (Pasadena Playhouse) for which he won a Drama-Logue award for Best Actor.

Other acting appearances include "History of American Film" (Mark Taper Forum), "Dance of Death" (Arena Stage), "Last Days of Isaac" (A.C.T), "Other People's Money" (Old Globe) and "Jake's Women" (Stage West). He has also served as a writer for such hits as The Twilight Zone (1985), "Beauty and the Beast", Who's the Boss? (1984), and Brothers (1984). Directing credits include theater productions of "Dylan," "Danny and the Deep Blue Sea" and "After Crystal Night."

Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.

Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).

Benjamin Walker was born Benjamin Walker Davis in Georgia, and was raised in Cartersville, GA, the son of Jeannine (Walker), a music teacher, and Greg Davis, who worked in finance and owned a movie rental store. He has one older brother. Walker was educated at Cartersville High School in Georgia and the Interlochen Arts Academy in Traverse City, Michigan, before studying acting at the Juilliard School in New York.

Whilst at Juilliard, Walker got his first experiences of performing for paying audiences as a stand-up comedian. His acting break came in 2007, when he was cast as Bertram Cates in a Broadway production of 'Inherit the Wind'. Further theater roles followed, including playing Andrew Jackson in the rock musical 'Bloody Bloody Andrew Jackson', which was critically acclaimed.

Walker first came to film-goers' attention when he played the young Kinsey in Kinsey (2004). Other film and TV roles followed including Harlon Block in Clint Eastwood's Flags of Our Fathers (2006), and playing another president, Abraham Lincoln in Abraham Lincoln: Vampire Hunter (2012).

Caleb Walker is known for Running Scared (2006), Bobby Z (2007) and The Bus Boy (2003).

Clint Walker was born Norman Eugene Walker in Hartford, southwestern Illinois, to Gladys Huldah (Schwanda), a Czech immigrant, and Paul Arnold Walker, who was from Arkansas. Walker almost single-handedly started the western craze on TV in the 1950s as Cheyenne Bodie in Cheyenne (1955). Growing up in the Depression era meant taking work wherever you could get it, and Walker found himself working at such jobs as Mississippi River boatman, carnival roustabout and golf caddy. He quit high school at 16 and at age 17 joined the Merchant Marine. After the war he worked his way cross country, including working in the oil fields in Brownwood, Texas, and wound up in California, where he worked as an undercover agent for a private detective agency on the Long Beach waterfront. After a while he took a job as a security officer at the Sands Hotel in Las Vegas. It was there that he met quite a few Hollywood people who told him that his size, physique and good looks would serve him well in Hollywood and that he should go to Los Angeles and give it a try. He met actor Henry Wilcoxon, who introduced him to director Cecil B. DeMille, and Walker found himself playing the part of a Captain of the Guard in The Ten Commandments (1956). Someone from Warner Bros. saw the film, found out that Walker was under contract to producer Hal B. Wallis, bought up Walker's contract and gave him the lead in "Cheyenne". The series was a huge hit and spawned countless other western series, from Warners and other studios. However, Walker was dissatisfied with the way Warners was handling his career -- they would let other contract players make films, for example, but he wasn't allowed to -- and that triggered a dispute which ended up with him taking a walk from the show. He and Warners eventually settled their disagreements. When the show ended Walker began to get supporting parts in features, his biggest and most successful one being The Dirty Dozen (1967). He starred in the well-received The Night of the Grizzly (1966) and the not-so-well received None But the Brave (1965), a WWII film that was Frank Sinatra's one and only stab at directing. He also played the lead in Baker's Hawk (1976), and turned in a good performance as a villain in the TV movie Scream of the Wolf (1974). Lately he and several of his colleagues from "The Dirty Dozen" provided the voices for the animated film Small Soldiers (1998).

Cody Walker is known for The Mine (2012) and Daniel and the Lions (2006).

Doug Walker was born in Naples, Italy; and because his father was in the Navy, lived in many different places across the United States when he was growing up. He went on to study film at Northern Illinois University, majoring in communications.

After college, he worked as an illustrator and started making YouTube videos for fun. He first grabbed viewers' attention with clever 5 second movie versions of popular films, and gained more notoriety with his snarky "Nostalgia Critic" reviews.

In 2008, "Nostalgia Critic" moved from YouTube to the independent site That Guy With the Glasses and Channel Awesome. By 2009, an increased income from advertising on the new site allowed Walker to quit his day job (a video that he made to commemorate the occasion also went viral) and develop his web persona full-time.

He symbolized the 70s American dream of success -- the former kid from the ghetto who rose to wisecracking TV superstardom. While in his element as the broadly strutting, gleamy-toothed J.J. Evans of the popular urban-styled sitcom Good Times (1974), Jimmie Walker lived the extremely good life. Following the series' demise, however, reality again checked in. Still and all, he has not self-destructed as others before him have and continues to enjoy a comedy career now approaching four decades.

Jimmie was born on June 25, 1947, in New York's tough South Bronx neighborhood. His ambitions were not originally to entertain. Basketball was his prime interest but the idea that a gawky, stringbean-framed teenager could become a hoop star did not seem realistic. Instead he abruptly quit school and worked an odd assortment of jobs until wisely returning to night classes at Theodore Roosevelt High School and redeeming himself with a diploma. The federally-funded Search for Education, Evaluation and Knowledge (SEEK) next came through for Jimmie as he was able to learn a trade: radio engineering/announcing. Within a year he was hired as an engineer for a small radio station, but gained a minor reputation on the sly as a funny guy and good writer. This side interest is what motivated Jimmie to try comedy performance.

He made his stand-up debut as an opening act on New Year's Eve in 1967 for "The Last Poets," a militant poetry group, and was such a hit that he stayed with the group for a year and a half building and polishing his jive-styled act. At one point Jimmie was seen at a Manhattan club by comedian David Brenner who referred him and others (such as Freddie Prinze) to Budd Friedman and his Improv stage in New York. Jimmie eventually became a regular. His debut shot on TV variety came with Jack Paar's show and his successful 1972 appearance propelled him to main attraction billing.

He was quickly checked out by the Norman Lear team and practically handed stardom on a silver platter with Good Times (1974), a spin-off of Esther Rolle's domestic character on the popular Maude (1972) series. Skinny, energetic and youthful-looking with plenty of harmless sass and attitude, Jimmie and the show were instant cross-over hits despite the fact that he was a 27-year-old playing the teenage son of Rolle. His catchphrase "Dyn-o-mite!" became a popular item in the American vernacular. Jimmie became such a major celebrity that Time Magazine named him "Comedian of the Decade." Clothing, belts, and even a talking doll that blurted out his familiar phrase were soon on the open market. To the dismay of other actors on the show, his exaggerated character stole prime focus and shifted the well-intentioned direction of a positive black family image into a much broader and stereotyped caricature. This caused dissension in the troops and both adult leads, Ms. Rolle and John Amos, departed the series (Rolle came back later). Nevertheless, the series managed to last six seasons.

During that time Jimmie made use of his ever-surging popularity with lightweight appearances elsewhere on primetime ("The Love Boat," "Fantasy Island") and on game shows ("The Match Game," "Tattletales"). He became a hot item in Las Vegas and even churned out a best-selling comedy album entitled, of course, "Dyn-o-mite!" His attempt at film stardom came with a top supporting role in Let's Do It Again (1975) starring Sidney Poitier and Bill Cosby, a comedy that also featured his TV dad John Amos. Jimmie was featured as a highly unlikely, scrawny-framed boxer promoted by Poitier and Cosby. As enjoyable as he was, it did not lead to other major film offers. Most of his later movies have been self-mocking guest parts or cameo bits in spoofs such as in Airplane! (1980), the Frankenstein take-off Monster Mash: The Movie (1995) and the slasher movie parody Shriek If You Know What I Did Last Friday the Thirteenth (2000).

Upon the series' demise in 1979, Jimmie returned to the stand-up stage while looking for a sophomore TV hit. Unable to capitalize on his TV stardom, he instead found himself extremely pigeon-holed by the J.J. character. The short-lived B.A.D. Cats (1980), which had him playing a support role as a comic car thief-cum-repossessor, lasted only a month. The military comedy At Ease (1983) had Jimmie starring as a Sergeant Bilko-like conman. It too came and went quickly. Hoping the third time would be a charm, Jimmie was a bust again in the syndicated show Bustin' Loose (1987), based loosely on Richard Pryor's 1981 movie, with the comedian playing another of his genial con artists.

Jimmie's main focus has remained the stand-up circuit, touring an average of 25-30 weeks a year. The rubbery-faced, tunnel-mouthed comic continues to pop up occasionally on the late night talk show forum. In his spare time he writes scripts for TV and films.

Paul William Walker IV was born in Glendale, California. He grew up together with his brothers, Caleb and Cody, and sisters, Ashlie and Amie. Their parents, Paul William Walker III, a sewer contractor, and Cheryl (Crabtree) Walker, a model, separated around September 2004. His grandfather, William Walker, was a Pearl Harbor survivor and a Navy middleweight boxing champion, while his maternal grandfather commanded a tank battalion in Italy under General Patton during World War II. Paul grew up active in sports like soccer and surfing. He had English and German ancestry.

Paul was cast for the first season of the family sitcom, Throb (1986) and began modeling until he received a script for the 1994 movie, Tammy and the T-Rex (1994). He attended high school at Village Christian High School in Sun Valley, California, graduating in 1991. With encouragement from friends and an old casting agent who remembered him as a child, he decided to try his luck again with acting shortly after returning from College.

He starred in Meet the Deedles (1998), a campy, silly but surprisingly fun film which failed to garner much attention. However, lack of attention would not be a problem for Paul Walker for long. With Pleasantville (1998), he appeared in his first hit. As the town stud (a la 1950s) who more than meets his match in modern day Reese Witherspoon, he was one of the most memorable characters of the film. That same year, Paul and his then-girlfriend Rebecca had a baby girl named Meadow Walker (Meadow Rain Walker). Even though Paul publicly admitted that Meadow was not planned, he said that she is his number one priority. Paul and Rebecca separated and Meadow lives with her mother in Hawaii. She often visited with Paul as his homes in Santa Barbara and Huntington Beach, California.

Roles in the teen hits Varsity Blues (1999), She's All That (1999) and The Skulls (2000) cemented Walker's continued rise to celebrity. He was chosen to be one of the young stars featured on the cover of Vanity Fair's annual Hollywood issue in April 2000. While the other stars on the cover, brooded and tried their best to look sexy and serious, Paul smiled brightly and showed why he is not part of the norm. This is one young actor who certainly stood apart from the rest of the crowd, not only with his talent but with his attitude. The Dallas Morning News commented in March of 2000 that, "Paul is one of the rarest birds in Hollywood- a pretension free movie star." The latest blockbuster hit, The Fast and the Furious (2001), had raised his stardom to an even higher level.

His fighting scenes in movies lead to a passion for martial arts. He has studied various forms of Jujitsu, Taekwondo, Jeet Kune Do and Eskrima. Paul mentioned in a magazine interview that he had hoped enroll in the Keysi Fighting Method when it comes to the United States. Other than practicing martial arts, Paul enjoyed relaxing at home with his daughter, Meadow Rain, surfing near his Huntington Beach abode, walking his dogs and just driving.

When Paul seriously did get a break from the entertainment business, he said he loved traveling. Paul had traveled to India, Fiji, Costa Rica, Sarawak, Brunei, Borneo and other parts of the Asian continent. Tragically, Paul Walker died in a car crash on Saturday November 30, 2013, after attending a charity event for "Reach Out Worldwide".

Several of Paul's films were released after his death, include Hours (2013), Brick Mansions (2014), and his final starring role in The Fast and the Furious series, Furious 7 (2015), part of which was completed after his death. The film's closing scenes paid tribute to Walker, whose character met with a happy ending, and rode off into the sunset. He appeared archival footage in Fast X (2023).

He possessed the same special brand of rebel/misfit sensitivity and charm that made superstars out of John Garfield and (later) James Dean and Montgomery Clift. In the war-torn 1940s, Robert Walker represented MGM's fresh, instinctive breed of up-and-coming talent. His boyish good looks combined with an attractive vulnerability came across the screen with such beauty, power and naturalness. He went quite far in his short life; however, the many tortured souls he played so brilliantly closely mirrored the actor himself and the demons that haunted his own being wasted no time in taking him down a self-destructive path for which there was no return.

Walker was born Robert Hudson Walker in 1918 in Salt Lake City, Utah, the youngest of four sons of Zella (McQuarrie) and Horace Hudson Walker, a news editor for the local paper. He was of English and Scottish descent. His maternal aunt, Hortense (McQuarrie) Odlum, was the first female president of Bonwit Teller. His parents separated while he was quite young and the anxiety and depression built up over this loss marred his early school years, which were marked by acts of belligerent aggression and temper tantrums, resulting in his being expelled from school several times. To control his behavioral problems, a positive activity was sought that could help him develop confidence and on which he could focus his energies. It came in the form of acting. Following a lead in a school play at the San Diego Army and Navy Academy at Carlsbad-by-the-Sea, California, Walker entered an acting contest at the Pasadena Playhouse and won a top performance prize. A well-to-do aunt paid for his tuition at the American Academy of Dramatic Art (AADA) in 1938, and he was on his way.

Things started off quite promisingly. While there he met fellow student Phyllis Isley who went on to play Elizabeth Barrett Browning to his Robert Browning in a production of "The Barretts of Wimpole Street" (Phyllis was later renamed Jennifer Jones). The couple fell in love and both quit the academy in order to save money and marry, but they found little work other than some small parts at a Greenwich Village theater. They eventually found a radio job together in Tulsa, Oklahoma, and married on January 2, 1939, honeymooning in Hollywood in order to secure more acting parts. Other than some radio jobs and bit parts in films, the move didn't pan out. The couple returned to New York and started a family. Sons Robert Walker Jr. (born 1940) and Michael Walker (born 1941) would both become actors in their own right. Following their births Jennifer returned to auditioning and caught the eye of producer David O. Selznick, who took an immediate interest in her and signed her to a contract. Selznick was also instrumental in securing a contract for Robert over at MGM. Stardom would be theirs as a result of this Selznick association, but at quite a cost to Robert.

Robert gained immediate attention in his first important MGM role as a shy, ill-fated sailor in Bataan (1943), but was miscast as a scientist in the Greer Garson biopic Madame Curie (1943). Hollywood notice would come in the form of his sweet, sad-sack title role in the service comedy See Here, Private Hargrove (1944), the story of a cub reporter who is drafted into the army. The role brought out all the touching, fascinating qualities of Robert. In the meantime, Jennifer became so caught up in her obsessive relationship with mentor Selznick that she broke off with Robert. The actor was devastated and abruptly turned to heavy drinking. He would never completely recover from this loss. The first of many skirmishes with the law came about when he was arrested on a hit-and-run charge. In another self-destructive act, he agreed to appear with his estranged wife in the Selznick film Since You Went Away (1944). Although he suffered great anguish during the filming, the movie was praised by critics. He played a young soldier who dies before the end of the last reel, and audiences identified with him in both his troubled on- and off-screen roles. Another vivid part that showed off Walker's star quality came opposite the equally troubled Judy Garland in The Clock (1945), a simple romantic story of two lost souls, a soldier and a girl, who accidentally meet while he is on furlough.

The tumultuous state of Walker's not-so-private life began to seriously affect his screen career in the late 1940s. In the musical Till the Clouds Roll By (1946) he played composer Jerome Kern but was eclipsed by the musical numbers and flurry of special guests. He was third billed behind Katharine Hepburn and Paul Henreid, who portrayed pianist Clara Schumann and mentally unstable composer Robert Schumann, in Song of Love (1947). Robert played famed composer and friend Johannes Brahms. Following a lead part as a love-struck window dresser in One Touch of Venus (1948), which focused more on Ava Gardner's creative vision of loveliness, he impulsively married Barbara Ford, the daughter of famed director John Ford. The marriage ended in divorce after just five months, following more erratic outbursts, including arrests for drunkenness. By this time Jennifer had married Selznick, and this pushed Robert over the brink. He was committed to a sanatorium and not released until the middle of 1949.

After his recovery and release, he was back to work with top roles in the comedy Please Believe Me (1950) opposite Deborah Kerr and the western Vengeance Valley (1951) starring Burt Lancaster. Robert happened to be loaned out to Warner Bros. when he was handed the most memorable film role of his career, that of the charming psychopath who attempts to trade murder favors with Farley Granger in Alfred Hitchcock's classic thriller Strangers on a Train (1951). Hailed by the critics, Robert was mesmerizing in the part and part of the Hollywood elite once again. He had begun filming Paramount's My Son John (1952), which included Helen Hayes, Van Heflin and Dean Jagger in the cast, when tragedy occurred.

Robert had just finished principal photography and was making himself available for re-shoots for director Leo McCarey when, on the night of August 28, 1951, his housekeeper found him in an extremely agitated state. Failing to calm him down, she panicked and called his psychiatrist, who, upon arrival, administered a dose of sodium amytal, a sedative, which Walker had taken in the past. Unfortunately, he had been drinking as well and suffered an acute allergic reaction to the drug. Robert stopped breathing, and all efforts to resuscitate him failed. His death cut short the career of a man destined to become one of the most charismatic actors in film. As for life imitating art, perhaps Robert's agonies are what brought out the magnificence of his acting.

Robert Walker is known for Everyone Says I Love You (1996).

Born in Jamaica Hospital Medical Center (Queens, New York City) on April 15, 1940, the son of actors Robert Walker and Jennifer Jones, Robert Walker Jr. certainly had the right pedigree to make the grade in Hollywood. His parents separated when Robert was only three. Six years later, his mother married powerful film mogul David O. Selznick who by this time had already taken firm control of Jones's career.

Walker Jr. began training at the Actors' Studio in the early 1960s. He also married wife Ellie Wood in the early 1960s and they had three children. Walker Jr. preferred to find his own place in the entertainment field and tried to avoid the obvious comparisons, but his startling resemblance to his late father made it extremely difficult for film audiences to separate the two. He started his film career in good company and with two strong roles in The Hook (1963), a morality story set during the Korean war starring Kirk Douglas and Nick Adams, and The Ceremony (1963) in which he received a Golden Globe Award for "promising newcomer" as Laurence Harvey's brother. Walker Jr. also worked on TV and earned a Theatre World Award for his two 1964 off-Broadway roles in "I Knock at the Door" and "Pictures in the Hallway."

Of slight build and boyishly handsome, Robert Walker Jr. seemed on his way when he was handed the biggest challenge of his film career taking over Jack Lemmon's Oscar-winning role as Ensign Pulver (1964) in the sequel to the popular service comedy Mister Roberts (1955). Unfortunately, his comparison to Lemmon paled significantly and the script had neither the charm nor wit of its predecessor. The film and Walker were torpedoed by the reviewers and Walker lost major ground in Hollywood. Despite his obvious talent, his subsequent films lacked the quality and promise of his first two, which included The Happening (1967), The Savage Seven (1968), Killers Three (1968) and the title role in Young Billy Young (1969) starring Robert Mitchum. He and his wife Ellie appeared in roles in the hit cult film Easy Rider (1969).

Walker Jr. had guest roles in many popular television series from the 1960s through the early 1990s. In The Big Valley (1965) episode, "My Son, My Son" (aired November 3, 1965), Walker portrayed Evan Miles, an emotionally disturbed college dropout who becomes obsessed with childhood friend Audra Barkley. He played the title role and another emotionally disturbed character, a troubled actor who lived and performed on the streets and in circuses, in Naked City (1958) episode "Dust Devil on a Quiet Street" (aired November 28, 1962). He had a memorable role in Star Trek (1966) as "Charles 'Charlie' Evans" in the episode "Charlie X" (aired September 15, 1966). In addition, he played Billy the Kid in episode 22 of The Time Tunnel (1966), which originally aired on February 10, 1967. He portrayed Nick Baxter, an ill alien who caused the deaths of humans by touch, in the episode "Panic" in the television series The Invaders (1967) (aired April 11, 1967). He played Mark Cole in the October 29, 1967 episode of Bonanza (1959), titled "The Gentle Ones". He appeared in a pivotal role on the Columbo (1971) episode "Mind Over Mayhem" (1974) and in the 5th season of Combat! (1962) in the episode "Ollie Joe". His final television appearances were in the 1990s, in L.A. Law (1986), FBI: The Untold Stories (1991), Santa Barbara (1984), The New Lassie (1989), The New Adam-12 (1990), and In the Heat of the Night (1988).