Actors/Actresses Who Have Won A Laurence Olivier Award

Widely regarded as one of the greatest stage and screen actors both in his native Great Britain and internationally, twice nominated for the Oscar and recipient of every major theatrical award in the UK and US, Ian Murray McKellen was born on May 25, 1939 in Burnley, Lancashire, England, to Margery Lois (Sutcliffe) and Denis Murray McKellen, a civil engineer and lay preacher. He is of Scottish, Northern Irish, and English descent. During his early childhood, his parents moved with Ian and his older sister, Jean, to the mill town of Wigan. It was in this small town that young Ian rode out World War II. He soon developed a fascination with acting and the theatre, which was encouraged by his parents. They would take him to plays, those by William Shakespeare, in particular. The amateur school productions fostered Ian's growing passion for theatre.

When Ian was of age to begin attending school, he made sure to get roles in all of the productions. At Bolton School in particular, he developed his skills early on. Indeed, his first role in a Shakespearian play was at Bolton, as Malvolio in "Twelfth Night". Ian soon began attending Stratford-upon-Avon theatre festivals, where he saw the greats perform: Laurence Olivier, Wendy Hiller, John Gielgud, Ralph Richardson and Paul Robeson. He continued his education in English Drama, but soon it fell by the wayside as he concentrated more and more on performing. He eventually obtained his Bachelor of Arts in 1961, and began his career in earnest.

McKellen began working in theatre over the next few years. Very few people knew of Ian's homosexuality; he saw no reason to go public, nor had he told his family. They did not seem interested in the subject and so he saw no reason to bring it up. In 1988, Ian publicly came out of the closet on the BBC Radio 4 program, while discussing Margaret Thatcher's "Section 28" legislation, which made the promotion of homosexuality as a family relationship by local authorities an offense. It was reason enough for McKellen to take a stand. He has been active in the gay rights movement ever since.

Ian resides in Limehouse, where he has also lived with his former long-time partner Sean Mathias. The two men have also worked together on the film Bent (1997) as well as in exquisite stage productions. To this day, McKellen works mostly in theatre, and was knighted by Queen Elizabeth II in 1990 for his efforts in the arts. However, he has managed to make several quite successful forays into film. He has appeared in several productions of Shakespeare's works including his well received Richard III (1995), and in a variety of other movies. However, it has only been recently that his star has finally begun to shine in the eyes of North American audiences. Roles in various films, Cold Comfort Farm (1995), Apt Pupil (1998) and Gods and Monsters (1998), riveted audiences. The latter, in particular, created a sensation in Hollywood, and McKellen's role garnered him several of awards and nominations, including a Golden Globe and an Oscar nod. McKellen, as he continues to work extensively on stage, he always keeps in 'solidifying' his 'role' as Laurence Olivier's worthy 'successor' in the best sense too, such as King Lear (2008) / King Lear (2008) directed by Trevor Nunn and in a range of other staggering performances full of generously euphoric delight that have included "Peter Pan" and Noël Coward's "Present Laughter", as well as Samuel Beckett's "Waiting for Godot" and Harold Pinter's "No Man's Land" (National Theatre Live: No Man's Land (2016)), both in acclaimed productions brilliantly directed by Sean Mathias.

McKellen found mainstream success with his performance as Magneto in X-Men (2000) and its sequels. His largest mark on the big screen may be as Gandalf in "The Lord of the Rings" film trilogy directed by Peter Jackson, which he reprised in "The Hobbit" trilogy. He also reprised the role of 'King Lear' with new artistic perspectives in National Theatre Live: King Lear (2018) offering an invaluable mesmerizing experience as a natural force of stage - and screen - of infinite generosity through his unsurpassable interpretation of the titanically vulnerable king.

The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).

By 1965, Finney had branched out into production, setting up Memorial Enterprises in conjunction with Michael Medwin. In 1968, he directed himself in Charlie Bubbles (1968) and three years later produced the Chandleresque homage Gumshoe (1971), in which he also starred as Eddie Ginley, a bingo-caller with delusions of becoming a private eye. From 1972 to 1975, Finney served as artistic director of the Royal Court Theatre. His intermittent forays to the screen confirmed him as a versatile international actor of note, though not what one might describe as a mainstream star. His roles have ranged from Ebenezer Scrooge in the musical version of Scrooge (1970) to Daddy Warbucks in Annie (1982) and (in flamboyant over-the-top make-up) Hercule Poirot in Murder on the Orient Express (1974). He appeared as Minister of Police Joseph Fouché in Ridley Scott's superb period drama The Duellists (1977) and as a grandiloquent Shakespearean actor in The Dresser (1983) for which he received an Oscar nomination. For the small screen Finney essayed Pope John Paul II (1984) and was a totally believable Winston Churchill in the acclaimed The Gathering Storm (2002). His final movie credit was in the James Bond thriller Skyfall (2012).

Finney was five-times nominated for Academy Awards in 1964, 1975, 1984, 1985 and 2001. He won two BAFTA Awards in 1961 and 2004. True to his working-class roots, he spurned a CBE in 1980 and a knighthood in 2000, later explaining his decision by stating that the 'Sir thing' "slightly perpetuates one of our diseases in England, which is snobbery". Albert Finney was diagnosed with kidney cancer in 2011. He died on February 7 2019 at a London hospital from a chest infection at the age of 82. Upon his death, John Cleese described him as "the best" and "our greatest actor".

Sir Michael Gambon was born in Cabra, Dublin, Ireland, to Mary (Hoare), a seamstress, and Edward Gambon, an engineer. After joining the National Theatre, under the Artistic Directorship of Sir Laurence Olivier, Gambon went on to appear in a number of leading roles in plays written by Alan Ayckbourn. His career was catapulted in 1980 when he took the lead role in John Dexter's production of "Galileo". Since then, Gambon has regularly appeared at the Royal National Theatre and the RSC. Roles include, King Lear, Othello, Mark Anthony and Volpone. He was described by the late Sir Ralph Richardson as being "The Great Gambon" and he is now considered to be one of the British theatre's leading lights. He was made a CBE in 1992.

Widely regarded as one of the greatest stage and screen actors both in his native UK and internationally, the unparalleled Nigel Hawthorne was born in Coventry, England on 5 April 1929, raised in South Africa and returned to the UK in the 1950s with his extensive work as a great gentleman of acting following during the decade as well as in the 1960s, 1970s and 1980s. His portrayal of 'Sir Humphrey Appleby' in the BBC comedy Yes Minister (1980) won him international acclaim in the 1980s. In 1992, he was awarded the Laurence Olivier Theatre Award for his sublime interpretation of 'George III' in Alan Bennett's hit stage play, "The Madness of King George III" and he was also nominated for an Academy Award of Best Actor in a Leading Role in its brilliant film adaptation The Madness of King George (1994), both of them exquisitely directed by Nicholas Hytner.

Sir Ian Holm was one of the world's greatest actors, a Laurence Olivier Award-winning, Tony Award-winning, BAFTA-winning and Academy Award-nominated British star of films and the stage. He was a member of the prestigious Royal Shakespeare Company and has played more than 100 roles in films and on television.

He was born Ian Holm Cuthbert on September 12, 1931, in Goodmayes, Essex, to Scottish parents who worked at the Essex mental asylum. His mother, Jean Wilson (née Holm), was a nurse, and his father, Doctor James Harvey Cuthbert, was a psychiatrist. Young Holm was brought up in London. At the age of seven he was inspired by the seeing 'Les Miserables' and became fond of acting. Holm studied at the Royal Academy of Dramatic Arts, graduating in 1950 to the Royal Shakespeare Company. There he emerged as an actor whose range and effortless style allowed him to play almost entire Shakespeare's repertoire. In 1959 his stage partner Laurence Olivier scored a hit on Ian Holm in a sword fight in a production of 'Coriolanus'. Holm still had a scar on his finger.

In 1965 Holm made his debut on television as Richard III on the BBC's The Wars of the Roses (1965), which was a filmed theatrical production of four of Shakespeare's plays condensed down into a trilogy. In 1969 Holm won his first BAFTA Film Award Best Supporting Actor for The Bofors Gun (1968), then followed a flow of awards and nominations for his numerous works in film and on television. In 1981, he played one of his best known roles, Sam Mussabini in Chariots of Fire (1981), for which he was nominated for Oscar for Best Actor in a Supporting Role. In the late 1990s, he gave a highly-acclaimed turn as the lawyer, Mitchell, in Atom Egoyan's The Sweet Hereafter (1997), and was subsequently cast in a number of high-profile Hollywood films of the next decade, playing Father Vito Cornelius in The Fifth Element (1997), Bilbo in The Lord of the Rings: The Return of the King (2003), and Professor Fitz in The Aviator (2004), as well as Zach Braff's character's father Gideon in Garden State (2004). His last non-Hobbit film role was a voice part as Skinner in Ratatouille (2007).

Ian Holm had five children, three daughters and two sons from the first two of his four wives and from an additional relationship. In 1989 Holm was created a Commander of the British Empire (CBE), and in 1998 he was knighted for his services to drama. He died in London in June 2020.

Kevin Spacey Fowler, better known by his stage name Kevin Spacey, is an American actor of screen and stage, film director, producer, screenwriter and singer. He began his career as a stage actor during the 1980s before obtaining supporting roles in film and television. He gained critical acclaim in the early 1990s that culminated in his first Academy Award for Best Supporting Actor for the neo-noir crime thriller The Usual Suspects (1995), and an Academy Award for Best Actor for midlife crisis-themed drama American Beauty (1999).

His other starring roles have included the comedy-drama film Swimming with Sharks (1994), psychological thriller Seven (1995), the neo-noir crime film L.A. Confidential (1997), the drama Pay It Forward (2000), the science fiction-mystery film K-PAX (2001)

In Broadway theatre, Spacey won a Tony Award for his role in Lost in Yonkers. He was the artistic director of the Old Vic theatre in London from 2004 until stepping down in mid-2015. Since 2013, Spacey has played Frank Underwood in the Netflix political drama series House of Cards. His work in House of Cards earned him Golden Globe Award and Emmy Award nominations for Best Actor.

As enigmatic as he is talented, Kevin Spacey for years kept the details of his private life closely guarded. As he explained in a 1998 interview with the London Evening Standard, "the less you know about me, the easier it is to convince you that I am that character on screen. It allows an audience to come into a movie theatre and believe I am that person". In October 2017, he ended many years of media speculation about his personal life by confirming that he had had sexual relations with both men and women but now identified as gay.

There are, however, certain biographical facts to be had - for starters, Kevin Spacey Fowler was the youngest of three children born to Kathleen Ann (Knutson) and Thomas Geoffrey Fowler, in South Orange, New Jersey. His ancestry includes Swedish (from his maternal grandfather) and English. His middle name, "Spacey," which he uses as his stage name, is from his paternal grandmother. His mother was a personal secretary, his father a technical writer whose irregular job prospects led the family all over the country. The family eventually settled in southern California, where young Kevin developed into quite a little hellion - after he set his sister's tree house on fire, he was shipped off to the Northridge Military Academy, only to be thrown out a few months later for pinging a classmate on the head with a tire. Spacey then found his way to Chatsworth High School in the San Fernando Valley, where he managed to channel his dramatic tendencies into a successful amateur acting career. In his senior year, he played "Captain von Trapp" opposite classmate Mare Winningham's "Maria" in "The Sound of Music" (the pair later graduated as co-valedictorians). Spacey claims that his interest in acting - and his nearly encyclopedic accumulation of film knowledge - began at an early age, when he would sneak downstairs to watch the late late show on TV. Later, in high school, he and his friends cut class to catch revival films at the NuArt Theater. The adolescent Spacey worked up celebrity impersonations (James Stewart and Johnny Carson were two of his favorites) to try out on the amateur comedy club circuit.

He briefly attended Los Angeles Valley College, then left (on the advice of another Chatsworth classmate, Val Kilmer) to join the drama program at Juilliard. After two years of training he was anxious to work, so he quit Juilliard sans diploma and signed up with the New York Shakespeare Festival. His first professional stage appearance was as a messenger in the 1981 production of "Henry VI".

Festival head Joseph Papp ushered the young actor out into the "real world" of theater, and the next year Spacey made his Broadway debut in Henrik Ibsen's "Ghosts". He quickly proved himself as an energetic and versatile performer (at one point, he rotated through all the parts in David Rabe's "Hurlyburly"). In 1986, he had the chance to work with his idol and future mentor, Jack Lemmon, on a production of Eugene O'Neill's "Long Day's Journey Into Night". While his interest soon turned to film, Spacey would remain active in the theater community - in 1991, he won a Tony Award for his turn as "Uncle Louie" in Neil Simon's Broadway hit "Lost in Yonkers" and, in 1999, he returned to the boards for a revival of O'Neill's "The Iceman Cometh".

Spacey's film career began modestly, with a small part as a subway thief in Heartburn (1986). Deemed more of a "character actor" than a "leading man", he stayed on the periphery in his next few films, but attracted attention for his turn as beady-eyed villain "Mel Profitt" on the TV series Wiseguy (1987). Profitt was the first in a long line of dark, manipulative characters that would eventually make Kevin Spacey a household name: he went on to play a sinister office manager in Glengarry Glen Ross (1992), a sadistic Hollywood exec in Swimming with Sharks (1994), and, most famously, creepy, smooth-talking eyewitness Verbal Kint in The Usual Suspects (1995).

The "Suspects" role earned Spacey an Oscar for Best Supporting Actor and catapulted him into the limelight. That same year, he turned in another complex, eerie performance in David Fincher's thriller Se7en (1995) (Spacey refused billing on the film, fearing that it might compromise the ending if audiences were waiting for him to appear). By now, the scripts were pouring in. After appearing in Al Pacino's Looking for Richard (1996), Spacey made his own directorial debut with Albino Alligator (1996), a low-key but well received hostage drama. He then jumped back into acting, winning critical accolades for his turns as flashy detective Jack Vincennes in L.A. Confidential (1997) and genteel, closeted murder suspect Jim Williams in Midnight in the Garden of Good and Evil (1997). In October 1999, just four days after the dark suburban comedy American Beauty (1999) opened in US theaters, Spacey received a star on the Hollywood Walk of Fame. Little did organizers know that his role in Beauty would turn out to be his biggest success yet - as Lester Burnham, a middle-aged corporate cog on the brink of psychological meltdown, he tapped into a funny, savage character that captured audiences' imaginations and earned him a Best Actor Oscar.

No longer relegated to offbeat supporting parts, Spacey seems poised to redefine himself as a Hollywood headliner. He says he's finished exploring the dark side - but, given his attraction to complex characters, that mischievous twinkle will never be too far from his eyes.

In February 2003 Spacey made a major move back to the theatre. He was appointed Artistic Director of the new company set up to save the famous Old Vic theatre, The Old Vic Theatre Company. Although he did not undertake to stop appearing in movies altogether, he undertook to remain in this leading post for ten years, and to act in as well as to direct plays during that time. His first production, of which he was the director, was the September 2004 British premiere of the play Cloaca by Maria Goos (made into a film, Cloaca (2003)). Spacey made his UK Shakespearean debut in the title role in Richard II in 2005. In 2006 he got movie director Robert Altman to direct for the stage the little-known Arthur Miller play Resurrection Blues, but that was a dismal failure. However Spacey remained optimistic, and insisted that a few mistakes are part of the learning process. He starred thereafter with great success in Eugene O'Neill's A Moon for the Misbegotten along with Colm Meaney and Eve Best, and in 2007 that show transferred to Broadway. In February 2008 Spacey put on a revival of the David Mamet 1988 play Speed-the-Plow in which he took one of the three roles, the others being taken by Jeff Goldblum and Laura Michelle Kelly.

In 2013, Spacey took on the lead role in an original Netflix series, House of Cards (2013). Based upon a British show of the same name, House of Cards is an American political drama. The show's first season received a Primetime Emmy Award nomination to include Outstanding lead actor in a drama series. In 2017, he played a memorable role as a villain in the action thriller Baby Driver (2017).

Imposing, barrel-chested and often silver-haired Brian Dennehy was a prolific US actor, well respected on both screen and stage over many decades. He was born in July 1938 in Bridgeport, CT, and attended Columbia University in New York City on a football scholarship. Brian majored in history, before moving on to Yale to study dramatic arts. He first appeared in minor screen roles in such fare as Looking for Mr. Goodbar (1977), Semi-Tough (1977) and Foul Play (1978) and proved popular with casting directors, leading to regular work. However, he really got himself noticed by movie audiences in the box-office hit First Blood (1982) as the bigoted sheriff determined to run Vietnam veteran "John Rambo" (played by Sylvester Stallone) out of his town. Dennehy quickly escalated to stronger supporting or co-starring roles in films including the Cold War thriller Gorky Park (1983), as a benevolent alien in Cocoon (1985), a corrupt sheriff in the western Silverado (1985), a tough but smart cop in F/X (1986) and a cop-turned-writer alongside hit man James Woods in Best Seller (1987). In 1987, Dennehy turned in one of his finest performances as cancer-ridden architect "Stourley Kracklite" in Peter Greenaway's superb The Belly of an Architect (1987), for which he won the Best Actor Award at the 1987 Chicago Film Festival. More strong performances followed. He reprised prior roles for Cocoon: The Return (1988) and F/X2 (1991), and turned in gripping performances in three made-for-TV films: a sadistic small-town bully who gets his grisly comeuppance in In Broad Daylight (1991), real-life serial killer John Wayne Gacy in the chilling To Catch a Killer (1992) and a corrupt union boss in Teamster Boss: The Jackie Presser Story (1992). In 1993, Dennehy appeared in the role of police "Sgt. Jack Reed" in the telemovie Jack Reed: Badge of Honor (1993), and reprised the role in four sequels, which saw him for the first time become involved in co-producing, directing and writing screen productions! Demand for his services showed no signs of abating, and he put in further memorable performances in Romeo + Juliet (1996), as bad-luck-ridden "Willy Loman" in Death of a Salesman (2000) (which earned him a Golden Globe Award), he popped up in the uneven Spike Lee film She Hate Me (2004) and appears in the remake Assault on Precinct 13 (2005). The multi-talented Dennehy also had a rich theatrical career and appeared both in the United States and internationally in dynamic stage productions including "Death of a Salesman" (for which he picked up the 1999 Best Actor Tony Award and a Drama Desk Award), "A Touch of the Poet", "Long Day's Journey into Night" (for which he picked up another Tony Award in 2003) and in Eugene O'Neill's heart-wrenching "The Iceman Cometh."

The avuncular star character actor Richard Griffiths grew up in a council flat in less than prosperous conditions, the son of deaf and volatile parents in a dysfunctional family setting. According to an article in the Telegraph newspaper, his father Thomas was a steelworker 'who fought in pubs for prize money'. Like most children, Richard's "mother tongue" was the same as his parents. In his case, that was sign language. Like many kids in the 50s, his world did not include television. He had to explain sounds to his parents, for example music. Griffiths made a career out of language. For instance, he developed a talent for dialects which later allowed him to shine in a number of ethnic portrayals. He attended the Manchester Polytechnic School Of Drama and then began his career in radio drama and repertory theatre. He subsequently became a member of the Royal Shakespeare Company where he often excelled playing Shakespeare's comic characters.

In a 2007 interview, Griffiths said "I like playing Vernon Dursley in Harry Potter because that gives me a license to be horrible to kids. I hate the odious business of sucking up to the public." In fact, unlike those jovial characters he so often portrayed on screen, Griffiths did not tolerate fools gladly. On occasion, he would get stroppy with members of an audience, especially those failing to switch off their mobile phones during a performance (who could blame him?). He was also highly thought of as a raconteur and wit.

The ever-versatile, often bespectacled and bearded Griffiths did his best work for the small screen, excelling as the inquisitive and resourceful civil servant Henry Jay in Bird of Prey (1982) and as the lovable 'cooking policeman' Henry Crabbe in Pie in the Sky (1994), a role specially created for him. As comic relief he made many a hilarious guest appearance, in, among other popular series, The Vicar of Dibley (1994) (as the Bishop of Mulberry) and as Dr. Bayham Badger in the superb BBC adaption of Bleak House (2005). He could also play evil and sinister, none more so than Swelter in Gormenghast (2000), a character Griffiths described being at once "laughably comic" and "a monster like Idi Amin". He was also much sought-after by Hollywood producers, appearing in a dual role in The Naked Gun 2½: The Smell of Fear (1991), as the ill-fated Magistrate Philipse in Tim Burton 's Sleepy Hollow (1999) and as King George in Pirates of the Caribbean: On Stranger Tides (2011).

The much-acclaimed actor won a Tony Award, a Laurence Olivier Award, the Drama Desk Award and the Outer Critics Circle Award.

Griffiths was uncommonly skinny as a child and this required radiation treatment on his pituitary gland from the age of eight. It caused his metabolism to slow to such an extent that he eventually became obese, a condition which in all likelihood contributed to his death from complications during heart surgery on 28 March 2013 at the age of 65.

Preeminent British classical actor of the first post-Olivier generation, Derek Jacobi was knighted in 1994 for his services to the theatre, and, in fact, is only the second to enjoy the honor of holding TWO knighthoods, Danish and English (Olivier was the other). Modest and unassuming in nature, Jacobi's firm place in theatre history centers around his fearless display of his characters' more unappealing aspects, their great flaws, eccentricities and, more often than not, their primal torment.

Jacobi was born in Leytonstone, London, England, the only child of Alfred George Jacobi, a department store manager, and Daisy Gertrude (Masters) Jacobi, a secretary. His paternal great-grandfather was German (from Hoxter, Germany). His interest in drama began while quite young. He made his debut at age six in the local library drama group production of "The Prince and the Swineherd" in which he appeared as both the title characters. In his teens he attended Leyton County High School and eventually joined the school's drama club ("The Players of Leyton").

Derek portrayed Hamlet at the English National Youth Theatre prior to receiving his high school diploma, and earned a scholarship to the University of Cambridge, where he initially studied history before focusing completely on the stage. A standout role as Edward II at Cambridge led to an invite by the Birmingham Repertory in 1960 following college graduation. He made an immediate impression wherein his Henry VIII (both in 1960) just happened to catch the interest of Olivier himself, who took him the talented actor under his wing. Derek became one of the eight founding members of Olivier's National Theatre Company and gradually rose in stature with performances in "The Royal Hunt of the Sun," "Othello" (as Cassio) and in "Hay Fever", among others. He also made appearances at the Chichester Festival and the Old Vic.

It was Olivier who provided Derek his film debut, recreating his stage role of Cassio in Olivier's acclaimed cinematic version of Othello (1965). Olivier subsequently cast Derek in his own filmed presentation of Chekhov's Three Sisters (1970). On TV Derek was in celebrated company playing Don John in Much Ado About Nothing (1967) alongside Maggie Smith and then-husband Robert Stephens; Derek had played the role earlier at the Chichester Festival in 1965. After eight eventful years at the National Theatre, which included such sterling roles as Touchstone in "As You Like It", Jacobi left the company in 1971 in order to attract other mediums. He continued his dominance on stage as Ivanov, Richard III, Pericles and Orestes (in "Electra"), but his huge breakthrough would occur on TV. Coming into his own with quality support work in Man of Straw (1972), The Strauss Family (1972) and especially the series The Pallisers (1974) in which he played the ineffectual Lord Fawn, Derek's magnificence was presented front and center in the epic BBC series I, Claudius (1976). His stammering, weak-minded Emperor Claudius was considered a work of genius and won, among other honors, the BAFTA award.

Although he was accomplished in The Day of the Jackal (1973) and The Odessa File (1974), films would place a distant third throughout his career. Stage and TV, however, would continue to illustrate his classical icon status. Derek took his Hamlet on a successful world tour throughout England, Egypt, Sweden, Australia, Japan and China; in some of the afore-mentioned countries he was the first actor to perform the role in English. TV audiences relished his performances as Richard II (1978) and, of course Hamlet, Prince of Denmark (1980).

After making his Broadway bow in "The Suicide" in 1980, Derek suffered from an alarming two-year spell of stage fright. He returned, however, and toured as part of the Royal Shakespeare Company (1982-1985) with award-winning results. During this period he collected Broadway's Tony Award for his Benedick in "Much Ado about Nothing"; earned the coveted Olivier, Drama League and Helen Hayes awards for his Cyrano de Bergerac; and earned equal acclaim for his Prospero in "The Tempest" and Peer Gynt. In 1986, he finally made his West End debut in "Breaking the Code" for which he won another Helen Hayes trophy; the play was then brought to Broadway.

For the rest of the 80s and 90s, he laid stage claim to such historical figures as Lord Byron, Edmund Kean and Thomas Becket. On TV he found resounding success (and an Emmy nomination) as Adolf Hitler in Inside the Third Reich (1982), and finally took home the coveted Emmy opposite Anthony Hopkins in the WWII drama The Tenth Man (1988). He won a second Emmy in an unlikely fashion by spoofing his classical prowess on an episode of "Frasier" (his first guest performance on American TV), in which he played the unsubtle and resoundingly bad Shakespearean actor Jackson Hedley.

Kenneth Branagh was greatly influenced by mentor Jacobi and their own association would include Branagh's films Henry V (1989), Dead Again (1991), and Hamlet (1996), the latter playing Claudius to Branagh's Great Dane. Derek also directed Branagh in the actor's Renaissance Theatre Company's production of "Hamlet". In the 1990s Derek returned to the Chichester Festival, this time as artistic director, and made a fine showing in the title role of Uncle Vanya (1996).

More heralded work of late include profound portrayals of the anguished titular painter in Love Is the Devil: Study for a Portrait of Francis Bacon (1998), the role of Gracchus in the popular, Oscar-winning film Gladiator (2000), and sterling performances in such films as Two Men Went to War (2002), Bye Bye Blackbird (2005), The Riddle (2007), Endgame (2009), The King's Speech (2010), Jail Caesar (2012), and as the King in Cinderella (2015). Continuing to mesmerize on the stage, he has turned in superb performances in "Uncle Vanya" (2000), Friedrich Schiller's "Don Carlos" (2005), _A Voyage 'Round My Father (2006), "Twelfth Night" (2009) and the title role in "King Lear" (2010). On the British TV series front, he has commanded more recent attention in the title role of a crusading monk in the mystery series Mystery!: Cadfael (1994), as Lord Pirrie in Titanic: Blood and Steel (2012), as Alan in Last Tango in Halifax (2012), and as Stuart Bixby in Vicious (2013).

He and his life-time companion of three decades, Richard Clifford, filed as domestic partners in England in 2006. Clifford, a fine classical actor and producer in his own right, has shared movie time with Jacobi in Little Dorrit (1987), Henry V (1989), and the TV version of Cyrano de Bergerac (1985).

Benedict Timothy Carlton Cumberbatch was born and raised in London, England. His parents, Wanda Ventham and Timothy Carlton (born Timothy Carlton Congdon Cumberbatch), are both actors. He is a grandson of submarine commander Henry Carlton Cumberbatch, and a great-grandson of diplomat Henry Arnold Cumberbatch CMG. Cumberbatch attended Brambletye School and Harrow School. Whilst at Harrow, he had an arts scholarship and painted large oil canvases. It's also where he began acting. After he finished school, he took a year off to volunteer as an English teacher in a Tibetan monastery in Darjeeling, India. On his return, he studied drama at Manchester University. He continued his training as an actor at the London Academy of Music and Dramatic Art graduating with an M.A. in Classical Acting. By the time he had completed his studies, he already had an agent.

Cumberbatch has worked in theatre, television, film and radio. His breakthrough on the big screen came in 2004 when he portrayed Stephen Hawking in the television movie Hawking (2004). In 2010, he became a household name as Sherlock Holmes on the British television series Sherlock (2010). In 2011, he appeared in two Oscar-nominated films - War Horse (2011) and Tinker Tailor Soldier Spy (2011). He followed this with acclaimed roles in the science fiction film Star Trek Into Darkness (2013), the Oscar-winning drama 12 Years a Slave (2013), The Fifth Estate (2013) and August: Osage County (2013). In 2014, he portrayed Alan Turing in The Imitation Game (2014) which earned him a Golden Globe, Screen Actors Guild Award, British Academy of Film and Television Arts and an Academy Award nomination for Best Actor in a Leading Role.

Cumberbatch was appointed Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in the 2015 Birthday Honours for his services to the performing arts and to charity.

Cumberbatch's engagement to theatre and opera director Sophie Hunter, whom he has known for 17 years, was announced in the "Forthcoming Marriages" section of The Times newspaper on November 5, 2014. On February 14, 2015, the couple married at the 12th century Church of St. Peter and St. Paul on the Isle of Wight followed by a reception at Mottistone Manor. They have three sons, Christopher Carlton (born 2015), Hal Auden (born 2017), and Finn (born 2019).

Jonny (sometimes credited as Johnny) Lee Miller was born on November 15, 1972, in Kingston, England, UK. He is the son of actors Anna Lee and Alan Miller and the grandson of actor Bernard Lee. After appearing in many high school plays at his selective state grammar school, Jonny dropped out at 17 to pursue acting full time. Although he was reportedly quiet and shy in high school, he certainly expresses himself well in all his films. His very first popular film was Hackers (1995), alongside Angelina Jolie and Matthew Lillard. Later his co-star Angelina became his wife. They were divorced three years later. Interesting fact is that his entire family is well into acting, all the way back to his grandparents. He has a partnership in the production company Natural Nylon, which also includes Jude Law and Ewan McGregor, his co-star in Trainspotting (1996).

Dame Joan Ann Plowright, the Baroness Olivier, is one of the most distinguished actors of her generation. She may be best remembered as the third wife and widow of Laurence Olivier, generally considered the greatest anglophone actor of the 20th Century, but she had a distinguished career of her own on stage and screen spanning six decades.

Born in Brigg, Lincolnshire on October 28, 1929, she received her training at the Bristol Old Vic Theatre School and made her professional stage debut at Croydon in 1948. Her London debut came in 1954, and two years later, she joined George Devine's English Stage Company at the Royal Court Theatre, which would change her life just as the drama at the Royal Court revolutionized the English theater.

The Royal Court's 1956 production of John Osborne's 'Look Back In Anger' was a watershed in English theatrical history, ushering in the 'Angry Young Man" era in British cultural life. In 1957, Plowright first co-starred with her future husband Olivier in the Royal Court's production of Osborne's The Entertainer (1960) when she took over the role of Archie Rice's daughter Jean Rice when the play transferred to a commercial venue in the West End. She recreated the role in Tony Richardson's 1960 film of the play.

To escape the notoriety from Olivier's divorce from Vivien Leigh, Plowright and Olivier went to New York, where they appeared on Broadway, he in Becket (1964) and she in A Taste of Honey (1961). For her performance as Josephine, which Rita Tushingham played in the movie version, she won a 1961 Tony Award as Best Actress in a Play. (She had first appeared on Broadway in a twin bill of Eugène Ionesco's "The Chairs" and "The Lesson" in January 1958, a month before she appeared with Olivier in "The Entertainer".) When his divorce from Leigh came through, they were married in March 1961 in New York with Richard Burton as Larry's best man.

From 1963 onward, she was a member of the National Theatre, which was headed by Olivier. Plowright created a distinguished stage career and was acclaimed when she began appearing more frequently in movies and television starting in the the 1980s. She was made a Dame Commander of the British Empire, the female equivalent of a knighthood, in the 2004 Queen's New Year Honours.

Plowright divorced her first husband, the actor Roger Gage, to marry Olivier in 1961 and they had three children, Richard Kerr Olivier, Tamsin Olivier and Julie Kate Olivier.

Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in A Handful of Dust (1988) and A Room with a View (1985). She received an ACE award for her performance in the television series Mr & Mrs Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.

Zoë Wanamaker is an American expatriate actress, who has spent most of her career in the United Kingdom. She has worked extensively in the theatre. She has been nominated for 9 Laurence Olivier Awards, winning twice. She has also been nominated for 4 Tony Awards, without ever winning. In television, she is known for the main role of Susan Harper in the long-running sitcom "My Family" (2000-2011).

In 1949, Wanamaker was born in New York City. Her father was the American film director Sam Wanamaker (1919 -1993). Sam was born in Chicago to Ukrainian-Jewish immigrants. Wanamaker's mother was the Canadian actress Charlotte Hollan, who was also of Jewish descent. Wanamaker's paternal grandfather was the tailor Maurice Wanamaker, whose original family name was "Watmacher".

Sam Wanamaker was a veteran of World War II, and an adherent of communism. In the early 1950s, the United States was experiencing the Second Red Scare. Communists, real or suspected ones, were seen as potential foreign agents and were targeted by political purges. In 1952, Sam was blacklisted in the United States. He decided to settle in the United Kingdom with his family. Zoë consequently settled in the United Kingdom at the age of 3.

Wanamaker received her early education at the King Alfred School, a co-educational independent school located in London. She later attended the Sidcot School, a co-educational boarding school located in the village of Winscombe, Somerset. Sidcot was a Quaker school, but was open to students from various faiths and cultures. Sidcot had served as a co-educational school since 1808. one of the earliest British schools of its kind.

Following her graduation, Wanamaker pursued a pre-diploma course at the Hornsey College of Art. Having decided to follow an acting career, Wanamaker was trained at the Central School of Speech and Drama. The school had been operating since 1906, when founded by the teacher Elsie Fogerty (1865 -1945). The school was initially based around Fogerty's theories about teaching proper elocution.

In the early 1970s, Wanamaker was primarily a theatrical actress. In 1976, she joined the Royal Shakespeare Company. It is a prestigious theatrical company, headquartered in Stratford-upon-Avon, Warwickshire. It specializes in performing the plays of William Shakespeare, though it has performed plays by many other playwrights. Wanamaker served as a member until 1984.

In 1979, Wanamaker won her first Olivier Award for her role in a revival of the play "Once in a Lifetime" (1930) by Moss Hart (1904 -1961) and George Simon Kaufman (1889-1961). The play is a satire of American show business. It depicts veteran vaudeville performers trying to re-establish their careers in the Hollywood film industry.

In the 1980s, Wanamaker frequently appeared in television films and other television production. She played an intelligence agent in the mini-series "Edge of Darkness" (1985), which combined elements from the genres of crime drama, political thriller, and science fiction. She was part of the cast of the historical drama series "Paradise Postponed" (1986), which depicts the changes experienced by British from the 1940s to the 1970s. She was part of the cast in the biographical film "Poor Little Rich Girl: The Barbara Hutton Story" (1987), based on the life and long-term problems of American heiress Barbara Hutton (1912 -1979). She had a one-shot role in the anthology series "Tales of the Unexpected" (1979-1988), which typically adapted short stories into its episodes.

In 1991, Wanamaker played manicurist Moyra Henson in the first season of the police procedural "Prime Suspect" (1991-2006). Henson's common-law husband is suspected serial killer George Marlow, and police authorities eventually realize that all the recent victims were Henson's clients. Wanamaker's role was critically well-received. She was nominated for the "British Academy Television Award for Best Actress" for this role, but the award was instead won by her co-star Helen Mirren (1945-).

In 1993, Wanamaker had a co-starring role in the drama film "The Countess Alice". In the film, she played Konstanza (nicknamed "Connie"), the German daughter of British aristocrat Countess Alice von Holzendorf (played by Wendy Hiller). Connie investigates her own past and realizes that the real Konstanza died in childhood. She is a child of obscure origins, who was secretly adopted by Alice as a replacement. The film was well-received at the time, though it is mostly remembered for Hiller's last role in a film.

In 1997, Wanamaker had a supporting role in the biographical film "Wide", based on the life of the writer Oscar Wilde (1854 -1900). She played the role of the novelist Ada Leverson (1862 -1933), a close friend of Wilde who offered him hospitality when he became an outcast. The film was well-received by critics. Wanamaker was nominated for the BAFTA Award for Best Actress in a Supporting Role, but the award was instead won by rival actress Sigourney Weaver (1949-).

In 2000, Wanamaker gained a major television role, when cast as Susan Harper in the sitcom "My Family" (2001-2011). Harper was depicted as a tour guide who is married and has three children. Her so-called "control freak" nature often has her clash with her family. Her problems include being married to a husband who clearly does not care about her, and having immature kids.

In 2000, Wanamaker finally gained British citizenship, after residing in the country for 48 years. She also maintained her American citizenship. In January 2001, Wanamaker was appointed a "Commander of the Order of the British Empire" for her services to drama. This is a British order of chivalry, rewarding contributions to the arts and sciences.

In 2001, Wanamaker had a supporting role in the fantasy film "Harry Potter and the Philosopher's Stone", an adaptation of a novel by J. K. Rowling (1965-). Wanamaker played the role of Rolanda Hooch, a Quidditch referee and flying instructor for first-year students at the magic school Hogwarts. The film was a box office hit. Wanamaker did not appear in the film's sequels.

In 2005, Wanamaker had a role in the science fiction series "Doctor Who" (2005-) as the villain Lady Cassandra, who is obsessed with prolonging her own life. Wanamaker returned to this role in 2006.

Also in 2005, Wanamaker joined the cast of the mysteries series "Agatha Christie's Poirot" (1989-2013) as crime novelist Ariadne Oliver. Oliver was a recurring character created by writer Agatha Christie (1890-1976), and was intended as a self-portrait of Christie. Wanamaker played this role in 6 feature-length episodes, broadcast from 2005 to 2013. Oliver was depicted as a close friend and ally of detective Hercule Poirot (played by David Suchet).

In 2008, Wanamaker voiced the blind seers Theresa in the role-playing video game "Fable II". Her character guides the game's protagonist through its story. The video game was quite successful. Wanamaker returned to this role in two of the game's sequels: "Fable III" (2010), and Fable: The Journey (2012). This has been Wanamaker's most prominent performance in voice acting.

In 2011, Wanamaker had a supporting role in the drama film "My Week with Marilyn", which depicted Marilyn Monroe brief stay in the United Kingdom during the shooting of the classic film "The Prince and the Showgirl" (1957). Wanamaker played the role of Paula Strasberg (1909-1966), Monroe's acting coach. The film performed well at the box office, and was critically acclaimed.

In 2015, Wanamaker joined the cast of the period drama series "Mr Selfridge" (2013-2016). The series was based on the life of retail magnate Harry Gordon Selfridge (1858-1947). Wanamaker played the role of Princess Marie Wiasemsky de Bolotoff, a Russian aristocrat who serves at the mother-in-law of Rosalie Selfridge.

In 2018, Wanamaker gained the major role of Queen Antedia in the historical fantasy series "Britannia" (2018-).Antedia was depicted as the Queen Regent of the Regni tribe, a Celtic tribe struggling against the rival Cantii tribe.

As of 2021, Wanamaker is 72-years-old. She has never retired from acting, and continues to appear regularly in television. She is quite familiar to the British public, through decades of notable roles.

Frances de la Tour (born 30 July 1944) is an English actress, known for her role as Miss Ruth Jones in the television sitcom Rising Damp from 1974 until 1978. She is a Tony Award winner and three-time Olivier Award winner.

She performed as Mrs. Lintott in the play The History Boys in London and on Broadway, winning the 2006 Tony Award for Best Featured Actress in a Play. She reprised the role in the 2006 film. Her other film roles include Madame Olympe Maxime in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Deathly Hallows - Part 1 (2010). Other television roles include Emma Porlock in the Dennis Potter serial Cold Lazarus (1996), Headmistress Margaret Baron in BBC sitcom Big School and Violet Crosby in the sitcom Vicious.

De la Tour was born in Bovingdon, Hertfordshire, to Moyra (née Fessas) and Charles de la Tour. The name was also spelt De Lautour, and it was in this form that her birth was registered in Hemel Hempstead, Hertfordshire, in the third quarter of 1944. She has French, Greek, and Irish ancestry. She was educated at London's Lycée Français and the Drama Centre London.

She is the sister of actor and screenwriter Andy de la Tour.

She has a son and a daughter.

An episode of the BBC series Who Do You Think You Are?, first broadcast on 22 October 2015, revealed De La Tour to be a descendant of the aristocratic Delaval family.

After leaving drama school, she joined the Royal Shakespeare Company (RSC) in 1965. Over the next six years, she played many small roles with the RSC in a variety of plays, gradually building up to larger parts such as Hoyden in The Relapse and culminating in Peter Brook's acclaimed production of A Midsummer Night's Dream, in which she played Helena as a comic "tour de force".

In the 1970s, she worked steadily both on the stage and on television. Some of her notable appearances were Rosalind in As You Like It at the Playhouse, Oxford in 1975 and Isabella in The White Devil at the Old Vic in 1976. She enjoyed a collaboration with Stepney's Half Moon Theatre, appearing in the London première of Dario Fo's We Can't Pay? We Won't Pay (1978), Eleanor Marx's Landscape of Exile (1979), and in the title role of Hamlet (1980).

In 1980, she played Stephanie, the violinist with MS in Duet for One, a play written for her by Kempinski, for which she won the Olivier for Best Actress. She played Sonya in Uncle Vanya opposite Donald Sinden at the Theatre Royal, Haymarket in 1982. Her performance as Josie in Eugene O'Neill's A Moon for the Misbegotten won her another Olivier for Best Actress in 1983. She joined the Royal National Theatre for the title role in Saint Joan in 1984 and appeared there in Brighton Beach Memoirs in 1986. She again won the Olivier, this time for Best Supporting Actress for Martin Sherman's play about Isadora Duncan, When She Danced, with Vanessa Redgrave at the Globe Theatre in 1991 and played Leo in Les Parents terribles at the Royal National Theatre in 1994, earning another Olivier nomination.

In 1994, de la Tour co-starred with Maggie Smith in Edward Albee's Three Tall Women at the Wyndham's and with Alan Howard in Albee's The Play About the Baby at the Almeida in 1998. In 1999, she returned to the RSC to play Cleopatra opposite Alan Bates in Antony and Cleopatra, in which she did a nude walk across the stage. In 2004, she played Mrs. Lintott in Alan Bennett's The History Boys at the National and later on Broadway, winning both a Drama Desk Award and a Tony Award for Best Featured Actress in a Play. She would also later appear in the film version. In December 2005, she appeared in the London production of the highly acclaimed anti-Iraq war one-woman play Peace Mom by Dario Fo, based on the writings of Cindy Sheehan. In 2007, she appeared in a West End revival of the farce Boeing-Boeing. In 2009, she appeared in Alan Bennett's new play The Habit of Art at the National. In 2012, she returned to the National in her third Bennett premiere, People.

Her many television appearances during the 1980s and 1990s include the 1980 miniseries Flickers opposite Bob Hoskins, the TV version of Duet for One, for which she received a BAFTA nomination, the series A Kind of Living (1988-89), Dennis Potter's Cold Lazarus (1996), and Tom Jones (1997). Of all her TV roles, however, she is best known for playing spinster Ruth Jones in the successful Yorkshire television comedy Rising Damp, from 1974 to 1978. De la Tour told Richard Webber, who penned a 2001 book about the series, that Ruth Jones "was an interesting character to play. We laughed a lot on set, but comedy is a serious business, and Leonard took it particularly seriously, and rightly so. Comedy, which is so much down to timing, is exhausting work. But it was a happy time." Upon reprising her Rising Damp role in the 1980 film version, she won Best Actress at the Evening Standard Film Awards.

In the mid-1980s, de la Tour was considered, along with Joanna Lumley and Dawn French, as a replacement for Colin Baker on Doctor Who. The idea was scrapped and the job was given to Sylvester McCoy.

In 2003, de la Tour played a terminally ill lesbian in the film Love Actually with the actress Anne Reid, although their scenes were cut from the film and appear only on some DVD releases as a bonus feature.

In 2005, she portrayed Olympe Maxime, headmistress of Beauxbatons Academy, in Harry Potter and the Goblet of Fire, a role she reprised in Harry Potter and the Deathly Hallows - Part 1. Notable television roles during this time include Agatha Christie's Poirot: Death on the Nile (2004), Waking the Dead (2004), the black comedy Sensitive Skin (2005), with Joanna Lumley and Denis Lawson, Agatha Christie's Marple: The Moving Finger (2006) and New Tricks as a rather morbid Egyptologist, also in 2006.

She was nominated for the 2006 BAFTA Award for Actress in a Supporting Role for her work on the film version of The History Boys.

She later appeared in several well-received films, including Tim Burton's 2010 Alice in Wonderland as Aunt Imogene, a delusional aunt of Alice's, opposite Johnny Depp, Anne Hathaway, Helena Bonham Carter, and Mia Wasikowska and a supporting role in the film The Book of Eli, directed by the Hughes brothers. In 2012, she appeared in the film Hugo.

Until 2012, she was also a patron for the performing arts group Theatretrain.

From 2013 to 2016, de la Tour played the role of Violet Crosby in ITV sitcom Vicious (2013) with Ian McKellen and Derek Jacobi.

From 2013 to 2014, she portrayed headmistress Ms Baron in the BBC One sitcom Big School.

In April 2016, she joined the second series of _Outlander_as Mother Hildegarde.

On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.

Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.

Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).

She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).

Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.

In terms of her film career at the time, she was given probably the smallest part in the huge ensemble whodunit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).

After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hoodlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.

It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.

However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).

In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.

Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.

Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.

Collins entered motion pictures as a stripper in the exploitation film, Secrets of a Windmill Girl (1966), and television, as a maid in the British drama series Upstairs, Downstairs (1971). In 1988, she starred in the one-woman play 'Shirley Valentine' in London, and soon after, brought the role to Broadway, winning a Tony Award. She collected a BAFTA Film Award and was nominated an Academy Award for her performance in the film version, Shirley Valentine (1989). Several stage, film and television performances followed.

Shaw was already an accomplished theater actress when director Jim Sheridan awarded her a role in his film, My Left Foot (1989). The film is a telling of Christy Brown (Daniel Day-Lewis), an Irishman disgruntled with his confinement to a body horribly crippled by cerebral palsy but who found incredible success as an artist and writer. Shaw portrayed Eileen Cole, the doctor largely responsible for Christy's education and physical rehabilitation. Since, Shaw has received several accolades for her film and television performances.

With her father being in the army much of her early life was spent in boarding school from the age of 9. Initially she was turned down for RADA but got in and won a prize for Best Student. She had to turn down a role in Schindler's List (1993) as his wife due to already being committed to a theatre play, Her partner Hugh Brody is an anthropologist.

The acclaimed Alison Steadman was born in 1946 in Liverpool, the daughter of George Percival Steadman and Marjorie Evans. Educated at Childwall Valley High School, she studied at the East-15 Acting School from 1966-1969, then toiled as a secretary at the Liverpool Probation Service before deciding on a full-time acting career. She made her professional stage debut in "The Prime of Miss Jean Brodie" at the Theatre Royal in 1968, where she also played Ophelia in "Hamlet."

Following repertory experience she met playwright Mike Leigh and appeared in his plays "The Jaws of Death" and "Wholesome Glory," the latter making her London debut in 1973. She won the London Evening Standard Theatre Award in 1977 playing the lead role in "Abigail's Party" and appeared in a definitive TV version of the play directed by her husband that same year. Over the years Alison came to be known for her quirky roles and such dazzling stage work in "The Rise and Fall of Little Voice" (winning an Olivier Award in 1992), The Memory of Water (1999), Joe Orton's "Entertaining Mr. Sloane" (2001) and "The Woman Who Cooked Her Husband" (2002), playing a wronged wife who does the unthinkable, only served to prove the extent of her versatility.

Although her film appearances have been spotty, she greatly enhanced the few she has done in support, including A Private Function (1984), Coming Through (1985), Clockwise (1986), The Adventures of Baron Munchausen (1988), and Shirley Valentine (1989), not to mention her director-husband's critically lauded pictures Life Is Sweet (1990), for which she won the National Society of Film Critics Award, Secrets & Lies (1996), and Topsy-Turvy (1999). She and Leigh divorced in 2001. Alison has also entertained in many classy TV costumers, including The Singing Detective (1986), as the mother of Michael Gambon, and Pride and Prejudice (1995).

Eileen Atkins was born in a Salvation Army Women's Hostel in north London. Her father was a gas meter reader; her mother, a seamstress and barmaid. A drama teacher taught her how to drop her Cockney accent, and she studied Shakespeare and Greek tragedies. Her breakthrough role in "The Killing of Sister George" took her to Broadway.

For decades, British actress and comedienne Dame Julie Walters has served as a sturdy representation of the working class with her passionate, earthy portrayals on England's stage, screen and television. A bona fide talent, her infectious spirit and self-deprecating sense of humor eventually captured the hearts of international audiences. The small and slender actress with the prominent cheekbones has yet to give an uninteresting performance.

She was born Julia Mary Walters on February 22, 1950 in Edgbaston, England, the youngest of three children and only daughter of Mary Bridget (O'Brien), an Irish-born postal clerk from County Mayo, and Thomas Walters, an English-born builder, from Birmingham. Convent schooled in Birmingham, she expressed an early desire to act. However, her iron-willed mother had other ideas and geared her towards a nursing career. Dutifully applying at Queen Elizabeth Hospital in Birmingham, Julie eventually gave up nursing when the pull to be an actress proved too strong.

Studying English and Drama at Manchester Polytechnic, she subsequently joined a theatre company in Liverpool and apprenticed as a stand-up comic. A one-time company member of the Vanload improv troupe, she made her London stage debut in the aptly-titled comedy "Funny Peculiar" in 1975, and went on to develop a successfully bawdy act on the cabaret circuit. While at Manchester, Julie befriended aspiring writer/comedienne Victoria Wood and the twosome appeared together in sketch comedy. A couple of their works, "Talent" and "Nearly a Happy Ending", transferred to television and were accompanied by rave reviews. Eventually, they were handed their own television series, Wood and Walters (1981).

In 1980, Julie scored a huge solo success under the theatre lights when she made her London debut in Willy Russell's "Educating Rita". For her superlative performance, she won both the Variety Critic's and London Critic's Circle Awards as the young hairdresser who vows to up her station in life by enrolling in a university. She conquered film as well when Educating Rita (1983) transferred to the big screen opposite Michael Caine as her Henry Higgins-like college professor, collecting a Golden Globe Award and Oscar nomination. Reuniting with Victoria Wood in 1984, the pair continue to appear together frequently on television, most recently with the award-winning series dinnerladies (1998). On stage, Julie has impressed in a variety of roles ranging from the contemporary ("Fool for Love", "Frankie and Johnny at the Clair de Lune") to the classics ("Macbeth", "The Rose Tattoo" and "All My Sons"), winning the Laurence Olivier Award for the last-mentioned play.

Following her success as Rita, she immediately rolled out a sterling succession of film femmes including her seedy waitress-turned successful brothel-owner in Personal Services (1987); the unsophisticated, small-town wife of Phil Collins in Buster (1988); a boozy, man-chasing mum in Killing Dad or How to Love Your Mother (1989); and Liza Minnelli's abrasive tap student in Stepping Out (1991). Playing a wide variety of ages, she also mustered up a very convincing role as the mother of Joe Orton in the critically-acclaimed Prick Up Your Ears (1987).

Julie capped her career in films as the abrasively stern but encouraging dance teacher in Billy Elliot (2000) which earned her a second Oscar nomination and a healthy helping of quirky character roles, including her charming, charity-driven widow who poses à la natural in Calendar Girls (2003), and the maternal witch-wife Molly Weasley in the J.K. Rowling "Harry Potter" series beginning with Harry Potter and the Sorcerer's Stone (2001) and ending with Harry Potter and the Deathly Hallows: Part 2 (2011). For her work on film and television, the British Academy of Film and Television Arts has honored Julie five times, including four awards in a row (2001-2004).

Married to Grant Roffey since 1997 after a 12-year relationship, the couple tend to a 70-acre organic farm they bought in Sussex. They have one daughter, Maisie Mae Roffey (born 1988). In 1999, Julie was appointed Officer of the Order of the British Empire (OBE) at the Queen's Birthday Honours for her services to drama, and in 2008, was made Commander of the Order of the British Empire (CBE). In 2017, she was appointed Dame Commander of the Order of the British Empire.

Other more recent millennium films for Dame Julie include Wah-Wah (2005), Becoming Jane (2007) (as Jane Austen's mother), Mamma Mia! (2008), Paddington (2014), Brooklyn (2015), Paddington 2 (2017), Mamma Mia! Here We Go Again (2018), Mary Poppins Returns (2018) and The Secret Garden (2020) as Mrs. Medlock.

The acclaimed Cornish actress Dame Kristin Scott Thomas was born in Redruth, Cornwall, to Deborah (Hurlbatt) and Lieutenant Commander Simon Scott Thomas. Her father was a pilot for the British Royal Navy and died in a flying accident in 1964. Her stepfather, Lt. Cdr Simon Idiens, was also a pilot, and died six years later under similar circumstances. Her childhood home was Dorset, England. She left at the age of 19 to work as an au pair in Paris. She was married to French doctor François Oliviennes, with whom she had three children; Hannah, Joseph, and George.

Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.

Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.

She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.

Rachel has a son with her former partner, director Darren Aronofsky. In June 2011, she married "James Bond" actor Daniel Craig in a private ceremony in New York.

Dame Helen Mirren was born in Queen Charlotte's Hospital in West London. Her mother, Kathleen Alexandrina Eva Matilda (Rogers), was from a working-class English family, and her father, Vasiliy Petrovich Mironov, was a Russian-born civil servant, from Kuryanovo, whose own father was a diplomat. Mirren attended St. Bernards High School for girls, where she would act in school productions. After high school, she began her acting career in theatre working in many productions including in the West End and Broadway.