Celebrity Sisters
Famous sisters. That "special" bond only sisters have.
"Hey, Blanche. Did ya know we have rats in the cellar?"
"Hey, Blanche. Did ya know we have rats in the cellar?"
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Olivia Mary de Havilland was born on July 1, 1916 in Tokyo, Japan to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her sister Joan, later to become famous as Joan Fontaine, was born the following year. Her surname comes from her paternal grandfather, whose family was from Guernsey in the Channel Islands. Her parents divorced when Olivia was just three years old, and she moved with her mother and sister to Saratoga, California.
After graduating from high school, where she fell prey to the acting bug, Olivia enrolled in Mills College in Oakland, where she participated in the school play "A Midsummer Night's Dream" and was spotted by Max Reinhardt. She so impressed Reinhardt that he picked her up for both his stage version and, later, the Warner Bros. film version in 1935. She again was so impressive that Warner executives signed her to a seven-year contract. No sooner had the ink dried on the contract than Olivia appeared in three more films: The Irish in Us (1935), Alibi Ike (1935), and Captain Blood (1935), this last with the man with whom her career would be most closely identified: heartthrob Errol Flynn. He and Olivia starred together in eight films during their careers. In 1939 Warner Bros. loaned her to David O. Selznick for the classic Gone with the Wind (1939). Playing sweet Melanie Hamilton, Olivia received her first nomination for an Academy Award for Best Supporting Actress, only to lose out to one of her co-stars in the film, Hattie McDaniel.
After GWTW, Olivia returned to Warner Bros. and continued to churn out films. In 1941 she played Emmy Brown in Hold Back the Dawn (1941), which resulted in her second Oscar nomination, this time for Best Actress. Again she lost, this time to her sister Joan for her role in Suspicion (1941). After that strong showing, Olivia now demanded better, more substantial roles than the "sweet young thing" slot into which Warners had been fitting her. The studio responded by placing her on a six-month suspension, all of the studios at the time operating under the policy that players were nothing more than property to do with as they saw fit. As if that weren't bad enough, when her contract with Warners was up, she was told that she needed to make up the time lost because of the suspension. Irate, she sued the studio, and for the length of the court battle she didn't appear in a single film. The result, however, was worth it. In a landmark decision, the court said that not only would Olivia not need to make up the time, but also that all performers would be limited to a seven-year contract that would include any suspensions handed down. This became known as the "de Havilland decision": no longer could studios treat their performers as chattel. Olivia returned to the screen in 1946 and made up for lost time by appearing in four films, one of which finally won her the Oscar that had so long eluded her: To Each His Own (1946), in which she played Josephine Norris to the delight of critics and audiences alike. Olivia was the strongest performer in Hollywood for the balance of the 1940s.
In 1948 she turned in another strong showing in The Snake Pit (1948) as Virginia Cunningham, a woman suffering a mental breakdown. The end result was another Oscar nomination for Best Actress, but she lost to Jane Wyman in Johnny Belinda (1948). As in the two previous years, she made only one film in 1949, but she again won a nomination and the Academy Award for Best Actress for The Heiress (1949). After a three-year hiatus, Olivia returned to star in My Cousin Rachel (1952). From that point on, she made few appearances on the screen but was seen on Broadway and in some television shows. Her last screen appearance was in The Fifth Musketeer (1979), and her last career appearance was in the TV movie The Woman He Loved (1988).
Her turbulent relationship with her only sibling, Joan Fontaine, was press fodder for many decades; the two were reported as having been permanently estranged since their mother's death in 1975, when Joan claimed that she had not been invited to the memorial service, which she only managed to hold off until she could arrive by threatening to go public. Joan also wrote in her memoir that her elder sister had been physically, psychologically, and emotionally abusive when they were young. And the iconic photo of Joan with her hand outstretched to congratulate Olivia backstage after the latter's first Oscar win and Olivia ignoring it because she was peeved by a comment Joan had made about Olivia's new husband, Marcus Goodrich, remained part of Hollywood lore for many years.
Nonetheless, late in life, Fontaine gave an interview in which she serenely denied any and all claims of an estrangement from her sister. When a reporter asked Joan if she and Olivia were friends, she replied, "Of course!" The reporter responded that rumors to the contrary must have been sensationalism and she replied, "Oh, right--they have to. Two nice girls liking each other isn't copy." Asked if she and Olivia were in communication and spoke to each other, Joan replied "Absolutely." When asked if there ever had been a time when the two did not get along to the point where they wouldn't speak with one another, Joan replied, again, "Never. Never. There is not a word of truth about that." When asked why people believe it, she replied "Oh, I have no idea. It's just something to say ... Oh, it's terrible." When asked if she had seen Olivia over the years, she replied, "I've seen her in Paris. And she came to my apartment in New York often." The reporter stated that all this was a nice thing to hear. Joan then stated, "Let me just say, Olivia and I have never had a quarrel. We have never had any dissatisfaction. We have never had hard words. And all this is press." Joan died in 2013.
During the hoopla surrounding the 50th anniversary of GWTW in 1989, Olivia graciously declined requests for all interviews as the last of the four main stars. She enjoyed a quiet retirement in Paris, France, where she resided for many decades, and where she died on 26 July, 2020, at the age of 104.
As well as being the last surviving major cast member of some of cinema's most beloved pre-war and wartime film classics (including The Adventures of Robin Hood (1938) and Gone with the Wind (1939)), and one of the longest-lived major stars in film history, Olivia de Havilland was unquestionably the last surviving iconic figure from the peak of Hollywood's golden era during the late 1930s, and her passing truly marked the end of an era.- Actress
- Producer
- Soundtrack
Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actress
- Producer
- Soundtrack
Phylicia Rashad was born in Houston, Texas to African-American parents Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Phylicia, her older brother Andrew (called Tex), and younger sister, dancer and actress Debbie Allen, lived in Mexico. She has another brother, Hugh Allen (a real-estate banker in North Carolina). Their mother decided to live in Mexico to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Phylicia and Debbie are fluent in Spanish. Phylicia graduated from Howard University and later taught drama there.
With younger sister Debbie Allen, she has a production company, D.A.D., which stood for Doctor Allen's Daughters. Her Pulitzer-nominated mother is the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Rashad as a performer.- Producer
- Actress
- Director
Deborah Kaye Allen was born in Houston, Texas, to African-American parents, Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Debbie, her older brother, Andrew (called Tex), and her older sister, actress Phylicia Rashad, lived in Mexico to escape US racism. Their mother decided to live there to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Debbie and Phylicia are fluent in Spanish.
Debbie graduated from Jack Yates Senior High School in Houston, TX in 1967. She graduated cum laude from Howard University in 1971 with a BFA in Classical Greek Literature, Speech, and Theater from Howard University. She used her experiences from attending Historically Black College Howard to inform her production and direction of the TV show A Different World (1987).
Although her parents divorced, Debbie remained extremely close to her father until his death. With Phylicia she has production company "D.A.D." which stood for "Doctor Allen's Daughters". Her Pulitzer-nominated poet mother Vivian is, the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Allen as a performer.- Actress
- Director
- Producer
Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at 14 months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft, with sister Lorna Luft and brother Joey Luft subsequently being born. Her father, Vincente Minnelli, later married Georgette Magnani, mother of her half-sister Christiane Nina "Tina Nina" Minnelli.
At 16, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play "Best Foot Forward" which ran for seven months in 1963. The following year, Judy invited Liza to appear at a show with her at the London Palladium. This show sold out immediately and a second night was added to it. Liza's performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Palladium where Liza met her first husband, Peter Allen, a friend of Judy's.
Liza won a Tony award at age 19 and was nominated for her first Academy Award at age 23 for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret (1972). The 1970s were a busy time for Liza. She worked steadily in film, stage, and music. She and her good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater, followed. Each marriage ended in divorce.
Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums to which she continues to add. She teamed with Frank Sinatra in his "Duets" CD, and Sammy Davis Jr. joined them for a series of concerts and TV shows that were extremely well-received.
She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.- Actress
- Writer
- Producer
The daughter of Judy Garland and producer Sidney Luft, and the half-sister of Liza Minnelli, Lorna Luft was born in 1952 in Santa Monica, California. According to her autobiography, "Me and My Shadows" (1998), she and her younger brother Joey Luft lived an idyllic childhood in Bel Air, oblivious to any problems that may have arisen regarding her mother's ongoing drug addiction and her parents' marriage. By the time she was 12, however, her parents were divorced, and she was forced to face her mother's serious drug problem head-on. But she stuck with her mother, because she knew that Garland truly loved her children when not under the influence of the drugs. She became her mother's care-giver, administering the medication she needed to function, carefully monitoring the amount she took, and dealing with her whenever her behavior got out of control. Eventually, however, she couldn't take it anymore and had a mental breakdown. As painful as it was for her, she and her brother left her mother and went to live with their father. Several months later, Garland overdosed and died. Lorna was crushed and guilty, having a hard time coming to terms with the fact that her mother's death was inevitable, and would have happened had she been there or not. Lorna soon followed in her mother and sister's footsteps to a show business career. She became a professional singer, though never quite reaching the success her mother and sister had in that field. She also appeared on Broadway in "Promises, Promises" and "Snoopy", in a summer stock production of "Grease" and in a national tour of "Guys and Dolls". She hasn't made many films. The ones she has made include Grease 2 (1982), the disastrous sequel to the film version of "Grease", and the beach party film Where the Boys Are (1984), as well as small appearances in Studio 54 (1998) and My Giant (1998). In 1985, she took a supporting role in the sitcom Trapper John, M.D. (1979) as a nurse, but a year and a half later, the show ended its seven-year run. In the 70's and 80's, she also experienced a drug addiction to cocaine, but is now drug-free. She claims she has had to face her sister Liza's drug addictions, as well, and helped to get her into the Betty Ford Center once. She was married to rocker Jake Hooker, who later became her manager, but despite two children, the marriage was not happy. They are now divorced, and she lives in California with her children and her second husband, musician Colin Freeman. Currently (1999), plans are in full swing for a miniseries to be made from her book. She will serve as executive producer on the project.- Actress
- Soundtrack
Mackenzie Phillips was known for her role in the 1973 hit movie American Graffiti (1973). Two years later, she got the role that changed her life in the 1975 sitcom One Day at a Time (1975). The show was an instant success, and everything was going well until the third season was launched, when she was arrested for cocaine possession and lied about the incident on her uncredited appearance on Dinah and Her New Best Friends (1976). During the run of the 1979-1980 season, Mackenzie started to fall off the deep end. The producers didn't know what was wrong; she started getting tired and showing up late for rehearsals. On the set she was incoherent and the producers gave her a six-week leave of absence. In 1980, she was fired from the series, went to rehab, then returned in the fall of 1981. Sadly, in 1983, she fell asleep during a rehearsal. Producer Patricia Fass Palmer told her that she had to take another drug test, but she refused and left. She has since recovered and returned to acting.- Actress
- Composer
- Producer
Chynna Phillips was born on February 12, 1968 in Los Angeles, California, USA as Gilliam Chynna Phillips. She is an actress, known for Bridesmaids (2011), Striptease (1996) and Harold & Kumar Go to White Castle (2004). She has been married to William Baldwin since September 9, 1995. They have three children.- Actress
- Costume and Wardrobe Department
- Soundtrack
The multi-talented Bijou Phillips has led an unusual life. She spent her childhood in New York, California and South Africa. She excelled in equestrian sport. When she was 13, she became a model to escape boarding school and became one of the youngest people to grace the cover of "Interview" Magazine and "Italian Vogue". Bijou also appeared in several ads for Calvin Klein. At 17, she acquired a record deal and began work on her album "I'd Rather Eat Glass" produced by Talking Heads' Jerry Harrison. She was later cast in Black & White (1999) by director James Toback and garnered nothing but glowing praise from critics for her performance. Larry Clark cast her in Bully (2001) which led "The Hollywood Reporter" to name her one of 2002's "Shooting Stars of Tomorrow". Bijou continues to make great films with last year's role opposite 'Jeff Bridges' and Kim Basinger in The Door in the Floor (2004), a film adaptation of John Irving's novel, "A Widow For One Year". She most recently completed a leading role opposite Anne Hathaway in Oscar-winning writer, Stephen Gaghan's Havoc (2005), directed by Oscar-winning documentary filmmaker, Barbara Kopple. This is only the beginning for her, with several projects on the horizon, including her portrayal of "Lorna Doom" opposite Shane West in a feature film, about late 70s seminal-punk band The Germs, called What We Do Is Secret (2007), Venom (2005) (aka "Backwater"), produced by Scream (1996)'s Kevin Williamson, she is in the new film Choke (2008), with Anjelica Huston and Sam Rockwell. As well as starring in a comedy called Made for Each Other (2009) with Christopher Masterson, she just played "Nancy Spungen", as in "Sid and Nancy", in a bio-pic about the Chealsea Hotel, Chelsea on the Rocks (2008), directed by Abel Ferrara.- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Actress
- Writer
- Producer
Jackie Collins was born on 4 October 1937 in London, England, UK. She was an actress and writer, known for Danger Man (1960), The Saint (1962) and The Stud (1978). She was married to Oscar Lerman and Wallace Austin. She died on 19 September 2015 in Los Angeles, California, USA.- Actress
- Producer
- Director
On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.
Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.
Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).
She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).
Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.
In terms of her film career at the time, she was given probably the smallest part in the huge ensemble who-dunnit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).
After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hudlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.
It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.
However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).
In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.
Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.
Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.- Actress
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Actress of both the English and American stage and screen, Lynn Redgrave was born in Marylebone, London, England, into one of the world's most famous acting dynasties. As the daughter of Rachel Kempson and Sir Michael Redgrave, sister of Vanessa Redgrave and Corin Redgrave, and granddaughter of Roy Redgrave and Margaret Scudamore, all of whom were actors, her early aspirations were surprisingly to become an equestrienne or a chef. It was not until the age of 15 that she became more and more involved in acting and her father's stage performances.
Attending London's Central School of Music and Drama, she made her stage debut in 1962 and began film work a year later. It wasn't until her lovable role as the ugly-duckling in Georgy Girl (1966), that she was taken notice and, as a result, won both the Golden Globe, New York Film Critics Circle Award and a nomination for the coveted Best Actress at the 1967 Academy Awards. Despite this promising performance, Lynn struggled to find promising follow-up work, she played the lead in the fluffy Smashing Time (1967) and The Virgin Soldiers (1969), low-key films that were relevant at the time of London's swinging 60s, but very quickly became largely forgotten. She married stage actor/director John Clark and her sister, Vanessa Redgrave, who was also Oscar-nominated the same year for Morgan! (1966), was also gaining exposure and critical success if not surpassing Lynn, on both the British stage and films and was largely considered the leading face of England's breakout actresses of the '60s, alongside Julie Christie and other high-profile actresses.
Becoming the label of Vanessa Redgrave's younger and chubbier sister "that did that film a few years ago" didn't sit well with Lynn and, as a result, she lost considerable weight and permanently settled in the U.S. in 1974 to distance herself from this. Primarily based in southern California, she regularly commuted to New York and became notable particularly on the Broadway stage, and had successful runs in "Black Comedy/White Lies" (1967), "My Fat Friend" (1974), "Mrs. Warren's Profession" (1976), "Knock Knock" (1976), "Saint Joan" (1977-1978), "Aren't We All" (1985) and "Sweet Sue" (1987). She was prolifically hired by major networks to appear on a variety of TV talk and game shows and held the position of co-host for a few seasons of Not for Women Only (1968), while acting on prime-time TV, whether it was guest spots, mini-series or short-lived TV series. For over 20 years, Redgrave's film career was infrequent and admittedly "terrible" by the actress herself, she notoriously played the title character in the critically-bashed, The Happy Hooker (1975), and the all-star cast misfire, The Big Bus (1976), and, in the 1980s, she focused in a different direction, becoming a spokesperson and commercial actress for "Weight Watchers". This coincided with the release of her well- received book: "This Is Living: How I Found Health and Happiness", that detailed her weight issues and eating binges, it was also revealed that for years she suffered bulimia. In the mid-to-late '90s, Redgrave had somewhat of a resurgence in her career, from 1993-1994, she spent over 8 months on Broadway, as well as touring across the world, performing her own personally written show of "Shakespeare for My Father", that explored the bisexuality, aloof persona and intimidating resume of her father. In 1996, Scott Hicks reignited her film career after many years of inactivity by casting her in the Australian Oscar-winning hit, Shine (1996), in which she gave a short yet tender performance as "Gillian", the woman Geoffrey Rush's character falls in love with. Another Golden Globe win/Oscar nomination followed (this time in the supporting category) for her role as the Hungarian housekeeper in Gods and Monsters (1998). Her marriage abruptly ended in 1999, when infidelity was discovered on her husband's behalf and a nasty divorced followed, they produced three children Benjamin, Kelly Clark and Annabel Clark.
Continually working her way through film, television and stage performances in the '00s, recently awarded the OBE, Lynn Redgrave was shocked to discover lumps on her body and was diagnosed with breast cancer. As a result, she took time to write "Journal: A Mother and Daughter's Recovery from Breast Cancer" with her youngest daughter, Annabel Clark, in 2003 and tragically lost her 7-year battle on 2 May 2010 (aged 67) in her family home, surrounded by her loved ones. Her diagnosis led her to realize the beauty and simplicities of life, and she was quoted as saying: "there isn't any such thing as a bad day. Yes, bad things happen. But any day that I'm still here, able to feel and think and share things with people, then how could that possibly be a bad day?".- Actress
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Rhonda Ross Kendrick was born on 14 August 1971 in Los Angeles, California, USA. She is an actress and producer, known for Another World (1964), The Temptations (1998) and Girlfriends (2000). She has been married to Rodney Kendrick since 14 September 1997. They have one child.- Actress
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Tracee Joy Silberstein known professionally as Tracee Ellis Ross, is an American actress, singer, television host, producer and director. She is known for her lead roles in the television series Girlfriends (2000-2008) and Black-Ish (2014-2022). She owns Pattern Beauty, a hair-care line for curly hair.
She is the daughter of actress and Motown recording artist Diana Ross and Robert Ellis Silberstein. She began acting in independent films and variety series. She hosted the pop-culture magazine The Dish on Lifetime. From 2000 to 2008 she played the starring role of Joan Clayton in the UPN/CW comedy series Girlfriends, for which she received two NAACP Image Awards for Outstanding Actress in a Comedy Series. She also has appeared in the films Hanging Up (2000), I-See-You.Com (2006), and Daddy's Little Girls (2007), before returning to television playing Dr. Carla Reed on the BET sitcom Reed Between the Lines (2011), for which she received her third NAACP Image Award.
Since 2014, Ross has played the starring role of Dr. Rainbow Johnson in the ABC comedy series Black-Ish . Her work on it has earned her three NAACP Image Awards and a Golden Globe Award for Best Actress - Television Series Musical or Comedy. She has also received nominations for two Critics' Choice Television Awards and five Primetime Emmy Awards for Outstanding Lead Actress in a Comedy Series. In 2019, she co-created a prequel spin-off of Black-Ish titled Mixed-Ish . In 2020, she starred in and recorded the soundtrack album for the musical film The High Note.- Producer
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Chudney Ross was born on 4 November 1975 in the USA. She is a producer and production manager, known for Mesmerized (2004), Livin' Large (2002) and Fame (2003). She has been married to Joshua Faulkner since 2015. They have two children.- Music Artist
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- Composer
Janet Damita Jo Jackson was born on May 16, 1966 in Gary, Indiana, to Katherine Jackson (née Katherine Esther Scruse) and Joe Jackson, a musician. She is the youngest of ten children. Before her birth, her brothers formed a band later called The Jackson 5. She lived at home with her sisters, while her brothers and father lived an extravagant life in Los Angeles. She later moved in with them while her brothers were making a name for themselves, and signed a deal with Motown. Janet was in the shadow but later also made a name for herself.
As she was touring, and making appearances with her brothers, and the rest of the family, she co-starred with the rest of them in "The Jacksons". In 1977, she got the part of Penny Gordon on "Good Times". That showed her acting abilities early on. She also made a few memorable appearances on the hit TV show "Diff'rent Strokes" as Charlene Dupree. Soon afterwards came her role on "Fame".
She married boyfriend James Debarge, but they divorced just months later. She signed with A&M Records, and recorded her first solo album titled "Janet Jackson". The album did poorly on the music charts. Two years later she recorded "Dream Street" which turned out to be another disaster. A year later she signed on Jimmy Jam and Terry Lewis to record a third album, this time called "Control". It was a hit, selling 5 million copies in the U.S. alone, spawning six hits, and the #1 "When I Think of You". Afterwards, she fired her father, her manager to truly gain control.
Janet was determined to make this happen again. She then recorded "Rhythm Nation 1814". This time it sold 9 million copies in the U.S. - a bigger hit than "Control"! She happened to fall in love with a dancer named René Elizondo, Jr. from one of her sister's, LaToya Jackson's music video and later secretly married him in March of 1991. The year before she got a star on the Hollywood walk of fame. Janet went to work on her fifth album simply called "Janet.". It was her biggest hit to date selling over 10 million copies in the U.S. alone and includes her biggest hit single to date, "That's The Way Love Goes". Two years later she released a Greatest Hits album "Design of a Decade" which included two new hits "Runaway", and "Twenty-Foreplay". Her sixth album "The Velvet Rope" clarified her pop culture status.
In the midst of the release of "Nutty Professor II", René Elizondo filed for divorce, which is when it emerged they had been secretly married. Janet recorded her seventh album "All For You". Another hit. She was honored by MTV as an MTV Icon. In 2003, Janet went to work on her next album "Damita Jo" - it was another hit.- Actress
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La Toya Jackson was born in Gary, Indiana, USA as La Toya Yvonne Jackson. As a member of the famous Jackson family, though she was the most outspoken, she has lived in her sister Janet's and brother Michael's shadow. She is a producer, known for Playboy Celebrity Centerfold: La Toya Jackson (1994), The Apprentice (2004) and Michael Jackson and Bubbles: The Untold Story (2010). She was previously married to Jack Gordon.- Actress
- Soundtrack
Audrey Meadows was born in New York City as Audrey Cotter, the youngest of four children. After she was born, her family returned to Wu'chang, China, where they worked as missionaries. Her family returned to the US and settled in New England when Audrey was age 6, and she and sister Jayne Meadows attended an all-girls boarding school. After high school, Jayne went to NYC with the goal of becoming an actress and finally convinced her little sister to join her in show business, but as a singer instead of an actress. Audrey spent months working on the Broadway show "Top Banana" and then got a job on The Bob & Ray Show (1951). She then replaced Pert Kelton as the most famous and best-loved "Alice Kramden" of The Honeymooners (1955). After "The Honeymooners" ended, she went on to do films, such as Take Her, She's Mine (1963) and That Touch of Mink (1962), and even portrayed Ted Knight's mother-in-law in the 1980s sitcom Too Close for Comfort (1980). But her heart--and ours--will forever remain in that two-burner-stove Chauncey Street kitchen.- Actress
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One of four children (two older brothers, one younger sister) born to American missionaries, Jayne Meadows (née Jane Cotter) was born September 27, 1919, in China. The family returned to the US in the early 1930s wherein Jayne was forced to learn the English language, speaking Chinese and other foreign languages at the time before learning English. She settled in Sharon, Connecticut with her parents, Rev. Francis James Meadows Cotter (who was appointed rector of the town's Christ Church), and Ida Miller (Taylor) Cotter.
She developed an early interest in acting and studied at the Stella Adler Studio of Acting. She made her Broadway debut with the comedy "Spring Again" (1941), followed by "Another Love Story" (1943), "The Odds on Mrs. Oakley" (1944), "Many Happy Returns" and "Kiss Them for Me" (1945). This led to a post-WWII, MGM contract in which her icy glare and imposing stance frequently made her the perfect manipulating "other woman" in such "B" heavy drama as Undercurrent (1946), Lady in the Lake (1946), Dark Delusion (1947), Enchantment (1948), The Fat Man (1951) and as Michal in the biblical film David and Bathsheba (1951). She occasionally was featured in lighter feature film fare as well, including Song of the Thin Man (1947) and The Luck of the Irish (1948).
Not satisfactorily moving up the credits ladder in films as she hoped, she sought work elsewhere in the early 1950's, especially in the new medium of TV. She became one of Hollywood's more glittery personalities on TV and variety programs, and a sparkling guest panelist on such popular TV game shows as "The Name's the Same, "Masquerade Party, "What's My Line," "To Tell the Truth" and "Password." At one point, she was a regular member of the celebrity panel on I've Got a Secret (1952).
Divorced from film and TV writer Milton Krims after six years, Jayne met her witty match when she married actor/comedian Steve Allen in 1954. They formed an extremely strong personal and professional relationship which would encompass stage ("Love Letters", in which they co-starred on and off for 11 years), film (College Confidential (1960), and especially TV (Meeting of Minds (1977)). Jayne supported Steve as a regular/guest on many of his comedy series ventures, including The Steve Allen Plymouth Show (1956), The New Steve Allen Show (1961), The Steve Allen Playhouse (1962) and The Steve Allen Comedy Hour (1967). They appeared as themselves in the film The Player (1992) they did not appear as themselves in the amusing TV movie Now You See It, Now You Don't (1968) and the all-star TV version of Alice in Wonderland (1985).
Jayne's solo work took a deliberate back seat. Usually playing elegant sophisticates, she cameoed in such films as the ribald comedy Norman... Is That You? (1976); the crime thriller Murder by Numbers (1989); as Billy Crystal's mother in the comedies City Slickers (1991) and City Slickers II: The Legend of Curly's Gold (1994); and made an appearance in what would become her last feature film The Story of Us (1999).
Over a three-decade period, Jayne appeared in a number of TV movies, including James Dean (1976), Sex and the Married Woman (1977), Miss All-American Beauty (1982), A Masterpiece of Murder (1986) and Parent Trap: Hawaiian Honeymoon (1989). She also guested on numerous established programs as well -- "Here Comes the Bride," "Here's Lucy," "Adam-12," "Switch," "Hawaii 5-O," "Matt Houston," "Fantasy Island," "Murder, She Wrote," "The Love Boat," "St. Elsewhere," "The Bold and the Beautiful," "The Nanny" and "Diagnosis Murder." Steady roles on prime-time TV series would include a recurring part as Nurse Chambers on the medical program Medical Center (1969), as well as regular roles on the sitcoms It's Not Easy (1982) and High Society (1995), the latter for which she earned an Emmy nomination for "Best Supporting Actress in a Comedy."
Known for her infectious laugh and joie de vivre, Jayne's confidence grew to include writing stage plays, teleplays, books, and columns. For the most part, however, she was Allen's creative and dedicated business partner for 46 years until his death in 2000. Younger sister Audrey Meadows, of The Honeymooners (1955) TV fame, died in 1996.
Jayne Meadows Allen lived the rest of her life quietly, occasionally granting interviews, until her death on April 26, 2015 in Los Angeles, aged 95.- Actress
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Independent, outspoken Constance Bennett, the first of the Bennett sisters to enter films, appeared in New York-produced silents before a chance meeting with Samuel Goldwyn led to her Hollywood debut in Cytherea (1924). She abandoned a burgeoning career in silents for marriage to Philip Plant in 1925; after they divorced, she achieved stardom in talkies from 1929. The hit Common Clay (1930) launched her in a series of loose lady and unwed mother roles, but she really excelled in such sophisticated comedies as The Affairs of Cellini (1934), Ladies in Love (1936), Topper (1937) and Merrily We Live (1938). Her classy blonde looks, husky voice and unerring fashion sense gave her a distinctive style. In the 1940s she made fewer films, working in radio and theatre; shrewd in business, she invested wisely and started businesses marketing women's wear and cosmetics. Loving conflict, she feuded with the press and enjoyed lawsuits. Her last marriage, to a U.S. Air Force colonel, was happy and gave her a key role coordinating shows flown to Europe for occupying troops (1946-48) and the Berlin Airlift (1948-49), winning her military honors. Still young-looking, she died suddenly at age 60 shortly after completing the last of her 57 films.- Actress
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Joan Geraldine Bennett was born on February 27, 1910, in Palisades, New Jersey. Her parents were both successful stage actors, especially her father, Richard Bennett, and often toured the country for weeks at a time. In fact, Joan came from a long line of actors, dating back to the 18th century. Often, when her parents were on tour, Joan and her two older sisters, Constance Bennett, who later became an actress, and Barbara were left in the care of close friends. At the age of four, Joan made her first stage appearance. She debuted in films a year later in The Valley of Decision (1916), in which her father was the star and the entire Bennett clan participated. In 1923 she again appeared in a film which starred her father, playing a pageboy in The Eternal City (1923). It would be five more years before Joan appeared again on the screen. In between, she married Jack Marion Fox, who was 26 compared to her young age of 16. The union was anything but happy, in great part because of Fox's heavy drinking. In February of 1928 Joan and Jack had a baby girl they named Adrienne. The new arrival did little to help the marriage, though, and in the summer of 1928 they divorced. Now with a baby to support, Joan did something she had no intention of doing--she turned to acting. She appeared in Power (1928) with Alan Hale and Carole Lombard, a small role but a start. The next year she starred in Bulldog Drummond (1929), sharing top billing with Ronald Colman. Before the year was out she was in three more films--Disraeli (1929), The Mississippi Gambler (1929) and Three Live Ghosts (1929). Not only did audiences like her, but so did the critics. Between 1930 and 1931, Joan appeared in nine more movies. In 1932 she starred opposite Spencer Tracy in She Wanted a Millionaire (1932), but it wasn't one she liked to remember, partly because Tracy couldn't stand the fact that everyone was paying more attention to her than to him. Joan was to remain busy and popular throughout the rest of the 1930s and into the 1940s. By the 1950s Joan was well into her 40s and began to lessen her film appearances. She made only eight pictures, in addition to appearing in two television series. After Desire in the Dust (1960), Joan would be absent from the movie scene for the next ten years, resurfacing in House of Dark Shadows (1970), reprising her role from the Dark Shadows (1966) TV series as Elizabeth Collins Stoddard. Joan's final screen appearance was in the Italian thriller Suspiria (1977). Her final public performance was in the TV movie Divorce Wars: A Love Story (1982). On December 7, 1990, Joan died of a heart attack in Scarsdale, New York. She was 80 years old.- Barbara Bennett was born on 13 August 1906 in Palisades, New Jersey, USA. She was an actress, known for Love Among the Millionaires (1930), The Valley of Decision (1916) and Syncopation (1929). She was married to Laurent Surprenant, Jack Randall and Morton Downey. She died on 8 August 1958 in Montréal, Québec, Canada.
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Natasha Jane Richardson was born in Marylebone, London, England, to director and producer Tony Richardson and actress Vanessa Redgrave. She was the sister of actress Joely Richardson, the niece of actors Corin Redgrave and Lynn Redgrave, and the granddaughter of actors Michael Redgrave and Rachel Kempson.
Trained at London's Central School of Speech and Drama, Richardson performed extensively on stage in roles, including "Helena" in "A Midsummer Night's Dream" and Ophelia in "Hamlet" at the Young Vic. In 1986, she garnered the London Drama Critics' Most Promising Newcomer Award for her performance as "Nina" in "The Seagull", with Vanessa Redgrave and Jonathan Pryce. In 1987, she played "Tracey Lord" in Richard Eyre's musical, "High Society".
Natasha made her feature film debut as Mary Shelley in Ken Russell's Gothic (1986). Her performance caught the attention of director Paul Schrader, who cast her in the title role in Patty Hearst (1988). Natasha achieved notable success in such films as Pat O'Connor's A Month in the Country (1987), Roland Joffé's Fat Man and Little Boy (1989) and The Favour, the Watch and the Very Big Fish (1991), featuring Bob Hoskins and Jeff Goldblum. For her performance in Volker Schlöndorff's The Handmaid's Tale (1990) and Schrader's The Comfort of Strangers (1990), Richardson earned The London Evening Standard Award for Best Actress of 1990; and for Widows' Peak (1994), also starring Mia Farrow and Joan Plowright, she received the Best Actress Award at the 1994 Karlovy Vary Festival.
Also in 1994, she co-starred with Jodie Foster and Liam Neeson in Nell (1994) and, in 1998, in The Parent Trap (1998) with Dennis Quaid. Her early 2000s films include Blow Dry (2001) released in 2001, and Ethan Hawke's Chelsea Walls (2001).
Natasha performed the title role of "Anna Christie", first in London, where she was voted London Drama Critics' Best Actress Award in 1992, then on Broadway at the Roundabout in 1993, where she was nominated for a Tony for Best Actress in a Play, a Theatre World Award for Outstanding Debut, the Outer Critics Circle Award for Outstanding Debut of an Actress, and a Drama Desk nomination for Best Actress. For her performance as Sally Bowles in Sam Mendes' production of "Cabaret", she won the 1998 Tony, Outer Critics Circle, Drama League and Drama Desk Awards for Best Actress in a Musical. She then appeared on Broadway in Patrick Marber's Tony-nominated play "Closer". In December 2009 she had been intended to play "Miss Julie" on Broadway with Philip Seymour Hoffman, directed by David Leveaux for Roundabout Theatre.
Richardson's television credits included Henrik Ibsen's "Ghosts" for the BBC, also starring Judi Dench, Michael Gambon and Kenneth Branagh; the HBO cable feature Hostages (1992); the BBC film Suddenly, Last Summer (1993), based on the play by Tennessee Williams, and also starring Maggie Smith and Rob Lowe. In 1993 she starred as Zelda Fitzgerald in the TNT movie Zelda (1993), co-starring Timothy Hutton and directed by Pat O'Connor (cable Ace nomination for Best Actress). She played Ruth Gruber in the 2001 CBS mini-series Haven (2001) based on Ms. Gruber's autobiography.
In March 2009, Natasha died in a New York City hospital, after falling and receiving a head injury whilst skiing in Mont Tremblant, Quebec, Canada. Natasha was married to actor Liam Neeson from 1994 until her death, and the couple have two children.- Actress
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For Joely, the theatre must be in her genes. Born in Marylebone, London, England, she is the daughter of director Tony Richardson and Vanessa Redgrave, granddaughter of Sir Michael Redgrave and Rachel Kempson, niece of Lynn Redgrave, and sister of Natasha Richardson, all actors. Former husband Tim Bevan is a producer. However the genes were slow - as a child she saw her older sister Natasha interested in acting but she was imagining a career in tennis. Her father put his foot down, and tennis was out. British by birth, she considers herself a sort of honorary American, having attended boarding school at Thacher in Ojai, California. Beginning in the '80s film became her life, from small parts in Wetherby (1985) to BBC dramas such as Lady Chatterley (1993) to today's Disney studio going to the dogs in 101 Dalmatians (1996).