Trama

An inter-generational tribute to feminist icons of experimental film, and to the complexities, quandaries, and doubt involved in art-making.

Combining footage shot by the late Barbara Hammer in Guatemala in the mid-1970s, a personal voicemail from Hammer, and field recordings by Maya Deren, Deborah Stratman's Vever (for Barbara) is an inter-generational tribute to feminist icons of experimental film, and to the complexities, quandaries, and doubt involved in art-making.—Toronto International Film Festival