Un racconto in età vittoriana sull'amore e la scoperta scientifica. L'incredibile storia di Belle Baxter, una giovane donna riportata in vita da un eccentrico quanto brillante scienziato.Un racconto in età vittoriana sull'amore e la scoperta scientifica. L'incredibile storia di Belle Baxter, una giovane donna riportata in vita da un eccentrico quanto brillante scienziato.Un racconto in età vittoriana sull'amore e la scoperta scientifica. L'incredibile storia di Belle Baxter, una giovane donna riportata in vita da un eccentrico quanto brillante scienziato.
- Vincitore di 4 Oscar
- 123 vittorie e 425 candidature totali
Anders Olof Grundberg
- Kid in London Street
- (as Anders Grundberg)
Riepilogo
Reviewers say 'Poor Things' is visually striking with standout performances by Emma Stone and Willem Dafoe. It delves into feminism, liberation, and societal norms through a surreal lens. Critics laud its unique cinematography and bold storytelling but note uneven pacing and character depth. The film's sexual content and portrayal of Bella have sparked controversy, making it a thought-provoking yet divisive experience.
Recensioni in evidenza
It is hard not to make a comparison between Poor Things and Barbie due to both being released within six months of each other and both dealing with Cartesian themes.
What Barbie lacked with its exploration of existentialism, Lanthimos gifts us with an abundance. At times, it seems we are presented with a nonsensical tale, but we view the world through the eyes of Stone's character, Bella, while she makes sense of what it means to be human.
It is a feminist tale committed to science fantasy that keeps us engaged through its comedy, incredible sets and fabulous costumes.
If you think you love Lanthimos, therefore, you will!
What Barbie lacked with its exploration of existentialism, Lanthimos gifts us with an abundance. At times, it seems we are presented with a nonsensical tale, but we view the world through the eyes of Stone's character, Bella, while she makes sense of what it means to be human.
It is a feminist tale committed to science fantasy that keeps us engaged through its comedy, incredible sets and fabulous costumes.
If you think you love Lanthimos, therefore, you will!
I usually like quirky original movies, and there are a lot of individual elements that are great in this film such as the character's, acting, and world, but at its core this film has little to say and is deeply disturbing.
The core premises of this film without giving too much away is that a child's mind resides in a woman's body. The child is maybe 1-2 years old but no older than 5 and the plot is how much this kid has sex with other adult men.
I felt deeply uncomfortable thinking about a toddler discovering sexual organs and having wild sex and masturbating constantly and publicly because they don't know any better. Some people may say "that's not the point of the film" but it's a purposeful and prominent aspect that gets heavy emphasis throughout the entire run-time.
It feel like the writer wanted to tell the cliched story of the naïvety of a child but also wanted to tell a story about how promiscuous women upset insecure men and I think it's wildly inappropriate or just a bad idea in general to mix those two stories together. Wouldn't you think so?
Which is too bad because I liked everything else surrounding the premise. The cast was perfectly cast and Mark Ruffalo's terrible English accent, although distracting, was very fitting for his phoney shallow character and Gondi loved every second of him on screen. The world was rich and realized, every shot was interesting and the music was fantastic, I just wish it didn't all hinge on such a creepy "what if a kid had a lot of sex".
Not to mention there was a scene where two literal children watched a man and woman have sex. It was played for laughs and it was funny on its own as a concept because it's so absurd, but it made me wonder why twice now we're focusing on underaged people witnessing or engaging in sex acts.
I can see people being upset and getting defensive because if they liked the film maybe I'm saying they're a bad person or something, I'm not saying that. If you think all these aspects are fine then by all means enjoy the film, but I think it's fair to be critical on something like this and think about why some decisions were made when making this film. Like I said, there is a lot to love and if the premise doesn't bother you then you will love this movie.
I'm not a prude, have as much sex with whoever you want or however you want it, just maybe keep the theme of kids away from it.
The core premises of this film without giving too much away is that a child's mind resides in a woman's body. The child is maybe 1-2 years old but no older than 5 and the plot is how much this kid has sex with other adult men.
I felt deeply uncomfortable thinking about a toddler discovering sexual organs and having wild sex and masturbating constantly and publicly because they don't know any better. Some people may say "that's not the point of the film" but it's a purposeful and prominent aspect that gets heavy emphasis throughout the entire run-time.
It feel like the writer wanted to tell the cliched story of the naïvety of a child but also wanted to tell a story about how promiscuous women upset insecure men and I think it's wildly inappropriate or just a bad idea in general to mix those two stories together. Wouldn't you think so?
Which is too bad because I liked everything else surrounding the premise. The cast was perfectly cast and Mark Ruffalo's terrible English accent, although distracting, was very fitting for his phoney shallow character and Gondi loved every second of him on screen. The world was rich and realized, every shot was interesting and the music was fantastic, I just wish it didn't all hinge on such a creepy "what if a kid had a lot of sex".
Not to mention there was a scene where two literal children watched a man and woman have sex. It was played for laughs and it was funny on its own as a concept because it's so absurd, but it made me wonder why twice now we're focusing on underaged people witnessing or engaging in sex acts.
I can see people being upset and getting defensive because if they liked the film maybe I'm saying they're a bad person or something, I'm not saying that. If you think all these aspects are fine then by all means enjoy the film, but I think it's fair to be critical on something like this and think about why some decisions were made when making this film. Like I said, there is a lot to love and if the premise doesn't bother you then you will love this movie.
I'm not a prude, have as much sex with whoever you want or however you want it, just maybe keep the theme of kids away from it.
Truly a masterpiece for the senses, but it could be socking for the untrained in psychoanalysis brain. Bella is FREE of societal rules, shame, or gender roles. Free to explore the world, societal norms and create her own self identity as she pleases. A journey that forces her to confront misogynism, sexual fixations and complexes. What moved me was her raw empathy for human suffering, while she could dissasociate from it when facing a threat. Fearless and daring she conquered her world under her loving and accepting god's eye.. One could focus on the feminist aspect of the film, but Bella is much much more than that. She is a human free of social constructs. She does not need feminism because she has no recolection of patriarchy in her existense and feminism can only be needed only to oppose patriarchy. Bella disregards any social norm and IS, which results in the deconstruction of all social and gender theory. Pure enstict roaming the world..
I rated 9/10 because i thought the goat general was a petty joke. You cant call monsters the creators and then become and create one yourself.. Besides the meaningless ending this is a true masterpiece.
Clearly a lot of people enjoyed this grotesque movie, but it wasn't for me. Some of the scenes in it made me feel sick, and maybe they were supposed to, but it seemed unnecessary. Don't even get me started on how pretentious the movie was.
I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.
The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.
Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.
I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.
The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.
Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.
Well it was just weird. But I really loved Mark Ruffalo in the movie. He was so funny. And he really made the role very believable. The other actors and actresses were great but their roles didn't have the same kind of acting needed. Ruffalo was able to put more emotion into his role. Emma Stone did her role very well as the lovely Bella. Who was learning more and becoming a more rounded role for her. So her "frankinsteinish" role was well played. Dafoe as the mad scientist who let his creation loose into the world was well played as well! Personally I would have just watched it for Mark Ruffalo though.
Trama
Lo sapevi?
- QuizMark Ruffalo had a lot of doubts about his performance during the shoot. He often half-joked that his friend Oscar Isaac, who was filming on a nearby sound stage, was going to be called in to replace him. One day, Willem Dafoe pranked Ruffalo by taking him to a room where Isaac (who was in on the joke) was waiting. Isaac and Dafoe informed Ruffalo he was fired and, indeed, getting replaced by Isaac.
- BlooperMark Ruffalo's attempt at a British accent is extremely unconvincing.
However, an unconvincing accent is simply a limitation of the actor's ability and not a mistake on the part of the filmmakers. Also, what is considered unconvincing is a subjective matter of opinion.
- Citazioni
Bella Baxter: [on the wailing infant] I must go punch that baby.
- Curiosità sui creditiThe opening and closing credits are shown as a frame around the image.
- Versioni alternativeThe UK's BBFC viewed the film during editing to provide advice on classification, and informed the distributor it required changes to one short sequence to secure an "18" rating. The scene depicted sexual activity in the presence of children. Under UK law, this could be illegal and therefore required removal before being distributed within the country. The changes were made before formal classification, and this same version of the film was ultimately released everywhere.
- ConnessioniFeatured in WatchMojo: Top 10 Best Movies of 2023 (2023)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Pobres criaturas
- Luoghi delle riprese
- Origo Film Studio, Budapest, Ungheria(soundstages)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 34.553.225 USD
- Fine settimana di apertura Stati Uniti e Canada
- 661.230 USD
- 10 dic 2023
- Lordo in tutto il mondo
- 117.625.455 USD
- Tempo di esecuzione2 ore 21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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