Segue le vite delle Bene Gesserit nell'universo di Dune.Segue le vite delle Bene Gesserit nell'universo di Dune.Segue le vite delle Bene Gesserit nell'universo di Dune.
- Premi
- 2 vittorie e 4 candidature totali
Sfoglia gli episodi
Riepilogo
Reviewers say 'Dune: Prophecy' elicits mixed reactions, highlighting political intrigue, complex characters, and rich world-building. Fans commend its exploration of Bene Gesserit origins and fidelity to Dune lore. However, criticisms include pacing issues, inconsistent tone, and deviations from the source material. Acting and dialogue are often deemed subpar, with some episodes feeling generic. Visual effects and production design are praised, yet narrative coherence and character development frequently disappoint.
Recensioni in evidenza
Dune: Prophecy brings us back to Frank Herbert's universe with a different approach. Instead of grand battles, the series explores the intrigues of the Bene Gesserit and their struggle for control. It's not necessary to have seen the movies to understand it, as it builds its own rhythm and atmosphere.
It stands out for its setting and for Emily Watson's performance, which brings depth and presence to her character. However, at times, the pacing is slow, and it may feel like it lacks intensity. Even so, it manages to create interest through its conflicts and the mystery surrounding the story.
It's not a series for everyone, but for those who enjoy more political and dense science fiction, Dune: Prophecy offers an intriguing premise with great potential.
It stands out for its setting and for Emily Watson's performance, which brings depth and presence to her character. However, at times, the pacing is slow, and it may feel like it lacks intensity. Even so, it manages to create interest through its conflicts and the mystery surrounding the story.
It's not a series for everyone, but for those who enjoy more political and dense science fiction, Dune: Prophecy offers an intriguing premise with great potential.
All of my knowledge of Dune comes from the two recent movies, both of which are amazing. With that out of the way, one thing that is missing from the TV show, which both films have, is a good score or at least good use of a good score. I feel like the score or music of the films was used in such a way to emphasize the larger-than-life characterization of the Dune world or universe, so to speak. We are talking about a species that spans the universe in space after all. On the other hand, the score is barely perceptible in the TV show. This does ensure we able to hear the dialogue clearly, but also makes the TV show feel claustrophobic in spite of some of its sets or settings in comparison and therefore out-of-character. Without this, the TV show feels much less epic and engaging than the movies, unfortuantely. I am hoping they will fix this in upcoming seasons.
The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
Dune: Prophecy is everything i hoped it would be and more. It's a great spin-off from a beloved movie franchise. I have to start by saying I've never read the source material or saw the original movie. My experience of Dune is predicated on the two Dune movies that have come out the last few years starring Timothée Chalamet and Zendaya. Those two movies (especially Dune: Part Two) are two of my favorite movies I've seen over the last few years. I absolutely love both of them so I had high expectations for this series. Dune: Prophecy is a series that takes place 10,000 years before the Dune movies start and about how the Harkonnen sisters started the Bene Gesserit as they fight off forces that threaten the future of mankind. The show may feel more like Game of Thrones than Dune but either way...it's very entertaining. The most important thing about this show is it does exactly what it set out to do in the fact that it deepens our understanding of the Bene Gesserit. You don't have to have watched the two Dune movies to enjoy this but you'll definitely enjoy it more if you have.
The universe of this saga was unknown to me. Last year, I tried watching the movie that came out. Honestly, I wanted to get into this world, but the movie failed to captivate me. I attempted to watch it twice and gave up both times because I found it boring and felt like I was missing an introduction.
So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.
If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.
I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.
So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.
If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.
I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
Trama
Lo sapevi?
- QuizThis series uses material from the Great Schools of Dune trilogy, by Brian Herbert and Kevin J. Anderson. A prequel to the original Dune, it tells how the Sisterhood of Rossak evolved into the Bene Gesserit. The incident with Valya Harkonnen using voice is from one called 'Mentats of Dune'. All three books interweave the development of the Sisterhood, the Mentats, the Navigators and the Suk Doctors.
- ConnessioniFeatured in WatchMojo: Top 24 Best TV Shows of 2024 (2024)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Tempo di esecuzione1 ora
- Colore
- Mix di suoni
- Proporzioni
- 2:1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti

Divario superiore
What is the Canadian French language plot outline for Dune: Prophecy (2024)?
Rispondi