Calendario usciteI 250 migliori filmFilm più popolariCerca film per genereI migliori IncassiOrari e bigliettiNotizie filmIndia Film Spotlight
    Cosa c’è in TV e streamingLe 250 migliori serie TVSerie TV più popolariCerca serie TV per genereNotizie TV
    Cosa guardareUltimi trailerOriginali IMDbPreferiti IMDbIn evidenza su IMDbFamily Entertainment GuidePodcast IMDb
    OscarsCannes Film FestivalStar WarsAsian Pacific American Heritage MonthSummer Watch GuideSTARmeter AwardsPremiazioniFestivalTutti gli eventi
    Nati oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona collaboratoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista dei Preferiti
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
Indietro
  • Il Cast e la Troupe
  • Recensioni degli utenti
IMDbPro
Joan Crawford: Always the Star (1996)

Trama

Joan Crawford: Always the Star

Modifica

Sommari

  • This glamorous and hugely popular actress raised herself from brutal poverty to Academy Award-winning stardom by guts, determination and hard work. During her fifty-year career, she made over eighty films. But her obsessive perfectionism led to the later caricature of coat-hanger-wielding harridan that even the adoration of fans could not counter. Still, she has endured as one of the most popular icons of the movies, an early role model to a million young women who aspired to her image of stylish magnetic power and unquestioned independence. She was born Lucille LeSueur on March 23, 1904 (or 1906) in San Antonio, Texas. Her father soon disappeared and she took the name of her stepfather, calling herself Billie Cassin. When Cassin, too, vanished, Billie did menial work to help her mother and brother survive. Ill-paid sales jobs bought dancing lessons and the clothes she needed to enter amateur contests. Then came a night-club contract as chorus girl - $25-a-week and eight routines a night. And so she made it into show-business, but the humiliations and insecurities of those early years would never entirely leave her. Spotted by an MGM scout, by 1925 she was under contract in Hollywood. She made the usual publicity appearaces and did Exhibition Dancing at night. Her vitality, charm and dancing talents earned her many admirers - including some powerful enough to advance her career, like William Haines, Paul Bern, Jackie Coogan, Sr. and Louis B. Mayer. After bit parts and a small role in the film Pretty Ladies, a studio-sponsored competition found her the name she at first hated: Joan Crawford. As Crawford's acting skills developed, she became known for her independence and her resilience despite some less-than-successful roles. Her vaguely pretty and plump early looks were soon replaced by the svelte, hard-boiled beauty of hollow-cheeks, thick brows and overpainted mouth that would be her permanent image. Her capacity to inspire and wear with flair the creations of the dress designer Adrian was legendary. But most of all, she was known for her hard work on the set. Joan Crawford's personal life was characterized equally by self-discipline and the determination to better herself, banishing forever her unhappy beginnings. Four husbands included actors Douglas Fairbanks, Jr, Franchot Tone, Phillip Terry and businessman Alfred Steele. Plagued by innumerable miscarriages, she adopted four children, one of whose account of Joan's unyielding perfectionism has succeded in blurring memories of the remarkable life and career of a Hollywood immortal. Among Joan Crawford's films from which clips are included: Sally, Irene and Mary, 1925; Our Dancing Daughters, 1928; Grand Hotel, 1932; Dancing Lady, 1933; The Gorgeous Hussy, 1936; The Women, 1939; A Woman's Face, 1941; Mildred Pierce, 1945; Humoresque, 1946; Possessed, 1947; Sudden Fear, 1952; Johnny Guitar, 1954 Whatever Happened to Baby Jane? 1962 and Strait Jacket, 1964.—Janson Media

Descrizione

Sembra che non abbiamo ancora descrizione per questo titolo. Sii il primo a contribuire.

Maggiori informazioni

Contribuisci a questa pagina

Suggerisci una modifica o aggiungi i contenuti mancanti
  • Risposte di IMDb: contribuisci ad integrare i nostri dati
  • Ottieni maggiori informazioni sulla partecipazione
Modifica pagina

Altro da questo titolo

Altre pagine da esplorare

Visti di recente

Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
Scarica l'app IMDb
Accedi per avere maggiore accessoAccedi per avere maggiore accesso
Segui IMDb sui social
Scarica l'app IMDb
Per Android e iOS
Scarica l'app IMDb
  • Aiuto
  • Indice del sito
  • IMDbPro
  • Box Office Mojo
  • Prendi in licenza i dati di IMDb
  • Sala stampa
  • Pubblicità
  • Processi
  • Condizioni d'uso
  • Informativa sulla privacy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.