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    1-6 di 6
    • 1. No Movie

      2007Video
      No Movie: A Journey Through the Archives of a Man Named Gronk.
    • Ashes and Embers (1982)

      2. Ashes and Embers

      19822h
      6,4 (187)
      A troubled Vietnam veteran hoping to forget the war and reconnect with American life struggles with disillusionment, self-worth, and cynicism.
    • The File on Devlin (1969)

      3. The File on Devlin

      19691h 30mFilm per la TV
      5,8 (22)
      A young woman finds herself engulfed in Cold War intrigue when her father, a Nobel Prize-winning author, vanishes while travelling near the Russian border. Entrusted by her father with an unfinished book he was working on before his trip, the young woman becomes engaged in a power struggle over the material with her estranged stepmother. Suspiciously befriended by a journalist in the midst of the crisis, the young woman ultimately learns that no one is to be trusted - as her father's work is of interest to the intelligence departments of several countries.
    • János Szikora and János Ács in Vizsgálat Martinovics Ignác szászvári apát és társainak ügyében (1985)

      4. Vizsgálat Martinovics Ignác szászvári apát és társainak ügyében

      19852h 11mFilm per la TV
      8,6 (7)
      Judit Elek's judicial drama recounts the battle of wits between Schilling, an Austrian police commissioner, and the "revolutionary" Martinovics.
    • The Criminal Man: The Born Criminal (1957)

      5. The Criminal Man: The Born Criminal

      195730mCorto
      Discuss the relationship between heredity and criminality. Points out common misconceptions concerning physical characteristics as a cause of crime. Explains the fallacies in Cesare Lombroso's theories of criminality. Stresses the need for education in the area of genetic inheritance as related to criminal tendencies.
    • 6. Los Four/Murals of Aztlan

      1974
      Los Four documents the first exhibition of Chicano artists held at a major art museum, the Los Angles County Museum of Art, in 1974. Los four (1973-1983) was an influential Chicano art collective that included Carlos Almaraz, Gilbert "Magu" Sanchez Lujan, Roberto de la Rocha, and Frank Romero. The documentary captures the group's debates over art, politics and community, while it also reveals their experimentation with spray can techniques, found objects, and installation art as well as their self-conscious efforts to develop Chicano icons. Murals of Aztlan: The Street Painters of East Los Angeles. Documents the exhibition "Murals of Aztlan: The Street Painters of East Los Angeles" at the Craft and Folk Art Museum of Los Angeles in 1981. The exhibition featured portable murals in the gallery space painted by some of the leading Chicano and Chicana artists.

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