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We dedicate this picture to all children and parents. The first family in Philippines movies. In this movie, the children make the strongest bond between husbands and wives. An estranged showbiz couple appears with their natural child and their adopted children.

The hidden nightlife of ordinary people living in Manila unveils. Lovers and families' conflicts are radically pitted against each other as they live in the night streets rampant with drugs and prostitution. The outstanding narrative explicitly unravels the various characters and episodes. This landmark film of Ishmael Bernal depicts the darkness of city life so vividly that it was once prohibited to use the word 'Manila' on its title.

Based on the novel by Mars Ravelo and serialized in Pilipino Komiks, "Wanted: Perfect Mother"--Lino Brocka's directorial debut--is described as a "light, heartwarming dramatic story for wholesome family entertainment." A couple, Dante (Dante Rivero) and Elsa (Liza Lorena), hires a new governess, Carla (Boots Anson-Roa), to care for their four children (Gina Alajar, Ariosto Reyes, Jr., Arnold Gamboa, and 4-year-old Snooky, who was introduced here). The governess quickly establishes rapport with the children and the husband, creating rumors of an affair. Before things can go wrong, Carla decides to leave. Elsa dies in a car accident and Dante decides to remarry and get his children a new mother. Carla is the frontrunner among several choices, but the head servant (Caridad Sanchez) poisons the children's minds against her.

Ester Postigo (Nora Aunor) plays a social worker who cannot have a baby. Because of her infertility, her husband Luis (Raoul Aragon) goes to bed with her mother, Renata (Lolita Rodriguez) and she bears a child. Ester brings the matter to court.

The story of a family in Tokyo who live under the same roof in a large house and include the widowed sixty-year-old mother, older son and his wife, the youngest daughter and the older daughter who, while being married, is experiencing domestic problems and has moved back in. The latter woman's husband soon dies however making the move permanent. With life insurance money flowing in she not only can afford to pay rent, but also loan some cash to her brother who unbeknownst to his mother has taken on a loan from the bank with the house as collateral. The loan was needed as his wife's aunt's factory needs an infusion of funds.

A Spanish Mestizo and a fisherman fight over a woman but ally to assist natives in preventing General Aguinaldo's capture by Americans during the Philippine-American War.

The gender-bending brother/sister tandem of the 1950s (then portrayed by Lolita Rodriguez and Dolphy) returns in the 1980s, this time portrayed by Sharon Cuneta and Herbert Bautista and takes away the sanity of the people they meet with their zany antics.

A woman after killing her husband and his friends goes into post-traumatic shock and withdraws from any form of communication. A feminist journalist becomes interested in the case and resolves to unravel the truth behind the murders.

Three best friends in an exclusive high school with very different personalities (one is liberated, the second conservative, and the third adventurous) discover sex and themselves when meet their respective boyfriends (a hedonist, a director, and a computer instructor.

Running--dashing--not so much fear dear life--as for freedom. Destinatin: Tundo: Isla Puting Bato the warpath of justice.

AN ESTRANGED WIFE LEARNS TO LIVE WITHOUT HER HUSBAND AND BE A SINGLE PARENT TO HER CHILD.

Meet the world's deadliest killer disease. no one, nothing can cure .

Peter L. Gan presents a stirring love drama that sets the pace for 1980.

Two former "Miss Universe" title holder, the filipina Glora Diaz and the Spanish Amparo Munoz, play the roles of an employee in an orphanage and a dancer, respectively, who conspire to charm a bank executive out his decision to foreclose a debtor's property -- the building housing the orphanage.

A sympathetic portrayal of the suffering of a deaf couple at the hands of a shell shocked postwar society that treats them like wayward children to be at turns pitied or exploited.

A taxi dancer (Rita Gomez) and taxi driver (Vic Vargas) are fished out of poverty and anonymity by a commercial film director (Eddie Garcia). The obsession with success forces them to affect images as movie stars, which suppress and eventually destroy them as persons and lovers.

In this age of Aquarius, man's frontier is on the land of fantasy, a trip to wonders of make-believe "WONDER DABIANA" will take you to Shangrila where she encounters the walking zombies and the thirsty blood-sucking vampires. See the new CECILLE IÑIGO do her wonders on the screen as the mighty, wonder woman.

Our children need our presence more than our presents. When her marriage turns sour, a wife leaves her children in the custody of her husband, who then sues her for desertion with help from a female lawyer who subsequently becomes his lover.

A mother and daughter's routine provincial lives are altered when they take in a man they found unconscious by the shore.

It was a night of naked passion the night they lived her wildest dream ...ambitious house girl and house boy carry illicit affairs with their masters, when the mistress of the house gets mysteriously killed, both the husband and the house

In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A handful of soldiers (led by FPJ) holed up in a hilltop to repel the horde of advancing Japanese troops, sacrificing their lives for their beloved country, FPJ, the last man standing, was killed here, with bayonets, one of the rare times on screen (and fans don't like it).

Documentary about the Japanese-occupied city that, as described by one contemporary source " boasts international settlements in which the nationals of a number of countries enjoy the privileges of extraterritoriality". Filmed on location in December 1937 Film contrasts the horrors of war with the complex political issues involving the metropolis.

An unlikely love triangle involving a Filipina hooker, a Filipino gun-for-hire, and an American serviceman adds fire and passion to the equally-volatile tale of crime and corruption inside an American military base in Angeles City in Pampanga.

Beth Bautista is Baby Porcuna, a burlesque dancer working for Dick Isreal, who is also her lover. She meets Joseph Sytangco, a struggling singer who wants to marry her. Seeing Dick in bed with a chorus girl, she weds Joseph but Dick intervenes. Anthony Alonzo is Boy Golden, an underworld kingpin in love with Josephine Garcia but he also beds Suzanna Gonzales. These lovers are all trapped in their dangerous ménage-a-trois, resulting in some deaths, assassinations and suicides.