Une psychiatre déprimée se réveille comme patiente dans l'asile où elle travaillait, sans se souvenir de la raison de sa présence ou de ce qu'elle a fait auparavant.Une psychiatre déprimée se réveille comme patiente dans l'asile où elle travaillait, sans se souvenir de la raison de sa présence ou de ce qu'elle a fait auparavant.Une psychiatre déprimée se réveille comme patiente dans l'asile où elle travaillait, sans se souvenir de la raison de sa présence ou de ce qu'elle a fait auparavant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 7 nominations au total
Avis à la une
What saves the film is the excellent acting of Halle Berry, Penelope, Cruz, Robert Downey Jr., and all the rest of the cast, the haunting setting, and the way the atmosphere is being build. The institution looks like some gothic building from outside, with blue lighted corridors inside creating an appropriate setting for the mood of the characters. Rain seems to poor almost permanently, kind of reflecting the fluid state of mind of the characters.
This film will not be easy to forget for me. Despite its ridiculous script and the conventional way the plot is being solved, the quality of the cinema is above average. Halle Berry is fantastic, and may have bought back her acting in a James Bond movie. Uneven but still memorable. 7/10 on my personal scale.
What's more, Berry and Cruz signed onto a film made by a production team which has typecast itself with some fairly disappointing ghost stories / horror films involving big-names in the recent past.
Finally, this is one of those cases where the trailer was so good that the film could not possibly follow it.
So what?
If you approach this film without expectations, and with an open mind, you will be entertained. It's a tight, disturbing psychological/supernatural thriller which, though a little predictable at times, nevertheless offers some frightening imagery and a few good solid scares. That said, this is not a film for people who have trouble paying attention or for people who need straightforward answers. If you don't really pay attention to what is going on in this film, you could easily dismiss it as a more adult version of Sixth Sense or just another dumb ghost story. This film deserves more credit than that.
Personally, I don't think it's a ghost story at all- but that is a question best left open.
I have seen a number of films by this team - House on Haunted Hill, 13 Ghosts and Ghost Ship. Of these, I found 13 Ghosts and the House on Haunted Hill to be entertaining, but not very intelligent. Ghost Ship was tremendously disappointing - even Gabriel Byrne could not save that film. Gothika is easily the best of the lot, and also the darkest. The film is shot in dark blue, black and gray tones, and the use of lighting is nothing short of artistic. Despite the cliché title, the occasional plot clichés, and all the negative publicity generated by critics, I found this film to be surprisingly entertaining, intelligent, and disturbing.
Most of the 'plot holes' cited by some reviewers here on IMDb are more likely gaps in the attention spans of the viewers themselves or intentional ambiguities designed by the production team. This, unlike any of this team's previous work, does not provide unambiguous explanations.
Cruz and Berry are, respectively, patient and psychiatrist in a high security prison for the criminally insane. The Gothic environment of this facility is not meant to be realistic, but surreal, and the effect works. From the first time you see the place, you question its own reality. The film constantly manipulates mood through cinematographic techniques like this.
Shortly after the film opens, Berry finds herself experiencing what some of her allegedly delusional patients talk to her about. Robert Downey's portrayal of her friend and, now, therapist, is uneven, but satisfactory.
To describe the rest of the plot would require spoilers, so I won't bother. Suffice to say that even the occasional predictability of this film did not detract from my enjoyment of it.
The film uses just enough ambiguity to permit the audience to wonder whether what they are seeing is really happening or whether it is a product of our protagonist's subconscious mind. And then, in the end, the film makes you question whether it matters.
I think "Gothika" is a great thriller. The first half is scary by using great sound effects, beautiful shots and suspenseful plot. This is quite unlike many horror movies that relies on blood or shock to scare. The second half turns into a crime mystery, and I think the suspense is still well sustained. I did not see the plot twists coming, and hence I was surprised by the ending. Halle Barry's acting is great, she is convincing as a psychiatrist and even more convincing as a "crazy" person. Her facial expressions in the scene where she got possessed is great.
I enjoyed watching "Gothika" very much.
The setting and atmosphere that is created in Gothika is excellent, and the movie is definitely creepy enough to jangle your nerves. Halle Berry, Penelope Cruz and Robert Downey Jnr all fit into their roles nicely; the problem is plain and simple. The storyline and script are too weak to achieve what this movie sets out to do, and because of some lame dialogue and a flawed plot the movie only manages to be decent; when it really should have been great.
6/10 It's still worth watching.
Le saviez-vous
- AnecdotesRobert Downey Jr. broke Halle Berry's arm during the hospital interrogation scene. Downey was supposed to grab Berry's arm and twist, but twisted too hard and her arm snapped. Production was halted for eight weeks.
- GaffesWhen Miranda enters the shed, she is startled by an owl. It can be heard flying around. Owls fly silently.
- Citations
Miranda: Did we have an affair?
Pete: No.
Miranda: Did you want to?
Pete: Yes.
Miranda: Did you think I wanted to?
Pete: Yes.
Miranda: Then why didn't we?
Pete: Because you were married to the boss.
Miranda: But I'm not now.
Pete: I'm here - I'm trying to help you. Why don't you trust me?
Miranda: Because you can't trust somebody when they think you're crazy.
- Bandes originalesReach Out I'll Be There
(uncredited)
Written by Lamont Dozier, Brian Holland and Eddie Holland (as Edward Holland Jr.)
Performed by The Four Tops
Courtesy of Motown Records
Under License from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Espíritus ocultos: en compañía del miedo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 59 694 580 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 288 438 $US
- 23 nov. 2003
- Montant brut mondial
- 141 591 324 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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