Calendrier de parutionsTop 250 des filmsFilms les plus regardésRechercher des films par genreSommet du box-officeHoraires et ticketsActualités du cinémaFilms indiens en vedette
    À la télé et en streamingTop 250 des sériesSéries les plus populairesParcourir les séries TV par genreActualités TV
    Que regarderDernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbPodcasts IMDb
    OscarsFestival international du film de CannesStar WarsMois du patrimoine des Américains d'Asie et des îles du PacifiquesSummer Watch GuideSTARmeter AwardsAwards CentralFestivalsTous les événements
    Nés aujourd’huiCélébrités les plus populairesActualités des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels du secteur
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Le Fabuleux Destin d'Amélie Poulain

Titre original : Le fabuleux destin d'Amélie Poulain
  • 2001
  • Tous publics
  • 2h 2min
NOTE IMDb
8,3/10
818 k
MA NOTE
POPULARITÉ
763
146
Audrey Tautou in Le Fabuleux Destin d'Amélie Poulain (2001)
Regarder Bande-annonce [OV]
Lire trailer3:41
4 Videos
99+ photos
Feel-Good RomanceQuirky ComedyRomantic ComedyComedyRomance

Amélie, fille innocente et naïve, parisienne, a son propre sens de justice, Elle décide d'aider ceux autour d'elle, et sur le chemin, et trouve l'amour.Amélie, fille innocente et naïve, parisienne, a son propre sens de justice, Elle décide d'aider ceux autour d'elle, et sur le chemin, et trouve l'amour.Amélie, fille innocente et naïve, parisienne, a son propre sens de justice, Elle décide d'aider ceux autour d'elle, et sur le chemin, et trouve l'amour.

  • Réalisation
    • Jean-Pierre Jeunet
  • Scénario
    • Guillaume Laurant
    • Jean-Pierre Jeunet
  • Casting principal
    • Audrey Tautou
    • Mathieu Kassovitz
    • Rufus
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,3/10
    818 k
    MA NOTE
    POPULARITÉ
    763
    146
    • Réalisation
      • Jean-Pierre Jeunet
    • Scénario
      • Guillaume Laurant
      • Jean-Pierre Jeunet
    • Casting principal
      • Audrey Tautou
      • Mathieu Kassovitz
      • Rufus
    • 1.6Kavis d'utilisateurs
    • 160avis des critiques
    • 70Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 112 parmi les meilleurs
    • Nommé pour 5 Oscars
      • 59 victoires et 74 nominations au total

    Vidéos4

    Bande-annonce [OV]
    Trailer 3:41
    Bande-annonce [OV]
    Amelie
    Trailer 1:10
    Amelie
    Amelie
    Trailer 1:10
    Amelie
    Amelie
    Trailer 1:04
    Amelie
    Gugu Mbatha-Raw Shares the Whimsical and Uplifting Films That Give Her Hope
    Clip 5:19
    Gugu Mbatha-Raw Shares the Whimsical and Uplifting Films That Give Her Hope

    Photos174

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 170
    Voir l'affiche

    Rôles principaux81

    Modifier
    Audrey Tautou
    Audrey Tautou
    • Amélie Poulain
    Mathieu Kassovitz
    Mathieu Kassovitz
    • Nino Quincampoix
    Rufus
    Rufus
    • Raphaël Poulain
    Lorella Cravotta
    • Amandine Poulain
    Serge Merlin
    • Raymond Dufayel
    Jamel Debbouze
    Jamel Debbouze
    • Lucien
    Clotilde Mollet
    • Gina
    Claire Maurier
    Claire Maurier
    • Madame Suzanne - la patronne du café
    Isabelle Nanty
    Isabelle Nanty
    • Georgette
    Dominique Pinon
    Dominique Pinon
    • Joseph
    Artus de Penguern
    • Hipolito
    Yolande Moreau
    Yolande Moreau
    • Madeleine Wallace
    Urbain Cancelier
    Urbain Cancelier
    • Collignon
    Maurice Bénichou
    Maurice Bénichou
    • Dominique Bretodeau
    Michel Robin
    Michel Robin
    • Mr. Collignon
    Andrée Damant
    Andrée Damant
    • Mrs. Collignon
    Claude Perron
    Claude Perron
    • Eva
    Armelle
    • Philomène
    • Réalisation
      • Jean-Pierre Jeunet
    • Scénario
      • Guillaume Laurant
      • Jean-Pierre Jeunet
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Vous aimerez aussi

    Orange mécanique
    8,2
    Orange mécanique
    Sueurs froides
    8,2
    Sueurs froides
    M le maudit
    8,3
    M le maudit
    Une séparation
    8,3
    Une séparation
    Full Metal Jacket
    8,2
    Full Metal Jacket
    Du silence et des ombres...
    8,3
    Du silence et des ombres...
    Un long dimanche de fiançailles
    7,6
    Un long dimanche de fiançailles
    Piège de cristal
    8,2
    Piège de cristal
    Vol au-dessus d'un nid de coucou
    8,7
    Vol au-dessus d'un nid de coucou
    Citizen Kane
    8,3
    Citizen Kane
    Le Labyrinthe de Pan
    8,2
    Le Labyrinthe de Pan
    Before Sunset
    8,1
    Before Sunset

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Whenever this film was shot on location, Jean-Pierre Jeunet and the crew would clean the area of debris, grime, trash and graffiti, so that the real settings would match the fantastic nature of the film. This was an especially difficult task when it came time to shoot at the huge train station.
    • Gaffes
      When Nino visits Amélie in the cafe, "Menu du Jour" disappears and reappears on the glass between shots.
    • Citations

      The Sacré-Coeur Boy: The fool looks at a finger that points at the sky.

    • Crédits fous
      In the opening titles, Amélie as a child is shown doing various things. These activities illustrate the titles being shown at the same time.
    • Connexions
      Featured in The 59th Annual Golden Globe Awards (2002)
    • Bandes originales
      Les Jours Tristes (instrumental)
      Written by Neil Hannon

      Arranged and Performed by Yann Tiersen

    Avis des utilisateurs1.6K

    Commentaire à la une

    It's my favorite movie of all time...

    Short analysis on Jean-Pierre Jeunet's Le fabuleux destin d'Amélie Poulain

    For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: `I guess I have to produce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.

    I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.

    Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.

    The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.

    Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.

    Audrey Tautou at the age of 23 is an astonishing actress. I really can't imagine anybody doing the job better than she did. To me she is not only giving life to the character, she lives it. It's wonderful to watch her. There was no moment when I had the faintest impression that there is something wrong or inappropriate in her acting. Also Mathieu Kassovitz as Nino Quincampoix is extraordinarily gifted with his talent. Most of the actors have done a wonderful job, although I want to mention the scene when Amélie's mother gets her nervous breakdown because of the suicidal fish. This scene appeared to me exaggerated which it probably was intended to be. Anyhow, the extreme close-up of Yolande Moreau was to intriguing to me, so I shrug back in disgust rather than laughing about it. I gues this was the director's choice, so I don't hold her responsible for that.

    Another negative and distracting thing where some scenes when Jean-Pierre Jeunet decided to show the key in Amélie's pocket after copying it and bringing the original key back to the grocer's door in a very unrealistic way. He uses a digital effet showing the key's silhouette in a yellow light. This is a technique that hasn't been used very often in the film, except for showing Amélie's heart going faster and the old, blind man feeling very happy after being guided by Amélie. All these scenes disturb the otherwise wonderful cinematography. There could have been other ways to communicate the actions. A simple smile on the old's man face, a close-up of Amélie's hand letting the copied key slide into her pocket and the heart beat as a background sound would have done the same without disturbing the atmosphere.

    Anyway, Le fabuleux destin d'Amélie Poulain is still my favorite movie. The narration is perfectly arranged taking its time to tell every detail. I enjoyed the subplots a lot that are told in a subtle way. Maybe the introduction is a bit to long, but still I enjoyed every second. Maybe I am too used to typical Hollywood productions, where you can tell the stages of a story by watching the clock. Le fabuleux destin d'Amélie Poulain has its own rhythm driving the story forward not by a superhero trying to achieve his goal, but by a hero that knows that she has time to arrange everything by strategic means. Maybe that is also one reason why I like this film so much. The story is told with time and not against time. There is no last minute-rescue, no time pressure, no need to act. It just takes its time as life does.

    In my opinion, Jean-Pierre Jeunet created a masterpiece. A film that is not only outstanding because of the cinematography, the special effects or any other technical characteristics, but also combines the perfection of craftsmanship with a wonderful story, humour, and emotion.
    • emilio77
    • 2 déc. 2002
    • Permalien

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ31

    • How long is Amélie?Alimenté par Alexa
    • What is 'Amélie' about?
    • Is this movie based on a novel?
    • In what language is 'Amélie'?

    Détails

    Modifier
    • Date de sortie
      • 25 avril 2001 (France)
    • Pays d’origine
      • France
      • Allemagne
    • Sites officiels
      • Official Facebook
      • Official site
    • Langues
      • Français
      • Russe
      • Anglais
    • Aussi connu sous le nom de
      • Amélie
    • Lieux de tournage
      • Rue des Trois-Frères, Paris 18, Paris, France(Amelie's home)
    • Sociétés de production
      • Claudie Ossard Productions
      • Union Générale Cinématographique (UGC)
      • Victoires Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 33 712 444 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 136 470 $US
      • 4 nov. 2001
    • Montant brut mondial
      • 175 183 052 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 2 minutes
    • Couleur
      • Color
      • Black and White
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.39 : 1

    Actualités connexes

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Audrey Tautou in Le Fabuleux Destin d'Amélie Poulain (2001)
    Lacune principale
    What is the streaming release date of Le Fabuleux Destin d'Amélie Poulain (2001) in India?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Télécharger l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Télécharger l'application IMDb
    Pour Android et iOS
    Télécharger l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Salle de presse
    • Publicité
    • Tâches
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.