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La fuente de la vida

Título original: The Fountain
  • 2006
  • 13
  • 1h 37min
CALIFICACIÓN DE IMDb
7.1/10
253 k
TU CALIFICACIÓN
POPULARIDAD
2,157
79
Rachel Weisz and Hugh Jackman in La fuente de la vida (2006)
Theatrical Trailer from Warner Home Video
Reproducir trailer2:24
20 videos
99+ fotos
EpicPsychological DramaSci-Fi EpicTragedyTragic RomanceDramaMysteryRomanceSci-Fi

Tommy es un científico que busca desesperadamente el avance médico que salve a su mujer Izzi, enferma de cáncer.Tommy es un científico que busca desesperadamente el avance médico que salve a su mujer Izzi, enferma de cáncer.Tommy es un científico que busca desesperadamente el avance médico que salve a su mujer Izzi, enferma de cáncer.

  • Dirección
    • Darren Aronofsky
  • Guionistas
    • Darren Aronofsky
    • Ari Handel
  • Elenco
    • Hugh Jackman
    • Rachel Weisz
    • Sean Patrick Thomas
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    253 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,157
    79
    • Dirección
      • Darren Aronofsky
    • Guionistas
      • Darren Aronofsky
      • Ari Handel
    • Elenco
      • Hugh Jackman
      • Rachel Weisz
      • Sean Patrick Thomas
    • 1KOpiniones de los usuarios
    • 300Opiniones de los críticos
    • 51Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 9 premios ganados y 38 nominaciones en total

    Videos20

    The Fountain
    Trailer 2:24
    The Fountain
    The Fountain
    Trailer 0:32
    The Fountain
    The Fountain
    Trailer 0:32
    The Fountain
    The Fountain
    Trailer 0:30
    The Fountain
    Cate Blanchett Almost Played Clarice Starling?
    Clip 3:37
    Cate Blanchett Almost Played Clarice Starling?
    The Fountain
    Clip 0:50
    The Fountain
    The Fountain
    Clip 0:41
    The Fountain

    Fotos184

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 180
    Ver el cartel

    Elenco principal46

    Editar
    Hugh Jackman
    Hugh Jackman
    • Tomas…
    Rachel Weisz
    Rachel Weisz
    • Isabel…
    Sean Patrick Thomas
    Sean Patrick Thomas
    • Antonio
    Ellen Burstyn
    Ellen Burstyn
    • Dr. Lillian Guzetti
    Mark Margolis
    Mark Margolis
    • Father Avila
    Stephen McHattie
    Stephen McHattie
    • Grand Inquisitor Silecio
    Fernando Hernandez
    • Lord of Xibalba
    Cliff Curtis
    Cliff Curtis
    • Captain Ariel
    Donna Murphy
    Donna Murphy
    • Betty
    Ethan Suplee
    Ethan Suplee
    • Manny
    Richard McMillan
    Richard McMillan
    • Henry
    Lorne Brass
    Lorne Brass
    • Dr. Alan Lipper
    Abraham Aronofsky
    Abraham Aronofsky
    • Lab Technician
    Renee Asofsky
    • Lab Technician
    Anish Majumdar
    Anish Majumdar
    • Dr. Spencer
    Janique Kearns
    • Young Nurse
    Boyd Banks
    Boyd Banks
    • Dominican Monk
    Alex Bisping
    Alex Bisping
    • Foot Soldier Del Toro
    • (as Alexander Bisping)
    • Dirección
      • Darren Aronofsky
    • Guionistas
      • Darren Aronofsky
      • Ari Handel
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

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    I Origins
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    Gattaca. Experimento Genético
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Warner Bros. refused to do a director's commentary for the DVD release, so Darren Aronofsky recorded one in his living room and released it on his website.
    • Errores
      The second brightest star of Orion constellation, Betelgeuse, is missing in the sky views throughout the film.
    • Citas

      Isabel: For every shadow, no matter how deep, is threatened by morning light.

    • Créditos curiosos
      The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large scale structure of the universe. These devolve to a black screen, the early "opaque" stage of the universe, when early particles were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits.
    • Versiones alternativas
      The film was originally submitted to the BBFC on 30th June 2006, where it was passed with a 15 certificate. However, on 30th November 2006 the film was submitted again as a "re-edited" international version, with "changes made to reels 2, 3 and 5". This new version runs 16 seconds longer and was awarded a lower 12A certificate. The BBFC's website does not list the specific changes made.
    • Conexiones
      Edited into Race for Space (2010)

    Opiniones de usuarios1K

    Opinión destacada
    9/10

    A New Transcendental Film

    This is one half of a review. Some films need to be seen more than once to be fully grasped. This is one of them.

    I would like to read Paul Schrader's review of this film. Not because he wrote the screenplay for Taxi Driver, but because he wrote a book about "Transcendental Style in Film" and "The Fountain" is certainly in this category of film-making.

    Because of Schrader's book, I've been viewing as many films by Dreyer, Ozu, and Bresson, that I can lay my hands on – especially those by Robert Bresson. There are many parallels between Aronofsky's film and Bresson, and yet their style is completely different – it's like comparing a Tintype photograph with a Van Gogh: Bresson is understated while Aronofsky is over the top. Yet, both directors create films that are best viewed more than once. Both styles leave a lot to the imagination which can be frustrating on the first viewing. I certainly was. This is why I consider this to be one half of a review. I've only seen this film once.

    The Fountain has three story lines: one set in the past, one in the present, and one set ostensibly in the future. The three timelines weave in an out of each other like a Chinese puzzle. The past is poetic, the present is realistic, and the future is plausible. Moreover the future be either a real future (as cinematic futures go) or merely a dream of the future. So, this could be a very subjective story that takes place now. It is ambiguous, mysterious, and subject to personal interpretation. In this regard, The Fountain, is very much like the films of Bresson.

    Bresson once mentioned that he intentionally avoids the obvious in his film; it is the mystery that propels the viewer's interest forward. Often later scenes reveal the mystery of that earlier enigma. This is a very literary form of film-making. Last night, I was surrounded by people in the audience who wanted every plot detail handed to us on a silver platter. As this was a sneak preview, we all got in for free. Some were probably expecting the extremes of "Requiem for a Dream". A group next to me left early. As I was leaving, I heard a teen say into her cell phone "don't bother to pay for this film – wait for it when it is on TV … for free". And I agree: if you can tolerate a lot of commercial TV and prefer magazines to books, then you may not like this film. If you read some of the reviews, for Bresson, you'll get some of the same impatience. These are films which break with what you'd expect from a film. Forget that you're in a movie theater; this piece will reward an open mind.

    The acting in The Fountain is very dynamic but there was not enough breathing room for empathy. There is only one break in the tension when there could have been more. Instead, to serve the three story lines, the tension feels like one continuous climb. A tearful moment, from one storyline, leads to another tearful moment in another storyline. The group next to me – the one that ultimately left – were snickering. It feels like overacting, even though each performance is convincing, on its own. So, I felt my empathy in suspension. A different edit would have added more power to the emotional timbre of the acting. I find myself wishing for another 20 minutes of story to draw me in.

    The music blended very well with the story – they never stood apart, which is ideal for a cinematic score. The visuals, however, did break the suspension of disbelief, on a few occasions. In one case, there was a tracking shot that uses a unique point of view that took me out of the story, thinking "wow, cool shot!", instead of thinking "I wonder where he is going". There is a certain amusement ride feel to some of the cinematography and Special Effects which detracts from the story. But, these shots are not gimmicks. They're premonitions and echoes of action in other sequences. They are crazy bold, like Van Gogh's brushstrokes tracing out a landscape. These bold strokes are the first thing that I notice, about "The Fountain". But, upon reflection, they paint a picture that is rather calm.

    I look forward to seeing this movie again.
    • warren-10
    • 16 nov 2006
    • Enlace permanente

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    Preguntas Frecuentes27

    • How long is The Fountain?Con tecnología de Alexa
    • What is Xibalba?
    • Is Tom the Last Man?
    • What's the main concept behind the film? Are there other themes?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de marzo de 2007 (México)
    • Países de origen
      • Estados Unidos
      • Canadá
    • Sitios oficiales
      • Disney+ Hotstar
      • TFM Distribution (France)
    • Idiomas
      • Inglés
      • Maya
    • También se conoce como
      • The Fountain
    • Locaciones de filmación
      • Guatemala(Exterior)
    • Productoras
      • Warner Bros.
      • Regency Enterprises
      • Protozoa Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 35,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 10,144,010
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,768,702
      • 26 nov 2006
    • Total a nivel mundial
      • USD 16,468,343
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 37 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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