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La historia de un topo del departamento de policía y un agente encubierto. Comparten el mismo objetivo: descubrir al topo y al policía.

A rich playboy gets blown up by a gangster when he flirts with the gangster's wife. Through a series of circumstances, his professor makes him a synthetic body that allows him to change into anything he wants.

A judge tries to save a female innocent who's wrongly being accused for murder.

A personal tragedy brings a woman closer to a handful of trusted friends in this independent drama. Salma (Hanan Turk) is a middle-aged woman who has achieved success in her profession but is still searching for contentment in her personal life. After her mother unexpectedly dies, Salma is sent into an emotional tailspin, and while her stepfather (Samie Al-Adel) tries to help by letting her move into his home, nothing seem to make her feel better. One day, Salma receives the first in a series of anonymous gifts and letters from someone who appears to know her, though she has no idea who they might be. As Salma sorts through a handful of male admirers in hopes of uncovering the identity of her new benefactor, she is reunited with two close friends from her days at school, Yusriyah (Hend Sabri) and Doha (Menna Shalabi), who commiserate with her as they share their own difficult life events. Ahla al Awqat (aka The Best of Times) was the first feature from writer and director Hala Khalil, and was screened as part of the 2005 San Francisco Arab Film Festival.

Following Ko Chun's earlier years as he battles for the position he was destined for: The God of Gamblers.

A student, Go Nam Soon (Lee Jong Suk), studies at a Seungri High School, where he is always bullied by a gang led by Oh Jung Ho (Kwak Jung Wook). At the beginning of the school day, his class 2 gets a new homeroom teacher called Jung In Jae (Jang Na Ra), who finds it hard to control the class. Later, a new teacher named Kang Sae Chan (Choi Daniel) arrives at school. He is appointed as co-homeroom teacher to class 2. The story introduces the remaining students and their blossoming friendships. A new transfer student named Park Heung Soo (Kim Woo Bin) joins the school. He knows Go Nam Soon and is holding a grudge against him. As the story rolls on, we get to know their past relationship and what has caused the rift between them. Meanwhile, Teacher Jung and Teacher Kang help the students overcome their problems. The story ends with everyone moving up to Class 3.

A depressed, obese woman tries to lose weight in order to win back her ex-boyfriend with the help of a fellow Hong Konger whom she met in Japan.

Southern Cross is an Australian family drama. Two immigrant children's mom dies, and her children are put in a detention center. Instead of waiting around, the children plan to escape and go across the land to their surviving relatives far away.

"Wall of Heroism," by Mohamed Rady, a war pic shot in 1998 but never released for political reasons.Heroism is about the lead-up to and the events of the Arab-Israeli October War in 1973 and has reportedly been banned by the orders of former president Hosni Mubarak.

With his new sound, Mateo Kingman turns snake and constantly sheds his skin. After the successful debut album "Respira", he's back with more vocal power and poetry. "Religar" is our first glimpse of a more mature, honest Mateo, searching within for new sonic destinations. Experimenting, rhyming, putting it all together to take it all apart. He moves us, he makes us move, and gets right under our skin. "Religar" is the first single from Mateo Kingman's new album, set for a 2019 release. A blend of profound, cosmic lyrics with cutting edge, eclectic production, synths exploring organic beats and melodies. "Religar" means "putting the parts back together again, returning to unity after it's all fallen apart."

Maya Linik, 84, was born in Germany and immigrated to Israel. She had six sons. 40 years ago, the eldest of them died, and this loss has separated her from the world ever since. Through scenes from Maya's daily routine and her relationships with her sons, we reveal, layer by layer, the family's trauma, and with it, Maya's unique character. The film questions the very meaning of the motherhood and relationships between parents and children.

The day starts in Lisbon and with it people return to the streets. These men live in a place which is not a home. Martins, the barber from Luanda, Simões with his spears, Manuel and his films and Francisco's silence share a place to rest, a shelter. They have some affinities with the outside world but they communicate through the words that they don't say. Perhaps the differences are clearest in everything that is silenced.