Charlie Chan en París

From 1935, "Charlie Chan in Paris" was considered one of the lost of the series, but a print was found.

Years and years ago, when I first discovered the Chan films, the TV station I watched at the time showed Sidney Toler films. I like Toler in the role -- he had a world-weary way of saying his lines, his Chan was deliberate, and his kids drove him nuts. Oland brings different qualities to the role, and he's a delight - very upbeat, more active, and in this one anyway, Lee Chan (Keye Luke) was a welcome addition to him, not a bother. He really radiates a special warmth.

Part of the energy difference is due to age -- Oland was about 12 years younger than Toler when he began the series.

In this story, Chan goes on vacation to Paris, but it's just a cover. He's there to investigate a forgery that seems to emanate from one particular bank that is selling bonds. He has someone there, Nardi, working undercover, but she is murdered shortly after the film starts.

Good film, and somehow, even working in a studio, the film manages to create a dark and mysterious atmosphere.

Enjoyable. I know they are not politically correct, but I do love the Charlie Chan films.

"Charlie Chan in Paris" (Fox, 1935), directed by Lewis Seiler, the seventh installment to the long running and extremely popular 'Charlie Chan' mysteries starring Warner Oland, is an immediate sequel to "Charlie Chan in London" (1934), in which the story opens with the Oriental sleuth arriving in Paris following his latest case in London. What makes this particular episode special, other than the near perfect Paris backdrop sets and interesting suspense buildup near the conclusion, is the introduction of Keye Luke playing Charlie Chan's Number One Son, Lee. The chemistry between Oland and Luke worked out so well that Luke became a regular, thus, setting the pattern to the future installments that has made the series based on Earl Derr Bigger's created character so successful.

Following the montage of stock footage of Paris, the story immediately gets underway as Charlie Chan (Warner Oland), getting off the airplane where he is set to visit his friend, Victor DeCartier (Thomas Beck). While at the airport, Charlie comes across a crippled beggar, and after boarding a taxi, a rock crashing through the window that nearly misses him is picked up by Charlie with a note attached reading, "The purpose of your visit is known. If you place the least value of your life, leave France tonight. This is your only warning." Of course Charlie is not easily frightened. Having met other characters, including Max Corday (Erik Rhodes), Yvette Lamartine (Mary Brian) and Renee Jacquard (Ruth Peterson), Charlie is entertained at a café where he witnesses the Apache dance, where Naldi (Dorothy Appleby), a woman working as a dancer, actually an undercover agent, is murdered. While attempting to keep his appointment at Le Singe Bleu, Charlie encounters the mysterious beggar again. The beggar becomes the key element to the mystery, leading to more murders. Aside from his involvement with Yvette, accused of murdering her blackmailer, Albert DeFresno (John Miljan), Charlie encounters an intruder in his hotel room only to find him to be his son, Lee (Keye Luke), taking time away from college to visit and afterwards assist his father in solving his latest caper.

Featured in the supporting cast are: Minor Watson as Mr. Renaud; Henry Kolker as Monsieur LaMartine; John Qualen as Concierge; Murray Kinnell as Henri LaTouche; and Perry Ivins as Bedell. For his introduction to the series, Keye Luke's Lee addresses his father as "Dad," although he does call him "Pop" on a couple of occasions, though "Pop" would be the standard name for his father. As the series progressed, the Lee character changed from a serious-minded son to comic relief.

Close to being virtually forgotten today, "Charlie Chan in Paris" is best known as being a lost entry in the series with a print to actually be discovered in the 1970s, while earlier episodes, "Charlie Chan Carries On" (1931), "Charlie Chan's Chance" (1932), "Charlie Chan's Greatest Case" (1933) and "Charlie Chan's Courage" (1934), all featuring Oland, continue to be among the missing links. Thanks to its discovery, "Charlie Chan in Paris" has become a welcome addition to the television markets, and at long last, introduced to television, in the New York City area anyway, on August 12, 1978, becoming the final installment to the eight-week television series, titled "Lost and Found" (1978) hosted by Richard Schickel on WNET, Channel 13. "Charlie Chan in Paris" was also the only sound movie to the list of formerly lost silent movie titles presented. For the "Chan" segment, Schickel did go on to mention in his discussion about Keye Luke's performance as Chan's son to be actually a one-time commitment resulting becoming an addition to the series. In later years, "Charlie Chan in Paris" became one of several Chan titles to be distributed on video cassette, as well as being presented on American Movie Classics from 1989 to 1990, and seven years later, was resurrected on AMC from 1997 to 1998. With Warner Oland as one of the more notable Charlie Chan portrayals, his venture in Paris ranks one of the better entries and worthy screen entertainment for any mystery lover or follower to the 'Charlie Chan' mysteries. Next installment: "Charlie Chan in Egypt" (1935), with Warner Oland, but without Keye Luke. (**1/2)

Directly from solving successfully the London murder mystery, Charlie Chan goes on to Paris - on account of a British bank, who's discovered there's some strange business with bonds going on at a Parisian bank, with huge sums of money involved, of course. In Paris, Charlie has got an undercover helper who's been working on the case for a while and has gathered quite some information; and they agree that he and the beautiful young dancer meet right after her performance - but, there's a pretty gruesome beginning to this new case: at the end of her magnificent dancing performance, pretty Nardi is brutally stabbed before she can give any information to Charlie.

At least, he finds something in her apartment: a notebook with everything she'd found out, which contains the name of one of the bank's employees, Dufresne, who's been spending surprisingly high amounts of money lately... But Dufresne is soon murdered himself, and the suspicion falls on the bank director's daughter Yvette, who once had an affair with him; then there is Victor Descartes, now Yvette's fiancée and also an employee at the bank, their friend, painter Latouche - and a mysterious, crippled beggar who always seems to turn up near the scene of every crime...

Sounds complicated? In fact, it IS, and it requires absolute attention by the audience - and of course of by Charlie, who's in constant danger... To his good fortune, his 'number 1 son' Lee (Keye Luke, in his first appearance in the series) appears in Paris to assist his father! Another VERY well done classic crime mystery, absolutely worth watching and still fresh after 80 years...

In one of the few times that another Charlie Chan film made reference to its immediate predecessor, Charlie Chan In Paris notes that Warner Oland is in Paris having picked up a client in London. Fans of the series will remember that Oland was in London solving the murder in a stable on an estate, a fact also specifically mentioned.

The clients who hired Oland are some bondholders who have bought what looks forged bonds from a respected Paris bank. These bonds have flooded the European market and threaten to bring financial panic on the alleged issuing bank run by Henry Kolker.

I have to say that the conspirators really had a clever scheme of forgery and a pretty good method of committing murder to protect the enterprise. Two murders are committed, one of them of John Miljan who has played a slew despicable villains on screen. In fact Miljan is branching out into a racket all his own when he's killed. That other racket though manages to cast suspicion on a false perpetrator.

Charlie Chan In Paris is one of the cleverest films in the Chan series and fans of Charlie should not miss this one.

As in, 'Charlie Chan in Egypt', this little gem reeks with early film atmosphere and sustains itself with the wonderful portrayal by Warner Oland. Warner Oland has more stage presence than a dozen actors of today. It's really a shame, for if one generation could really bridge another generation and look at the whole, they might see what a let down the films of today really are.