Ein Mann muss sich und seine Familie schützen, als sie nachts bei Vollmond von einem tödlichen Werwolf verfolgt, terrorisiert und heimgesucht werden.Ein Mann muss sich und seine Familie schützen, als sie nachts bei Vollmond von einem tödlichen Werwolf verfolgt, terrorisiert und heimgesucht werden.Ein Mann muss sich und seine Familie schützen, als sie nachts bei Vollmond von einem tödlichen Werwolf verfolgt, terrorisiert und heimgesucht werden.
Handlung
WUSSTEST DU SCHON:
- WissenswertesLeigh Whannell revealed that he drew inspiration from David Cronenberg's remake of Die Fliege (1986) when he was crafting his take on this classic werewolf story. He explained: "What The Fly did that a lot of other practical-effects-driven horror movies from that time did not do was bring the tragedy out of these practical effects. It wasn't a joke in The Fly. It was there to illustrate someone who was dying of an illness. I was like, 'I've got to do that.' It's not about being funny or icky or gory. This is about the tragedy of the human body falling apart." Whannell also revealed that Julia Garner is "the emotional compass of this film, and she's going to be what Shelley Duvall was in Shining (1980). You don't get scared in The Shining without Shelley Duvall. And so I was like, 'I've got to find someone who can drink up the audience's empathy.' And she did an incredible job."
- PatzerAt the very beginning of the movie the father is telling his son the safety and importance of deer hunting. Yet he or his son is wearing the first bit of orange apparel. Any deer hunter knows that is a must when it comes to deer hunting.
- VerbindungenReferenced in Diminishing Returns: The Mummy (2017)
Ausgewählte Rezension
Leigh Whannell new approach on the Wolf Man isn't revolutionary and amazing, but the direction, camerawork, and some atmosphere approaches are great that still keeps the movie at least interesting.
Whannell knows how to direction horror as his works on the Saw movies, Insidious, Upgrade and so on have proven his talents. This narrative about the Wolf Man isn't new as the uses of horror cliches of characters and concepts aren't grand nor unique. But Whannell's direction and the atmosphere does offer some unique settings. Some of the tone and camerawork is quite stellar and it does offer some solid horror moments and uses of special effects.
The performances are solid. Christopher Abbott is an highly underrated actor that deserves more attention because Abbott has never given a bad performance in his career. Regarding characters, the story tries to offer some meat to it but it doesn't work because the characters don't have a strong emotional grip to it. Alongside with some bad dialogue, and some lightening moments that are fairly too dark.
Otherwise, for a horror movie in January, it's not that bad. It's just okay as it's finest.
Whannell knows how to direction horror as his works on the Saw movies, Insidious, Upgrade and so on have proven his talents. This narrative about the Wolf Man isn't new as the uses of horror cliches of characters and concepts aren't grand nor unique. But Whannell's direction and the atmosphere does offer some unique settings. Some of the tone and camerawork is quite stellar and it does offer some solid horror moments and uses of special effects.
The performances are solid. Christopher Abbott is an highly underrated actor that deserves more attention because Abbott has never given a bad performance in his career. Regarding characters, the story tries to offer some meat to it but it doesn't work because the characters don't have a strong emotional grip to it. Alongside with some bad dialogue, and some lightening moments that are fairly too dark.
Otherwise, for a horror movie in January, it's not that bad. It's just okay as it's finest.
- Bleu-Le-Fluff-0969
- 15. Jan. 2025
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.500.000 $
- Eröffnungswochenende in den USA und in Kanada
- 10.900.000 $
- 19. Jan. 2025
- Weltweiter Bruttoertrag
- 17.332.000 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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