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- A story of relationships, #fakenews and the struggle for power, set within the world of rebelling teenagers and the adults charged with their care, Dark Arcadia is the next installment in the Shakespeare Republic universe.
- Celebrating the brilliance of the Bard - this is Shakespeare Republic. All the world's a stage.
- Love and revenge over coffee and cakes. Eight Shakespeare characters. Five different plays. This is Speaking Daggers.
- TV Series
- Using Shakespeare's original text and characters, we shine a light on the human experience in a COVID-19 world. Continuing the exploration of Shakespeare in the 21st century from the multi award-winning series, Shakespeare Republic (2015), this new stand-alone season of the work turns the lens on Shakespeare's characters in lock-down, featuring actors from Australia and around the world. Created, adapted and directed by Australian actor, Sally McLean, with the cast filming themselves in isolation, directed by Sally via Zoom from Melbourne, we look through a myriad of windows from Australia, Scotland, England and the USA into the current shared experience of human beings in isolation.
- True story of artist turned world-renowned athletics coach - Franz Stampfl. Through interview, re-enactment and archive material this documentary shines a light on a hero of the sporting and motivational arenas - a man who inspired others to strive for excellence in their own lives and careers with wisdom, laughter and by the example of his own life experience. "Champion" tells the tale of one individual's extraordinary life - showing all of us that anyone, anywhere can do anything if they just dare to believe and are willing to try.
- Focusing on the struggle of Unbelievable Productions' visionary leader, Madeleine LaRoy to stage a revolutionary reboot of Shakespeare's Macbeth (in space), with the help of her faithful best friend/choreographer/costume & set designer/tea lady/everything else, Deirdre Snowflake Fleckman, drama school graduate Scott Johnson and alcoholic veteran of the stage Desmond Darke - 'Why Must The Show Go On?' is a gritty, no-holds-barred with tongue-firmly-in-cheek look at life in front of the footlights ... in all its painful glory.
- The pandemic separated many of us, not just via lockdowns, but also with state border closures, in an effort to contain the spread early on. With lockdowns now over and the border to Queensland finally open to Victorians, Julia can't wait to surprise her fiancé who has been working in Brisbane for the last few months in a legal firm, by turning up in person at his work. Donning a wig and glasses just for fun, she has finally seen him in person - only to discover that he didn't recognise her at all in the disguise and even confided in her (thinking she was a new intern) that he is romantically chasing the boss's daughter with a view to advancement to Partner as a result. Julia is finally admitting to herself that she's felt something has been wrong for a while - and to top it off, this other woman is really lovely and not actually interested in her fiancé at all, which brings about bigger questions about whether this is a relationship Julia should be pursuing at all. Has the pandemic changed him, or was he always this way? And what does she do now?
- What do you do when being in close quarters with others for months on end has begun to shift the dynamics in the relationships around you and suddenly you are the subject of unexpected and inexplicable attention from a surprising quarter? Luciana is about to find out that while the lockdowns may have ceased, the conflict within her household is just beginning.
- As many of us try to find a way through the pandemic, tensions and previous injustices begin to come to light as those who have been quietly pivoting and often thriving during this time discover we have a power of resilience that others do not seem to have. As Shylock is about to discover - with any power comes responsibility and we all have a choice in how we respond to those who have injured us in the past, but need our help now. Can we protect our personal boundaries without being cruel? Can the divides we now find ourselves facing be healed? Will compassion win, or will revenge? The choice, as always, is up to us.
- The protections put in place to keep us safe before and during vaccine roll outs caused mixed reactions. Some embraced their inner introvert, others craved company. Many struggled, some thrived. But once the world began re-emerging, some of us took longer to adjust, or didn't want to go back to "normal". As Portia is about to find out, we all have different coping techniques for crisis, some have discovered that they want the world to embrace change and health isn't always about the physical.
- As the world re-emerged and we began to return to the "new normal", many of us couldn't wait to get back to the lives they missed - going out, dancing, meeting people face-to-face. But after so long away from each other, were we a bit rusty with this in person world? A bit more blunt in our views? A bit less able to read the room? Phebe is discovering that interacting with strangers, especially attractive ones, post-isolation, comes with it's own set of rules that don't quite match up to the before times; where what might have been read as playing "hard-to-get" in the past could now just be someone being honestly not interested now.
- What do you do when the leader of your organisation has become drunk on their own perceived success during this time of global crisis, but you know that really its a house of cards that will collapse under scrutiny because they are weak and not fit to rule? Cassius is about to utilise every one of his wits to save the ship before Caesar takes everyone down with him on the other side of the pandemic, but as with anything, he needs to tread carefully.
- Extended periods of interrupted routine can bring about sudden perspective changes. What do you do when your trusted life partner announces out of the blue that they are not going to do something that you've banked your shared future on? Lady Macbeth is going to need all her persuasive powers to bring her now errant husband back around to their shared plan that he is now wavering on with a newfound attack of conscience.
- As we return to the workplace with a renewed sense of purpose and self, what do we do when dealing with those who want things to go back to the way they were, rather than embracing progress and a new way of doing things that the pandemic has shown us? Goneril is about to find her voice and drag Lear Inc. into the future (and hold onto their employees), regardless of what her father thinks, says or does. But it won't be easy shaking the company loose from the old way of doing things .
- While many wish to just "get back to life" there are just as many who are struggling to re-emerge from the safety of their homes, with the pandemic far from over. Add to that those who are also dealing with the mental health issues the pandemic has brought to light and we have another problem entirely. Being faced by our mortality on such a large scale, as well as the veneer of control in our lives being ripped away, brings up a lot of feelings, as Hamlet is discovering .
- The pandemic has refocused many things for us across the globe - not least our sense of what's fair and right. There have been increased calls for our institutions and governments to do the right thing and to own up when they don't and whistle-blowers are appearing more and more to hold large entities to account. But it's not always smooth sailing to stand up on your own for what you believe, as Joan is about to find out .
- With so many of us staying permanently in our homes during the pandemic, it meant that some of us began to realise we were under the control of those we live with more than we might have previously noticed. Sylvia has realised that her father has far too much say in her life and he has finally crossed the line with the insistence that she abandon Valentine, whom she met just before lockdown, and instead get hitched to the awful guy he's picked out for her, who she can't stand. Now that lockdowns have lifted, Sylvia is wasting no time to claim back her life, but she might need some help to do so .
- At a time when fuses are short and tempers high, altercations can kick off without warning, especially during a night out. After many months being away from not just our friends, but also our foes, coming back into direct contact with those we would normally try to avoid (and successfully did, due to lockdowns) can have dire consequences - as Romeo, to his horror, has discovered.
- There are many forms of control in our world - some put in place for our, and the wider community's, good and some for completely different reasons. After months of being under the watchful eye of her family, and having always been a "good" girl who follows the rules, her parents are sure that Juliet will do whatever they tell her to. What they don't know is that she's been secretly seeing Romeo (against public stay at home orders), the son of their most hated rivals and has gone as far as secretly marrying him. With her wedding to the man her parents want her to marry happening tomorrow, Juliet can no longer give the appearance of following the rules, do nothing and hope it all works out. The time has come for drastic action .
- With the end of lockdowns and the directive to "get back to normal" from authorities, our lives suddenly went from zero to one hundred before we'd had time to get out of our ugg boots and put on our outside shoes. Laertes has to return to his studies at university and if he's honest, he's not that upset to leave the confines of his father's house for the first time in months. But then, there's his little sister Ophelia. The local rich kid, Hamlet, has been showing far too much interest in her. Hamlet's nice enough, but a bit of a lad and not in control of his future, which is already mapped out for him. Laertes father is too busy salivating at the thought of Ophelia marrying into money, but Laertes knows that's highly unlikely to happen. Now that Laertes is leaving, who will look out for Ophelia and keep her safe?
- It takes a lot to speak truth to power. Which is why so many of us avoid it, or don't do it in a direct way. But the pandemic changed that for some of us. Paulina can no longer stay silent or diplomatic. Her best friend, Hermione, has died and Hermione's husband - Paulina's boss and one of the most powerful men in the land - through his jealousy and subsequent actions is to blame. Having been unable to help while lockdowns kept the worst of it behind closed doors, now that she knows the truth, Paulina is prepared to yell from the rooftops the list of crimes this man has committed. It is time to hold the mirror up to those who have avoided looking at themselves too closely and force them to stare into their own hearts - no matter the price.
- Being in lockdown with people can sometimes bring about a false sense of intimacy - particularly when it is in a house-share or flat-share situation. Graduating Medical student and hobby artist, Helena, always thought her housemate Bertram was cute, but after months of stay at home orders, spending nearly every waking moment together, she's fallen head-over-heels for him. And she thought, even though nothing was particularly said or done, that he might feel the same way. But as soon as the lockdown was lifted, Bertram announced he was moving out and threw a big party in celebration. This heartache, on top of the passing of her father, finishing her studies via remote learning, the prospect of beginning work on the front lines and living with the general anxiety that pervades everywhere, is just too much. She might be smart as a whip and normally rational, but she's also human .
- After months of no in-person contact, let alone usual dating opportunities, some of us are a bit rusty when it comes to matters of the heart. For all his wealth and position, Orsino is no exception. Having met Olivia online during lockdowns, today is the first day they are supposed to meet in person now that lockdowns have lifted and he is at sixes and sevens over every detail - what to wear, what music to listen to, what to write in the card that goes with the flowers he has bought for her - none of these are easy decisions. For a man who is usually very clear about what he wants and how to go about getting it, this new normal is far from comfortable or welcome in more ways than one.
- he pandemic caused friction and issues on many fronts - including personal relationships. Some of us coped with lockdowns and isolation, many didn't. Hermione's husband grew more paranoid and disconnected from reality as the months passed, mainly because Hermione was working in regional Victoria, away from him and her young son. Eventually he convinced himself (incorrectly) that she was having an affair. Now that lockdowns and the 5km radius travel limitations have lifted, she wants to come home. But after sending cruel and unhinged emails to her, accusing her of all sorts of unsavoury things, he's not been answering his phone and she's been getting weird reports from friends about what he's been saying online about her after he blocked her on social media. She has no idea what she will be walking into. On top of that, her new-born baby daughter has just been removed from her care by Social Services, without explanation, which has broken her heart. The lockdowns may have been hard, but Hermione's troubles have only just begun .
- After months of not being able to see her impetuous younger brother due to lockdowns, Isabella is concerned to hear that he's been caught breaking pandemic health and safety regulations. On hearing he is now being sent to jail for not paying the fines he accrued for not wearing a mask and breaking lockdown, she drives immediately to help him, despite being furious at his behaviour. When she goes to plead for her brother to be released into her care until his court case, she is met with red tape and officious high-handedness in the shape of the Warden, Antonio, who has no interest in giving any leeway to rule-breakers and intends to use her brother as an example to others. It's at that point that Isabella can hold her tongue no more. But will her words, observant and true as they are, win the day? Or will she need to sacrifice more than her time and energy to save her brother from himself?
- After getting caught by police trying to see Sylvia just before lockdown ended (which involved breaking health orders by being out after curfew and without a valid permit) and now that the lockdown has lifted, Valentine has been asked to Sylvia's house to speak with her disapproving father - who also happens to be the town Mayor. Valentine faces thousands of dollars in fines, which he can't pay, so it could mean jail time. Her father gives him a choice - stay and possibly go to jail or leave town and never see Sylvia again. Can Valentine successfully plead his case? Or will he be banished from Sylvia's side forever?
- The lockdowns tested the mettle of many of us, both personally and in business. Those businesses that pivoted to meet demand for services thrived. Those that didn't, struggled. Margaret's husband Henry, CEO of the family business responsible for a large amount of government contracts, failed the test. Unable to fight off a hostile takeover of the firm, he agreed to sell to a rival company approved by the government - on the condition that he would remain in power until his retirement. But Margaret, the real power behind the throne, knows that with business and politics, nothing is what it seems and contracts can be full of loopholes. Presented with the news of what he's done by a contrite, but pleased Henry, who didn't bother to consult her before signing their lives away and hasn't even thought about what this means for her should it all go south, she is rightfully furious. This is a lady who will play nice no more - now that her security and her son's inheritance have been thrown away by her feckless husband at a time already full of uncertainty. Hell hath no fury like a Margaret scorned .
- It was a dark and stormy night ... meet the security staff at the Everyman Theatre, the night before the resident theatre company's launch, who have discovered that there really are things that go bump in the night - and it isn't a burglar.
- The big night for the Everyman Theatre Co. is here - and along with it the rivalries, anxieties and all else that goes with launching a new season of work to the public. Will Beatrice and Benedick, cast opposite each other but with a wealth of history between them to contend with, find a way to work with each other? And what exactly is Iago plotting?
- The Season Launch for Everyman Theatre Co. continues - and the night keeps getting more fraught. The playwright, Orlando is at odds with one of the lead company members, Jaques, and Beatrice and Benedick are about to see each other again after he took off unexpectedly to take a job offer in Hollywood, leaving her to become the leading lady at the theatre company - and nurse a broken heart. All is not fair in love and the Arts.
- As the night continues at Season Launch for Everyman Theatre Co., we eavesdrop on a conversation between the bar staff, Rosalind and Celia, hear Touchstone's take on honor (and the quality of the catering) and get an insight into the dysfunctional dynamics of the family behind DaneSecure, the security firm hired by the theatre and one of the most influential families in town. Will Hamlet find a way to forgive his mother for marrying his uncle? And will his uncle, Claudio, come to realize just how much Hamlet hates him? Honour, loyalty and the merits (or not) of pancakes and mustard (and the knight who swore the catering was good) rule the day in this next chapter of Walking Shadows Vol. 2.
- Theseus, the Mayor, and his fiancé Hippolyta (who bear a striking resemblance to Benedick and Gertrude) are due to arrive at the launch and Celia discovers the playwright Orlando, Rosalind's crush, is still at the party being his usual unorthodox self. But the issue for Touchstone is how to convince Theseus that he does not want to see the short play prepared by members of the company chorus and only included on the program for the evening due to one of them, Leonata, being the daughter of a major sponsor, Messina Winery. Can Touchstone guide Theseus away from theatrical disaster and how long can Celia contain her news of Orlando? Things continue to get tangled and intertwined in this next instalment of Walking Shadows Vol. 2.
- While the assembled crowd wait for the entertainment to start, enjoying the free bar, the drama of the love lives of some of the company members begin to come to the fore. Now that Celia has told Rosalind that Orlando is still in the building, she's having to deal with her cousin's overly excited reaction, and general distraction. And Leonora has been sitting on the set for "Rear Window" in the theatre, watching the crowd, trying to decide who she can trust to deliver a clandestine note to her banished lover, Julio before her dad finds out and intervenes. In a twist of fate, Orlando may be Leonora's knight in shining armour, but her intercepting him before he gets to the bar means that he and Rosalind may never connect. The twists and turns continue in this next chapter of Walking Shadows Vol. 2.
- In the penultimate episode of Walking Shadows Vol. 2, we meet Banquo and fellow new ensemble member, Macbeth (who landed the gig due to the sad passing of a long standing supporting player). Both ambitious and rather cocky with their success, when their fellow cast members appear in the crowd in costume, Banquo and Mac think they'll have a bit of fun taunting them. But things take a distinctly odd and unexpected turn. Meanwhile, young Lord Henry Percy is in the midst of buying a racehorse and trying to oust the CEO of the company he works for via a takeover bid he's cooked up with his brother in law. Thinking he's cleverer than he is, he's going to have to get past his wife, Lady Kate Percy, the real brains of the operation, and charm alone will not cut it with her. The plot continues to thicken in this next instalment from the launch party of the Everyman Theatre Co.
- In the final episode of Walking Shadows Vol. 2, we return to the season launch of the Everyman Theatre Co. just in time to catch the end of the night's entertainment, which Hippolyta is less than impressed with, while Theseus is still insisting on seeing in the best light. Despite several technical issues, the evening concludes and the assembled throng departs. A short time later, Horatio, Marcellus and Bernardo return to make their nightly checks at the theatre, only to be confronted again by it's resident ghost. After it refuses, yet again, to speak with them, they decide to let Hamlet know before going to his step father at head office. Once the theatre is quiet again, we finally meet the ghost, who turns out to be an old friend - or foe - depending on your perspective. And so ends another Shakespearean adventure in the Walking Shadows realm.
- "Was't you that revell'd in our parliament, and made a preachment of your high descent?" Meet Shakespeare Republic's "Margaret", played by Stephen Costan, as he revels in his defeat of the rebel York in a dystopian near future, complete with kingly feast. "Off with the crown, and with the crown his head"
- "Thou, nature, art my goddess; to thy law My services are bound." Meet Shakespeare Republic's "Edmund", played by Falon Ryan, as she wrests with the complexities of the word "legitimate" as a woman looking for her place in a male-dominated world.