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- Actor
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Chuck Connors was born Kevin Joseph Connors in Brooklyn, New York, to Marcella (nee Lundrigan; died 1971) and Alban Francis "Allan" Connors (died 1966), Roman Catholic immigrants of Irish descent from the Dominion of Newfoundland (now part of Canada). Chuck and his two-years-younger sister, Gloria, grew up in a working-class section of the west side of Brooklyn, where their father worked the local docks as a longshoreman. He served as an altar boy at Our Lady of Perpetual Help Basilica School and attended school there. He later became a member of the Bay Ridge Boys' Club and playing sandlot ball as a member of the Bay Ridge Celtics.
A life-long Dodgers' fan, he always dreamed of a baseball career with his favorite team. His natural athletic prowess earned him a scholarship to Adelphi Academy, a private high school, and then to Seton Hall, a Catholic college in South Orange, New Jersey. Leaving Seton Hall after two years, on October 20, 1942, aged 21, he joined the army, listing his occupation as a ski instructor. After enlistment in the infantry at Fort Knox, he later served mostly as a tank-warfare instructor at Camp Campbell, Kentucky, and then finally at West Point. Following his discharge early in 1946, he resumed his athletic pursuits. He played center for the Boston Celtics in the 1946-47 season but left early for spring training with the Brooklyn Dodgers.
Baseball had always been Connors' first love, and for the next several years he knocked about the minor leagues in such places as Rochester (NY), Norfolk (VA), Newark (NJ), Newport News (VA), Mobile (AL) and Montreal, Canada (while in Montreal he met Elizabeth Riddell, whom he married in October 1948. They had four sons during their 13-year marriage). He finally reached his goal, playing for the Brooklyn Dodgers, in May 1949, but after just five weeks and one at-bat, he returned to Montreal. After a brief stint with the Chicago Cubs in 1951, during which he hit two home runs, Connors wound up with the Cubs' Triple-A farm team, the L.A. Angels, in 1952.
A baseball fan who was also a casting director for MGM spotted Connors and recommended him for a part in the Spencer Tracy-Katharine Hepburn comedy Pat and Mike (1952). Originally cast to play a prizefighter, but that role went instead to Aldo Ray. Connors was cast as a captain in the state police. He now abandoned his athletic hopes and devoted full time to his acting career, which often emphasized his muscular 6'6" physique.
During the next several years Connors made 20 movies, culminating in a key role in William Wyler's 1958 western The Big Country (1958). Also appearing in many television series, he finally hit the big time in 1958 with The Rifleman (1958), which began its highly successful five-year run on ABC. Other television series followed, as did a number of movies which, though mostly minor, allowed Connors to display his range as both a stalwart "good guy" and a menacing "heavy".
Connors died at age 71 of lung cancer and pneumonia on November 10, 1992 in Los Angeles, California. He is buried in San Fernando Mission Cemetery with his tombstone carrying a photo of Connors as Lucas McCain in "The Rifleman" as well as logos from the three professional sports teams he played for: the Dodgers, Cubs and Celtics.- Actor
- Director
- Writer
Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actress
- Music Department
- Soundtrack
Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actor
- Director
- Soundtrack
Robert Reed was an American actor, mostly known for television roles. His most famous role was that of pater familias Michael Paul "Mike" Brady in the popular sitcom "The Brady Bunch" (1969-1979). He returned to this role in several of the sitcom's sequels and spin-offs.
Reed was born under the name "John Robert Rietz Jr. " in 1932. His birthplace was Highland Park, Illinois, a suburb of Chicago. His parents were government worker John Robert Rietz Sr. and homemaker Helen Teaverbaugh. The couple were childhood sweethearts and married each other at age 18. Reed was their only child.
Due to his father's career transfers, Reed moved often as a child. He spend part of his childhood in Navasota, Texas and Shawnee, Oklahoma. The senior Reitz eventually retired from his government positions, and started a new life as a cattle farmer in Muskogee, Oklahoma. The Reitz family moved to a farm there.
As a youth, Reed joined the 4-H agricultural club, and demonstrated calves in agricultural shows. He was already fascinated with acting and music, and started performing as a theatrical and singer before he graduated high school. He had a side career as a radio announcer for local radio stations, and also helped produce radio dramas.
Reed graduated from Muskogeee's Central High School in 1950. He soon enrolled at Northwestern University in Evanston, Illinois, where he studied drama. His mentor was acting coach Alvina Krause (1893-1981). During his university years, Reed played the leading role in 8 different plays. Following his graduation, Reed studied abroad at Royal Academy of Dramatic Art in London.
With the completion of his studies, Reed started a career as a theatrical actor. He appeared in summer stock productions in Pennsylvania, and joined the off-Broadway theatre group "The Shakespearewrights" which (as their name suggested) specialized in Shakespearean plays. Reed had leading roles in the group's productions of "Romeo and Juliet" and "A Midsummer Night's Dream". He left the group to join the Chicago-based Studebaker Theatre company.
By the late 1950s, Reed remained a relatively obscure theatrical actor. He moved to Los Angeles in hope of finding higher-profile roles in film or television. In 1959, Reed made his television debut in a guest star role in the sitcom "Father Knows Best". He next had guest star roles in the science fiction series "Men into Space" (1959-1960), and the Western series "Lawman" (1958-1962). His film debut was the horror film "Bloodlust!" (1961), playing the human prey of a sadistic hunter. The film was a loose adaptation of the short story "The Most Dangerous Game" (1924) by Richard Connell (1893-1949).
Reed had his first major role in television as lawyer Kenneth Preston in the courtroom drama series "The Defenders" (1961-1965). Reed played the son and junior partner of lawyer Lawrence Preston (played by E. G. Marshall), in a series featuring a father-son legal team. The series lasted for 132 episodes, and was a ratings hit. The series earned a total of 22 Primetime Emmy Award nominations during its run.
Following the cancellation of "The Defenders", Reed was mostly reduced to supporting roles in television. He appeared in (among others) "Family Affair"," Ironside", "The Mod Squad", and "Bob Hope Presents The Chrysler Theatre". In 1968, Reed signed a contract to play a lead role in the television adaptation of the play "Barefoot in the Park" (1963) by Neil Simon. When it was decided that the television adaptation would feature a mostly African-American cast, Reed was offered a leading role in "The Brady Bunch" as a consolation prize.
"The Brady Bunch" lasted for 117 episodes, though it never was among the highest-rated shows on television. It found a larger audience in syndication after its cancellation, and has remained a cult favorite. Reed was not happy with the often silly scripts of the sitcom, and had regular arguments about suggested re-writes with the show's producer Sherwood Schwartz (1916-2011). On the other hand, Reed formed long-lasting friendships with most members of the series' main cast.
Reed refused to appear in the fifth season finale of "The Brady Bunch", because he felt its script was unacceptable. He was fired from the series, and the production team considered replacing him with a new actor for the series' sixth season. However, the fifth season turned out to be the final one, with network ABC deciding to cancel the series.
While "The Brady Bunch" was still ongoing, Reed had the recurring role of Lt. Adam Tobias in the detective series "Mannix". He played the role for 22 episodes, running from 1968 to 1975. With the series' cancellation in 1975, Reed was left with no regular roles for the first time since the late 1960s.
Reed's next notable role was that of transgender Dr. Pat Caddison in the two-part episode "The Fourth Sex" (1975) of the medical drama Medical Center". The role was critically well-received, and Reed was nominated for a Primetime Emmy Award, the "Primetime Emmy Award for Outstanding Guest Actor in a Drama Series". The award was instead won by rival actor Ed Asner (1929-).
Reed had a regular role as Teddy Boylan in the dramatic miniseries "Rich Man, Poor Man" (1976), and a prominent guest appearance as Dr. William Reynolds in the miniseries "Roots" (1977). For the first role, Reed was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. The Award was instead won by rival actor Anthony Zerbe (1936-). For the second role, Reed was nominated again for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series. The award was instead again won by rival actor Ed Asner.
Reed reunited with his friends from the Brady Bunch in the sequel series "The Brady Bunch Hour" (1976-1977), which only lasted for 9 episodes. He next played Mike Brady in the television film "The Brady Girls Get Married" (1981), the television film "A Very Brady Christmas" (1988), and the short-lived sequel series "The Bradys" (1990). The attempts to turn the popular sitcom into a dramatic series were not met with success.
Reed had another lead role in television as Dr. Adam Rose on the medical drama "Nurse" (1981-1982). The series only lasted for 25 episodes. Otherwise, Reed was reduced to mostly playing guest star roles again. His last guest star role appeared in 1992 episode of the crime drama "Jake and the Fatman".
In November 1991, Reed was diagnosed with colon cancer. As his health deteriorated, Reed increasingly isolated himself. He only allowed visits from his daughter Karen Rietz and close friend Anne Haney (1934-2001). In May 1992, he died at Huntington Memorial Hospital in Pasadena, California. He was 59-years-old. He was buried at Memorial Park Cemetery in Skokie, Illinois.
Following his death, his death certificate revealed that Reed was HIV positive. While he was not suffering from AIDS, doctors were unable to determine whether HIV contributed to the deterioration of his health and his eventual death. How and when Reed contracted HIV remains unknown. Reed had managed to avoid having information about his personal life leaking to the press during his career, and also avoided sharing details about it even with his friends.
Reed is still fondly remembered for his television work, while his theatrical career has largely faded from memory.- Neville Brand joined the Illinois National Guard in 1939, bent on a career in the military. His National Guard unit was activated into federal service shortly after the attack on Pearl Harbor on 7 December 1941. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn't just a "movie" tough guy--he was among the most highly decorated American soldiers in World War II, fighting in the European Theater against the Germans). "With this kisser, I knew early in the game I wasn't going to make the world forget Clark Gable," he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV's The Untouchables (1959). Among his other memorable roles are the sympathetic guard in Birdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969), Three Guns for Texas (1968), and TV's Laredo (1965).
- Joan Dixon was born on 6 June 1930 in Norfolk, Virginia, USA. She was an actress, known for Roadblock (1951), Bunco Squad (1950) and Experiment Alcatraz (1950). She was married to William Driskill and Theodore Samuel Briskin. She died on 20 February 1992 in Los Angeles, California, USA.
- Actor
- Soundtrack
Denholm entered RADA at the age of 17, but dropped out after a year having hated every minute being there. He joined the RAF in 1940, trained as a gunner/radio operator, and was shot down over Germany in 1942. In the POW camp he and his fellow prisoners staged various productions in a theatre constructed out of old packing cases. After the war he joined a London repertory company and his career took off particularly when Laurence Olivier chose him for the starring role in Venus Observed, for which he won a Clarence Derwent award. When another Olivier production Ring Around the Moon transferred to New York Denholm replaced Paul Schofield in what became a Broadway hit. Returning to Britain he was signed to a film contract and appeared in such movies as The Cruel Sea, The Sound Barrier, Alfie, King Rat, and others in addition to appearing on television and making countrywide theatre tours. In 1983 he won a BAFTA Award for his role as the butler in Trading Places and followed it with a Best Supporting Actor Award for his role in A Private Function. Prior to that he won an Evening Standard Best Actor award for Bad Timing.- Actor
- Additional Crew
- Soundtrack
Popular American character actor of amusing appearance and voice whose long career led from dozens of highly enjoyable onscreen performances to world-wide familiarity as the voice of numerous Walt Disney animated films. Born in the American Deep South to grocer Sterling P. Holloway Sr. and Rebecca Boothby Holloway, he had a younger brother, Boothby. Holloway spent his early years as an actor playing comic juveniles on the stage. His bushy reddish-blond hair and trademark near-falsetto voice made him a natural for sound pictures, and he acted in scores of talkies, although he had made his picture debut in silents. His physical image and voice relegated him almost exclusively to comic roles, but in 1945, director Lewis Milestone cast him more or less against type in the classic war film A Walk in the Sun (1945), where Holloway's portrayal of a reluctant soldier was quite notable. He played frequently on television, becoming familiar to baby-boomers in a recurring role as Uncle Oscar on Adventures of Superman (1952), and later in television series of his own. His later work as the voice of numerous characters in Disney cartoons brought him new audiences and many fans, especially for his voicing of beloved Winnie the Pooh. He died in 1992.- Actor
- Soundtrack
American leading man of the 1940s and 1950s, Dana Andrews was born Carver Dana Andrews on New Years Day 1909 on a farmstead outside Collins, Covington County, Mississippi. One of thirteen children, including fellow actor Steve Forrest, he was a son of Annis (Speed) and Charles Forrest Andrews, a Baptist minister.
Andrews studied business administration at Sam Houston State Teachers College in Texas, but took a bookkeeping job with Gulf Oil in 1929, aged 20, prior to graduating. In 1931, he hitchhiked to California, hoping to get work as an actor. He drove a school bus, dug ditches, picked oranges, worked as a stock boy, and pumped gas while trying without luck to break into the movies. His employer at a Van Nuys gas station believed in him and agreed to invest in him, asking to be repaid if and when Andrews made it as an actor. Andrews studied opera and also entered the Pasadena Community Playhouse, the famed theatre company and drama school. He appeared in scores of plays there in the 1930s, becoming a favorite of the company. He played opposite future star Robert Preston in a play about composers Gilbert and Sullivan, and soon thereafter was offered a contract by Samuel Goldwyn.
It was two years before Goldwyn and 20th Century-Fox (to whom Goldwyn had sold half of Andrews' contract) put him in a film, but the roles, though secondary, were mostly in top-quality pictures such as The Westerner (1940) and The Ox-Bow Incident (1942). A starring role in the hit Laura (1944), followed by one in The Best Years of Our Lives (1946), made him a star, but no later film quite lived up to the quality of these. During his career, he had worked with with such directors as Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Jean Renoir, and Elia Kazan.
Andrews slipped into a steady stream of unremarkable films in which he gave sturdy performances, until age and other interests resulted in fewer appearances. In addition, his increasing alcoholism caused him to lose the confidence of some producers. Andrews took steps to curb his addiction and in his later years was an outspoken member of the National Council on Alcoholism, who decried public refusal to face the problem. He was probably the first actor to do a public service announcement about alcoholism (in 1972 for the U.S. Department of Transportation), and did public speaking tours. Andrews was one of the first to speak out against the degradation of the acting profession, particularly actresses doing nude scenes just to get a role.
Andrews was elected president of the Screen Actors Guild in 1963, serving until 1965. He retired from films in the 1960s and made, he said, more money from real estate than he ever did in movies. Yet he and his second wife, actress Mary Todd, lived quietly in a modest home in Studio City, California. Andrews suffered from Alzheimer's disease in his later years and spent his final days in a nursing facility. He died of congestive heart failure and pneumonia in 1992, aged 83.- Actor
- Soundtrack
The gangly York is best remembered as the first and most frustrated "Darrin Stephens" on the long-running TV series Bewitched (1964). He left the series in 1969 because of a chronic back ailment. He later founded Acting for Life, a private fund-raising effort for the homeless which he managed from his home, where he was bedridden with a degenerative spine injury.- Actor
- Soundtrack
Versatile, charismatic actor Cleavon Little was born on June 1, 1939, in Oklahoma but grew up in California and attended San Diego College. He earned a scholarship to Juilliard and moved to New York, then trained at the American Academy of Dramatic Art and was soon appearing off-Broadway. Classically trained ("Hamlet" "A Midsummer Night's Dream"), he won the Tony award for a less weighty musical, "Purlie", which took him west. A few film roles came his way with What's So Bad About Feeling Good? (1968), John and Mary (1969), Cotton Comes to Harlem (1970), and the cult film Vanishing Point (1971) but it was the 1972 sitcom The New Temperatures Rising Show (1972) that finally got him some leverage in Hollywood. The by-now popular actor caught the eye of film producers. With his sly charm and appeal, he was a natural for comedy and hit the apex of his career after winning a co-starring role opposite Gene Wilder in the Mel Brooks western spoof Blazing Saddles (1974). He never matched that success but did continue with important stage roles ("I'm Not Rappaport") and other TV series work (Bagdad Cafe (1990)). A hard-working, heavily driven man, Little was plagued by ulcers and stomach disorders for much of his life. He died at age 53 of colon cancer in 1992.- Actor
- Animation Department
- Soundtrack
He had one of Hollywood's most distinctive faces and a stentorian baritone voice to match. Character actor John Dehner, was born John Forkum in Staten Island, New York, the son of a globe-trotting artist. He attended school in France and Norway, in the process learning to speak four languages fluently. Back in the U.S., he graduated from high school in New York and proceeded to study for a diploma in art at the University of California. Any plans he might have had of following in his father's footsteps were derailed, however, when the acting bug suddenly took hold. In short order, the cash-strapped Dehner relocated to sunny California in search of a job. He worked for a while as a professional pianist and band leader but was then able to finagle a position as an assistant animator with Disney Studios for a salary of $18 a week. Dehner had a hand in several classic feature sequences, including Fantasia (1940) and Bambi (1942), as well as a few Donald Duck and Pluto cartoons. He returned to Disney in later years as a narrator and also played the part of Viceroy Don Esteban in an episode of the TV series Zorro (1957).
After leaving the Disney art department, Dehner did a stint as a public relations officer in the army during World War II and then returned to California as a radio announcer and news editor for stations KMBC and KFWB. In the course of many years, Dehner amassed a remarkable series of radio acting credits, most notably starring as Paladin in "Have Gun - Will Travel" and in similarly popular action programs like "Gunsmoke" and "Fort Laramie" (this, in spite of turning down several offers to play Marshall Matt Dillon on TV because he did not want to be typecast in westerns!). In films from the mid-40s, Dehner served a lengthy apprenticeship in assorted bit parts before graduating as one of Hollywood's most reliable villains, be they suave gamblers, crooked bankers, grifters or gunslingers. Just as often, his authoritarian demeanor proved perfect casting for stern fathers, military brass or cops. In The Left Handed Gun (1958), Dehner received second billing as Pat Garrett, co-starring opposite Paul Newman's Billy the Kid. On the small screen, he invariably made an impact as guest star in myriad classic TV shows, including Yancy Derringer (1958), Tales of Wells Fargo (1957), The Roaring 20's (1960), Maverick (1957), Bronco (1958), 77 Sunset Strip (1958), Rawhide (1959) and The Doris Day Show (1968) (a regular part during seasons four and five, as Doris's editor Cy Bennett). Dehner appeared in three episodes of The Twilight Zone (1959), reserving one of his best performances (displaying a wonderfully dry comic talent) as the titular huckster in late 1800s Arizona, in the episode "Mr. Garrity and the Graves" (1963).
One of Hollywood's most hard-working character actors, John Dehner died in Santa Barbara, California, on February 4 at the age of 76.- Actor
- Second Unit Director or Assistant Director
- Soundtrack
A tall, sinewy, austere-looking character actor with silver hair, rugged features and a distinctive voice, John Robert Anderson appeared in hundreds of films and television episodes. Immensely versatile, he was at his best submerging himself in the role of historical figures (he impersonated Abraham Lincoln three times and twice baseball commissioner Judge Kenesaw Mountain Landis, men whom he strongly resembled). He was a familiar presence in westerns and science-fiction serials, usually as upstanding, dignified and generally benign citizens (a rare exception was his Ebonite interrogator in The Outer Limits (1963) episode "Nightmare"). He had a high opinion of Rod Serling and was proud to be featured in four episodes of The Twilight Zone (1959), most memorably as the tuxedo-clad angel Gabriel in "A Passage for Trumpet" (doing for Jack Klugman what Henry Travers did for James Stewart in It's a Wonderful Life (1946)).
Known to other youths as 'J.R.', Anderson had a happy childhood, growing up first on a small farm near Clayton, Illinois, and then in the mid-sized town of Quincy where his mother operated a cigar stand. A rangy, outdoorsy type, he excelled at various sports, was a drum major, a member of the track team and the Boy Scouts. During World War II, he served in the Coast Guard, mainly involved in helping protect convoys from U-boat attacks. In 1946, he commenced studies at the University of Iowa, eventually graduating with a Master's degree in Drama. His acting career began on the riverboat 'Goldenrod' (now the oldest surviving Mississippi River Basin showboat in America) and proceeded from there to the Cleveland Playhouse for a year, then the New York stage and summer stock with parts in prestigious plays like "Cat on a Hot Tin Roof" and "Home of the Brave". He also occasionally doubled up as a singer on Broadway ("Paint Your Wagon" (1951), "The Emperor's Clothes" (1953)).
Anderson began as a regular television actor during that medium's formative years. In the course of the next four decades, his appearance barely changing, he was consistently excellent wherever he popped up, be it as western lawmen (including a recurring role as Virgil Earp in The Life and Legend of Wyatt Earp (1955)), as cops, governors, judges and army officers; hard-nosed oil executive Herbert Styles in Dallas (1978), or as kindly patriarch of the Hazard clan in North & South: Book 1, North & South (1985). Though less traveled on the big screen, Anderson was particularly impressive as the furtive second-hand car dealer, 'California Charlie', in Alfred Hitchcock's Psycho (1960), the ruthless leader of the renegades, Addis, in Day of the Evil Gun (1968) and, reprising his role as Lincoln, in The Lincoln Conspiracy (1977). One of the best all-rounders in the business, Anderson died of a heart attack at his home in Sherman Oaks in August 1992, aged 69.- Actor
- Director
- Additional Crew
José Ferrer was a Puerto Rican actor and film director. He won an Academy Award for Best Actor for playing the title character in Cyrano de Bergerac (1950). Ferrer was the first Puerto Rican actor to win an Academy Award, and also the first Hispanic actor to win an Academy Award.
In 1912, Ferrer was born is San Juan, the capital city of Puerto Rico. Established as a Spanish colonial city in 1521, San Juan is the third oldest European-established capital city in the Americas, following Santo Domingo (established in 1496) and Panama City (established in 1521). Ferrer's father was Rafael Ferrer, a lawyer and author who was born and raised in San Juan. Ferrer's mother was María Providencia Cintrón, a native of the coastal town of Yabucoa. Ferrer's paternal grandfather was Dr. Gabriel Ferrer Hernández, who had campaigned for Puerto Rican independence from the Spanish Empire.
The Ferrer family moved to New York City in 1914, when José was 2-years-old. As a school student, Ferrer was educated abroad at the Institut Le Rosey, a prestigious boarding school located in Rolle, Switzerland. In 1933, Ferrer was enrolled at Princeton University, located in Princeton, New Jersey. He studied architecture, and wrote a senior thesis about French Naturalism and the literary works of Spanish naturalist writer Emilia Pardo Bazán (1851-1921). In 1934, Ferrer transferred to Columbia University, where he studied Romance languages.
In 1934, while still a college student, Ferrer made his theatrical debut in Long Island-based theatre. In 1935, he was hired as the stage manager at the Suffern Country Playhouse. Later in 1935, Ferrer made his Broadway debut in the comedy play "A Slight Case of Murder" by Damon Runyon (1880-1946) and Howard Lindsay (1889-1968). This stage production of the play ran for 69 performances, with Ferrer appearing in all of them.
Ferrer's major success as a Broadway actor was performing in the play "Brother Rat" by John Monks Jr. (1910-2004) and Fred F. Finklehoffe (1910-1977). The play had a ran of 577 performances from 1936 to 1938. Among his subsequent theatrical appearances, the most successful were staged productions of Mamba's Daughters (1938), which ran for 163 performances, and "Charley's Aunt" (1940-1941), which ran for 233 performances. His role in "Charley's Aunt" required him to perform in drag, for the first time in his career.
Ferrer had one of the greatest theatrical successes of his career when playing the villainous Iago in a Broadway production of "Othello' by William Shakespeare. The production had a ran of 296 performances, lasting from 1943 to 1944. Ferrer played his most famous role as the historical figure of Cyrano de Bergerac (1619-1655) in the 1946-1947 Broadway season. For this role, Ferrer won the 1947 Tony Award for Best Actor in a Play.
Ferrer made his film debut in the Technicolor epic "Joan of Arc" (1948). He played the historical monarch Charles VII of France (1403-1461, reigned 1422-1461), the ruler who Joan of Arc served during the Hundred Years' War. For his debut role, Ferrer was nominated for the Academy Award for Best Supporting Actor. The Award was instead won by rival actor Walter Huston (1883-1950).
Ferrer's success as a film actor, helped him gain more film roles in Hollywood-produced films. He played the "smooth-talking hypnotist David Korvo" in the film noir "Whirlpool" (1949), and dictator Raoul Farrago in the film noir "Crisis". He had a career highlight with a film adaptation of the play "Cyrano de Bergerac", where he played the title role. For this role, he won the Academy Award for Best Actor.
His next critically successful role was that of artist Henri de Toulouse-Lautrec (1864-1901) in the historical drama "Moulin Rouge" (1952). For this role, Ferrer was again nominated for the Academy Award for Best Actor. The award was instead won by rival actor Gary Cooper (1901-1961). The film also marked a financial success for Ferrer, who received 40% of the film's profits.
Ferrer also appeared in other box office hits of the 1950s, such as the musical "Miss Sadie Thompson" (1953), the Navy-themed drama "The Caine Mutiny" (1954), and the biographical film "Deep in My Heart" (1954). Ferrer was also interested in becoming a film director. He made his directing debut with the film noir "The Shrike" (1955). His subsequent directing efforts included war film "The Cockleshell Heroes" (1955), the film noir "The Great Man" (1956), the biographical film I Accuse! (1958), and the comedy film "The High Cost of Loving" (1958). While still critically well-received, several of these films were box office flops. He took a hiatus from films productions.
Ferrer attempted a comeback as a film director with the sequel film "Return to Peyton Place" (1961) and the musical film "State Fair" (1962). Both films were box office flops. As an actor, Ferrer had a supporting role as a Turkish Bey in the historical drama "Lawrence of Arabia" (1962). While a relatively minor role, Ferrer considered the finest role of his film career.
In television, Ferrer gained a notable role as the narrator in the pilot episode of the hit sitcom "Bewitched" (1964-1972). In films, Ferrer started playing mostly supporting roles. He briefly returned to the role of Cyrano de Bergerac in the French adventure film "Cyrano and d'Artagnan". He had another notable role as a historical monarch, playing Herod Antipas, Tetrarch of Galilee and Perea (reigned 4 BC-39 AD) in the Biblical epic "The Greatest Story Ever Told" (1965).
Ferrer had his first notable role as a voice actor, playing the villain Ben Haramed in the Rankin/Bass Christmas "The Little Drummer Boy" (1968). But at this time, he started having legal troubles. The Internal Revenue Service (IRS) accused Ferrer of still owing unpaid taxes since 1962.
Ferrer had many film roles in the 1970s, but no outstanding highlights. As a voice actor, he voiced Cyrano de Bergerac in an episode of "The ABC Afterschool Special". In the 1980s, Ferrer played a monarch again, playing Padishah Emperor Shaddam IV in the science fiction film "Dune". The film was an adaptation of the 1965 novel "Dune" by Frank Herbert (1920-1986), and Shaddam was one of the film's villains. This was among the last notable roles of Ferrer's long career.
Ferred retired from acting entirely in 1991, due to increasing health problems. His last theatrical performance was a production of the generation-gap drama "Conversations with My Father". Ferrer died in 1992, due to colorectal cancer. He was 80-years-old. He died in Coral Gables, Florida, but was buried in the Santa María Magdalena de Pazzis Cemetery of Old San Juan, Puerto Rico. Several of his children had acting careers of their own.- Writer
- Actor
- Music Department
He was born Alfred Hawthorn Hill. It was his grandfather who introduced him to Burlesque Shows and the theatre from where the young Benny Hill was to draw much of his comic inspiration. After his national service with the army during WW2, Benny came to London, adopted the stage name Benny Hill (in homage to his all time favourite comedian Jack Benny) and began appearing in variety shows. He briefly formed a double act with Reg Varney and did radio shows. But it was his talent for impressions and comic timing that were to give him his first big break on TV with the show "Hi There" in 1949. The Benny Hill Show (1955) began in 1955. Its pioneering combination of cheeky humour, songs and impressions were to make it a hit for the next 40 years.
Benny also broadened his career with cameo appearances in films such as The Italian Job (1969), Chitty Chitty Bang Bang (1968) and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). He also had a hit record in 1971 with "Ernie The Fastest Milkman In The West". In 1979 The Benny Hill Show (1955) was shown in America for the first time and Benny went on to become one of the biggest stars on US TV. The show itself has been seen in 109 countries and won a BAFTA as well as Golden Rose Of Montreaux Award. Benny Hill's TV career came to an end in 1989, when his show was dropped, but his popularity continued and he completed a US TV special, Benny Hill's World Tour: New York! (1991) shortly before his death in 1992.- Actor
- Director
- Producer
Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California.- Bolaji Badejo was a graphic designer from Lagos. He is primarily remembered for his single acting role, playing the titular predatory alien in the science fiction-horror film Alien (1979).The film was a box-office hit, having earned a worldwide gross of US$143 million by 1992 estimates.
In 1953, Badejo was born in Lagos, Colonial Nigeria. At the time, Nigeria was a British colony. Badejo's family was of Yoruba descent, an ethnic group estimated to represent about 16% of the country 's population. Badejo's father would later serve as the director-general of the Nigerian Broadcasting Corporation, a state-owned radio-broadcasting organization.
Badejo decided to follow a career as a visual artist. He studied abroad in the United States before moving to London, England, to get specialized training as a graphic designer. Bodejo was unusually tall, standing at a height of 2.08 meters (6 feet and 10 inches). Director Ridley Scott's casting crew was seeking a tall person to play the creature in his upcoming film. They found Badejo drinking at a Soho bar and offered him the role. He accepted the offer, although he had neither acting experience nor training.
In 1980, Badejo moved back to Nigeria. In 1983, Badejo opened his own art gallery. He remained active until 1992, when he died from sickle-cell anemia, a hereditary blood disorder that is very common among people of African descent. About 80% of sickle-cell disease cases recorded worldwide have occurred in Africa. Badejo was 39 years old at the time of his death.
Badejo is long gone but is still fondly remembered for his only acting role. "Alien" has had several sequels, prequels, and spin-offs, and the influence of the original film in modern science fiction cinema is quite large. - Actress
- Soundtrack
London-born actress, daughter of the King's Counsel, St. John Field, educated in Paris and Vienna. Her mother, a cousin of famous Confederate General Robert E. Lee, chose the name "Virginia" as homage to Lee's beloved home state. Virginia also had an actress aunt, Auriol Lee, who paved the way for her debut on the stage. She first appeared in "This Side Idolatry" in 1933 (with Leslie Howard). She was later signed by 20th Century Fox (actually by standing in at a screen test as a favour to another actress), but was quickly typecast as the "other woman" or as perfunctory second fiddle to "Charlie Chan" and "Mr. Moto". She had greater success on Broadway, where she starred in the screwball comedy "The Doughgirls" (1942) at the Lyceum Theatre, and the Moss Hart farce "Light Up the Sky" (1948), with Sam Levene, Barry Nelson and Glenn Anders.- Writer
- Composer
- Director
Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Actress
- Costume and Wardrobe Department
Born Dorothy Lee Perrins in Los Angeles, California on March 11, 1943, Angelique Pettyjohn began modeling at a very young age. She also took advantage of her living in the locus of "American Dreams" by studying acting. Pettyjohn made her movie debut at age 21, under the name "Angelique", in the low-budget The Love Rebellion (1967), before tasting the big-time, co-starring opposite "The King", Elvis Presley, in Clambake (1967). This was her first appearance in an A-list movie, and this led to small roles in other big-budget films.
However, her fame as a thespian lies with her work on the small screen, appearing in memorable roles on Get Smart (1965) and Star Trek (1966). In 1967, she appeared on the former in two appearances as "Charlie Watkins", (Charlie was a male CONTROL agent who disguised himself as a gorgeous woman). After testing for the role of Nova in Planet of the Apes (1968), she won the role that made her an immortal among fans of science fiction: Shahna in the episode The Gamesters of Triskelion (1968).
The episode is a favorite of Star Trek fans and, although Pettyjohn would later reap the benefits of the role by appearing in countless Star Trek fan conventions in the distant future, at the time, this led exactly nowhere for her career. She continued in the bimbo sexual desire in such cinematic horrors as Hell's Belles (1969), The Curious Female (1969) and Bordello (1974). Her career was strictly in movies churned out for drive-ins and the exploitation circuit. In the early 1980s, she appeared as a stripper in Las Vegas, Nevada but soon abandoned her avocation as a stripper and softcore star for hardcore porn. Titillation (1982), Stalag 69 (1982) and Body Talk (1982) featured Pettyjohn, billed as either "Angel St. John", "Heaven St. John", or under her old moniker, "Angelique".
The burgeoning Star Trek cult, bolstered by the series of movies released by Paramount beginning in 1979, allowed Pettyjohn to quickly ditch her hardcore career. She began working Star Trek conventions to earn her keep, selling posters of herself, in and out of her sexy outfit from "The Gamesters of Triskelion". Her appearance on the circuit raised her profile in the movie industry. Indie film directors, who knew of her earlier work in low-budget exploitation fare, began hiring her for small roles in their films. She appeared in such indie features as Repo Man (1984), Biohazard (1985) and The Wizard of Speed and Time (1988).
Eventually, Pettyjohn's fame grew and she began headlining science fiction conventions as the main guest of honor. She overcame alcoholism and drug abuse to put her life on an even keel, overcoming the low self-esteem that had led her to her pornographic appearances. Pettyjohn appeared at her last science fiction convention in autumn 1989. Las Vegas had offered her a chance to cash in on her cult notoriety as an exotic dancer, and she took this; she was 46 years old, but still beautiful and vivacious, doing what made her happy, performing for a live audience.
Angelique Pettyjohn died of cervical cancer at age 48 on February 14, 1992 in Las Vegas, Nevada.- It would not be easy for anyone to out-do one of American theater's finest thespians, but somehow actress Sandy Dennis managed to even out-quirk the legendary Geraldine Page when it came to affecting nervous tics and offbeat mannerisms on stage and in film. She and Page had few peers when it came to the neurotic-dispensing department. The two Actor's Studio disciples developed fascinating characterizations that seemed to manifest themselves outwardly to such physical extremes and, like a bad car accident, their overt styling was capable of both drawing in, and repelling audiences. There was no gray area. Either way, both had a searing emotional range and were undeniably transfixing figures who held up Oscar trophies to prove there was a "Method" to their respective madness. Sandy's signature quirks--her stuttering, fluttering, throat gulps, eye twitches, nervous giggles, hysterical flailing--are all a part of what made her so distinctive and unforgettable. Her untimely death of cancer at age 54 robbed the entertainment industry of a remarkable talent.
The Nebraska-born-and-bred actress was born Sandra Dale Dennis in Hastings, on April 27, 1937, the daughter of postal clerk Jack Dennis and his secretary wife Yvonne (née Hudson), who divorced in 1966 after a 38-year marriage. Living in both Kenesaw (1942) and Lincoln (1946) while growing up, she and brother Frank went to Lincoln High School with TV host Dick Cavett. Her passion for acting grew and grew while still at home. A college student at both Nebraska Wesleyan University and the University of Nebraska, she eventually found her career direction after appearing with the Lincoln Community Theater Group.
The toothy actress left Nebraska and towards the Big Apple at age 19 just to try her luck. An intense student of acting guru Uta Hagen, Sandy made her New York stage debut in a Tempo Theatre production of "The Lady from the Sea" in 1956 and that same year won her first TV role as that of Alice Holden in the daytime series Guiding Light (1952). A year later she made it to Broadway as an understudy (and eventual replacement) for the roles of Flirt and Reenie in the William Inge drama "The Dark at the Top of the Stairs," directed by Elia Kazan at the Music Box Theatre. She toured with that production and also found regional work in the plays "Bus Stop" and "Motel" while continuing to shine as a budding New York fixture in "Burning Bright," "Face of a Hero" and "Port Royal".
Along with fellow newcomers Gary Lockwood and Phyllis Diller, Sandy made her movie debut in playwright Inge's Splendor in the Grass (1961), a movie quite welcoming of Sandy's neurotic tendencies. In the minor but instrumental role of Kay, she is an unwitting instigator of friend Deanie's (played by an ambitiously unbalanced Natalie Wood) mental collapse. Despite this worthy little turn, Sandy would not make another film for five years.
Instead, the actress set her sights strongly on the stage and for this she was handsomely rewarded, most notably in comedy. After appearing in a two-month run of the Graham Greene drama "The Complaisant Lover" at the Ethel Barrymore Theatre in 1961, stardom would be hers the very next year with her outstanding social worker role in the lighter-weight "A Thousand Clowns". Winning the Theatre World as well as the coveted Tony Award for her performance, she continue her run of prizes with a second consecutive Tony for her sexy turn in the comedy "Any Wednesday" (1964). Having made only one picture at this juncture, Sandy was not in a good position to transfer her award-winning characters to film and when they did, they went to Barbara Harris and Jane Fonda, respectively.
TV was also a viable medium for Sandy and she appeared sporadically on such programs as The Fugitive (1963), Naked City (1958) and Arrest and Trial (1963). In 1965, she appeared in London as Irina in a heralded Actor's Studio production of Chekhov's "The Three Sisters" with fellow devotees Geraldine Page, Kim Stanley, Shelley Winters, Luther Adler and Kevin McCarthy. The play was subsequently videotaped and directed by Paul Bogart, and is valuable today for the studied "Method" performances of its cast. It, however, received mixed reviews upon its release.
Returning to film in 1966, Sandy seemed to embellish every physical and emotional peculiarity she could muster for the role of the mousy wife Honey in the four-character powerhouse play Who's Afraid of Virginia Woolf? (1966) by Edward Albee. It is a mouth-dropping, emotionally shattering performance, and both she and a more even-keeled George Segal as the drop over guests of the skewering cutthroat couple George and Martha (Elizabeth Taylor and Richard Burton) more than held their own. While the distaff cast won Oscars for this (Taylor for "Best Actress" and Dennis for "Best Supporting Actress"), this ferocious landmark film blew open the "Production Code" doors once and for all and a wave of counterculture filming tackling formerly taboo subjects came to be.
Firmly established now with her Oscar win, Sandy found highly affecting lead showcases for herself. She starred as a young, naive English teacher challenged by a New York "Blackboard Jungle"-like school system in Up the Down Staircase (1967). She also stirred up some controversy along with Anne Heywood playing brittle lesbian lovers whose relationship is threatened by a sexy male visitor (Keir Dullea) in another ground-breaking film The Fox (1967). Sandy remained intriguingly off-kilter in the odd-couple romantic story Sweet November (1968) opposite Anthony Newley, the bizarre Robert Altman thriller That Cold Day in the Park (1969), and the gloomy British melodrama A Touch of Love (1969) [aka Thank You All Very Much].
Off-camera, Sandy lived for over a decade with jazz musician and saxophonist Gerry Mulligan, which began in 1965 following his devoted relationship with actress Judy Holliday who had died of cancer earlier in the year. They eventually parted ways in 1976. Rumors that they had married at some point were eventually negated by Sandy herself. Sandy also went on to have a May-December relationship with the equally quirky actor Eric Roberts from 1980 to 1985. She had no children.
At the peak of her film popularity, Sandy began the 1970s in more mainstream fashion. She and Jack Lemmon were another odd-couple hit in Neil Simon's The Out of Towners (1970) as married George and Gwen Kellerman visiting an unmerciful Big Apple. Sandy is at her whiny, plain-Jane best ("Oh, my God...I think we're being kidnapped!") as disaster upon disaster befalls the miserable twosome. Both she and Lemmon were nominated for Golden Globes. Following this, however, Sandy again refocused on the stage with an avalanche of fine performances in "How the Other Half Loves," "And Miss Reardon Drinks a Little," "A Streetcar Named Desire" (as Blanche), "Born Yesterday" (as Billie Dawn), "Absurd Person Singular," "Cat on a Hot Tin Roof" (as Maggie the Cat), "Same Time, Next Year," "The Little Foxes," "Eccentricities of a Nightingale," "The Supporting Cast" and even the title role in "Peter Pan".
A few TV and movie roles came Sandy's way in unspectacular fashion but it wasn't until the next decade that she again stole some thunder. After a moving support turn as a cast-off wife in the finely-tuned ensemble drama The Four Seasons (1981), Sandy proved terrific as a James Dean extremist in another ensemble film Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982), which she played first to fine acclaim on Broadway. Reunited with director Robert Altman as well as her stage compatriots Cher, Karen Black, Kathy Bates, Sudie Bond and Marta Heflin, the film version was equally praised. Her last films included Another Woman (1988), 976-EVIL (1988) and Parents (1989).
Seen less and less in later years, she gave in to her eccentric tendencies as time went on. A notorious cat lover (at one point there was a count of 33 residing in her Westport, Connecticut home), close friends included actresses Brenda Vaccaro and Jessica Walter. Her father Jack died in 1990 and around that same time Sandy was diagnosed with ovarian cancer. Undergoing chemotherapy at the time she filmed the part of a beaten-down mother in Sean Penn's The Indian Runner (1991), the role proved to be her last.
Sandy died in Westport on March 2, 1992. Her ashes were placed at the Lincoln Memorial Park in Lincoln, Nebraska. A foundation in her home state was set up to "memorialize the accomplishments of Sandy Dennis, to perpetuate her commitment to education and the performing arts, to promote cultural activities, and to encourage theatrical education, performance, and professionals". A book, "Sandy Dennis: A Personal Memoir," was published posthumously in 1997. - Actress
- Director
- Soundtrack
They say big things often come in small packages, and never was that saying more true than when sizing up the talents of that diminutive dynamo Nancy Walker. Born Anna Myrtle Swoyer in Philadelphia on May 10, 1922, she lived a born-in-a-trunk existence as the daughter of vaudevillian Dewey Barto (né Stewart Steven Swoyer). At the time of his run of Broadway's "Hellzapoppin", Barto was part of the comedy team of Barto & Mann (George Mann). Her younger sister, Betty Lou Barto (born 1930), had a less impressive and briefer performing career. Although she had designs on becoming a legit singer, it was hard for others to take Nancy seriously with her naturally aggressive manner backed up by this tiny frame. Comedy became her forte.
Broadway legend George Abbott picked up on her innate comic abilities immediately and set her up as his blind date in the Broadway musical smash "Best Foot Forward" in 1941. The show, starring June Allyson, was a certifiable hit, and when MGM turned Best Foot Forward (1943) into a musical film, Nancy, as well as June, went right along with it. Nancy continued giving top support for MGM in the Judy Garland/Mickey Rooney starrer Girl Crazy (1943) and in Broadway Rhythm (1944). Back on Broadway, Nancy all but stole the proceedings as the hoydenish cabbie Hildy Esterhazy, who pursues a sailor on leave, in "On the Town" (1944). After a brief first marriage, she met vocal coach David Craig during the 1948 run of "Look, Ma, I'm Dancing", when she was plagued by vocal problems. They married a few years later and had a daughter, Miranda. When Nancy left the show, she was replaced by her sister, Betty Lou Barto. Other musical plaudit came her way, including Tony nominations for the revue "Phoenix '55" and for her lead role in "Do Re Mi" with Phil Silvers.
Nancy experienced some tough, lean years in the late 1950s and 1960s until she found TV an accepting medium. She became popular all over again, and a household name to boot, as Rosie the waitress in a series of Bounty paper-towel commercials. At around the same time, she won a regular role as Mildred, the sardonic maid on McMillan & Wife (1971). Her prototypical wisecracking role, however, came as the outlandish Jewish mom Ida Morgenstern, mother of Valerie Harper's "Rhoda" character on The Mary Tyler Moore Show (1970).
When Harper spun off into her own series--Rhoda (1974)--interfering Ida was right alongside her still-unmarried daughter, wreaking havoc. Alas, nominated for eight Emmys and four Golden Globe Awards for her collective work on series TV, she never won. Her renewed popularity, however, led to a couple of TV star vehicles that plainly didn't suit her second-banana talents. Neither lasted very long. She eventually moved into stage and film directing. Nancy made her final regular TV-series appearance on the sitcom True Colors (1990), playing another of her long line of delightfully brash buttinskys. During the run of the show, she was diagnosed with lung cancer and died about six weeks before her 70th birthday in 1992. She was survived by her husband, daughter, and sister.- Actor
- Producer
- Soundtrack
American character actor, mainly in Westerns in comic or rustic roles. Born Norton Earl Worden in Rolfe, Iowa, during his parents' visit to a relative's home there, he was raised on a cattle ranch near Glendive, Montana. Educated at Stanford and the University of Nevada as an engineer, he trained as an Army pilot, but washed out of flight school. Worden toured the country in rodeos as a saddle bronc rider and broke his neck in a horse fall in his 20s, but didn't know it until his 40s. Chosen along with Tex Ritter from a rodeo at Madison Square Garden in New York to appear in the Broadway play "Green Grow the Lilacs", the play from which the musical "Oklahoma" was later derived, he afterward drove a cab in New York, then worked on dude ranches as a wrangler and as a guide on the Bright Angel trail of the Grand Canyon. Recommended by Billie Burke to several movie producers, Worden became friends with John Wayne, Howard Hawks, and later John Ford, all of whom provided him with much work. He was married to Louise Eaton, who predeceased him. Following his wife's death, he shared his house with Jim Beaver for several years, thus generously helping the young actor gain a foothold in Hollywood. He died in his sleep at 91, survived by his adopted daughter Dawn Henry.- Actor
- Soundtrack
A solid film and TV player bearing a strong, honest persona for most his career, this innocent-eyed, boyishly handsome blond "B" actor of the 1940s and '50s was born in Brooklyn on May 21, 1915, and educated there at the Pratt Institute. A natural athlete, Bill Williams was a professional swimmer who broke into the entertainment business combining his swimming and dancing skills performing in aquatic underwater shows. Gaining experience as a performer in vaudeville and stock shows (both here and England), he started appearing in extra or bit parts in films following WWII army duty. He made his debut in Murder in the Blue Room (1944) and could be glimpsed here and there as various student, soldier or rookie types for the first couple of years.
By the time the war ended, RKO Pictures had him under contract and gave him co-star billing in such promising entries as Till the End of Time (1946) in which he played Robert Mitchum's ex-GI buddy, and the film noir piece Deadline at Dawn (1946) as a sailor who gets tangled up with both murder and lovelies Susan Hayward and Lola Lane. In 1945 fellow RKO actress Barbara Hale asked the director of West of the Pecos (1945), Edward Killy, to hire Bill so they could spend time together (see Barbara Hale's personal quotes). They married a year later and went on to co-star together in the light comedy A Likely Story (1947) and the film noir suspense film The Clay Pigeon (1949). They had two daughters and a son.
Bill was a reliable "nice guy" lead and second lead. While he showed steady improvement and likability in films, he had a difficult time rising above the benign "B" adventure material he was shoehorned into playing (Fighting Man of the Plains (1949), Rookie Fireman (1950), The Cariboo Trail (1950), to name a few). In the early '50s he started checking out the relatively new medium of TV as a viable means of employment. He scored big with the kiddies as the title hero in the syndicated The Adventures of Kit Carson (1951), which ran for three seasons, and later shifted to lighter, less strenuous work as Betty White's hubby in the promising but short-lived domestic comedy Date with the Angels (1957). In 1960 he returned to his watery roots with the "Sea Hunt" inspired adventure Assignment: Underwater (1960) but the program was short-lived. He also appeared in guest assignments in such popular TV shows as "Rawhide," "77 Sunset Strip," and "Hawaiian Eye," not to mention multiple episodes of wife Barbara's series "Perry Mason," in which she co-starred as girl Friday Della Street.
While Bill continued to perform throughout the 1970s and into the early '80s in character roles, he was seen less and less as his interest waned. Bill and Barbara did appear together in the films Buckskin (1968) and The Giant Spider Invasion (1975), as well as occasionally on TV. Their middle child, son William Katt, a blond stunner who went on to fame in the movie Carrie (1976) and the weekly series spoof The Greatest American Hero (1981), obviously got his incredibly good looks from his dad. Bill died of a brain tumor in 1992.- Tall, dark, and handsome, Italian actor Cesare Danova (pronounced Chez-a-ray Da-NO-va) was a true Renaissance man. As a boy, it appeared he might become a professional athlete. But his family wanted him to become a doctor. Cesare, by his own account, studied medicine with such diligence that he suffered a nervous breakdown shortly before he was to take his degree. While recuperating, he was sent by a friend to see Dino De Laurentiis, the famous Italian producer, who was so impressed that he gave Danova a screen test. Thinking it was a joke, Danova insisted on seeing the screen test for himself. Soon, he was cast as the lead in La figlia del capitano (1947) (The Captain's Daughter). Thus began his career as an Italian Errol Flynn. In almost 20 European films, Danova played the dashing lead, riding horses, jumping through windows, dueling, and romancing beauties such as Gina Lollobrigida.
Known for his aristocratic bearing, he often played noblemen. The six-foot-four Danova was also an expert athlete. A devotee of strenuous daily workouts from age 12, Danova was a fencing champion by age 15 and a member of the Italian National Rugby Team by age 17. In addition to playing golf, tennis, and croquet, Danova was an amateur swimming champion, an expert horseman and polo player, and a master archer. He won the Robin Hood Trophy when he shot and embedded one arrow inside another arrow within the target's bull's eye. He was also a licensed pilot who flew his own planes (Beechcraft, Piper, Cherokee, and Cessna).
A descendant of famed medieval artist Filippo Lippi, Danova collected antiques and paintings. Describing himself as a fair painter, he taught himself to draw by studying a 75-cent how-to-draw book. Danova owned a library of over 3,000 books, each written in one of the five languages he knew-Italian, English, Spanish, French, and German.
Danova loved the theater and appeared onstage in Rome, Venice, Spain, New York, and Los Angeles. He was in the habit of carrying a small leprechaun good luck charm (and a shamrock ) he'd bought in Ireland, The actor traveled to the Emerald Isle many times. 'I love Ireland and I go there every chance I get,' he once said.
With almost 20 European films under his belt, Danova was spotted by MGM's head of talent in the German-backed 'Don Giovanni'(1955), his first film shown in the U.S. Impressed, the studio signed Danova to a long-term contract in June of 1956, and he traded his flourishing career in Europe for Hollywood. Rumors abounded that MGM had found its Ben-Hur (a role coveted by Tony Curtis and Kirk Douglas, among others) for the upcoming super-epic remake by director William Wyler. The studio said it expected big things from Danova but that it was too soon to say whether he'd play the lead until he'd perfected his English. Still, it was no secret that Danova had been brought to America by Wyler to be groomed for the lead role. Hollywood columnist Bob Thomas referred to Danova as the 'new Italian sensation' and others compared him to 'Tyrone Power (I)' and Robert Taylor, a glamour boy to fill the shoes of Rudolph Valentino.
When Danova arrived, he didn't speak English and insisted on not learning his lines by rote. He spent the next six months learning the language, a not-terribly-difficult feat for a man with a self-professed love of words who already spoke four languages. With a background in classical acting, and his newfound English fluency, Danova was ready for his big break. But just as filming was to get underway in March, 1957, Wyler decided he didn't want an actor with an accent playing Ben-Hur (1959) and, instead, chose Charlton Heston (who would win the best actor Oscar for the role). Danova was shocked - the role would almost certainly have made him an international star.
Although Wyler didn't want Danova, MGM did. The studio said it expected important things from him when they signed him. But now they had no definite alternative plans for him. Danova's career idled for the next two years. MGM kept him on its payroll, paying him well for doing nothing at all. Danova admitted that, although he was not bitter, the lack of work day after day was enough to drive him crazy. He stayed busy reading, writing, taking diction lessons, building furniture, and playing with his two small sons, Fabrizio and Marco, by English actress Pamela Matthews, whom he had wed in 1955.
Finally, with MGM's consent, Danova made his American debut in Los Angeles opposite Paul Muni in a musical version of Grand Hotel (1932). When it flopped, he traveled to Cuba to appear in Catch Me If You Can (1959), a film starring Gilbert Roland and Dina Merrill. Financed by soon-to-be-deposed Cuban dictator Fulgencio Batista, it was apparently never released. Danova's American film debut was as the lover of Leslie Caron in the now-forgotten The Man Who Understood Women (1959), starring Henry Fonda.
When Danova first came to America, he was quoted as saying that he wished to lose his accent so that he would be able to play the role he most wanted, that of an American cowboy. In 1958, he got his wish. He made his American television debut in a first-season episode of The Rifleman (1958) called 'Duel of Honor,' the first of three appearances. United Press International summed up Danova's reversal of fortune this way: "Televiewers will have the opportunity to see the man who almost played the title role in Ben-Hur (1959) - but in place of a chariot he'll be bouncing around in a stage coach...Danova, a ruggedly handsome Italian import, is making his American debut in ABC-TV's The Rifleman (1958). It's quite a comedown from his original intent to star in the most expensive movie in history."
Cesare Danova got a second chance at stardom when he was cast as Cleopatra's court advisor, Apollodorus, in the Cleopatra (1963), starring Elizabeth Taylor. As originally scripted, Danova's character was to be Cleopatra's lover, servicing her when she wasn't being romanced by costars Rex Harrison and Richard Burton. "I'm sort of the third man-the real lover," Danova was quoted as saying.
But then the torrid, real-life love affair between Elizabeth Taylor and Richard Burton became a worldwide media sensation. The resulting scandal, since both stars were married but not to each other, generated badly needed public interest in the troubled, bloated, fantastically over-budget production. Le Scandale (as the French dubbed it) upstaged everything about the film not related to Taylor & Burton. As a result, Danova's performance was now a distraction and most of it was cut, dashing predictions that Danova "should be in big demand after this one."
In October 1963, not quite two-and-a-half months after Cleopatra's release, Pamela and Cesare Danova were divorced. The Associated Press headline stated merely: Wife Divorces Cleopatra Slave.
In his early years in America, Danova turned down the opportunity to appear as a series regular on TV for fear of being typecast and locked out of movies altogether. When he finally accepted, it was for the WWII ensemble cast Garrison's Gorillas (1967), a show patterned somewhat after The Dirty Dozen (1967). Danova said he accepted because he was the first to be cast and his was the best part. He appeared as actor, a con man, expert at disguises and spreading disinformation behind the lines among the Nazis. Although he took pains to distinguish the two roles, Danova's character was obviously similar to that played by TV contemporary Martin Landau on Mission: Impossible (1966). In any event, Garrison's Gorillas (1967) did not last beyond the 1967-1968 season.
In time, as movie roles became fewer, Danova did a great deal of television work. Two of his most memorable later screen roles (and the ones for which he is best remembered) were as Mafia Don Giovanni Cappa in Mean Streets (1973), directed by Martin Scorsese, and as corrupt mayor Carmine DePasto in National Lampoon's Animal House (1978).
Cesare Danova died of a heart attack on March 19, 1992, shortly after his 66th birthday, during a meeting of the Foreign Language Film committee of the Academy of Motion Picture Arts and Sciences (AMPAS), at its Los Angeles headquarters. - Director
- Actor
- Producer
Paul Henreid was born Paul Georg Julius Freiherr von Hernreid Ritter von Wasel-Waldingau in Trieste, in the Austro-Hungarian Empire. He was the son of Marie Luise Heilig (Lendecke) and Baron Karl Alphons Hernreid. His father was an aristocratic banker, who was born to a Jewish family whose surname was changed from Hirsch to Hernreid.
Paul grew up in Vienna and studied at the prestigious Maria Theresa Academy (graduating in 1927) and the Institute of Graphic Arts. For four years, he worked as translator and book designer for a publishing outfit run by Otto Preminger, while training to be an actor at night. Preminger was also a protégé (and managing director) of Max Reinhardt. After attending one of Henreid's acting school performances, Preminger introduced him to the famous stage director and this led to a contract. In 1933, Paul made his debut at the Reinhardt Theatre in "Faust". He subsequently had several leading roles on the stage and appeared in a couple of Austrian films. Paul, like his character Victor Laszlo in Casablanca (1942), was avidly anti-fascist. He accordingly left continental Europe and went to London in 1935, first appearing on stage as Prince Albert in "Victoria the Great" two years later.
Henreid made his English-speaking motion picture debut in the popular drama Goodbye, Mr. Chips (1939), as the sympathetic German master Max Staefel, who proves to be Chipping's truest friend and ally. After that, however, he became incongruously typecast as Nazi henchmen in Mad Men of Europe (1940) and Night Train to Munich (1940). That year, he moved to the United States (becoming a citizen the following year) and quickly established himself on Broadway with "Flight to the West", as a Ribbentrop-type Nazi consul. His powerful performance led to radio work in the serial "Joyce Jordan-Girl Interne" and a film contract with RKO in 1941.
This marked a turning point in Paul Henreid's career. He finally escaped the stereotypical Teutonic image and began to play heroic or romantic leads, his first being Joan of Paris (1942), opposite Michèle Morgan, as French RAF pilot Paul Lavallier. Significantly, his next film, Now, Voyager (1942), defined his new screen persona: debonnaire, cultured and genteel, lighting two cigarettes simultaneously, then passing one to Bette Davis. According to Henreid, this legendary (and later often lampooned) scene was almost cut from the film because the director, Irving Rapper, had concerns about it. Next came "Casablanca", where Henreid played the idealistic, sensitive patriot Victor Laszlo; the poorly received Bronte sisters biopic Devotion (1946), as an Irish priest; and a stalwart performance as a Polish count and Ida Lupino's love interest, In Our Time (1944).
After several dull romantic leads, Henreid reinvented himself yet again. He played a memorably athletic and lively Dutch pirate, the 'Barracuda', in RKO's colourful swashbuckler The Spanish Main (1945). Another of his best later performances was as a sadistic South African commandant in the underrated film noir Rope of Sand (1949), which re-united him with his former "Casablanca" co-stars Peter Lorre and Claude Rains. After the Arabian Technicolor adventure, Thief of Damascus (1952), Henreid's star began to fade. His last noteworthy appearance during the fifties was as an itinerant magician in the oriental extravaganza Siren of Bagdad (1953) . The most memorable of several in-jokes, had Henreid lighting two hookahs (water pipes) for one of his harem girls, spoofing his famous scene from "Now, Voyager".
Outspoken in his opposition to McCarthyism and adhering to his rights under the First Amendment, he was subsequently blacklisted as a "communist sympathizer" by the House Committee on Un- American Activities. In spite of the damage this did to his career, he re-emerged as a director of second features and television episodes for Screen Gems, Desilu and other companies. In 1957, Alfred Hitchcock (in defiance of the blacklist) hired him to direct several episodes of Alfred Hitchcock Presents (1955). Towards the end of his career, Paul Henreid directed his former "Now, Voyager" co-star Bette Davis in the camp melodrama Dead Ringer (1963) and toured with Agnes Moorehead on stage in a short-lived revival of "Don Juan in Hell"(1972- 73). Henreid died of pneumonia in a Santa Monica hospital in April 1992, after having suffered a stroke. He has the distinction of having not just one but two stars on the Hollywood Walk of Fame, one for his films, and one for his television work.- Actor
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Tall and solidly built, this Italian-American professional wrestler turned actor was born Lenny Passaforo in Brooklyn, New York, and is best remembered for his first on-screen role as the not too bright but ever loyal bodyguard Luca Brasi in The Godfather (1972). Montana didn't get a lot of screen time before being eliminated by the henchmen of opposing gangster Al Lettieri with a garrote and a knife; however, he caught the eye of casting agents and over the next ten years racked up roles in 16 movies. Usually cast as "muscle for hire", he was equally good at playing the intimidating thug or a buffoonish hoodlum, such as in Battle Creek Brawl (1980) and The Jerk (1979). His last film appearance was in the B-thriller Blood Song (1982), which he also co-wrote. He died in May 1992 of a heart attack while in Italy.- Born in Norristown, Pennsylvania the younger of two sons on June 15, 1917, tall (6'2"), light-haired stage and second lead film actor Richard Derr was highly intelligent and graduated from his local high school at age 16. Having appeared in school plays and pageants, he also developed a strong interest in acting and joined a theatre group (The Dramateurs) in town and appeared in amateur shows he helped produced. All the while he supported himself as a bank clerk. He later became involved in a Pennsylvania theatre group (Hedgerow Theatre) and was discovered by New York agent Maynard Morris and brought to New York.
He joined the Actor's Studio once there and became a lifelong member. After appearing in a few plays he was screen-tested by 20th Century-Fox and approved to a seven-year contract by Darryl F. Zanuck. Derr made his youthful debut at age 23 as one of many suspects in Charlie Chan in Rio (1941). A second Chan film role followed with Castle in the Desert (1942). With his handsomely staid, square-jawed good looks, he showed promise among the many other war-era hopefuls of the time, appearing typically in such WWII-themed "B" films as Man at Large (1941) (as a German spy), The Man Who Wouldn't Die (1942), Ten Gentlemen from West Point (1942), Commandos Strike at Dawn (1942), Cry 'Havoc' (1943) and Tonight We Raid Calais (1943). Unhappy with the last film and the direction of his career, he broke his Fox contract.
Following military duty with the U.S. Army Air Corps where he flew with the Army Transport Command, Richard briefly worked for MGM occasionally taking on "other man" roles. He appeared in competition with Van Johnson over June Allyson in the fluffy comedy The Bride Goes Wild (1948) and with Thomas E. Breen over Jane Powell in the minor shipboard musical Luxury Liner (1948). He also went on to have a small role as a French knight in Joan of Arc (1948) starring Ingrid Bergman in the title role.
Richard made his Broadway debut in 1949 with "The Traitor" playing a lieutenant. He followed this with roles in "The Closing Door" (1949), A Phoenix Too Frequent" (1950) and "The Grand Tour" (1951). He portrayed Halliday in the Broadway production of "Dial 'M' for Murder" (1952), later played by Robert Cummings in the 1954 film, and took on the musical lead in "Plain and Fancy" (1955).
Derr moved into TV character work in the 1950's but did take a lead pilot role opposite Barbara Rush in the sci-fi classic When Worlds Collide (1951). He appeared in a number of 50's anthology series including "Studio One in Hollywood," "Pulitzer Prize Playhouse," "Hallmark Hall of Fame," "Kraft Theatre," Goodyear Playhouse" and several episodes of "Robert Montgomery Presents." He subsequently spent the remainder of his career essaying gray-haired authoritarians on such 60's, 70's and early 80's programs as "Perry Mason," "The Outer Limits," "The Magical World of Disney," "Mannix," "Here's Lucy," "The F.B.I.," "Cannon," "Marcus Welby," "Charlie's Angels," "Starsky and Hutch," "Barnaby Jones," "Dallas" and in 1983 made his final camera appearances in episodes of "Trauma Center" and "Automan."
In between all his TV work, a few films sprang about here and there, including leads in the action crime drama Invisible Avenger (1958) and sci-fi horror Terror Is a Man (1959), plus white-collar featured parts in Rosie! (1967), Three in the Attic (1968), Adam at Six A.M. (1970), The Drowning Pool (1975), American Gigolo (1980) and Firefox (1982).
Following retirement from acting, Richard earned a license as a realtor. He died on May 8, 1992 of pancreatic cancer. - Actor
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He was honored twice off-Broadway with Distinguished Performance OBIE Award, first in 1960 for "Machinal" and again in 1969 for "Passing Through From Exotic Places." In 1972 he won a Tony Award for Best Featured Actor in a play for "Prisoner on 2nd Avenue." In 1979 he was nominated for Best Actor in a musical for "Ballroom." Gardenia was twice nominated with an Academy Award for Best Supporting Actor, first in 1974 "Bang the Drum Slowly" and again in 1988 for "Moonstruck." He won an Emmy Award in 1990 for Best Supporting Actor in a movie made for television, "Age Old Friends." In 1988 he was honored to be named the Grand Marshal of the Columbus Day Parade in New York City.- Actress
- Soundtrack
Dame Judith Anderson was born Frances Margaret Anderson on February 10, 1897 in Adelaide, South Australia. She began her acting career in Australia before moving to New York in 1918. There she established herself as one of the greatest theatrical actresses and was a major star on Broadway throughout the 1930s, 1940s and 1950s. Her notable stage works included the role of Lady Macbeth, which she played first in the 1920s, and gave an Emmy Award-winning television performance in Macbeth (1960). Anderson's long association with Euripides' "Medea" began with her acclaimed Tony Award-winning 1948 stage performance in the title role. She appeared in the television version of Medea (1983) in the supporting character of the Nurse.
Anderson made her Hollywood film debut under director Rowland Brown in a supporting role in Blood Money (1933). Her striking, not conventionally attractive features were complemented with her powerful presence, mastery of timing and an effortless style. Anderson made a film career as a supporting character actress in several significant films including Alfred Hitchcock's Rebecca (1940), for which she was Oscar nominated for Best Supporting Actress. She worked with director Otto Preminger in Laura (1944), then with René Clair in And Then There Were None (1945). Her remarkable performance in a supporting role in Cat on a Hot Tin Roof (1958) fit in a stellar acting ensemble under director Richard Brooks.
Anderson was awarded Dame Commander of the Order of the British Empire in the 1960 Queen's New Year's Honours List for her services to the performing arts. Living in Santa Barbara in her later years, she also had a successful stint on the soap opera Santa Barbara (1984) and was nominated for a Daytime Emmy Award in 1984. In the same year, at age 87, she appeared in Star Trek III: The Search for Spock (1984) as the High Priestess, and was nominated for a Saturn Award for that role. She was awarded Companion of the Order of Australia in the 1991 Queen's Birthday Honours List for her services to the performing arts. Anderson died at age 94 of pneumonia on January 3, 1992 in Santa Barbara, California.- Actor
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Respected character actor whose on-screen work included everything from Shakespeare to Dick Tracy (1990) (his last film). After a long apprenticeship in the theatre, the 38-year-old Wolfe finally debuted in films in The Barretts of Wimpole Street (1934), recreating his Broadway role. He then toiled away steadily in Hollywood for the next several decades, working as a supporting player in literally hundreds of film and TV productions well into his 90s. Though capable of a wide range of parts, Wolfe's gentle, patrician manner found him most often cast as a butler, a minister or a kindly doctor. He finally gained his greatest fame at the age of 85, effortlessly stealing scenes as Mama Carlson's doddering yet feisty butler "Hirsch" in several episodes of the MTM sitcom WKRP in Cincinnati (1978).- Actor
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Bushy-browed, triple-chinned and plummy-voiced English actor and raconteur of wide girth and larger-than-life personality. The son of a career army officer, Morley was expected to join the diplomatic corps. As a 'compromise', he tried his hand as a beer salesman. However, bitten by the acting bug since first performing in a kindergarten play, he prevailed over the wishes of his parents and enrolled at RADA. He made his theatrical debut at London's Strand Theatre, in a 1929 production of "Treasure Island", playing the part of a pirate for $5 a week. During the next few years, Morley honed his craft by touring regional theatres, writing or co-writing the occasional play, and, when money was hard to come by, selling vacuum cleaners. For a while, he managed his own repertory company in tandem with fellow actor Peter Bull in the Cornish seaside resort of Perranporth. Morley eventually returned to the London stage in a much acclaimed performance as "Oscar Wilde", a role he took to Broadway in October 1938.
On the strength of this, he was invited to Hollywood and garnered an Oscar nomination for his first screen role as the effete, simple-minded monarch Louis XVI, in MGM's lavish production of Marie Antoinette (1938). Back in Britain, he then played the armaments millionaire Andrew Undershaft in George Bernard Shaw's Major Barbara (1941), a performance praised by Bosley Crowther as "deliciously satanic, profoundly suave and tender" (NY Times, May 15 1941). Happily managing to avoid military participation in the Second World War, Morley spent the remainder of the decade acting in such prestigious theatrical showpieces as "The Man Who Came to Dinner", and as star and co-author of "Edward, My Son". His defining performance in the play led the critic Brooks Atkinson to comment on his "studied authority ... which might sound like an affectation in an actor of inferior style"(NY Times, June 4 1992).
Morley acted on screen in a variety of very British, sometimes eccentric, sometimes giddy, often pompous, but rarely dislikeable characters. At his best, he was the expatriate Elmer Almayer, at once pitiable and overbearing, in Outcast of the Islands (1951); the Sydney Greenstreet parody Peterson in John Huston's Beat the Devil (1953); as another languid monarch, George III in the colourful period drama Beau Brummell (1954); as Oscar Wilde (1960), recreating his original stage triumph; and as a food critic in the hugely enjoyable Who Is Killing the Great Chefs of Europe? (1978). He also performed occasionally in TV movies and miniseries. His wit was much appreciated on chat shows, both in Britain and the U.S., where was a frequent and popular guest. He was also the voice of British Airways in commercials of the 70's and early 80's, promising "we'll take good care of you" -- something he did with his acting for over half a century. Robert Morley was awarded a CBE in 1957. He died as the result of a stroke in Reading, Berkshire, at the age of 84.- Philadelphia native Malcolm Atterbury was born into a wealthy family - his father was president of the Pennsylvania Railroad - but he himself had no desire to go into the family business. He had always wanted to be an actor, and to that end got himself a job managing a radio station. From there he went into vaudeville, then into stage work in both musicals and dramas, gaining a reputation as a solid and reliable stage actor. He made his film debut in Dragnet (1954). Although he soon became a busy supporting actor in films, he still kept his hand in the theater world; he owned two theaters in upstate New York. A versatile actor, he could play anything from a priest to a senator to a hotel clerk to a gunfighter to a cranky, cantankerous old codger. His last film was Emperor of the North (1973). He died in Beverly Hills of old age in 1992.
- Jack Kelly started acting at age two, modeling in soap ads and garnering a lifetime supply of soap for his pay. He continued to model until the age of nine when he appeared in his first play with Hope Emerson called "Swing Your Lady". Broadway shows and radio followed until his family moved to California in 1938. He attended St. John's Military Academy and spent two years as a law student at UCLA. For three years, he dropped acting to concentrate on school and making money. He worked as a shoe salesman, gas station attendant, lifeguard, grocery delivery boy, and men's clothing salesman. In 1945, Kelly was inducted into the army taking basic training at Camp Roberts in California. He was sent to Alaska as a weather observer and was on the first B-29 to fly over the Arctic Circle. After his discharge in 1946, Kelly returned to UCLA and worked nights on such radio programs as "Lux Radio theater", "Suspense", "Tell It Again", and "Romance of the Ranchos".
Upon leaving school he joined the Circle Theater in Los Angeles appearing in "Time of Your Life", "The Adding Machine", and "Love On The Dole". In 1949, he acted in "Anna Lucasta" at the coronet Theater. This performance brought Kelly to the attention of several Hollywood directors. He then made his film debut in "Fighting Man Of The Plains", starring Randolph Scott. In 1955, Kelly was signed by Warner Bros. to star as Dr. Parris Mitchell in the "King's Row" series of "Warner Bros. Presents". The show debuted in September 1955. Kelly was best known as Bart Maverick on Maverick (1957). His hobbies included ship models, reading historical literature, sculpting, and listening to show tunes records. He also enjoyed sailing, badminton, skin diving, golf, horseback riding and flying. - Actor
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Sam Kinison was a popular stand-up comedian from Yakima, Washington, mainly active in the 1980s and the early 1990s. He also had a few acting roles in film and television. His only recurring role was that of Hugh, the main character's alter ego in the short-lived sitcom "Charlie Hoover" (1991). The series only lasted 7 episodes. Kinison had previously worked as a Pentecostal preacher, and his comedy routine incorporated sudden tirades and distinctive screams in the style of charismatic preachers. Kinison was noted for a tendency to use black comedy, and to often satirize Christian evangelist scandals.
In 1953, Kinison was born in Yakima, Washington. The city's economy is mostly based on agriculture. Yakima is the primary producer of hops in the United States, a key ingredient in the production of beer. Kinison's parents were the Pentecostal preacher Samuel Earl Kinison and his wife Marie Florence Morrow. Samuel "pastored several churches " throughout the United States, never settling for long in one place and always earning a meager income.
In 1956, Kinison was accidentally hit by a truck. He survived the accident, but suffered brain damage. His childhood was otherwise uneventful until 1964, when his parents divorced. Marie gained custody over Kinison, despite the boy's protestations. Kinison decided to follow in his father's footstep's, training to become a preacher.
From 1968 to 1969, Kinison attended the "Pinecrest Bible Training Center", an unaccredited bible school located in Salisbury Center, New York. From 1970 to 1977, Kinison was employed as a preacher. He reportedly used a typical "fire and brimstone" style in his sermons, punctuated with shouting. Like his father, Kinison earned a meager income and struggled with poverty.
Deciding to change his career path and become a comedian, Kinison moved to Houston, Texas. He found work at the Houston-based comedy club "Comedy Workshop" (1978-early 1990s). He received training at the Workshop's school for improvisational comedic actors, and joined the club's team of "Texas Outlaw Comics". The team reportedly was intended to consist of comedians "who speak their minds" and "who aren't interested in selling out."
In 1980, Kinison decided to move to Los Angeles. He wanted to be hired by the West Hollywood-located comedy club "The Comedy Store" (1972-), where young comedians received press exposure and had a shot of appearing in HBO's "Young Comedians" television specials.
Kinison was initially hired as a doorman by "The Comedy Store", but eventually started performing as a comedian again. While struggling to find work, Kinnison reportedly developed addictions to both cocaine and alcohol. He hired his brother Bill as his manager.
Kinison's big break came when he was chosen as one of 8 performers in the "The 9th Annual Young Comedians Special" (1985). Most of the featured performers failed to impress the critics of the day, but Kinison won praise for voicing the frustrations of a typical married man in his routine. Kinison was next featured as a guest on the talk show "Late Night with David Letterman", and was cast in a supporting role in the comedy film "Back to School".
Kinison was at the height of his popularity by 1989. He was cast in the role of an angel in an episode of then-popular sitcom "Married... with Children" (1987-1997). In 1990, he had a role in the horror anthology series "Tales from the Crypt" (1989-1996). In 1991, he had a co-starring role in the sitcom "Charlie Hoover" (1991). The series' premise was that Charlie was a depressed, middle-aged office worker who is confronted by his own alter ego, who convinces him to turn his life around.
Having divorced twice, on April 4, 1992 Kinison married his long-time girlfriend Malika Souiri. She worked as a dancer. Following the wedding, the couple vacationed in Hawaii for 5 days. They returned to Los Angeles on April 10, as Kinison had to prepare for a performance at the Riverside Resort Hotel and Casino of Laughlin, Nevada. Later that day, Kinison's Pontiac Trans Am was "struck head-on" by a pick-up truck. The driver of the other vehicle was an inebriated 17-year-old boy.
Kinnison was found dead at the scene, with his head having smashed his car's windshield. At the time of the accident, Kinnison was not wearing his seat belt. He was 38-years-old at the the time of his death. His wife was also injured at the accident, but was able to recovered at a hospital. The driver responsible for the death pled guilty to charges of "vehicular manslaughter with gross negligence". He was sentenced to a single year of probation and 300 hours of community service.
Kinison was buried in a family grave plot at Memorial Park Cemetery in Tulsa, Oklahoma. In 1993, archival footage of him was used for the television special "A Tribute to Sam Kinison". Kinnison's brother Bill wrote a biography of him, called "Brother Sam: The Short, Spectacular Life of Sam Kinison". Despite a relatively short career, Kinnison has been fondly remembered. He has been cited as an influence by other comedians.- Actor
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The son of a celebrated Dutch actor, John Van Dreelen may have come by his debonair countenance with a bit of help from his continental pedigree. Fluent in several languages, he was reported to have escaped a concentration camp in Nazi-occupied Holland by disguising himself as one of the German officers he would later play so often on both big and small screens.
Though he bookended and sprinkled his career with appearances in many European films, Van Dreelen is best remembered as an A-list guest star in dozens of American television shows from the early 1960s to the mid-'80s. Never a major player in American theatrical films, he nonetheless scored a few choice roles, including the Danish concert pianist who rescues and woos Lana Turner during an extended sequence in Madame X (1966). Van Dreelen also enjoyed an international stage career and starred in the original American touring production of "The Sound of Music." Despite his close identification with despotic roles, he also easily breezed through light drama and comedy and cut a dashing and memorable figure in 1960s pop culture oeuvre.- Actress
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Born on June 9, 1931 in Chicago, Joan Marshall attended St. Clement's School. Looking far more mature than her age would indicate, when she was just 14 years old she auditioned for, and was hired, as a showgirl at Chicago's Chez Paree, one of the country's foremost nightclubs in the 1940s and 1950s. Two years later, she was appearing in Las Vegas productions. Vegas was where she met her first husband and her son, Steven, was born. Her daughter Shari was born three years later. Moving to Beverly Hills, she starred on the television series Bold Venture (1959) (1959-60 season). She made around 10 feature films, liking only a few of them. In 1961, she starred in Homicidal (1961) (billed as "Jean Arless"), playing two roles, one male and one female. This small film has developed a cult-like following.
She was signed by CBS and appeared often on such television shows as The Jack Benny Program (1950) and The Red Skelton Hour (1951). She had a gift for comedy, which often was overlooked because of her beauty. Possessing a flair for writing, in the 1970s, she collaborated with her old school friend, the award-winning writer Dirk Wayne Summers, co-scripting sitcoms.
She married film director Hal Ashby and, over the first six months of their marriage, and at his insistence, she related personal experiences of her life. Ashby (and Robert Towne) turned these details of her life into the romantic comedy film Shampoo (1975). She was reportedly displeased her husband had used such personal details in creating this film.
Her real-life wedding (to Ashby) can be seen in the opening scenes behind the credits in Ashby's romantic comedy film The Landlord (1970). Ashby died in 1988 and, two years later, Joan married business executive Mel Bartfield. Although there were many rumors that Joan was secretly wed to Richard Chamberlain, this was not the case. She and Chamberlain were -- and remained -- very close friends. After visiting Jamaica, West Indies, she fell in love with the island nation, where she had a home, and where she died of lung cancer on June 28, 1992, at the age of 61. Her ashes were spread under her favorite tree on the property.- Writer
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Richard Brooks was an Academy Award-winning film writer who also earned six Oscar nominations and achieved success as a film director and producer.
He was born Reuben Sax on May 18, 1912, in Philadelphia, Pennsylvania. His parents were Russian-Jewish immigrants. He graduated from West Philadelphia HS, attended Philadelphia's Temple University for two years, before dropping out and later working as a sports reporter and radio journalist in the 1930s. After a stint as a writer for the NBC network, he worked for one season as director of New York's Mill Pond Theatre, and then headed to Los Angeles. There he broke into films as a script writer of "B" movies, Maria Montez epics, serials, and did some radio writing. During the Second World War, he served with the US Marines for two years.
Richard Brooks made his directorial debut with MGM's Crisis (1950) starring Cary Grant. He scripted and directed The Brothers Karamazov (1958) and Cat on a Hot Tin Roof (1958) and two years later won the Academy Award for Best Screenplay for Elmer Gantry (1960). He had six Oscar nominations and 25 other nominations during his film career. Brooks was a writer and director of Chekhovian depth, who mastered the use of understatement, anticlimax and implied emotion. His films enjoyed lasting appeal and tended to be more serious than the usual mainstream productions. Brooks was regarded as "independent" even before he officially broke away from the studio system in 1965. In the 1980s, he had his own production company.
Richard Brooks died of a heart failure on March 11, 1992, in Beverly Hills, California, and was laid to rest in the Hillside Memorial Park Cemetery in Culver City, California. He has a star on the Hollywood Walk of Fame at 6422 Hollywood Blvd., for his contribution to the art of motion picture.- Actor
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Handsome and smooth natured leading man who often played oily individuals, Ray Danton was born in New York and dramatically trained at Carnegie Tech. First debuted on-screen as a moody Native American in Chief Crazy Horse (1955) and regularly guest-starred in many 1950s TV shows including Playhouse 90 (1956), Wagon Train (1957), and 77 Sunset Strip (1958)...often as a gunslinger or a slippery criminal.
Danton found plenty of demand for his talents and appeared in several minor films including The Night Runner (1957), Tarawa Beachhead (1958), in which he starred with his wife, Julie Adams, and then as a serial rapist in The Beat Generation (1959). However, his most well remembered role was as the vicious prohibition gangster Jack Diamond in the superb The Rise and Fall of Legs Diamond (1960) also starring a young Warren Oates and directed by Budd Boetticher. Danton reprised his Legs Diamond role only a year later in the unrelated, and not as enjoyable Portrait of a Mobster (1961).
Cornering the market on playing shady characters, Danton then portrayed troubled actor George Raft in The George Raft Story (1961), but he was back on the side of good in 1962 playing an Allied officer at the invasion of Normandy in The Longest Day (1962). Europe then beckoned for the virile Danton, and like many other young US actors in the early 1960s, he made several films in Italy and Spain between 1964 and 1969 with a mixture of success. Danton returned to the USA in the early 1970s and appeared in several other low budget features; however, he also turned his hand to direction and his first film was the AIP production of Deathmaster (1972) starring Robert Quarry who was riding high on the success of the Count Yorga vampire films. Danton directed another couple of minor horror films before becoming involved in television and directing episodes of some of the most popular TV series of the 1970/80s including Quincy M.E. (1976), The Incredible Hulk (1978), Magnum, P.I. (1980) and Cagney & Lacey (1981).
His final directorial work was on the TV series Vietnam War Story (1987) in 1987. Danton passed away in 1992 from kidney failure aged only 60.- Director
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John Sturges was an American film director, mostly remembered for his outstanding Western films. In 1992, Sturges was awarded a Golden Boot Award for his lifelong contribution to the Western genre.
Sturges was born in the village of Oak Park, Illinois, within the Chicago metropolitan area. By 1930, the village had a population of 64,000 people.
Sturges started his film career in 1932, as a film editor. During World War II, he started directing documentaries and training films for the United States Army Air Forces.
Sturges made his directing debut in 1946, in the drama film "The Man Who Dared" (1946) by the studio Columbia Pictures. The film's protagonist frames himself for murder, in order to prove that innocent people may be convicted by circumstantial evidence. His next film project was the film noir "Shadowed" (1946), about a corpse being found in a golf club, and how an innocent man finds his life threatened by a gang leader. Sturges' last film of the year was the crime drama "Alias Mr. Twilight" (1946), about an elderly con-artist who uses his earnings to provide for his beloved granddaughter.
Sturges was entrusted with directing the third film in the then -popular Rusty film series, about the adventures of a German shepherd. The film was called "For the Love of Rusty" (1947), and introduced the new dog actor Flame. Flame portrayed Rusty in four of the eight Rusty films.
Sturges' next film project was "Keeper of the Bees" (1947), the third film adaptation of the 1925 novel by Gene Stratton-Porter (1863-1924). The film involved aging beekeeper Michael Worthington (played by Harry Davenport ) who recruits a nomadic painter and an orphan girl as his new employees. Despite a high-profile cast, the film is considered a lost film.
Sturges' last film of the year was the war documentary "Thunderbolt" (1947), concerning Operation Strangle (March 19-May 11, 1944). The aerial operation had American aircraft attacking German supply routes in Central Italy, in order to force the Germans to withdraw. The documentary included actual combat footage from the operation, and part of its profits was used to finance the Army Air Force Relief Society.
Sturges returned to the film noir genre with the film "The Sign of the Ram" (1948). The film's villain protagonist Leah St. Aubyn (played by Susan Peters) was depicted as an invalid woman with an obsessive desire to control and dominate the life of her family and friends, and going to extremes in order to achieve her goal.
Sturges next directed the historical drama "Best Man Wins", an adaptation of the short story "The Celebrated Jumping Frog of Calaveras County" (1865) by Mark Twain (1835-1910). The film depicts professional gambler Jim Smiley (played by Edgar Buchanan) trying to use his jumping frog Daniel Webster to win bets. He hopes to use his earnings to win back the love of his ex-wife, and to buy the love of his estranged son.
Sturges' first Western was "The Walking Hills" (1949), which used film noir tropes in a new setting. The film involves treasure hunters searching for a lost wagon train carrying gold bars. But many of the characters are hiding secrets, and a there is a manhunt for a wanted fugitive in the area.
Sturges had a critically successful film with the biographical film "The Magnificent Yankee", which dramatized the life of Oliver Wendell Holmes Jr. (1841-1935), Associate Justice of the Supreme Court of the United States from 1902 to 1932. The film was nominated for two Academy Awards, but won neither.
Sturges next projects included the film noir "The Capture" (1950), the film noir "Mystery Street" (1950), and the sports drama "Right Cross" (1950). His crime drama "Kind Lady" (1951) was a remake of a 1935 film with the same title, directed by George B. Seitz. In the film, wealthy art collector Mary Herries (played by Ethel Barrymore) allows painter Henry Springer Elcott (played by Maurice Evans) to move into her London house. But her new house-guest is planning to rob her.
Sturges' film noir "The People Against O'Hara" (1951) was a film noir with elements from courtroom drama. It was a box office hit, and had Sturges working with lead actor Spencer Tracy. Sturges was one of seven film directors who co-directed the anthology film "It's a Big Country", concerning life in the United States.
Sturges' biographical film "The Girl in White" (1952) dramatized the life of female surgeon Emily Dunning Barringer (1876-1961). The real-life Barringer was "the world's first female ambulance surgeon and the first woman to secure a surgical residency". Sturges returned to the film noir genre with "Jeopardy" (1953), an adaptation of a radio play by Maurice Zimm.
Sturges directed the sports comedy "Fast Company" (1953), about an exceptional race horse, and a struggle over its ownership. He returned to the Western genre with the American Civil War-themed film "Escape from Fort Bravo" (1953). In the film the prisoners confined in a Union prison camp attempt to escape. This color film used the Anscocolor process.
Sturges had a career highlight with the thriller film "Bad Day at Black Rock" (1955), which combined elements from both film noir and the Western. It involves a town hiding a secret, and mysterious stranger John J. Macreedy (played by Spencer Tracy) trying to uncover the elusive truth. Sturges was nominated for the Academy Award for Best Director, but the award was won instead by rival director Delbert Mann (1920-2007).
Sturges' next film project was the treasure-hunting themed adventure "Underwater!" (1955). His historical drama "The Scarlet Coat" (1955) dramatized the plot of military officer Benedict Arnold (1741-1801) to surrender West Point to the British Army during the American Revolutionary War. The film also dramatized the life of British spy John André (1750-1780).The film's American counterspy John Bolton was loosely based on historical spymaster Benjamin Tallmadge (1754-1835).
Sturges returned to the Western genre with popular films such as "Backlash" (1956), "Gunfight at the O.K. Corral" (1957), "The Law and Jake Wade" (1958), "Last Train from Gun Hill" (1959). He also directed the adventure drama "The Old Man and the Sea" (1958), an adaptation of the 1952 novella by Ernest Hemingway (1899-1961). For this film, Sturges once again worked with leading actor Spencer Tracy.
Sturges' World War II-themed war film "Never So Few" (1959), featured a cast of rising actors, such as Frank Sinatra, Gina Lollobrigida, and Steve McQueen,. Sturges had another career highlight with a film remake, the Western "The Magnificent Seven" (1960). It was a loose adaptation of the Japanese film "Seven Samurai" (1954) by Akira Kurosawa. The film under-performed in the United States, but was a smash hit in Europe, and very profitable for the film studio United Artists. It sold 89,118,696 tickets sold in overseas territories, and broke box office records in the United Kingdom and the Soviet Union. Kurosawa himself liked this adaptation, and the film received three sequels, two remakes of its own, and a television series adaptation.
Sturges' next film project included the law-firm drama "By Love Possessed" (1961), which included controversial themes such as rape, suicide, and embezzlement. Sturges next Western film was "Sergeants 3", loosely based on the poem "Gunga Din" (1890) by Rudyard Kipling (1865-1936). This film is mostly remembered as the " last film to feature all five members of the Rat Pack".
Sturges' next film was more sexually explicit: "A Girl Named Tamiko" (1962). Lead character Ivan Balin (played by Laurence Harvey) is a man who desperately wants to emigrate to the United States, and uses his sex-appeal to seduce women who may help him achieve his goal. His next war film was "The Great Escape" (1963) about prisoners of war trying to escape from Stalag Luft III. It was one of the highest-grossing films of its year of release.
Sturges directed his first science fiction film at age 55, and that film was "The Satan Bug" (1965). The film depicted the manufacture of bio-weapons, and their potential release against American major cities. Sturges also directed the Western comedy "The Hallelujah Trail" (1965), about a predicted harsh winter threatening the whiskey supply of a frontier town. He next directed a more serious Western, "Hour of the Gun" (1967). It was his second film about the Gunfight at the O.K. Corral (1881), but attempted to be more historically accurate than previous film depictions of the events.
Sturges' next film project was the Cold War thriller "Ice Station Zebra" (1968), loosely based on the missing experimental Corona satellite capsule (Discoverer II) which fell to Norway in 1959, and the efforts to recover it before it fell on Soviet hands. The film was mildly controversial, since it dramatized events that were still classified secret at the time of production. Sturges used former American agents as technical advisers.
Sturges' second science fiction film was Marooned (1969), depicting a potentially deadly accident affecting the Apollo program. Released at a time of high public interest on the Apollo program, it attracted an audience but was a box office flop. The film's visual effects expert won the Academy Award for Best Visual Effects.
Sturges partially directed the auto racing film "Le Mans" (1971), but quit before the film was completed. He was replaced by fellow director Lee H. Katzin (1935-2002). Sturges returned to the Western genre with the peasant-revolt themed "Joe Kidd" (1972). It featured bounty hunter Joe Kidd (played by Clint Eastwood) hunting down a Mexican revolutionary who is campaigning for land reform. The film is considered an example of the Revisionist Western, a more cynical take on the genre.
Sturges last Western was the Italian-produced "Chino" (1973). He returned to the film noir genre with the neo-noir "McQ" (1974), with lead character Lon "McQ" McHugh (played by John Wayne) being an aging police detective who is trying find out who was behind a failed attempt on his life. Sturges' last film was the war film "The Eagle Has Landed" (1976), depicting a German plot by Abwehr leader Wilhelm Canaris (1887-1945) to kidnap Winston Churchill. His last film was a box office hit in its own right.
Sturges retired from film directing at the age of 66. He continued living in retirement until his death in 1992. He was 82-years-old, and several of his film were finding retrospective critical acclaim.- Actor
- Director
- Writer
Looking back at his filmography, it isn't difficult to imagine Vladek Sheybal in a scene, lobbing Molotov cocktails at advancing German troops, against a backdrop of war-torn Warsaw. However, this part of his life played out for real. A member of the Polish underground, he was twice captured and interned in concentration camps. Both times he escaped. After the war, he was undecided about whether to become a doctor or an actor. His father, a painter and professor of Fine Arts, put pressure on him to become an architect. Acting won out, of course, and Vladek spent six months at the prestigious Stanislavsky School of Acting and a further four years to complete his training at the Drama Director's School. By the time he shared a dressing room with Roman Polanski on stage at the National Theatre in Warsaw, he had become one of Poland's leading actors. He was first acclaimed on screen in Andrzej Wajda's story of the Polish Resistance during the 1944 Warsaw Uprising, Kanal (1957). Ironically, by his own admission, Vladek had 'not a drop of Polish blood' in him, his ethnic background being a mixture of Armenian, Scottish and Austrian. He spoke fluent French, Italian and German before ever learning English.
Taking advantage of a scholarship to perfect his craft, Vladek went to England in the early 1960's and decided to stay. His limited command of English and a lack of connections forced him to take on a number of menial jobs. With his last ten pounds in his pocket, he went to Oxford to study English literature. As his English improved, he began to teach drama. Before long, his successful staging of a Russian play at the Oxford University Opera Club led to a job with the BBC as actor/director. Prompted by Sean Connery (whose then-girlfriend Diane Cilento Vladek had directed on stage), he reluctantly took the part of chess grandmaster and SPECTRE agent Kronsteen in From Russia with Love (1963), emerging as one of the most memorable of the early James Bond villains.
With his cultured voice, sharp nose and piercing, hypnotic eyes, Vladek's became one of the most recognizable faces on screen in the 60's and 70's. For the most part, he was typecast in sardonic, sinister or eccentric roles, tailor-made as Central European or Soviet spies, in both episodic television (eg The Saint (1962), Secret Agent (1964)) and motion pictures (eg S*P*Y*S (1974)). Perfecting his trademark screen personae was partly down to advice from actress Bette Davis, who, according to a 1992 interview in FAB magazine, instructed him to 'narrow his eyes, lower his voice to a whisper and make long pauses'. Affecting these mannerisms served him well, even when he was not playing the bad guy. On several occasions, he appeared in films by Ken Russell, notably as the decadent sculptor Loerke, in Women in Love (1969), and as the Cecil B. DeMille caricature De Thrill, in The Boy Friend (1971). He was also the arcane, enigmatic psychiatrist Dr. Doug Jackson, in Gerry Anderson's cult sci-fi series UFO (1970) (a part he secured after having previously played a similar character in the movie Journey to the Far Side of the Sun (1969) for the same production team). In 1977, he was presented by The Dracula Society with the Hamilton Deane Award for his performance as a creepy innkeeper in an episode of the short-lived anthology series Supernatural (1977). The prize was presented to him by none other than Christopher Lee.
During the latter stages of his career, Vladek revisited the stage, appearing in fringe venues in London in the title role of "Mahler" (1973), as Shylock in "Variations on The Merchant of Venice" (1977) and as Friedrich Nietzsche in "The Eagle and the Serpent" (1988). He also taught acting classes at the London Academy of TV and made several forays into French cinema as middle-aged men obsessed with younger women. A consummate perfectionist at his craft and one of the great European character actors, Vladek died unexpectedly in October 1992 at his home in London, aged 69.- Actress
- Soundtrack
Elvia Allman was born on 19 September 1904 in Enochville, North Carolina, USA. She was an actress, known for Breakfast at Tiffany's (1961), The Nutty Professor (1963) and Halloween with the New Addams Family (1977). She was married to Jerome Laveck Bayler, Charles ("C.C.") Pyle and Wesley Benton Tourtellotte. She died on 6 March 1992 in Santa Monica, California, USA.- Actress
- Music Department
- Writer
She was was born in London's East End, the daughter of a Russian immigrant family who settled in Britain at the turn of the century. During WWII she was evacuated to South Wales where Welsh choirs fascinated her and she remembers the miners harmonising which made her want to sing professionally. Her first engagement at 17 was at London's Stork Club where she sang Blues numbers. She got steady work in cabaret and on the variety circuit. Tiring of all the touring in 1956 she auditioned for and got a part in the production of 'The Threepenny Opera at the Royal Court which transferred to the Aldwych Theatre in the West End and then to New York. When that closed she got the offer of singing in a Hollywood night club but that was a disaster. She returned to New York broke and destitute then she got a message that London Television wanted to do a programme about her.She was then asked to record some songs for a new show called 'The Lily White Boys'which she stared in with Albert Finney at the Royal Court. After that she was cast as Nancy in 'Oliver' which she played in London and New York for 4 years earning the London Critics Award and a New York Tony Award nomination. She was, needless to say, disappointed at not getting the role in the film version. She returned to London for Lionel Bart's 'Maggie May' then made her film debut in 'The Fixer'- Actress
- Soundtrack
Character actress Shirley Booth could play everything in all facets of show business, whether it was Miss Duffy the Tavern Owner's Man Crazy Daughter on "Duffy's Tavern", the sassy maid on TV's Hazel (1961) or the pathetic woman in Come Back, Little Sheba (1952). For those who only know her through her sitcom, it might be hard to believe she was a seasoned theatrical veteran, having appeared on Broadway from 1925-70. She was highly regarded as a stage actress and ranks as one of the premier talents of the 20th-century theatre.- Prolific, sharp-featured American character actor of somewhat skeletal and dishevelled appearance, accentuated later in his career by thinning hair and a scraggly goatee. A former theology student, Brocco began his career playing leading roles in stock theatre. He subsequently honed his craft touring France, Italy, Spain and Switzerland, before returning to the U.S. in 1947, eventually joining the Federal Theater Group. On films from as early as 1932, he was at his most effective portraying eccentrics, scientists, small-time crooks, alcoholics, or nervous, downtrodden little men. His particular forte lay in the genre of science-fiction, where he graced the small screen on numerous occasions as assorted victims (The Outer Limits (1963), The Time Tunnel (1966), The Invaders (1967)) or aliens (Lost in Space (1965), Star Trek (1966), The Twilight Zone (1959)). His occasional film appearances include a dementia patent in One Flew Over the Cuckoo's Nest (1975) and a rare starring role in the black comedy Homebodies (1974), late in his career. As a liberal-minded individual, Brocco was briefly blacklisted during the McCarthy era, but this did not prove detrimental to his career in the long run.
- Actress
- Costume and Wardrobe Department
- Make-Up Department
The buxom, lively and attractive blonde bombshell named Regina Carrol was a dancer, singer and actress who achieved her greatest enduring cult popularity by appearing in a handful of entertainingly trashy drive-in exploitation feature films directed by her filmmaker husband Al Adamson. She was born Regina Gelfan on May 2, 1943 in Boston, Massachusetts. Carrol began doing auditions for plays when she was 5. She performed in stage productions of "West Side Story," "The Children's Hour," "Wish You Were Here" and "Daddy Long Legs." Carrol's mother died of cancer when she was 15. Carrol worked as a dancer in Las Vegas, Nevada and toured Europe with her night club act. In addition, she hosted her own TV interview series called "The Regina Carrol Show" and wrote an entertainment column for the newspaper "The Las Vegas Panorama." She was discovered and convinced to go into films by actor Steve Cochran. Carrol made appearances on the TV series "The Dinah Shore Show," "Route 66" and "The Adventures of Ozzie and Harriet." She made her film debut as a dancer in "The Beat Generation" and had uncredited small parts in "The Glass Bottom Boat," "The Slender Thread," the delightful Elvis Presley romp "Viva Las Vegas" (she dated Elvis for a short time while making this film), "Two Rode Together" and "From the Terrace." Carrol then gave a memorably wild performance as the crazed biker mama Gina in the splendidly sleazy Satan's Sadists (1969) (she was billed as "the freak-out girl" in the advertisements for this film). Other notable film roles of hers at this time include the daffy Lori in the amusing Blazing Stewardesses (1975), the feisty cowgirl Claire in the gritty revenge Western Jessi's Girls (1975), and the melancholy lounge singer Valerie in the nifty blaxploitation film Black Heat (1976) (she sings the forlorn ballad "No More Mail Until Tomorrow" in this film). Carrol ended her career performing cabaret on stage and died of cancer at the tragically young age of 49 on November 4, 1992.- Actor
- Writer
- Director
Although he geared himself up for major film stardom throughout the 1950s, it took a leading role on a 1960s TV series opposite a lion and chimpanzee to make Marshall Thompson a genuine household name.
Born on November 27, 1925, and named James Marshall Thompson after an ancestor, a famed Supreme Court justice, he moved at age 5 with his parents from his Peoria, Illinois, hometown to the Los Angeles area. There his father set up a successful Westwood practice in dentistry that continued for over three decades. His mother once took to the stage as a concert singer and musician. Marshall was their only child.
He caught the acting bug while in high school when he appeared in a number of school productions and was spotted by a local talent agent. This did not pan out, but he also acted upon his early skills as a writer. The Westwood Village Players produced the young high school student's ambitious three-act play "Faith," the story of two young aviators in a Nazi prison. He enrolled at Occidental College, where he switched from pre-med to drama. He was also a member of the college's cross-country team.
The athletic, lanky-framed, good-looking collegiate was rediscovered while performing as one of the Occidental Players in 1944. This time, he made good and was signed to a Universal contract. He began in minor war-era films with Reckless Age (1944) starring Gloria Jean and was quickly brought over to MGM on the strength of this film.
With most big stars off to war, Marshall was given the chance to work quite steadily in perfunctory nice-guy assignments such as Blonde Fever (1944), The Clock (1945), They Were Expendable (1945) and Bad Bascomb (1946) opposite Frances Rafferty. His first association with animals came with the lead in the horse-friendly yarn Gallant Bess (1946), MGM's first film produced in CineColor.
The handsome Marshall went on to provide yeoman work in the war dramas Homecoming (1948), Command Decision (1948) and Battleground (1949), becoming an instant idol to film fans. A genial player on screen, he managed to show potential outside his benign typecast in Dial 1119 (1950) as a cold-hearted, baby-faced killer, and finished his MGM contract out with The Tall Target (1951) playing a potential assassin of Abraham Lincoln.
Freelancing for the next several years after losing his contract to MGM owing to a change of management, Marshall assisted a few serious-minded dramas but a noticeable pall soon took over his career with "B" thrillers taking up the bulk of his time. He achieved a bit of cult infamy with the films Cult of the Cobra (1955) Fiend Without a Face (1958), It! The Terror from Beyond Space (1958) and First Man Into Space (1959). A couple of notable exceptions were his strong roles in the Audie Murphy starter To Hell and Back (1955) and East of Kilimanjaro (1957), in which he performed his own dangerous stunts and developed a lifelong passion for Africa and wildlife.
It was this aforementioned wildlife association, combined with TV, that made the biggest dramatic impact on his career. Throughout the 1950s Marshall appeared faithfully in small-screen presentations, but in 1966 he was cast as a series lead, that of game warden Dr. Marsh Tracy in the African adventure Daktari (1966) developed by Ivan Tors and filmed at Africa, U.S.A., a wild-animal theme park near Los Angeles. Although overshadowed sometimes by those inveterate scene-stealers Clarence the Cross-eyed Lion and Judy the Chimpanzee, Marshall provided a strong, honest, authoritative yet friendly persona and earned the most attention yet in his nearly two-decade-long career. He was also involved in nearly every aspect of the show and was afforded the opportunity to direct a few episodes.
The series lasted four seasons, and following his departure, Marshall continued in the same animal vein. His association with Tors continued by his hosting of the live action daytime series Jambo (1969), starring in the feature film Clarence, the Cross-Eyed Lion (1965) (which he co-wrote), and directing some episodes of Flipper (1964).
Lying low after his final feature film, Around the World Under the Sea (1966), which starred assorted TV adventure alumni including Flipper (1964) star Brian Kelly and Sea Hunt (1958) lead Lloyd Bridges, he spent much of his later time providing footage for wildlife documentaries.
An avid photographer, horseman, and guitarist, among many other talents, he died at age 66 in 1992 of congestive heart failure and was survived by his wife Barbara Long, daughter Janet, and grandson Jackson.- Actress
- Soundtrack
This alluring hazel-eyed 1940s leading lady was born Ardis Ankerson on the Philippine island of Negros, one of two siblings. Her father was Otto Peter Ankerson who held an important position as overseer of a large sugar plantation. Following the premature death of her mother in 1925, Ardis and her sister were packed off to San Antonio to complete their education. Ardis was voted Freshman Class Beauty of 1934 at Texas State College, acted in amateur dramatics and worked hard on diction and improvisation. By then, she was clearly determined to become a professional actress. Following her graduation, she moved to New York where she studied drama under the tuition of actor Richard Gaines (and eventually married him in 1936). Gaines helped her secure acting work in stock companies under the Federal Theatre Project, sponsored by the Works Progress Administration as part of the New Deal. While in New York, Ardis successfully auditioned for Paramount, but studio executives dropped the option to sign her due to what they deemed her excessive salary demands. Warner Brothers viewed the screen test some time later and proved less squeamish about picking her up. With the inevitable name change prompted by the studio, 'Brenda Marshall' went Hollywood. During her tenure in Tinseltown, she made it clear to friends and co-workers alike, that she be addressed not by her studio-fabricated cognomen, but by her given name (with the addition of her married name of Gaines).
Brenda made an almost immediate impact in her fourth outing for Warners as Doña Maria, providing the romantic interest in Errol Flynn's classic swashbuckler The Sea Hawk (1940). This should have established the brunette beauty as a tangible box office attraction. Alas, only routine material followed and Brenda saw out the remainder of her contract as exotic leads in second features like East of the River (1940), South of Suez (1940) and Singapore Woman (1941). There were to be two more A-grade productions, but Brenda ended up playing second fiddle to James Cagney's aviation heroics in Captains of the Clouds (1942) and was overshadowed in the charisma department by Joan Fontaine and Alexis Smith in The Constant Nymph (1943). By 1950, she quit the acting profession and devoted herself to other causes. A year after her divorce from Gaines in 1940, Brenda had wed the actor William Holden in Las Vegas. She was of help to him in setting up the Mt. Kenya Safari Club as a means of protecting African wildlife. The couple seemed content for a while. However, the marriage proved to be increasingly volatile and began to unravel by 1963, ending up in divorce eight years later. Brenda died from throat cancer in Palm Springs in 1992 at the age of 76.- Actress
- Additional Crew
Marisa Mell was born on 24 February 1939 in Graz, Austria. She was an actress, known for Danger: Diabolik (1968), The Great Swindle (1971) and Under Siege (1980). She was married to Henri Tucci. She died on 16 May 1992 in Vienna, Austria.- Actor
- Soundtrack
Hari Rhodes was born on 10 April 1932 in Cincinnati, Ohio, USA. He was an actor, known for Conquest of the Planet of the Apes (1972), Shock Corridor (1963) and Coma (1978). He was married to Mlmi Christie Segura . He died on 15 January 1992 in Canoga Park, Los Angeles, California, USA.