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- Actress
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Fionnula Flanagan was born and raised in Dublin, Ireland. From an early age she grew up speaking both English and Irish on a daily basis. Her parents weren't native Irish speakers but wanted Fionnula and her four siblings to learn the language. Her mother used to say, "A nation without a language is a nation without a soul". Fionnula has said she will be forever grateful to them for that. She was educated at the Abbey Theatre School in Dublin and in Switzerland. She moved to Los Angeles in 1968 and lives with her husband, psychiatrist Dr. Garrett O'Connor, in Beverly Hills. Of her enormous body of work, including stage, television and film, she might be most well-known for James Joyce's Women (1985), in which she plays six different women who had a profound influence on James Joyce's life. Besides giving an award-winning performance, she also wrote, adapted and produced the piece for the stage, and subsequently as a feature film. She believes Joyce is the most important writer in the English language, most notably for "Ulysses", "Finnegan's Wake" and "The Portrait of an Artist as a Young Man". When she was growing up she thought the much lauded author was a good friend of her parents, because they were always saying, "Joyce said this, Joyce said that". When she was finally old enough to read Joyce for herself, the characters were like old friends.- Actress
- Producer
- Director
An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.
Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.
Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV-movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).
Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.
High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.
Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No more wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.
The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV-movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.
Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.
The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.
Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).
Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s. Over the past year, she has appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017), and Inconceivable (2017), with more projects expected to be on the way. The icon also fronts Gucci's summer 2018 ad campaign for their Sylvie handbag and has a Broadway show scheduled for 2019.- Actress
- Soundtrack
Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.
Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.- Actress
- Producer
- Soundtrack
Senta Berger was born in 1941 in Vienna, Austria to her father Josef Berger who was a musician and her mother Therese Berger, a school teacher. Senta and her father performed together when she was just four years old. She sang and her dad played the piano. At five years old, she took ballet lessons and at 14, Berger turned to acting taking private lessons. She left her private school education at 16. In 1957, Berger was discovered by famous director Willi Forst and played a small role in a film. She was accepted to the Max Reinhardt Seminar. In 1958, Berger was the youngest member at the Vienna Theater in Josefstadt. Director Bernhard Wicki and producer Artur Brauner sought after Senta producing the film The Good Soldier, by Heinz Rühmann. It succeeded and Brauner used her in several films. In 1962, Berger moved to Hollywood and starred with Charlton Heston, Frank Sinatra, Dean Martin, Richard Harris, George Hamilton, Kirk Douglas, John Wayne and Yul Brynner. In 1969 she returned to Europe and was seen during the 1970's in Italian productions of various genres. In 1967, she returned to the silver screen with an Alain Delon film. In 1968, Berger played in the three-part thriller Babeck by Herbert Reinecker. 1970 was her debut as Producer of her own company. As director she put her husband's film before the camera. Further, international successful of films of her production company have included The White Rose, The Nasty Girl and Mother Courage. In addition, Berger expanded her European career in France and Italy. The birth of her two sons, Simon (b. 1972) and Luca (b. 1979) prompted Berger to turn back to the theater. In 1985/86, she managed her TV comeback in front of the German-speaking audience in the television series Kir Royal co-starring with Franz Xaver Kroetz , Dieter Hildebrandt and Billie Zöckler. Many TV series guest appearances followed.- Actress
- Producer
- Soundtrack
"Amazing Grace" Zabriskie was born in New Orleans, Louisiana. She wrote her own original poetry, then performed at coffee shops and various artist hangouts in Atlanta. She was also a wonderful silk-screen printmaker. She moved to Hollywood and made her acting debut in Norma Rae (1979). She went on to appear in over 80 movies. She gave an acclaimed performance as Mrs. Ames in East of Eden (1981), the adaptation of John Steinbeck's novel. Grace appeared in the highly acclaimed and Oscar-nominated An Officer and a Gentleman (1982) and The Big Easy (1986), set in her beloved New Orleans. She worked with producer and director David Lynch, and was a series regular in the cult favorite Twin Peaks (1990) as Sarah Palmer, the part with which she is most often identified. She also appeared in Lynch's Wild at Heart (1990) the same year. She has played a wide variety of roles, and gave a terrific performance in the Oscar-nominated Fried Green Tomatoes (1991) and showed great character depth as the lonely and despondent widow in The Passion of Darkly Noon (1995).
Grace's more recent roles were in the zany Sparkler (1997) and in the big-name feature No Good Deed (2002), based on a short story by Dashiell Hammett. A woman of many talents, she is currently creating her own original paintings, unique sculptures and woodwork art that can be viewed in Los Angeles galleries.
Her visual arts, which include creating lamps or "sculptures with light" as she calls them, are available from the L.A.-based ArtHaus.- Animation Department
- Writer
- Art Department
Hayao Miyazaki is one of Japan's greatest animation directors. The entertaining plots, compelling characters, and breathtaking visuals in his films have earned him international renown from critics as well as public recognition within Japan.
Miyazaki started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.
In 1971, he moved to the A Pro studio with Isao Takahata. In 1973, he moved to Nippon Animation, where he was heavily involved in the World Masterpiece Theater TV animation series for the next 5 years. In 1978, he directed his first TV series, Future Boy Conan (1978). Then, he moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro (1979). In 1984, he released Nausicaä of the Valley of the Wind (1984), which was based on the manga of the same title he had started 2 years before. The success of the film led to the establishment of a new animation studio, Studio Ghibli. Since then, he has since directed, written, and produced many other films with Takahata. More recently, he has produced with Toshio Suzuki. All enjoyed critical and box office success, in particular Princess Mononoke (1997). It received the Japanese equivalent of the Academy Award for Best Film and was the highest-grossing (about USD $150 million) domestic film in Japan's history at the time of its release.
In addition to animation, he also draws manga. His major work was Nausicaä, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga Hikotei Jidai, later evolved into Porco Rosso (1992).- Actor
- Producer
- Soundtrack
Nick Nolte was born in Omaha, Nebraska and began his career on stage at the Pasadena Playhouse and in regional theatre productions. His breakthrough role was in the TV miniseries Rich Man, Poor Man (1976), playing the role of "Tom/Tommy Jordache". Nick Nolte said that when he played a young man in the early scenes of the project, he weighed about 160 pounds. When he played a middle-aged man in the later scenes, he weighed over 180 pounds.- Actress
- Soundtrack
Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program Richard Walter. Their uncle was stage and screen actor Jerry Jarrett. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.
On Broadway, Walter appeared in Peter Ustinov's "Photo Finish" (which earned her the Clarence Derwent Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and Neil Simon's "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite Ron Leibman (to whom she was married from 1983 until his death in 2019).
After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in Sidney Lumet's The Group (1966). This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in Clint Eastwood's directorial debut film, Play Misty for Me (1971). This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (Brian Bedford) and troublesome girlfriend of another (James Garner) in Grand Prix (1966). Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie Dr. Strange (1978). Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".
By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (The Flamingo Kid (1984)) and the small (Three's a Crowd (1984)). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series Babylon 5 (1993) or providing the voice for the leading female character in the animated sitcom Dinosaurs (1991). Walter received an Emmy Award for Best Dramatic Actress in the Ironside (1967) spin-off Amy Prentiss (1974) and was nominated for guest-starring roles in episodes of Trapper John, M.D. (1979) and The Streets of San Francisco (1972). She found a new audience among younger viewers as the devious matriarch Lucille Bluth in Arrested Development (2003).
Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.- Actor
- Producer
- Soundtrack
Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.- Actor
- Producer
- Director
Stacy Keach has played to grand success a constellation of the classic and contemporary stage's greatest roles, and he is considered a pre-eminent American interpreter of Shakespeare. His SRO run as "King Lear" at the Shakespeare Theatre Company in Washington, D.C. received the best reviews any national leader has earned in that town for decades. Peter Marks of the Washington Post called Mr. Keach's Lear "magnificent". He recently accepted his third prestigious Helen Hayes Award for Leading Actor in 2010 for his stellar performance. His next stage appearance premiering January 13, 2011 at the Lincoln Center in New York is "Other Desert Cities" by Jon Robin Baitz and teaming him with Stockard Channing, Linda Lavin and Elizabeth Marvel.
His latest television series, Lights Out (2011), on the FX network is a major new mid-season dramatic show, taking him back to the world of boxing which has been a rich setting for him before, notably in Huston's Fat City (1972) which ignited Keach's career as a film star.
Versatility embodies the essence of Stacy Keach's career in film and television as well as on stage. The range of his roles is remarkable. His recent performance in Oliver Stone's "W" prompted fellow actor Alec Baldwin to blog an impromptu review matching Huston's amazement at Keach's power. Perhaps best known around the world for his portrayal of the hard-boiled detective, Mike Hammer, Stacy Keach is also well-known among younger generations for his portrayal of the irascible, hilarious Dad, Ken Titus, in the Fox sitcom, Titus, and more recently as Warden Henry Pope in the hit series, Prison Break. Following his triumphant recent title role performance in King Lear for the prestigious Goodman Theatre in Chicago, Keach joined the starring cast of John Sayles' recent film, Honeydripper. In the most recent of his non-stop activities, he has completed filming Deathmatch for the Spike Channel, and The Boxer for Zeitsprung Productions in Berlin, Germany.
German audiences will also see him as one of the co-stars in the multi-million dollar production of Hindenburg: The Last Flight (2011), scheduled to air in January, 2011 with worldwide release thereafter. Mr. Keach co-stars in the new FX series entitled Lights Out (2011) about a boxing family, where he plays the Dad-trainer of two boxing sons played by Holt McCallany and Pablo Schreiber. The series is also scheduled to air in January, 2011. Keach returns to the New York stage at the start of the 2011 in Jon Robin Baitz's new play, "Other Desert Cities," at the Lincoln Center.
Capping his heralded accomplishment on the live stage of putting his own stamp on some of the theatre world's most revered and challenging roles over the past year when he headed the national touring company cast of "Frost/Nixon," portraying Richard M. Nixon, bringing still another riveting characterization to the great legit stages of Los Angeles, Chicago, Boston, the nation's capitol and other major cities. He won his second Best Actor Helen Hayes Award for his outstanding performance. His second triumphant portrayal of King Lear in the past three years, this time for the Shakespeare Theatre Company in the nation's capital earned reviews heard around the world, with resulting offers for him to repeat that giant accomplishment in New York, Los Angeles and even Beijing.
An accomplished pianist and composer, Mr. Keach composed the music for the film, Imbued (2009), directed by Rob Nilssen, a celebrated film festival favorite, in which Keach also starred. He has also completed composing the music for the Mike Hammer audio radio series, "Encore For Murder", written by Max Collins, directed by Carl Amari, and produced by Blackstone Audio.
Mr. Keach began his film career in the late 1960's with _The Heart Is A Lonely Hunter_, followed by _The New Centurions_ with George C. Scott; Doc Holiday with Faye Dunaway in the film 'Doc' (1971); an over-the-hill boxer,Billy Tully in Fat City (1972); directed by John Huston, and The Long Riders (1980), which he co-produced and co-wrote with his brother, James Keach, directed by Walter Hill. On the lighter side, his characterization of Sgt. Stedenko in Cheech and Chong's Up in Smoke (1978), and the sequel, Nice Dreams (1981), gave a whole new generation a taste of Mr. Keach's comedic flair, which he also demonstrated in Robert Altman's Brewster McCloud (1970), playing the oldest living lecherous Wright Brother; and The Life and Times of Judge Roy Bean (1972) where he played a crazed albino out to kill Paul Newman.
Historical roles have always attracted him. In movies he has played roles ranging from Martin Luther to Frank James. On television he has been Napoleon, Wilbur Wright, J. Robert Oppenheimer, Barabbas, Sam Houston, and Ernest Hemingway, for which he won a Golden Globe as Best Actor in a mini-series and was nominated for an Emmy in the same category. He played an eccentric painter, Mistral, in the Judith Krantz classic, Mistral's Daughter (1984), a northern spy in the civil war special, The Blue and the Gray (1982), more recently as the pirate Benjamin Hornigold in the Hallmark epic Blackbeard (2006).
As a director, his production of Arthur Miller's Incident at Vichy (1973) for PBS was, according to Mr. Miller in his autobiography, Timebends, "the most expressive production of that play he had seen." He won a Cine Golden Eagle Award for his work on the dramatic documentary, The Repeater, in which he starred and also wrote and directed.
But it is perhaps the live theatre where Mr. Keach shines brightest. He began his professional career with the New York Shakespeare Festival in 1964, doubling as Marcellus and the Player King in a production of Hamlet directed by Joseph Papp and which featured Julie Harris as Ophelia. He rose to prominence in 1967 in the Off-Broadway political satire, MacBird, where the title role was a cross between Lyndon Johnson and Macbeth and for which he received the first of his three Obie awards. He played the title roles in Henry 5, Hamlet (which he played 3 times), Richard 3, Macbeth, and most recently as King Lear in Robert Falls' modern adaptation at Chicago's Goodman Theatre, which Charles Isherwood of the NY Times called "terrific" and "a blistering modern-dress production that brings alive the morally disordered universe of the play with a ferocity unmatched by any other production I've seen." Mr. Keach's stage portrayals of Peer Gynt, Falstaff and Cyrano de Bergerac, and Hamlet caused the New York Times to dub him "the finest American classical actor since John Barrymore."
Mr. Keach's Broadway credits include his Broadway debut, Indians, where he played Buffalo Bill and was nominated for a Tony award as Best Actor. He starred in Ira Levin's Deathtrap, the Pulitzer Prize winning Kentucky Cycle (for which he won his first Helen Hayes award as Best Actor), the Rupert Holmes one-man thriller, Solitary Confinement, where Mr. Keach played no less than six roles, all unbeknownst to the audience until the end of the play. In the musical theatre, he starred in the national tour of Barnum, played the King in Camelot for Pittsburgh's Civic Light Opera, and the King in The King and I, which he also toured in Japan. He starred in the Jon Robin Baitz play, Ten Unknowns, at the Mark Taper Forum in 2003. The LA Times said: "And then there's Keach. What a performance! How many actors can manage such thunder and such sweet pain. He's been away from the LA stage too long. Welcome back."
In 2004, he starred as Scrooge in Boston's Trinity Rep musical production of A Christmas Carol; earlier in 2004, he starred as Phil Ochsner in Arthur Miller's last play Finishing The Picture, directed by Robert Falls at the Goodman Theatre.
As a narrator his voice has been heard in countless documentaries; as the host for the Twilight Zone radio series; numerous books on tape, including the Short Stories of Ernest Hemingway. In the year 2000, he recorded a CD of all of Shakespeare's Sonnets. He recently recorded the voice of St. Paul for a new audio version of The New Testament:, The Word of Promise and Job for the Old Testament edition. He is the narrator on CNBC's new hit show, American Greed (2007), and recently narrated the award-winning documentary, The Pixar Story (2007). He has also reprised his role as Mike Hammer in the Blackstone audio series, the most recent being "Encore for Murder". A charter-member of LA Theatre Works, Mr. Keach recently played the title role in Bertolt Brecht's Galileo, recorded both for radio and CD. He was seen on CBS's hit show Two and a Half Men (2003) as the gay Dad of Charlie's fiance.
Stacy Keach also believes strongly in 'giving back' and has been the Honorary Chair for the Cleft Palate Foundation for the past twenty-five years. He is also the national spokesman for the World Craniofacial organization. He has served on the Artist's Committee for the Kennedy Center Honors for two decades, is on the board of directors for Genesis at the Crossroads, a Chicago-based organization dedicated to bringing peoples of combatant cultures together through the shared artistic expressions of the visual and culinary arts, music, dance, and theater. He also serves on the artistic board for Washington DC's Shakespeare Theatre National Council, where he was also honored in 2000 with their prestigious Millennium Award for his contribution to classical theatre. Some years ago Hollywood honored him with a Celebrity Outreach Award for his work with charitable organizations.
He has been the recipient of Lifetime Achievement Awards from Pacific Pioneer's Broadcasters, the San Diego Film Festival, the Pacific Palisades Film Festival, and The 2007 Oldenburg Film Festival in Germany. Later this year, he will be awarded the 2010 Lifetime Award from the St. Louis Film Festival. In 2008, he received the Mary Pickford Award for versatility in acting.
Mr. Keach was a Fulbright scholar to the London Academy of Music and Dramatic Art, attended the University of California at Berkeley and the Yale Drama School. He has always been a star of the American stage, especially in Shakespearen roles such as Hamlet, Henry 5, Coriolanus, Falstaff, Macbeth, Richard 3, and most recently, King Lear.
Of his many accomplishments, Mr. Keach claims that his greatest accomplishment is his family. He has been married to his beautiful wife Malgosia for twenty-five years, and they have two wonderful children, Shannon Keach (1988), and daughter Karolina Keach (1990).- Actress
- Soundtrack
A veteran of stage and screen, award-winning actress Miriam Margolyes has achieved success on both sides of the Atlantic. Winner of the BAFTA Best Supporting Actress award in 1993 for The Age of Innocence (1993), she received Best Supporting Actress at the 1989 LA Critics Circle Awards for her role in Little Dorrit (1987) and a Sony Radio Award for Best Actress in 1993. She voiced "Fly, the dog" in Babe (1995).
Major credits include Yentl (1983), Little Shop of Horrors (1986), I Love You to Death (1990), End of Days (1999), Sunshine (1999), Cold Comfort Farm (1995), Cats & Dogs (2001), and Magnolia (1999). She played "Prof. Sprout" in Harry Potter and the Chamber of Secrets (2002). More recently, she appeared in Stephen Hopkins', The Life and Death of Peter Sellers (2004), Modigliani (2004), István Szabó's Being Julia (2004) and Ladies in Lavender (2004) (with Dames Maggie Smith and Judi Dench).
Memorable television credits include Old Flames (1990), Freud (1984), The Life and Loves of a She-Devil (1986), Blackadder (1982), The Girls of Slender Means (1975), Oliver Twist (1985), The History Man (1981), Vanity Fair (2004), and Supply & Demand (1997).
Stage credits include Peter Hall's Los Angeles production of "Romeo & Juliet"; "She Stoops to Conquer" and "Orpheus Descending" (both also for Peter Hall); "The Threepenny Opera" (directed by Tony Richardson); "The White Devil" at The Old Vic (for Michael Lindsay-Hogg); the Bristol Old Vic production of "The Canterbury Tales"; and her own award-winning one-woman show, "Dickens' Woman".
In the 2002 Queen's New Years Honours List, Queen Elizabeth II awarded her the OBE for her services to Drama.- Eric Braeden is a German actor in America who began his career playing Nazis and eventually became a star of daytime soap operas. Born Hans Gudegast in Kiel, Germany, during the Second World War, he was a superb athlete who excelled in track-and-field events. As a teenager, he immigrated to the United States and worked in Texas and Montana as a translator, a cowhand, and a lumber millhand. His athleticism won him a scholarship to Montana State University. While attending college, he and friend Bob McKinnon made a film, The Riverbusters, about their successful attempt to be the first men to take a boat from the source to the mouth of the Salmon river and back again. He traveled to Los Angeles in hopes of finding a distributor for the documentary, but instead found that his handsome visage and accented English made him a valuable commodity as an actor. He appeared in small parts under his real name before landing the leading role of the antagonist, Captain Hans Dietrich, on the World War II television series The Rat Patrol (1966).
The series was a hit, and Gudegast's sympathetic German officer was very popular. He appeared in a few movies and television films thereafter in supporting roles, then was given the lead in Universal's science-fiction computer thriller Colossus: The Forbin Project (1970). His delight at this huge career boost was muted by the studio's insistence that he change his name. With extreme reluctance, he agreed and became known subsequently as Eric Braeden. Braeden worked continuously in television movies for the next decade. He also worked on Broadway and in Los Angeles area theatre. In 1980, he reluctantly accepted a role in a daytime drama, The Young and the Restless (1973), and gained a stardom in this medium that had just eluded him in film and prime time television. As lead Victor Newman, Braeden brought a gravity and a strong center to the program. Amazingly handsome and athletic into his sixties, Braeden maintained the charisma that first brought him notice in "The Rat Patrol".
His infrequent film work during his nearly quarter century on "The Young and the Restless" included a prominent role as John Jacob Astor in Titanic (1997). A five-time Emmy nominee for his "The Young and the Restless" role (he won in 1998), he was also nominated eleven times for the Soap Opera Digest Outstanding Leading Actor Award, winning three times. In 1987, he was appointed, along with Henry Kissinger, Paul Volker, Steffi Graf, Alexander Haig, and Katherine Graham, to the German-American Advisory Board, and in 1991 received the Federal Medal of Honor from the president of his native land, Germany. He married his college sweetheart Dale Russell in 1966. Their son, Christian Gudegast is a screenwriter. - Actor
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Blue-eyed and well-built Italian actor in international cinema, Franco Nero, was a painting photographer when he was discovered as an actor by director John Huston. He has since appeared in more than 200 movies around the world, working with Europe's top directors, such as Luis Buñuel, Rainer Werner Fassbinder, Claude Chabrol, Sergey Bondarchuk, Michael Cacoyannis, Elio Petri, Marco Bellocchio, Enzo G. Castellari, among many others.
Nero was born in Parma (Northern Italy), in the family of a strict police sergeant. His inclination for acting had already become obvious in his teenage years, when he began organizing and participating in student plays. After a short stint at a leading theater school, he moved to Rome, where he joined a small group of friends for the purpose of making documentaries. Still unsure of his ultimate vocation, he worked various jobs on the crew. He studied economics and trade in Milan University, and appeared in popular Italian photo-novels. This gave him a chance to gain a little role in Carlo Lizzani's La Celestina P... R... (1965).
A year later, the handsome face of Nero was noticed by Huston, who chose him for the role of "Abel" in The Bible in the Beginning... (1966) (aka La Bibbia). But success came after he got the role of the lonely gunfighter, dragging a coffin, in one of the best spaghetti-westerns; Sergio Corbucci's Django (1966). Nero then filmed a few other westerns of that style as Ferdinando Baldi's Texas, Adios (1966) and Lucio Fulci's Massacre Time (1966).
In 1967, Joshua Logan cast him in the film version of the musical Camelot (1967) (Warner Bros.), opposite Vanessa Redgrave, for which he was nominated for a Golden Globe award. During filming of Camelot, he met actress Vanessa Redgrave, who become his long-time partner (they married decades later). He played with Catherine Deneuve in Luis Buñuel's Tristana (1970) and was directed by Sergey Bondarchuk in the war drama The Battle of Neretva (1969). Later, director Bondarchuk cast Nero for the role of famous American reporter "John Reed" in two-part "Krasnye kolokola II" (1982). In the late 60s and during the 70s, Nero played many different roles, but most of them connected with political and criminal genre, which criticized the Italian justice system.
In the early 80s, Nero was chosen for the role of the white ninja, "Cole", in Enter the Ninja (1981) and in 1990 as terrorist "Gen. Esperanza", opposite Bruce Willis, in Renny Harlin's Die Hard 2 (1990). He has also payed the roles of leading national heroes, such as "Garibaldi" (Italy), "Arpad" (Hungary), and "Banovic Strahinja" (Yugoslavia). In the USA, he has been in successful mini-series, such as "The Pirate" (Warner Bros), "The Last Days of Pompeii" (CBS), "Young Catherine" (TNT), "Bella Mafia" (CBS), "The Painted Lady", "Saint Augustine", and movies such as "The Legend of Valentino", "21 Hours to Munich", "Force 10 from Navarone", "Enter the Ninja", "The Versace Murder", and Letters to Juliet (2010).
He worked with the top European directors from Carlo Lizzani, Damiano Damiani, Luigi Zampa, Luis Buñuel, Elio Petri, Michael Cacoyannis, Rainer Werner Fassbinder, Claude Chabrol, 'Vatroslav Mimica', Marco Bellocchio, etc. At the beginning of the 80s, he also began producing, writing and directing. Between films, he participates in various theatrical events.
Apart from his cinematographic work, Nero also works for charitable organizations. Over the last 45 years, he has been a benefactor of the Don Bosco orphanage in Tivoli. He has received many awards and, in 1992 for his artistic merits, a knighthood of the Italian Republic was bestowed on him by the President of Italy. In 2011, he was honored by Brunel University of London with the honorary degree of doctor of Letters honoris causa and, in Toronto, with a star on the Walk of Fame.- Actor
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Robert Forster was born Robert Wallace Foster, Jr. in Rochester, New York, to Grace Dorothy (Montanarella) and Robert Wallace Foster, Sr., who worked as an elephant trainer and baking supply company executive. He was of English, Irish, and Italian descent. Forster first became interested in acting while attending Rochester's Madison High School, where he performed as a song-and-dance man in musical revues. After graduating in 1959, Forster attended Heidelberg College, Alfred University and the University of Rochester on football scholarships and continued to perform in student theatrical revues.
After earning a BA in Psychology from Rochester in 1963, Forster took an apprenticeship at an East Rochester theater where he performed in such plays as "West Side Story". He moved to New York City in 1965, where his first big break came when he landed the lead in the two-character play "Mrs. Dally Has a Lover", opposite Arlene Francis. However, after the play ran its course work was hard to find in the theater. Forster returned to Rochester, where he worked as a substitute teacher and construction worker until an agent from 20th Century-Fox offered him a five-picture deal. His movie debut was a small part in the drama Reflections in a Golden Eye (1967), which starred Elizabeth Taylor and Marlon Brando. Forster went on to appear in small and minor roles alongside some top Hollywood actors in films like The Stalking Moon (1968) and Medium Cool (1969), and a large part in Justine (1969). Although he continued to act in feature films, he took the part of a hard-boiled detective in the short-lived TV series Banyon (1971).
Forster also appeared in notable parts in The Black Hole (1979), Avalanche (1978) and as the lead in the cult horror flick Alligator (1980), and played the part of a factory worker-turned-vigilante in the thriller Vigilante (1982). Forster also took the lead as a taxi driver in Walking the Edge (1985) by director Norbert Meisel. A series of action flicks followed, the most notable being The Delta Force (1986), starring Chuck Norris. By the late 1980s Forster's acting career had begun to slide, and he was getting less and less work; if there was any, he would be cast in small parts playing villains. Forster then began to work as a motivational speaker and an acting coach in Hollywood film schools.
However, in the mid-1990s, his career was resurrected by writer-director Quentin Tarantino, a big fan of Forster's early work, who offered him an audition for a part in his latest movie. After a seven-hour audition, Tarantino cast Forster as the tough but sympathetic bail bondsman Max Cherry in Jackie Brown (1997), which netted him an Academy Award nomination and a measure of recognition, both nationwide and within his own profession, landing him more high-profile roles in such films as All the Rage (1999), Gus Van Sant's Psycho (1998)--a remake of Alfred Hitchcock's 1960 film--and Supernova (2000). Forster continued to act in many big-budget Hollywood productions for the next two decades.
Forster died on October 11, 2019, in Los Angeles, California, aged 78. His last film, El Camino: A Breaking Bad Movie (2019), was released on the day of his death. He is survived by four children (Bobby, Elizabeth, Kate and Maeghen), four grandchildren (Tess, Liam, Jack and Olivia), and his long-time partner, Denise Grayson. Denise has been Robert's long-time partner and they had been together for 16 years till Robert passed away at home in Los Angeles surrounded by family.- Actor
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Charles Patrick Ryan O'Neal was an American actor and former boxer. He trained as an amateur boxer before beginning his career in acting in 1960. In 1964, he landed the role of Rodney Harrington on the ABC nighttime soap opera Peyton Place. It was an instant hit and boosted O'Neal's career. He later found success in films, most notably Love Story (1970), for which he received Academy Award and Golden Globe nominations as Best Actor, Peter Bogdanovich's What's Up, Doc? (1972) and Paper Moon (1973), Stanley Kubrick's Barry Lyndon (1975), Richard Attenborough's A Bridge Too Far (1977), and Walter Hill's The Driver (1978). From 2005 to 2017, he had a recurring role in the Fox television series Bones as Max, the father of the show's protagonist.- Actor
- Music Department
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Peter Cullen is a Canadian-American voice actor who is widely known for voicing Optimus Prime in the Transformers franchise as well as the Michael Bay film series. He is also known for providing the vocal effects of the Predator from the 1987 film of the same name, Eeyore from Winnie the Pooh, Monterey Jack from Chip 'n Dale Rescue Rangers and KARR in Knight Rider.- Actor
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Beau Bridges was born in Hollywood, and is the son of actor Lloyd Bridges and his wife, who was his college sweetheart, Dorothy Dean Bridges. Born just two days after the attack on Pearl Harbour, he was delivered by candlelight because of a power blackout. Named Lloyd Vernet Bridges III, his parents immediately started calling him Beau after Ashley Wilkes' son in Gone with the Wind (1939), a book they were reading at the time. His younger brother, actor Jeff Bridges, was born in 1949 and a sister, Cindy Bridges, the following year.
Although only 5'10", Beau played basketball for UCLA his freshman year. The following year he transferred to the University of Hawaii, but dropped out to pursue acting and got his first major role in 1967. During his first marriage to Julie Landifield, they adopted Casey Bridges and then had Jordan Bridges. He and his second wife, Wendy Treece Bridges, have three children from this marriage: Dylan Bridges (born 1985); Emily Bridges, (born 1987) and Ezekiel Jeffry Bridges.
Beau likes to play guitar and collects Native American percussion instruments. He also loves the ocean, including swimming and surfing. He is also active in environmental causes and handgun control.- Actress
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An English actress of stage, screen and television, sister to Hayley Mills and daughter of Sir John Mills, Juliet first came to notice in films, actually after her sister Hayley started her career. Juliet, however, was first plucked onto the screen and signing a contract with Warner Brothers and taking small roles in comedies like Nurse on Wheels (1963) and Carry on Jack (1964). It wasn't until 1966, when Juliet Mills started getting attention in her role opposite James Stewart and Maureen O'Hara in the western film The Rare Breed (1966). She continued in television in the seventies as a recurring guest star on The Love Boat (1977), Wonder Woman (1975) and Fantasy Island (1977). She got her first starring television series, Nanny and the Professor (1970), in 1970, co-starring Richard Long, the series was top-rated, but was shortly canceled after two seasons by ABC. She hit the screen again in 1974, playing the possessed "Jessica Barrett" in the Italian horror film Beyond the Door (1974) ("Beyond the Door") for Film Ventures International, but it was pulled from theaters because it resembled The Exorcist (1973), even though it was becoming a box office hit. She didn't get very many roles after that and continued in television through the eighties. She did a small part in Waxwork II: Lost in Time (1992) and then played Juliette Lewis's friendly maid in the 1999 major motion picture The Other Sister (1999), co-starring Diane Keaton and Tom Skerritt. Juliet Mills has recently been in the daytime drama (soap opera) Passions (1999), playing "Tabitha", the witch. She is married to actor Maxwell Caulfield.- Actress
- Stunts
Beautiful, vibrant-looking 60s actress Wende Wagner (her real name) was born in Connecticut in 1941. Of French, German and Native American heritage, her exotic looks would later serve her well on TV and in motion pictures. She inherited her athletic genes from her parents; her father was a former Olympic swimming/diving coach turned Naval Commander and her mother was a champion downhill skier.
The sweet-looking beauty entered the entertainment arena as a model and made her TV debut in 1959 on the Wagon Train (1957) western series. Very much a free spirit, she was more interested in surfing and traveling around the world than a career. She combined both passions when she earned work as an underwater female stunt double for Lloyd Bridges on his hit series Sea Hunt (1958) as well as the TV series The Aquanauts (1960), which took her to ideal tropical settings. She also stunted for such movies as September Storm (1960) co-starring Joanne Dru and Mark Stevens.
On that movie set, she met and subsequently married fellow stunt diver Courtney Brown (he was Mr. Stevens' double in that film), who coached her in underwater shooting. They had a daughter, Tiffany. During this time, they based their lives in the Bahamas where most of their shooting occurred. They divorced, however, after a short time and she returned to Hollywood where she won the role of an Apache girl in the movie Rio Conchos (1964) with Richard Boone, Anthony Franciosa and Stuart Whitman. A few years later, she married actor James Mitchum, Robert Mitchum's eldest son, but they too split. Wende's career continued in the 60s with a couple of movies and a role in the The Green Hornet (1966) TV adventure series but she eventually dropped out of sight. Little was heard from her until reports of her death from cancer in 1997.- Actress
- Producer
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Sally Kirkland, Best Actress Oscar Nominee, Golden Globe winner, Independent Spirit Award winner, LA Film Critics Circle Award winner, and veteran of over 200 movies. Feisty, hard-working, famously liberal, with the trademark blonde hair, actress Sally Kirkland has certainly made an indelible mark on Hollywood history. Born in New York City, her mother was the fashion editor at Vogue and LIFE magazine. Sally began her career on the off-Broadway circuit and trained under Lee Strasberg. Sally Kirkland is a movie, television, and theater veteran since the 1960s and is probably best known for the drama movie Anna (1987), for which she garnered the Best Actress Oscar nomination and won the Best Actress Golden Globe, the Independent Spirit Award, and the LA Film Critic's Circle Award.
Sally's first director was Andy Warhol in The 13 Most Beautiful Women (1964). Her 220 movies also include Coming Apart (1969), The Sting (1973), The Way We Were (1973), Cold Feet (1989), Best of the Best (1989), Revenge (1990), JFK (1991), Edtv (1999), Bruce Almighty (2003), Coffee Date (2006) and Archaeology of a Woman (2012). In the past couple of years, she has starred in Buddy Solitaire (2016), Gnaw (2017), and The Most Hated Woman in America (2017) co-starring with Melissa Leo and Peter Fonda. And coming out soon, she has starred in Sarah Q (2018), Cuck (2019), Invincible (2020) and Hope for the Holidays (2020). She was nominated for Best Actress in a television movie by the Hollywood Foreign Press for The Haunted (1991). Her television credits include: guest starring on Criminal Minds (2005), and recurring roles on Head Case (2007) and The Simple Life (2003). She guest starred on Resurrection Blvd. (2000) and in the television movie Another Woman's Husband (2000).
Sally had a recurring role on Felicity (1998) and starred in the NBC movie Brave New World (1998). She also starred in the television episode Song of Songs (1994), and was a series regular on the television series Valley of the Dolls (1994). She also co-starred in the television movie The Woman Who Loved Elvis (1993). She had a recurring role as Barbara Healy in the original Roseanne (1988) series. She starred in the television movie Heat Wave (1990), and recurred as Tracy on Days of Our Lives (1965). Sally is also an exhibited painter, poet, renowned acting coach and ordained minister.- Actor
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Peter Coyote was born in Manhattan, New York City, New York, USA as Robert Peter Cohon to Ruth (Fidler) and Morris Cohon, an investment banker. He is an actor, known for Bitter Moon (1992), Sphere (1998) and Patch Adams (1998). Coyote was previously married to Stefanie Pleet and Marilyn McCann.- Actor
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An actor with a powerful physique, booming voice and who has played several "Native American" characters, Sonny Landham first broke into mainstream film with a bit part as a police officer in the subway. He ends up getting tripped when Michael Beck throws the baseball bat at his legs, in Walter Hill's gang film The Warriors (1979), then other minor roles in Southern Comfort (1981) & Poltergeist (1982), before Walter Hill cast him in his first decent role as James Remar's gun happy, criminal partner in the high voltage hit 48 Hrs. (1982). Landham continued to turn up in high testosterone films of the mid 1980s including the action sci-fi film Predator (1987), alongside Arnold Schwarzenegger in Lock Up (1989), and being hurled out a window by Carl Weathers in Action Jackson (1988). His career on screen wound down during the 1990s, but he still managed to crop up in several roles taking advantage of his strong physical presence.- Stunts
- Actress
Jeannie Epper was born on 27 January 1941 in Glendale, California, USA. She was an actress, known for Romancing the Stone (1984), Quarantine (2008) and Kill Bill: Vol. 2 (2004). She was married to Tim Kimack. She died on 5 May 2024 in Simi Valley, California, USA.- Toian Matchinga was born on 23 November 1941 in Painesville, Ohio, USA. She is an actress, known for Mad City (1997), Madigan (1968) and Raid on Entebbe (1976). She has been married to Harold Brown since 31 December 1976. They have one child.
- Signed on as a Warner Brothers starlet, bouncy, blonde-coiffed Diane McBain would develop a burgeoning career as lively '60s "bad girl" and "spoiled rich girl" types on film and TV. Born in Cleveland, Ohio on May 18, 1941, the family moved to California while still young and she started things off as a "sweet 16" model in print and commercial ads. Eventually TV got more than just a glimpse of this diverting beauty after a WB talent agent spotted her in a Los Angeles play and signed her on during her senior year at Glendale High School.
After busily apprenticing on various TV projects, Diane made her first big splash in 1960 (age 19) with a prominent role in Ice Palace (1960) co-starring Richard Burton, Carolyn Jones and Martha Hyer. Brimming with style and confidence, Diane was quickly ushered into other films as Warner's answer to Carroll Baker, winning parts in two consecutive soapers. The first was Parrish (1961) with beef-cake film star Troy Donahue and screen legend Claudette Colbert; the other was the title role in Claudelle Inglish (1961) opposite up-and-comers Chad Everett and Robert Logan. Neither the tawdry scripts nor the box office receipts were anything to write home about unfortunately, and her leading lady career in films started to flounder with such fodder as The Caretakers (1963) with Joan Crawford, A Distant Trumpet (1964), yet again with Donahue, and Spinout (1966). The last was one of Elvis Presley' later vehicles that signified an inevitable fadeout was on the horizon. Significantly better was her dizzy good time girl and socialite "Daphne Dutton" on the hip Warner Bros. series Surfside 6 (1960) alongside Van Williams (later TV's "Green Hornet") and Donohue. The show ran for two seasons.
Diane proved popular with the teen set with her devilish débutantes and snobby sophisticates, even accompanying Bob Hope on one of his USO tours of South Vietnam in 1966/67. On the cult series Batman (1966), she played "Pinky Pinkston" (with pink hair, pink outfits and a pink dog). By the late 1960s, however, her career began drifting into exploitation with terrible titles like I Sailed to Tahiti with an All Girl Crew (1969), Maryjane (1968) and The Mini-Skirt Mob (1968) (miscast as a biker chick) representative of what she was being handed.
Diane instead lay low for a time focusing instead on her child, Evan Burke, more or less splitting from the Hollywood scene. A few plays (Amanda in "The Glass Menagerie") and low budget films came her way, and in the 1980s she was seen a bit more on daytime soaps. The still young-looking and ever-elegant Diane was out and about in the 1990s as well, playing good-looking grandmas on such shows as Sabrina the Teenage Witch (1996). The victim of a rape attack in 1982, Diane chose to rise above her traumatic circumstances and help others as a rape counselor. - Actor
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Jürgen Prochnow is the son of a telecommunications engineer. He has an older brother, Dieter Prochnow, who is also in the acting profession. Jürgen's parents encouraged him initially to study the banking trade. However, their son had other ideas and began working on the side as an extra and a gaffer at a theater in Düsseldorf. He eventually commenced acting studies at the Folkwang University of the Arts in Essen in 1963. His graduation three years later was followed by a first theatrical engagement in Osnabrück. Between 1971 and 1975, Prochnow was a member of the ensemble of the Schauspielhaus Bochum under the direction of Peter Zadek.
On screen from 1971, he made his debut on the big screen in (what was also Wolfgang Petersen's first film) the thriller One or the Other (1974). Prochnow commanded the lead as a struggling student who blackmails his sociology professor (Klaus Schwarzkopf) after discovering that the academic had attained his credentials by means of a plagiarised doctoral thesis. Dire consequences ensue. That same year, Petersen also directed Prochnow in an episode of the hit police series Tatort (1970). In the New German Cinema of the 1970s, the charismatic Prochnow was given ample opportunities to shine, as he did in the title role of the prison drama The Brutalization of Franz Blum (1974) and in Volker Schlöndorffs political drama The Lost Honor of Katharina Blum (1975) as a deserter wanted by the police and whose flight sparks a series of fateful events. During this period, the actor's stock-in-trade screen personae were laconic, taciturn types, often loners, yet men of integrity and strong emotional centres.
Prochnow's breakthrough to international stardom came via Wolfgang Petersen's brilliant maritime war drama Das Boot (1981). Prochnow took the nominal lead and was top-billed as the cool-headed, sympathetic veteran U-boat commander Heinrich Lehmann-Willenbrock, a kind of father figure to his crew and affectionately known as 'the old man'. A contemporary New York Times reviewer commented "The captain of the U-boat is played by Jurgen Prochnow, a remarkable actor who has also worked with Mr. Petersen on four other films. Mr. Prochnow's sad, solemn face rarely changes, but his pale eyes are extraordinarily alive. As the captain, he becomes a source of spiritual strength for his crewmen, even though his own cynicism is readily apparent". While the story of Das Boot was fictionalized, it was in part based on the exploits of a real Lehmann-Willenbrock, who did, in fact, captain U-96 (as one of four commands). He was decorated with the Knight's Cross with Oak Leaves (one of the highest honours bestowed) and survived the war to become captain of Germany's nuclear freighter Otto Hahn.
In the wake of Das Boot, Prochnow received many offers from Hollywood, his craggy features and military bearing getting him frequently typecast as callous villains in action films: he was Eddie Murphy's nemesis Maxwell Dent in Beverly Hills Cop II (1987), a brutal Norman knight in Robin Hood (1991), vicious gangster Charlie Dowd in Hurricane Smith (1992), the unhinged author of horror novels Sutter Cane in John Carpenter 's supernatural thriller In the Mouth of Madness (1994) and Judge Griffin, the chief villain of the piece who frames Sylvester Stallone for murder in Judge Dredd (1995). Prochnow also reunited with Wolfgang Petersen who directed him again in the box-office blockbuster Air Force One (1997) in the role of a rogue eastern European dictator bent on reigniting the Cold War. In season eight of the TV series 24 (2001), Prochnow featured as Jack Bauer's elusive antagonist Sergei Bazhaev, leader of a secret Russian crime syndicate.
On the side of the white hats, Prochnow has portrayed the ambitious banker André Vernet in The Da Vinci Code (2006) and Arnold Schwarzenegger in the poorly received biographical drama See Arnold Run (2005) (Prochnow had once even been under consideration to play Arnie's iconic Terminator role). He has also been active in German films and television, including a role as an unscrupulous businessman attempting to market a pharmaceutical product with known harmful side-effects in The Dark Side of the Moon (2015). On stage, he has essayed Etzel, king of the Huns in Siegfried's Erben at the 2018 Nibelungen Festival in Worms.
As a voice-over actor, Prochnow has been the German voice for Sylvester Stallone in several films (including Rocky (1976) and Rocky II (1979). He has also dubbed most of his own English-language roles into German. His awards include a Bambi in 1988 for his messianic role in The Seventh Sign (1988), a Golden Kamera as Best German Actor for Das Boot and a Jupiter Lifetime Achievement Award in 2013.
Prochnow adopted American citizenship in 2004, regularly commuting between Los Angeles and Munich. The actor's first wife was Isabel Goslar (daughter of Jürgen Goslar) who worked on Das Boot as a script supervisor and continuity manager. His second wife was the actress Birgit Stein who died in a motorcycle crash in Utah four years after her divorce from Prochnow in 2018. Since March 2015, Prochnow has been married to the Austrian actress Verena Wengler.- Actor
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David Hemmings, one of the great English cinema icons of the 1960s, was born in Guildford, Surrey, on November 18, 1941, to a cookie merchant and his wife. He was educated at Glyn College, Epsom, but while still a child, Hemmings made his first forays into the world of entertainment. An accomplished singer, he toured as a boy soprano with the English Opera Group, famed for his performances of the works of Benjamin Britten. Britten, who befriended the youngster, wrote some roles specifically for Hemmings, including that of "Miles" in "The Turn of the Screw". Hemmings subsequently took up painting after his career as a soprano was ended by his transit through puberty. He studied painting at the Epsom School of Art, where he staged the first exhibition of his work at the school when he was 15 years old.
Hemmings made his film debut in 1954, with The Rainbow Jacket (1954) for Ealing Studios. He also had bit part in Otto Preminger's 1957 version of Saint Joan (1957). In his 20s, he returned to singing, appearing at nightclubs before concentrating on the stage and the cinema. As the youth culture hit Britain in the late 50s (the Notting Hill race riots of August 1958 limned in Julien Temple's 1986 film Absolute Beginners (1986) being a kind of bookmark signaling its arrival), Hemmings was in the right place at the right time to capitalize on his skills and looks. Boyish-looking, with large, protuberant blue eyes covered with heavy lids, his face was at once startling and decadent while simultaneously conveying an air of fragility. He starred in pop music movies Sing and Swing (1963) and Be My Guest (1965), as well as co-starring in one of Michael Winner's first films, The Girl-Getters (1964), with Oliver Reed.
The 24-year-old Hemmings desperately wanted what would become his career-defining role, as the morally jaded fashion photographer Thomas in master-director Michelangelo Antonioni's Blow-Up (1966). He was up against the crème of British actors, including Terence Stamp, who already had an Oscar nomination under his belt and was conventionally handsome.
Hemmings thought he had blown his audition as Antonioni shook his head constantly throughout his audition. However, he later found out the great director had a mild form of Tourette's which caused him to move his head from side to side.
The role made him a star and, for a while, a darling of the pop culture filmmaking that was expected to revolutionize the English-speaking cinema in the 1960s, after the 1964 Best Picture Oscar-win of Tony Richardson's Tom Jones (1963). He was cast as Mordred in the big-screen adaptation of Lerner & Lowe's musical Camelot (1967) with Richard Harris and Hemmings Blow-Up (1966) co-star Vanessa Redgrave to critically panned results. The same year that "Camelot" was released (1967), he put out a pop single ("Back Street Mirror") and an album, "David Hemmings Happens", recorded in Los Angeles. His album was produced by Jim Dickinson, the early producer of The Byrds, and featured instrumental backing by several members of group. It was re-released on CD in 2005.
In 1968, he appeared as Dildano opposite Jane Fonda (in her incarnation as a sexpot) in Roger Vadim's kitsch classic Barbarella (1968).
However, to reduce stereotyping and his identification with pop culture filmmaking, he took on the role of the anti-hero Captain Nolan in Tony Richardson's masterful satire The Charge of the Light Brigade (1968) and later, the eponymous role in Alfred the Great (1969). While both films were imbued with the counter-cultural attitudes of their times, the roles themselves were rather straightforward. Hemmings had reached the summit of his career as an actor. These were the heights he never reached again.
As the quality of his roles declined, Hemmings turned more to directing. He had directed his first film in 1972, helming the thriller Running Scared (1972) which starred Gayle Hunnicutt, his wife from 1968 to 1974. Hemmings also co-wrote the script. In the 1970s, he had relocated to Malibu, California to live with Hunnicutt, and the fabled beach community which was his home for the next generation. In 1975, he starred as Bertie Wooster in the Andrew Lloyd Webber musical, "Jeeves", one of Lord Webber's few flops.
Hemmings formed the independent production company Hemdale Corp. with his business partner, John Daly, in the early 1970s as a tax shelter. He was able to use Hemdale and his role as a producer to vivify his directing career. In 1979, Hemmings the director first attracted major attention with Just a Gigolo (1978), but the film was a flop in spite of its interesting cast. After directing the 1981 adventure film Treasure of the Yankee Zephyr (1981) and an adaptation of James Herbert's novel "The Survivor", he focused on TV directing. He soon became one of the top directors of American action TV programs, including The A-Team (1983), Airwolf (1984), Magnum, P.I. (1980) and Quantum Leap (1989).
However, in the nineties, he abandoned directing, and returned to live in the UK. The role of "Cassius" in Gladiator (2000) heralded his full-time return to acting. He was also memorable in a small role in Martin Scorsese's Gangs of New York (2002). But it was his last major role, in the cinema adaption of Graham Swift's Last Orders (2001), that showed Hemmings at the top of his talent. Unrecognizable from the boy-man of 1966-70, he was memorable as the ex-boxer who ruefully remembers the past with his remaining buddies as they travel to throw the ashes of a departed friend into the sea. That two of the other major roles were filled by Michael Caine and Tom Courtenay, two other British actors whose careers first flourished in the 1960s, added to the poignancy of this tale of men trying to recapture lost time. He also appeared, less memorably, in The League of Extraordinary Gentlemen (2003) opposite the ultimate 60s male British cinema icon, Sean Connery.
David Hemmings died of a heart attack on December 3, 2003, in Bucharest, Romania, on the set of Blessed (2004), after playing his scenes for the day. He was 62 years old. His autobiography, "Blow Up... and Other Exaggerations" was published in 2004.- Indus Arthur was born on 28 April 1941 in Los Angeles, California, USA. She was an actress, known for M*A*S*H (1970), The Alfred Hitchcock Hour (1962) and Ben Casey (1961). She died on 29 December 1984 in Los Angeles County, California, USA.
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Preferring contemporary over classical theatre (with nary a Shakespeare stage credit in sight), one of West End theatre's most enduring and popular faces of the past four decades has been that of Tom Conti.
He was born Thomas Antonio Conti on November 22, 1941, in Paisley, Scotland, to a pair of hairdressers. His father, Alfonso, was an Italian immigrant, and his mother, Mary (McGoldrick), was Scottish, though of Irish descent. A student at Hamilton Park Catholic School (for boys), he initially trained for a musical career as a classical pianist but switched gears while attending the Royal Scottish Academy of Music and Drama. Conti's acting credits began with the Citizen's Theatre's 1959 production of "The Roving Boy" at age eighteen.
Throughout the 1960s he tried to make ends meet on the Glasgow and English repertory stages but gained little momentum despite some scattered TV appearances in between. Unable to find the break to sustain himself, he considered leaving the arts at one point for a steadier career in medicine. While performing in the 1972 play "The Black and White Minstrels" at the Traverse Theatre for the Edinburgh Festival, however, he was spotted and cast in the TV series Adam Smith (1972), thus beginning a more promising streak of work. He would return to the play in 1974 at the Hampstead Theatre, where he also performed in "Other People" (also 1974) and as the title role of "Don Juan" (1976). An earlier London stage debut in 1973 with the acclaimed Christopher Hampton play "Savages" also helped move things along.
Following a number of successful Engish mini-series roles, particularly his slothful Charles Bovary in Madame Bovary (1975), Jewish novelist Adam Morris in The Glittering Prizes (1976), and ever-conquesting Norman in "The Norman Conquest" trilogy by Alan Ayckbourn, Tom reaped huge career rewards under the theatre lights starring as a paralyzed sculptor in both the London and Broadway mountings of the right-to-die play "Whose Life is it Anyway?" in 1979. Among the reaps were the Tony, Outer Critics Circle, Laurence Olivier, and Variety Club Awards; among the rewards was a 1980s film career in starring roles. Despite losing out on recreating his "Whose Life..." role on film (Richard Dreyfuss was granted that opportunity in 1981), Tom absolutely wowed American audiences with his scene-stealing work in Merry Christmas Mr. Lawrence (1983) and Reuben, Reuben (1983). He was given the National Board of Review award for his participation in both films, and earned a "leading actor" Oscar nomination for the latter in which he played an alcoholic Scottish writer. To date, he has not received another Oscar nomination or, arguably, been handed comparative film roles since.
Continuing in American films with the lesser-received American Dreamer (1984) and Saving Grace (1986), he failed to nab what seemed quite inevitable -- Hollywood screen stardom. He did, however, venture off to find other film projects to star or co-star in over the years -- both here and abroad. These have included Shirley Valentine (1989) opposite Pauline Collins, Someone Else's America (1995), Out of Control (1998), Paid (2006), O Jerusalem (2006), Blind Revenge (2009) with Daryl Hannah, a gender-bending version of The Tempest (2010) (as Gonzalo), City Slacker (2012), Paddington 2 (2017) and the sci-fi horror yarn Peripheral (2018).
Not one to frequent pubs himself, he nevertheless earned glowing reviews disappearing into the lives of two notorious celebrity tipplers -- columnist Jeffrey Bernard in "Jeffrey Bernard Is Unwell" (1990, 2000, 2006) and bon vivant actor John Barrymore in "One Helluva Life" (2002) -- in separate one-man stage shows. A writer as well, the versatile Conti published the thriller novel "The Doctor" in 2004. He has long been married to Scottish actress Kara Wilson (since 1967), who has appeared with him on stage ("Present Laughter" and "The Last of the Red Hot Lovers", both of which he also directed) as well as TV and film. Daughter Nina is an actress and ventriloquist. The couple maintain residence in London.- Writer
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Bernardo Bertolucci, the Italian director whose films were known for their colorful visual style, was born in Parma, Italy. He attended Rome University and became famous as a poet. He served as assistant director for Pier Paolo Pasolini in the film Accattone (1961) and directed The Grim Reaper (1962). His second film, Before the Revolution (1964), which was released in 1971, received an Academy Award nomination for best screenplay. Bertolucci also received an Academy Award nomination as best director for Last Tango in Paris (1972), and the best director and best screenplay for the film The Last Emperor (1987), which walked away with nine Academy Awards.- Jenny Maxwell was an American actress of Norwegian descent. She had a relatively brief career during the late 1950s and the 1960s. Her most substantial role was that of Ellie Corbett in the musical comedy "Blue Hawaii" (1961), depicted as a flirtatious teenage girl who has suicidal thoughts.
Maxwell was born in New York City. Her father was reportedly a construction worker. The original family name was "Moksvold", but was Americanized to "Maxwell". In news reports of the 1950s, it was claimed that Maxwell was a cousin of fellow actress Marilyn Monroe (1926 -1962). This connection was used for publicity reasons, but it is unclear whether it was an actual relation or a mere fabrication.
In 1958, Maxwell was "discovered" by film director Vincente Minnelli (1903 -1986). He had brought her to Hollywood, where she auditioned for a substantial role in the drama film "Some Came Running". Maxwell did not get this part, but was offered guest start roles in television. She appeared in then-popular television series, such as "Bachelor Father ", "Father Knows Best ", and "Bonanza".
In 1959, Maxwell made her film debut in the drama film "Blue Denim". The film concerned teenage pregnancy, and teenagers raising the funds needed for an abortion. It was based on a theatrical play by James Leo Herlihy (1927 - 1993). Maxwell's role was uncredited, though her character did receive a name.
In 1961, Maxwell received a substantial role in "Blue Hawaii". Though she was not the film's female lead, Maxwell appeared in several of its key scenes and. Her character was depicted as a 17-year-old girl trying to seduce the film's protagonist Chadwick "Chad" Gates (played by Elvis Presley) , while feeling that nobody loves her and considering suicide. Her character received plenty of screen-time, and had its own subplots within the film. The film was a box office hit, the 10th highest-grossing film of 1961. This was probably the height of Maxwell's career.
In 1963, Maxwell had a small role in the comedy film "Take Her, She's Mine". The film concerned a father and daughter relationship, with a middle-aged father worried because his college-aged daughter is hanging out with beatniks. The film was a box office flop, grossing less than its own production costs.
In 1963, Maxwell had another role as a teenage girl in the comedy film "Shotgun Wedding". In the film, her character Honey Bee Heller wants to marry her boyfriend, who happens to be the son of her father's worst enemy. The film was a B-movie, mainly remembered because one of its screenwriters was the famous director Ed Wood ( 1924 -1978). This was Maxwell's last film's role.
Maxwell continued frequently appearing in television roles throughout the 1960s, mostly in guest star roles. Her career was not particularly lucrative, and she reportedly faced financial problems. In 1970, she married her second husband, the affluent lawyer Ervin "Tip" Roeder. Roeder was 21 years older than her, but could provide for her. At that point, Maxwell retired from acting.
In the early 1970s, Maxwell and her husband settled on a large home, located on Cherokee Lane in Beverly Hills. She decorated it in safari-style, and started inviting friends and associates for parties in her home. Roeder rarely attended these parties. Their marriage was reportedly turbulent, with the couple repeatedly trying to live separately and then reuniting. By 1980, Maxwell had started a divorce process. She was entitled to a "hefty" divorce settlement.
On June 9, 1981, Maxwell had a minor surgery at a hospital. While they lived separately at the time, Roeder offered to drive her home once she exited the hospital. She took the offer, though her friends distrusted Roeder. On June 10, Maxwell and Roeder visited a restaurant together. Afterwards, they drove to Roeder's residence in Beverly Hills.
Shortly afterwards, someone shot both Maxwell and Roeder. When Roeder called for help, Maxwell was already dead with "half her head blown away". Roeder died shortly afterwards, without identifying their assailant. Maxwell was 39-years-old at the time of her death. The police attributed the deaths to a botched robbery, though nothing was stolen from Roeder's residence. The case remains officially unsolved.
In 2018, veteran journalist Buddy Moorehouse (a cousin of Maxwell) started researching the murder. He found out that the police had further theories on the murder, though with no known suspects. He used his research to publish the novel "Murder of an Elvis Girl: Solving the Jenny Maxwell Case" (2021), a fictionalized depiction of the murder case.
Maxwell is long gone, though she is still remembered for her relatively few notable roles. Her unsolved murder has attracted the interest of true-crime writers, and still attracts some publicity. She is probably more famous than many struggling actresses of her era. - Director
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A controversial film maker, Wolfgang Petersen has at once been lauded for his professionalism and attention to detail and decried for turning out a string of standard commercial Hollywood blockbusters. The son of a naval officer, Petersen held a lifelong fascination with the sea and naval subjects. He was born in Emden and attended drama school in Hamburg. Having already made some 8 mm films while at school, he proceeded to direct as well as act at the Junges Theater in Hamburg (later renamed the Ernst-Deutsch-Theater). In 1966, he joined the newly formed Deutsche Film- und Fernsehakademie Berlin (DFFB) where he made several short films while simultaneously directing plays in Hamburg. Having caught the eye of German television networks, Petersen went on to direct a string of TV movies which often dealt with such contentious issues as environmental pollution and underage sex. An early success and also his first cinematic release was the taut psychological thriller One or the Other (1974), which starred Jürgen Prochnow and Elke Sommer. This led to more regular assignments on the ever-popular detective series Tatort (1970) for which Petersen directed six episodes.
In 1980, Petersen was commissioned by Bavaria Studios to direct Das Boot (1981), based on a 1971 novel by Lothar G. Buchheim. Filmed on a budget of 32 million DM, it became the most realistic and harrowing portrayal of life aboard a submarine in wartime filmed to date, the action of 'Das Boot' being set during the battle of the North Atlantic and culminating in an abortive attempt to cross the British-controlled strait of Gibraltar into the Mediterranean. The film concluded with a bitterly ironic climax. 'Das Boot' (re-released as a miniseries in 1985) starred Petersen's long-standing collaborator Jürgen Prochnow (who became an international star as a result) and was nominated for six Academy Awards (including Best Director and Best Writing). In its wake, Petersen directed and co-wrote a children's fantasy --again filmed at the Bavaria facilities near Munich-- The NeverEnding Story (1984). Though successful at the box-office (especially in Germany), it did not attract universal critical appeal. By contrast, his second English-language film, the science fiction drama Enemy Mine (1985) was only a modest financial success but rated better in reviews over the years, the Los Angeles Times describing it as "surprisingly coherent, surprisingly enjoyable".
In 1987, Petersen moved to Santa Monica, California. For a while, he was part of an A-list of directors tasked with helming mega-budget blockbusters starring big name actors like Clint Eastwood, Harrison Ford, George Clooney and Brad Pitt. Most were palpable box-office hits, especially In the Line of Fire (1993) (often cited as his best Hollywood enterprise), Air Force One (1997) and the historical epic Troy (2004), which grossed $497.4 million worldwide. Reviewer reception for Troy tended to be lukewarm to cool, even more so with the disaster movies Outbreak (1995) and The Perfect Storm (2000), the latter criticized as suffering from "a lack of any actual drama or characterization". Attracting even lower critical esteem was Petersen's remake of Irwin Allen 's original 1972 disaster movie, Poseidon (2006). It ended up both a box office and a critical flop in the U.S. with only the superior CGI special effects gaining plaudits. Poseidon was nominated for the Golden Raspberry Award for Worst Remake. Following this debacle, Petersen withdrew from Hollywood and had a decade-long hiatus before directing his final picture, the German heist drama Vier gegen die Bank (2016).
Petersen's second wife was the assistant director and script supervisor Maria-Antoinette Borgel with whom he had a son. Petersen died from pancreatic cancer on August 12 2022 in Brentwood, California.- Actor
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Scrappy, plucky-looking Kentucky-born Tommy Kirk, who was born on December 10, 1941, became synonymous with everything clean and fun that Disney Entertainment prescribed to in the late 1950s and very early 1960s. One of four sons born to a mechanic, Louie, and legal secretary, Lucy, the Kirk family, in search of better job prospects, moved from Louisville to Downey, California while Tommy was still an infant. The boy's interest in acting was ignited at the age of 13 years when he (instead of older brother Joe) was cast in a minor role in a production of Will Rogers Jr. and Bobby Driscoll in a production of Eugene O'Neill's "Ah, Wilderness!" at the Pasadena Playhouse. Discovered by a Hollywood agent who saw him and signed him up, Tommy went on to appear in two other Pasadena theatre plays, Portrait in Black" and "Barefoot in Athens" and on TV ("Lux Video Theatre, "Frontier," "Big Town," "Gunsmoke" and "The Loretta Young Show") and film (Down Liberty Road (1956) and The Peacemaker (1956)). It was an episode of "Matinee Theatre" that brought the freshly-scrubbed All-American kid to the attention of mogul Walt Disney who quickly signed him to a long-term contract.
In 1955, the lad became a member of the The Mickey Mouse Club (1955) TV series and won a legion of young fans as the brush-cut haired, irrepressibly inquisitive young sleuth Joe Hardy in two "Hardy Boys" serials ("The Mystery of the Applegate Treasure," "The Mystery of the Ghost Farm") with Tim Considine, another young promising Disney staple, playing older brother Frank. With time Tommy became a prime juvenile Disney hero and ideal mischief maker for many of the studio's full-length comedy and drama classics, earning nationwide teen idol status for his exuberant work in Old Yeller (1957), The Shaggy Dog (1959), Swiss Family Robinson (1960), The Absent Minded Professor (1961), Babes in Toyland (1961), Bon Voyage! (1962), Moon Pilot (1962), Son of Flubber (1962) and The Misadventures of Merlin Jones (1964).
In 1963 the bubble completely burst when the Disney factory found out 21-year-old Tommy was in a relationship with an underage boy. He was also arrested on Christmas Eve in 1964 when a party he was attending was raided and busted for marijuana use. Although charges were dropped, it was too late. Fired from his role in the John Wayne western The Sons of Katie Elder (1965) as a result, the Disney studio, out of protection, was forced to release him from his contract, but not after rehiring him one more time to complete a "Merlin Jones" movie sequel entitled The Monkey's Uncle (1965)).
Tommy found very mild restitution after signing with AIP (American International Pictures) and appearing in such popular teen-oriented flicks as Pajama Party (1964), co-starring fellow Disney cohort Annette Funicello, and The Ghost in the Invisible Bikini (1966). He also began appearing on the musical stage as Harold Hill in "The Music Man," Riff in "West Side Story" and as the lead in "Tovarich." He also was lent out to do a lead in the mediocre cult sci-fi Embassy Picture Village of the Giants (1965). After leaving AIP, things got progressively worse for Tommy with a lead role in Trans American Film's It's a Bikini World (1967) -- by this time, beach party films were no longer trendy. Bargain basement fare such as Unkissed Bride (1966)_ (aka Mother Goose a Go-Go), UA's Track of Thunder (1967), Catalina Caper (1967) Mars Needs Women (1968), in which he played a Martian, and Blood of Ghastly Horror (1967) (aka Psycho a Go-Go) pretty much spelled as a leading man. Practically blacklisted by an industry that deemed "outed" gay actors "box office poison," he returned to the musical theatre in his home state of Kentucky with such shows as "Anything Goes" (as Moonface Martin), "Hello, Dolly!" (as Horace Vandergelder), "A Funny Thing Happened on the Way to the Forum" (as Marcus Lycus) and "Little Mary Sunshine" (as General Fairfax).
Following roles in the low budget 70s films Ride the Hot Wind (1973) and the unreleased My Name Is Legend (1975) as well as an isolated TV part on a 1972 episode of "The Streets of San Francisco," Tommy disappeared from the limelight. His life went into a seemingly irreversible tailspin. Depressed and angry, he sought solace in drugs and nearly died from an acute overdose at one point. For health reasons he felt the need to completely abandon his career and slowly moved himself forward as a recovering addict. On a very positive note, he was able to build a very successful carpet and upholstery cleaning company for himself ("Tommy Kirk's Carpet and Upholstery) in Southern California's San Fernando Valley. It stayed open for business for well over two decades.
After some time away, Tommy showed up again in Hollywood, glimpsed in a few dismissible low-budgeters here and there, including Streets of Death (1988), Attack of the 60 Foot Centerfolds (1995), Little Miss Magic (1998), Billy Frankenstein (1998), Club Dead (2000) and, his last to date, The Education of a Vampire (2001). He appeared in several documentary interviews for the DVD releases of some of his best known films and TV shows, and occasionally at film festivals and nostalgia convention/memorabilia fests. He lived in Las Vegas.- Actor
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Joe Flaherty was born on 21 June 1941 in Pittsburgh, Pennsylvania, USA. He was an actor and writer, known for Happy Gilmore (1996), Back to the Future Part II (1989) and Detroit Rock City (1999). He was married to Judith Ann Dagley. He died on 1 April 2024 in Toronto, Ontario, Canada.- Actor
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William Lucking was born on 17 June 1941 in Vicksburg, Michigan, USA. He was an actor and director, known for Red Dragon (2002), The World's Fastest Indian (2005) and Contraband (2012). He was married to Sigrid Insull and Mary Carolyn Linda Elizabeth "MiMi" Hawkins. He died on 18 October 2021 in Las Vegas, Nevada, USA.- Actor
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Robert Foxworth was born on 1 November 1941 in Houston, Texas, USA. He is an actor and director, known for Transformers: Dark of the Moon (2011), Transformers: Age of Extinction (2014) and Transformers (2007). He has been married to Stacey Thomas since 2 August 1998. He was previously married to Elizabeth Montgomery and Marilyn McCormick.- Laura Antonelli was born on 28 November 1941 in Pola, Istria, Italy [now Pula, Istria, Croatia]. She was an actress, known for Passion of Love (1981), Malicious (1973) and The Innocent (1976). She was married to Enrico Piacentini. She died on 22 June 2015 in Ladispoli, Rome, Lazio, Italy.
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Sarah Miles is an English actress whose career flourished during the Swinging Sixties and in the early Seventies. The high point of her career came when her husband, screenwriter Robert Bolt, adapted "Madame Bovary" into a story set during the 1916 Easter Rebellion in Ireland. Directed by David Lean, Ryan's Daughter (1970), with Miles as the eponymous lead, brought her a Best Actress Oscar nomination. Lean equated her as a talent with Julie Christie, whom she physically resembled. However, Bolt's next script for her, Lady Caroline Lamb (1972), which he also directed, was a critical and box office flop when it was released in 1973.
That same year, she was involved with scandal when her manager died under mysterious circumstances during the shooting of The Man Who Loved Cat Dancing (1973). She reportedly was cuckolding Robert Bolt with her "Cat" co-star, Burt Reynolds.
After appearing in a TV adaptation of William Faulkner's "Requiem for a Nun" for the Hollywood Television Theatre (broadcast by PBS) in 1975 and The Sailor Who Fell from Grace with the Sea (1976) in 1976, Miles divorced Bolt and her career dropped off. Miles had one last burst of glory with Hope and Glory (1987) (1989). She is now retired from the acting.- Actor
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Bruno Ganz was an acclaimed Swiss actor who was a prominent figure in German language film and television for over fifty years. He is internationally renowned for portraying Adolf Hitler in the Academy Award-nominated film Downfall (2004).
Ganz was born in Zürich, to a Swiss mechanic father and a northern Italian mother. He decided to pursue an acting career by the time he entered university. He debuted at the theatre in 1961, and gained a reputation as a reflective, charismatic and technically brilliant stage actor. In 1970, he and Peter Stein founded the theatre company 'Schaubühne' in Berlin, Germany. On stage, Ganz portrayed Dr. Heinrich Faust in Peter Stein's staging of Faust, Part One and Faust, Part Two in 2000.
In cinema, Ganz became one of the best-known and most acclaimed actors in the German language, collaborating with many of the most respected European actors and directors of his time. He also starred in international features that reached a global audience. His film debut was The Gentleman in the Black Derby (1960). He also starred in Unknown (2011), The Counselor (2013), and The Party (2017).
Ganz died from cancer on 16 February 2019 at his home in the village of Au, in Wädenswil, Switzerland.- Actor
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As one of Hollywood's tallest actors standing at 6' 3", he will always be noticed. Michael Moriarty is one of the great character T.V. actors of all time. He was born in Detroit, Michigan, in 1941. Moriarty was to move to London, England, where he built up a name as a great stage actor. It was also here he attended London's Royal Academy of Dramatic Arts as a Fullbright Scholar and as a student of Stella Adler. Michael Moriarty also had early employment selling encyclopedias and tyres. Moriarty from 1971 was to star in a number of successful movies, like Bang the Drum Slowly (1973) and The Last Detail (1973), but his biggest success was to follow when he won a Golden Globe for his performance as the cruel, old, vicious Erik Dorf in Holocaust (1978) (a 1978 mini series), which also stars James Woods.- Actor
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Tommy Rettig was a successful child actor in 1954 when he was chosen out of a field of 500 to play Jeff Miller in the TV series Lassie (1954), which premiered on September 12, 1954, making him the first boy who tagged after Lassie during the famous collie's 20 years on the CBS television network. He was with the show for four years, after which Lassie acquired a whole new family. As an adult, he was a photographer, tool salesman, computer programmer, and health club manager.
Rettig was born in Queens, New York City, the only child of Rosemary (Nibali) and Elias Rettig, a Lockheed aircraft-parts inspector. His father was of Russian Jewish descent, and his mother was of Italian heritage. Tommy began his career at age five, after he was spotted by an acting coach who lived in the family's apartment building. After touring with Mary Martin in Annie Get Your Gun, he landed roles in movies beginning age nine, making 17 films in total, among them River of No Return (1954), starring Marilyn Monroe, and perhaps most memorably as the boy with the vivid imagination in The 5,000 Fingers of Dr. T. (1953). At 12, he was cast as Jeff Miller. He bonded strongly with his canine costar--who, like the whole line of Lassies, was male--and even took him home on weekends (the family had moved West in 1949). That stopped when Lassie became confused about whether to obey his trainer or Rettig.
He was busted in the '70s for marijuana possession and cocaine smuggling (The latter charge was overturned), and was also a long time advocate for the legalization of marijuana. After graduating from L.A.'s University High in 1958 and marrying 15-year-old Darlene Portwood, he tried to get back into acting, without much success. In the early '80s, having tried selling tools and managing a health club, he founded an est-like motivation program. But it wasn't until he sat down at a computer to compile a mailing list that he finally found himself
At Ashton-Tate, Tom was one of the designers of dBASE III and wrote the essential reference book on it. He built the first add-on library for Clipper, pioneering the public domain tools that make all our jobs easier. Tom wrote articles for Data Based Advisor, appeared on FoxPro Advisor satellite TV conferences, and spoke at many developer events including the FoxPro DevCons. Tom Rettig's Help and Tom Rettig's FoxPro Handbook taught the intricacies of FoxPro. Tom's ability as a programmer was legendary - he was a guru with a Hollywood-famous name. Yet he was one of the most friendly, accessible people you'd hope to meet.
Followinig his death from a heart attack at the age of fifty-four, his ashes were spread on the ocean off Marina del Rey, California, from the boat LaSea, with one of Lassie's descendants present to say goodbye.- One of three children, Charlotte Stewart was born in Yuba City, California, USA on 27 February 1941. In the 1950s, she studied acting in Pasadena. She is famous for portraying the role of beloved schoolteacher "Miss Beadle" in the popular television series Little House on the Prairie (1974). She was with the show from 1974 - 1978. Charlotte Stewart has also worked with controversial filmmaker David Lynch on two occasions, in the cult classic Eraserhead (1977) and the TV series Twin Peaks (1990). Charlotte Stewart was once married to actor Tim Considine. They divorced, and she married David Banks (whom she had met years before, when she studied the craft of acting) in 1992.
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Mickey Jones was born on 10 June 1941 in Houston, Texas, USA. He was an actor and director, known for Total Recall (1990), Starman (1984) and Sling Blade (1996). He was married to Phyllis Jean Starr and Sandra Joel Davis. He died on 7 February 2018 in Simi Valley, California, USA.- Trish Van Devere is an American actress best-known for her comedic turn in Carl Reiner's cult classic, Where's Poppa? (1970), in support of George Segal and Ruth Gordon, and for being the wife and widow and frequent co-star of legendary actor, George C. Scott. Born Patricia Louise Dressel on March 9, 1941 in Tenafly, New Jersey, she first made her mark, professionally, on the soap opera, One Life to Live (1968). She met Scott when they co-starred (along with his then-wife Colleen Dewhurst) in the neo-noir, The Last Run (1971). Scott eventually shed Dewhurst (for the second time) and married Van Devere in 1972. She co-starred with him in Mike Nichols' thriller, The Day of the Dolphin (1973), which was not a success, and The Savage Is Loose (1974), a flop, directed by Scott, that was barely released. During the rest of the decade, they co-starred in the TV movie, Beauty and the Beast (1976), Movie Movie (1978), and The Changeling (1980) (1980), a period that coincided with the decline of Scott's stardom and critical reputation. After 1980, when the two appeared on Broadway in a calamitous flop, she continued to appear in less prestigious movies and on TV until 1994.
Van Devere became a stage actress under the tutelage of Scott. She made her Broadway debut in 1975 in a revival of Eugene O'Neill's "All God's Chillun Got Wings", directed by her husband. She also co-starred with him on the Great White Way in "Sly Fox", a retelling of Ben Jonson's "Volpone", that was a great hit. In 1980, they co-starred for the final time on Broadway in the mystery-romance, "Tricks of the Trade", which closed on opening night. - Actress
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Dana Ivey was born in Atlanta, Georgia. She decided at age six that she wanted to act, and throughout school she pursued it. She majored in theatre at Rollins College in Florida. She received a grant to study drama in England at the London Academy of Music and Art. She has received critical acclaim on the stage, winning many honors, such as a Tony Nomination, an Outer Critics award, a Drama Desk Award. She has appeared on such television shows as Law & Order (1990) and Frasier (1993). She currently lives in New York City.- Actress
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Brunette bombshell and second-string goddess Jamaican actress Martine Beswick(e) was born on September 26, 1941, to a British father and Portuguese/Jamaican mother in Port Antonio, Jamaica. Some brief modeling and pageant entering came to be before seeking a career in films. She allegedly once won a "Miss Autoville" contest and won a car only to sell it in order to move to and study acting in London.
While finding roles on such British TV series as "Secret Agent," "Love Story" and "Court Martial," a minor break occurred for Martine in the James Bond "007" film series. Director Terence Young cast her twice -- as the gypsy girl Zora in From Russia with Love (1963) and then as the doomed spy Paula in Thunderball (1965). After playing in the well-tanned minority ranks for years, Martine finally got noticed after cat-fighting with Raquel Welch in the cult prehistoric saga One Million Years B.C. (1966), which also starred handsome caveman John Richardson. She also starred in her own back-in-time Neanderthal low-budget Prehistoric Women (1967).
Transporting herself to Hollywood in the late 1960's, Martine guested on such shows as "It Takes a Thief," "Mannix," "The Name of the Game" and "Longstreet." She then made an infamous mark as the distaff evil incarnate in the Hammer Studio horror cult hit Dr Jekyll & Sister Hyde (1971). Other films during that time usually had her in various stages of sexy undress, including Ultimo tango a Zagarol (1973), The Kiss of Death (1974) and Seizure (1974).
She later focused on TV with such mini-movie entries as Crime Club (1975), Strange New World (1975), Devil Dog: The Hound of Hell (1978), My Husband Is Missing (1978) and The Tenth Month (1979), plus the mini-series Aspen (1977) and episodes of "The Six Million Dollar Man," "Baretta," "Quincy," "The Fall Guy," "Fantasy Island," "Hart to Hart," "Buffalo Bill" and "Sledge Hammer." In the mid-1980's, Martine also found back-to-back daytime work on the soap operas Days of Our Lives (1965) and Santa Barbara (1984).
On film, she would quicken pulses as Xaviera Hollander as The Happy Hooker Goes Hollywood (1980), but not return until the early 1990's with the horror films Evil Spirits (1991) and Trancers II (1991), the comedy Life on the Edge (1992) and the drama Wide Sargasso Sea (1993). After filming Night of the Scarecrow (1995), Martine retired from films.
Since then, she has mainly participated in film documentaries, providing commentary and relating her experiences on the many films in which she has appeared. She owned a removals business in London and is semiretired except for guest appearances at James Bond conventions. She did, however, more recently return (after 25 years) to star with fellow Hammer actors Caroline Munro and Veronica Carlson in a horror "tribute" to Hammer entitled House of the Gorgon (2019).- Actress
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Claudine Auger, a former Miss France 1st Runner-up (1958), received her dramatic training at the Paris Drama Conservatory and is best known to US / UK audiences as the stunning brunette "Domino" opposite Sean Connery in the James Bond thriller Thunderball (1965), She has kept fairly busy since her Bond days, acting in a number of Italian, French and Spanish films including The Bermuda Triangle (1978), Credo (1983), and La bocca (1991).- Actress
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A major little talent, this French-American moppet star of the late '40s and early '50s was able to parlay her precocious popularity into a modest young adult career, but then left it for family. She has nevertheless maintained on its fringe for decades.
Gigi Perreau was born on February 6, 1941, in Los Angeles to a French father, who fled his native country at the onset of WWII, and an American mother. Her beginnings in acting started way back to the tender age of 2-1/2 when her mother was approached by a talent agent who represented child actors and who took an initial interest in her 5-year-old brother Gerald. But Gigi grabbed a little attention for herself. When producer/director Mervyn LeRoy discovered little Gigi could speak French as well as English at such a precious age, he cast her as Greer Garson's daughter in Madame Curie (1943). Gigi went on to play Gloria DeHaven as a toddler in Two Girls and a Sailor (1944) and a child to Bette Davis in the classic soaper Mr. Skeffington (1944).
MGM signed her up and Gigi spent several years there where, among other roles, she played the daughter of Katharine Hepburn in the composer Schumann biopic Song of Love (1947) and a child to Lana Turner in Green Dolphin Street (1947). Gigi earned her best reviews when Universal-International picked up her option. She positively bloomed as a top juvenile player and received an award from the Screen Children's Guild while appeared in top quality films, both light-hearted and tear-stained.
At Universal, Gigi was quite endearing as Claudette Colbert's lively daughter in the domestic comedy Family Honeymoon (1948); quite touching in the melodrama My Foolish Heart (1949) starring Susan Hayward; and quite earnest in the lead role of a child who witnesses a murder in the film noir Shadow on the Wall (1950) starring Ann Sothern. She had a standout role as Piper Laurie's kid sister and a Charleston partner to Charles Coburn in the Roaring 20's comedy Has Anybody Seen My Gal (1952) and got to monkey around with a monkey in the comedy Bonzo Goes to College (1952).
In the mid '50s, things started tapering off for the former pigtailed child star as she tried to adjust through the awkward teenage years. Appearances in such lowbudget exploitation as The Cool and the Crazy (1958), Girls Town (1959), and Hell on Wheels (1967) pretty much tell the story.
Developing into a lovely-looking young adult, she also graced the small screen. She co-starred in two short-lived series: the sitcom The Betty Hutton Show (1959) and the detective drama Follow the Sun (1961). She also guested on such shows as "Whirlybirds," "The Donna Reed Show," The Detective," "Hawaiian Eye," "Surfside 6," "Laramie," "Rawhide," "The Rebel," "The Roaring 20s," "The Rifleman," "Perry Mason," "Gunsmoke," "Gomer Pyle," "My Three Sons," "Ironside," "The Brady Bunch," and "Adam-12."
At age 20, Gigi married and had a son and a daughter; a second marriage produced another son and daughter. Rarely seen on film or TV since the late '60s, Gigi has continued on as a stage director and college prep drama teacher. Brother Gerald (aka Peter Miles) equipped himself quite well as a child actor performing in The Red Pony (1949), The Good Humor Man (1950), and Quo Vadis (1951). Gigi appeared with him in the movies Enchantment (1948) and Roseanna McCoy (1949) and played his sister on The Betty Hutton Show (1959). Gigi's two younger sisters, Janine Perreau and Lauren Perreau, also dabbled in film and TV as youngsters, but to a much lesser degree.- Writer
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Graham Chapman was born on January 8, 1941 in Leicester, England while a German air raid was in progress. Graham's father was a chief police inspector and probably inspired the constables Graham often portrayed later in comedy sketches. Graham studied medicine in college and earned an M.D., but he practiced medicine for only a few years.
At Cambridge, he took part in a series of comedy revues and shortly after completing his medical studies at St. Bartholomew's Hospital, Graham realized what he wanted to do with his life. He wanted to perform comedy. In 1969, Graham along with University friends John Cleese, Eric Idle, Michael Palin, Terry Jones and American Terry Gilliam formed their own comedy group called Monty Python. Their BBC TV series Monty Python's Flying Circus (1969), which aired a short while later was a an instant hit. Their often self-referential style of humor was delightfully original but completely accessible to most audiences in the UK.
Before the show appeared on public television in the US, many people assumed that Americans would find Monty Python much too British to consider it funny. But PBS never had a larger audience than when stations began to air it during the early 1970s. The classic routines have since become standard college humor.
So enduring was the Python humor that fans know entire sketches such as "The Pet Shop," "Nudge-Nudge, Wink-Wink," "Argument Clinic," and "Penguin on the Telly." Graham was a standout of the group with his tall, blond profile and his zany characters (one of the more memorable was Colonel Muriel Volestrangler, a vaguely military-type character who would stop a sketch because it was "much too silly").
Graham was openly gay long before it was socially acceptable, and was open about his long-term relationship with writer David Sherlock, who lived with him for 24 years. He even adopted and raised a teenage runaway named John Tomiczek. Graham played the title role in the movie Life of Brian (1979) as well as King Arthur in Monty Python and the Holy Grail (1975). By the late 1970s, most of the Python members were pursuing independent movie projects and the group was slowly fading into obscurity after their last successful effort The Meaning of Life (1983). Also in 1983, Graham co-wrote and starred in the movie Yellowbeard (1983), which received negative reviews.
In 1988, Graham began working on another series when his health began to decline. A longtime alcoholic, who suffered liver damage before he stopped drinking for good in 1977, Graham began to have trouble concentrating at work. In November 1988, a routine visit to a dentist revealed a malignant tumor on one of his tonsils which was surgically removed. A visit to the doctor a few months later revealed another tumor on his spine which had to be removed which confined him to a wheelchair. During most of 1989, he underwent a series of surgical operations and radiation therapy but for every tumor that was found and removed, another would form either along his spine or in his throat. By July 1989, his cancer was declared terminal and that he would not survive the year, yet he continued to pursue treatments which included chemotherapy. In his wheelchair, he attended the September 1989 taping for the Monty Python's 20th anniversary special. But on October 1, he was hospitalized after a massive stroke which turned into a hemorrhage. He died at the Maidstone hospital at age 48 on October 4, 1989 from complications of the stroke as well as throat and spinal cancer.- Writer
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Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (Silkwood (1983), co-written with Alice Arlen) and a mobster's feisty independent daughter Cookie Voltecki (Cookie (1989), also co-written with Arlen). Ephron's hard-headed sensibilities helped make Rob Reiner's When Harry Met Sally... (1989) a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.
Ephron made her directorial debut with the comedy This Is My Life (1992), co-scripted by her sister Delia Ephron, which starred Julie Kavner as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing Sleepless in Seattle (1993), a romantic comedy in which lovers Tom Hanks and Meg Ryan are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance An Affair to Remember (1957), starring Cary Grant and Deborah Kerr.
Ephron was born in New York City, the daughter of stage and screen writing team Henry Ephron and Phoebe Ephron, who used her infancy as the subject of their play "Three's a Family" and based their comedy Take Her, She's Mine (1963) on letters their daughter wrote them from college. Their screenplays include There's No Business Like Show Business (1954), Carousel (1956) and Desk Set (1957). Formerly married to novelist Dan Greenburg and investigative journalist Carl Bernstein, Ephron was wed to crime journalist and screenwriter Nicholas Pileggi, at the time of her passing, who wrote such films as Goodfellas (1990). She was of Russian Jewish descent.