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Trespass Against Us (2016)
What's the focus of the movie?
Trepass against us, presented at the Toronto Film Festival in 2016, would like to tell so much, without however having the time and the tools to do so. It is unclear what theme the film is about to focus on. The spectator is confronted with the difficulties of nomadic life, father-son relationship, education and redemption, without however finding the time to immerse himself completely in any of them. The film, and often the spectator, feels the weight of two figures, such as Fassbender and Gleeson, who cover the roles of Chad and Colby. It would be understandable if one doubted that the two of were involved in the project to give him a boost (perhaps it needed it) rather than believing that their characters were so articulated that they needed the two actors' talent. Director Adam Smith, at his debut, is capable of talking about chases, sequences of action, and some hint of gangster comedy. It gives the movie adrenaline and the elements to be watchable, but not more than that. Often you are wondering why what you see is so as it is, as you are thinking that some characters have nothing to do with the world they live in. For example Chad. This is due to the rush of the director to arrive at the clue of the story, related to the characterization of the characters, which if is not flat, is mainstream and even trivial. This does not mean that the film is not touching, but it is less reflective than it should, and perhaps it would want to be.
Lo chiamavano Jeeg Robot (2015)
A matter of inner transformation
Set in Rome, this film follows the stories of two men living in the suburbs. Enzo, the hero, reincarnates the classic criminal who has nothing worth to lose. His only satisfaction left, are his habits, which are pretty pathetic. Enzo doesn't care about anything, health, nutrition or social relationships. He doesn't even care much about money, as his profession would suggest. He is not the person that asks too much when he is offered a new job. Enzo seems comfortable with his loneliness. He is nothing you would expect a superhero to be like, even before owning superpowers.
On the other side, Zingaro, the villain. He is not the classic megalomaniac and lunatic villain, who aims to own the world. Zingaro works with a few guys, looking for the upper step in the criminal context of Rome. As seen in many gangster movies, Zingaro plays the unofficial leader, who always tries to show his madness and pretends respect, sometimes in a pretty crazy way.
The main difference between these two characters are their aspirations. While Enzo looks for a monotonous low-level criminal life to afford his pleasures: eating yogurt and watching porn movies, Zingaro looks for his position in the top gangsters of Rome.
What excited me about this movie is the missing superhero-classic transformation of Enzo when he gains superpowers. While you would expect Enzo to become a people-caring superhero, he remains in his dark habitat and steals for him. In fact, the first thing he does when he figures out what he is capable of, is literally stealing an ATM. The only transformation is not caused by his superpowers, but by Alessia, a lunatic girl who lives in her fantastic world and has an enormous passion for the Japanese anime Steel Jeeg. Thanks to her, Enzo discovers the meaning of taking care of another person. He discovers love. Even if he know that Alessia has some mind-related problems, he doesn't feel any pity. When Alessia dies, he doesn't look for any revenge. Instead he tries to follow Alessia's dreams: being a superhero, just like Steel Jeeg. This will lead him to battle Zingaro, who earned the same superpowers Enzo owns. While Zingaro offers him a criminal partnership (something he have already seen in Spiderman - 2002), Enzo changed. He doesn't want to be a bad person anymore and fights Zingaro until the end.