Reviews written by registered user
|21 reviews in total|
*** This review may contain spoilers ***
I just saw "Saving Mr. Banks" in the theater, and I was quite impressed
with this film. The plot is simple: Walt Disney wants to turn the book,
'Mary Poppins', into a movie, but author P.L. Travers is too
conditional and reluctant.
The cast was excellent: Tom Hanks was impressive as Walt Disney; Emma Thompson was believable as the annoyingly difficult Mrs. Travers; Colin Farrell did a great job portraying Travers' father during the flashback scenes to P.L. Travers' childhood in Australia.
This movie contained scenes that were amusing, such as when Mr. Disney's staff were creating and practicing the now-familiar songs for the film "Mary Poppins"; touching, such as when Walt Disney took Mrs. Travers for a tour of the Magic Kingdom in California; and even bittersweet, such as the tender moments between father and daughter during the flashback scenes to P.L. Travers' childhood in Australia.
I remember seeing "Mary Poppins" in the theater during my childhood in 1974, and it's always been my favorite live-action Disney movie. It was both interesting and entertaining to see the events that led up to the creation of this outstanding film. I highly recommend "Saving Mr. Banks".
'Rise of the Planet of the Apes' is a very creative and
thought-provoking addition to the "Apes" franchise.
James Franco's performance as Dr. Will Rodman is very convincing. Rodman takes home an infant chimpanzee who otherwise would have been "put down", and thereby saves the chimp's life. The chimpanzee, named Caesar, obtains unusual intelligence from experimental treatment for Alzheimer's disease, and soon becomes the leader in an ape revolt.
Veteran actor John Lithgow once again proves his acting skills as Charles, Will's father who is suffering from Alzheimer's's disease. Freida Pinto portrays Will's attractive companion, Caroline.
The special effects in "Rise of the Planet of the Apes" are very impressive. This isn't Charleton Heston's 1968 "Planet of the Apes", with actors portraying simians via heavy prosthetic makeup. The apes in this 2011 saga are computer generated and are very realistic in appearance. More importantly, however, are the emotions the apes feel throughout the film. Their anger boils to the surface due to the ill treatment inflicted by their handlers.
There are several direct references made to the 1968 original film, "Planet of the Apes". First, Caesar's mother is called "Bright Eyes", which was the name Heston's character was called before the apes learned his actual name was Taylor. Second, in the 2011 film, a handler repeats Charleton Heston's infamous lines, "It's a madhouse!" and "Get your stinking paws off me, you damned dirty ape!". Third, Caesar is ruthlessly hosed down while in his cage, in a scene reminiscent of Taylor's experience in the 1968 film. Furthermore, "Caesar" was the name of the offspring of Cornelius and Zira, two chimpanzee scientists in the 1968 film.
In my view, there are two main themes of "Rise of the Planet of the Apes". First, all creatures want to be treated with dignity and respect. Second, the unintended consequences of medical technology can be severe. I highly recommend this creative science fiction film.
"Little House on the Prairie", which originally aired on NBC from 1974
through 1983, depicts an American family's struggle to survive in
pioneer America in the late 19th century. The television series was
based on the books written by Laura Ingalls Wilder.
The series was largely written by, directed, and starred Michael Landon, who was a television veteran of the program 'Bonanza'.
In "Little House", Landon portrays Charles Ingalls. Along with his wife Caroline (Karen Grassle) and children Mary (Melissa Sue Anderson), Laura (Melissa Gilbert), and Carrie (Lindsay-Sidney Greenbush), the Ingalls family endures tremendous hardships in their daily lives, including life among American Indians, crop failures, disease, hunger, wild animals, rough weather, and their neighbors in Walnut Grove, Minnesota. The series is depicted from the perspective of Laura Ingalls.
My favorite character in the series is Harriet Oleson, portrayed by Katherine MacGregor. To prevent the story lines from becoming stale, it is crucial for every successful series to have a good villain. Along with her TV daughter Nellie, Harriet Oleson is without a doubt one of the most appealing villains in TV history. Week after week during the 1970s, Harriet Oleson (and her daughter Nellie) did everything possible to make the lives of the Ingalls family difficult.
At the end of each episode, however, it was the Ingalls family who inevitably endured and survived life's challenges due to their belief in God, community spirit, work ethic, and mutual love and devotion to one another.
My siblings and I watched "Little House on the Prairie" each and every Monday night while growing up in the 1970s. During my childhood, I recall that it was not considered "cool" to admit that you watched this program, although it was consistently a top-rated program during it's original run on NBC.
"Little House on the Prairie" is an American television classic that has endured the test of time. Belief in God, helping your fellow neighbor, a solid work ethic, and family values are all promoted by this outstanding program.
*** This review may contain spoilers ***
I just saw 'The Conspirator' in the theater, and as a huge history
buff, I must say that I was quite impressed with this movie.
The movie begins in April 1865 with providing the viewer with a brief glimpse of life on the battlefield during the bloody American Civil War. President Lincoln is then assassinated by John Wilkes Booth.
The federal government soon determines that Booth plotted his murderous campaign in the boardinghouse of Mary Surratt. One of Booth's co-conspirators is John Surratt, son of Mary. Since John cannot be found by the feds, his mother Mary is soon arrested as a Booth accomplice. Her young lawyer is a former Union soldier, Frederic Aiken. At first, Aiken is reluctant to defend Mary, but soon becomes determined to ensure she receives a fair trial.
Robin Wright is excellent as Mary Surratt. Her demeanor, dialect, and body language are all quite convincing and perfectly balanced.
James McAvoy is superb as the young lawyer, Frederic Aiken. His tenacious defense of a woman who is deemed a traitor by the federal government that staged a virtual kangaroo court is very moving and impressive. Mr. McAvoy's American dialect was absolutely flawless.
Veteran actor Kevin Kline once again demonstrates his impeccable acting skills in his role as the heavy handed Secretary of War Edwin Stanton.
In my view, Mary Surratt was a Southern woman of her time. I believe she hated the Union, as well as it's leader, Abraham Lincoln. However, I do not believe she was an assassin. On the contrary, Mary Surratt was most likely a victim of a government and a nation eager to seek rapid justice for the ruthless murder of America's greatest president.
I believe an Oscar should go to Robin Wright, James McAvoy, Kevin Kline, and Robert Redford. I highly recommend this excellent historical film.
In my view, this miniseries is an excellent portrayal of Saddam
Hussein's reign of terror. The actors' performances were excellent.
However, in my view, the full extent of Uday's ruthlessness was not completely explored and portrayed in this miniseries.
For example, Uday was known to rape brides on their wedding day (one groom then shot himself that very day).
Also, Uday was known to rape girls as young as 12 years of age. If their fathers protested, Uday threatened their very lives. In addition, Uday was known to prowl Iraqi streets in search of women. When he saw a woman he liked, he would shoot her male companion, and then kidnap the female.
Furthermore, Uday was notorious for torturing Iraqi soccer players who lost games and anyone who he considered a foe. When he was a teen, Uday killed a teacher who had the audacity to reprimand the rambunctious firstborn son of the Iraqi dictator. Such atrocities should have been included in the miniseries.
After viewing this miniseries, it certainly puts things in proper perspective. The liberal media and "Bush haters" like to forget the mass graves and the countless innocents who were brutally raped and murdered by Hussein and his supporters. Judging by media outlets such as NBC and the New York Times, once would think a peaceful, contributing member of the world community was suddenly overthrown by a rogue nation. I choose NOT to forget the unfortunate souls who were brutalized under Hussein.
History will smile on President Bush's decision to liberate the Iraqi people from this ruthless murderer. This miniseries clearly demonstrates this assertion.
Nevertheless, HBO's "House of Saddam" was done quite well, and I enjoyed it very much.
If my siblings and I were good, my mother would allow us to stay up
until 11pm to watch 'The Carol Burnett Show' each Saturday night in the
To say Carol, along with her co-stars Harvey Korman, Tim Conway, and Vicki Lawrence, were talented and funny would be an understatement. Each Saturday at 10pm, Carol and the aforementioned regulars, along with some 'special guest stars' (such as Steve Lawrence, Betty White, Roddy McDowall, and Julie Andrews, to mention a few) would sing, dance, and perform the absolute funniest skits ever seen on American television.
Who could forget Carol's "Eunice" constantly being belittled and nagged by Vicki's "Momma"? Carol's "Mrs. Wh-Whiggins" was a riot, along with Tim's "Mr. Tudball", and perhaps the funniest segments were those with both Tim and Harvey. The audience never seemed to mind it when Harvey lost control and laughed out of character.
Today's Hollywood elitist performers could learn a lot from this classic TV show: Carol Burnett and her co-stars entertained us for ten years without foul language, tasteless humor, sexual innuendo, or inserting politics. On the contrary, Tim, Harvey, Vicki, and Carol conducted themselves as professionals.
This show is classic American comedy for all ages. I highly recommend this outstanding program.
*** This review may contain spoilers ***
After the 1968 "Planet of the Apes" movie, 4 sequels were made during
the 1970s; "Escape from the Planet of the Apes", the third in the
series, is, in my view, the best of the sequels.
Like any science fiction film, "Escape" is based on a huge flaw: The viewer must believe that the apes (who live in a primitive, non-technical society), were able to retrieve George Taylor's (Charlton Heston) spaceship from the ocean, repair it, and fly it via "time warp" two thousand years into the past (i.e., the same "time warp" that Taylor entered in the 1968 original film).
Nevertheless, this is an enjoyable science fiction film. Roddy McDowall and Kim Hunter are brilliant as Cornelius and Zira. This film is essentially the flip side of the original 1968 film, although this time, the apes are caged, and the humans are in charge.
The magnitude of the level of paranoia of 1973 America is a little far fetched, to say the least. Wouldn't the U.S. authorities (i.e., politicians and scientists) want to discuss future events with scientists Cornelius (an archaeologist) and Zira (a psychologist)? In the first film, ape society is unaware that humans once ruled the earth and had the power of speech. However, in "Escape from the Planet of the Apes", Cornelius and Zira explain how apes became the pets and then the servants of mankind (after a virus killed off all cats and dogs). Once again, this is a huge inconsistency.
"Escape from the Planet of the Apes" is an enjoyable chapter in the Apes movies. When I first saw this film as a child in the 1970s, I did not notice the aforementioned flaws, of course. Turn off your brain, sit back, relax, and enjoy this segment of the apes series.
"Love is Never Silent" is an emotional drama set in the 1930s and early
1940s. Unlike her parents, Margaret is not hearing impaired.
Therefore, young Margaret often finds herself acting as a buffer and an interpreter for her deaf parents in the hearing world. As a result, Margaret's youthful innocence is lost at a very young age and often does not inform her parents of the rude comments people say to her parents.
In addition, Margaret's parents, particularly her mother, become alarmed and angry when Margaret asserts her independence as she gets older.
Friendly neighbor Mr. Petrakis is one of the few who fully understands Margaret's difficult circumstances.
In the tradition of "It's a Wonderful Life", "Love is Never Silent" builds and sets the stage throughout the movie for the highly emotional scene towards the end of the film when Margaret finally stands up to her demanding parents.
Mare Winningham is brilliant as Margaret. Sid Ceaser is convincing as Mr. Petrakis. Cloris Leachman is great in this rare departure from comedy.
I highly recommend this emotional film.
*** This review may contain spoilers ***
This is a real-life rags to riches 'Cinderella' story.
Kentucky teenager Loretta Webb (impeccable performance by Sissy Spacek) meets "Doolite Lynn" (played by Tommy Lee Jones), a young man nearly 10 years her senior. They fall in love, get married, and raise a family. Impressed by his wife's natural singing skills, Doolittle coordinates reluctant Loretta's path to stardom in the Country Music business. Loretta's parents and "Patsy Cline" nearly steal the show.
Loretta succeeds in the the Country Music industry in spite of her appealing naiveté and lack of a formal education, and this fact is vividly portrayed in this 1980 movie classic.
Get out your handkerchief for the scene where Loretta learns of her friend's demise; it's one of the saddest I've ever seen in a movie.
The singing (by Sissy Spacek and Beverly D'Angelo) is quite impressive in this film.
I've read Loretta's book, "Still Woman Enough", which was written AFTER the death of her husband, Doolittle Lynn. While "Coal Miner's Daughter" is an excellent film, the movie (and the book) did not elaborate on the full extent of Loretta's abuse by her inconsiderate husband. Certain omissions were most likely intentional (in order to maintain harmony in the Lynn household). Loretta is a true classy lady.
"Coal Miner's Daughter" is an entertaining movie that depicts Loretta Lynn's impressive rise as one of Country Music's reigning female entertainers.
I was only 9 years old when I saw 'The autobiography of Miss Jane
Pittman' on television in 1974, and I am still as impressed with this
film as I was back then. While "Miss Jane" is a fictitious person, the
historical context and experiences of this character are quite real.
This outstanding film was made prior to 'Roots', so it gave audiences a glimpse into a chapter of history rarely seen before. In my view, Cicely Tyson is one of the best and most underrated actresses in American entertainment history.
An old 110 year old former slave (outstanding performance by Cicely Tyson) tells a writer about her experiences as a slave, and throughout the late 19th and early 20th century. Thalmus Rasulala plays her "son", Ned. Viewers will notice that Ms. Tyson and Mr. Rasulala also portrayed Kunta Kinte's parents several years later in the miniseries, 'Roots'. Don't blink, or you will miss Katherine Helmond (of television's "Soap" and "Who's the boss?") in a rare dramatic role as a bitter Confederate widow.
'The autobiography of Miss Jane Pittman' clearly expresses the progress in race relations accomplished since the days of antebellum America. It is an absolute tragedy that so many young Americans today squander the opportunities prior generations could not even dream about. Such people need to sit down and listen to Miss Jane, in this fabulous television movie.
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