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The Grand Budapest Hotel (2014)
Wes Anderson+Ralph Fiennes+ Adrien Brody = An excellent movie
In a somewhat rare turn for an Anderson script, this one actually has a plot! Essentially it's the tale of a hotel in the Republic of Zubrowka, a fictional central-European country that has mountain views, funicular transportation, and a candy-pink hotel that's propped up on one of the local peaks.
With a story that spans several decades, the bulk of the narrative takes place during the hotel's heyday, just as the tide of the Second World War is crashing on the borders of Zubrowka.
The story is one of art thievery, providing gigolo services to octogenarians, and the importance of good manners and good service as aspects of one's conduct.
Lone Survivor (2013)
A Movie that is worth Watching!!!!!
Director Peter Berg made a massive misstep with 2012′s Battleship. There was a decent ninety-minute popcorn movie buried underneath all the bloat, but worst of all, it had no personality. It didn't feel like a movie Berg had to make. Not every movie has to be a serious passion project, but when the passion is on screen, it speaks volumes. That theory is proved well by Berg's latest film, Lone Survivor, his best film since The Rundown. The true life story follows, if you haven't guessed yet, a lone survivor, Marcus Luttrell (Mark Wahlberg). You could consider that a spoiler, but the movie opens with the rescue of Luttrell. It's a questionable creative decision because a good deal of film goers will discover Luttrell's journey with this film, but then it becomes more a matter of how Luttrell got there rather than who survived. Berg goes about introducing Luttrell and his team Matt Axelson (Ben Foster), Mike Murphy (Taylor Kitsch), and Danny Dietz (Emile Hirsch) with the standard camaraderie and exposition that's expected. It's a fine set-up, but it's forgotten once the four of them are thrust into battle, where we learn more about them through action.
One of the best in 2013!!!
Though director Spike Jonze collaborated with Charlie Kaufman on Being John Malkovich and Adaptation, the latter didn't have a hand in Jonze's assured, moving fourth feature, but his spiritfiendishly inventive, casually postmodern, self-lacerating, fearless, funny, and ultimately deeply sadpervades the film. With Her, Jonze beautifully realizes a future Los Angeles where a lovesick man (Joaquin Phoenix) in the midst of a devastating divorce is so desperate for intimacy that he falls hopelessly in love with an artificially intelligent operating system, voiced by Scarlett Johansson. Jonze's screenplay acknowledges the innate absurdity of the film's premise while spinning it into an elegant, heartbreaking depiction of human loneliness and the innate need for connection. For the setting, Jonze plugged into the current era's technological mania to say something timeless and profound about love, loss, and evolving desire.
Fight Club (1999)
Fight Club is one movie that exactly caught million tensions. Great performances, stunning visuals and a plot like nothing you've ever seen - one of the films ever made
The narrator (Edward Norton) is an automobile company employee who travels to accident sites to perform product recall cost appraisals. His doctor refuses to write a prescription for his insomnia and instead suggests that he visit a support group for testicular cancer victims in order to appreciate real suffering. By attending the group, the narrator feels distraught at the condition of these ill fated people and breaks down. He is then able to sleep soundly and subsequently fakes more illnesses so he can attend other support groups in order to get out his pent up emotions through crying. The narrator's routine is disrupted when he begins to notice another impostor, Marla Singer (Helena Bonham Carter), at the same meetings and his insomnia returns.During a flight for a business trip, the narrator meets Tyler Durden (Brad Pitt), who is a soap salesman. The narrator arrives home to find his apartment has been destroyed by an explosion. He calls Tyler and meets him at a bar. Tyler agrees to let the narrator stay at his home on the condition that the narrator hits him. The narrator complies and the two end up enjoying a fist fight outside the bar. The narrator moves into Tyler's dilapidated house and the two return to the bar, where they have another fight in the parking lot. After attracting a crowd, they establish a 'fight club' in the bar's basement.