Wow, you really need to dig down deep and go all the way back to page 1 of the reviews to see the genuine ones. The over-the-top positive reviews on the other four pages are so obviously plants presumably by friends of the cast and crew hoping to get a second season. They win; I hear it's coming back.
Eugene Levy and Catherine O'Hara are largely wasted. None of the characters are particularly well-written. Why is the mayor's wife the most believable of any of the characters? And even that's thrown out the window by having her married to Chris Elliott who looks like an extra from "Deliverance." Chris Elliott is a funny guy; but having him look even worse than he did in "Something About Mary" yet married to the most normal woman in town doesn't make a lot of sense.
Even the premise is never really explained. How does Johnny Rose "own" the town? What exactly does he own? It's mentioned in the first episode, but briefly. He "bought" the town as a joke for David's birthday. What exactly did he buy?
The Mayor's son, Mutt, has the distinction of having the worst fake beard in the history of television. He looks like one of those Wooly Willy magnetic steel-shavings beard toys.
Possible spoiler (?): David Rose was funnier when we all presumed he was just a pretentious gay guy. Throwing him together with the girl at the front desk, sexually if not romantically, again, makes no sense, even as a one-time fling.
Alexis' boyfriend Ted is another head-scratcher. It's as if the writers were afraid to commit to him as a genuinely nice (if naive) guy that Alexis was just using. But soon they trotted out silly quirks in his personality that just weren't necessary.
None of the characters seem to be written with any sense of consistency. Sadly, this extends to Catherine O'Hara's Moira as well. Some episodes she's crazy, others she's merely high-maintenance; others still she's relatively well-adjusted.
Dan Levy should have taken a page from a certain 60s fish-out-of-water sitcom and made all of the townspeople consistently wacky, and played to his father's strengths: Reacting. It would be a much funnier show to have Eugene Levy be the one voice of sanity and normalcy in town, reacting to everyone else, much like Oliver Wendell Douglas did in "Green Acres."
Eugene Levy and Catherine O'Hara are largely wasted. None of the characters are particularly well-written. Why is the mayor's wife the most believable of any of the characters? And even that's thrown out the window by having her married to Chris Elliott who looks like an extra from "Deliverance." Chris Elliott is a funny guy; but having him look even worse than he did in "Something About Mary" yet married to the most normal woman in town doesn't make a lot of sense.
Even the premise is never really explained. How does Johnny Rose "own" the town? What exactly does he own? It's mentioned in the first episode, but briefly. He "bought" the town as a joke for David's birthday. What exactly did he buy?
The Mayor's son, Mutt, has the distinction of having the worst fake beard in the history of television. He looks like one of those Wooly Willy magnetic steel-shavings beard toys.
Possible spoiler (?): David Rose was funnier when we all presumed he was just a pretentious gay guy. Throwing him together with the girl at the front desk, sexually if not romantically, again, makes no sense, even as a one-time fling.
Alexis' boyfriend Ted is another head-scratcher. It's as if the writers were afraid to commit to him as a genuinely nice (if naive) guy that Alexis was just using. But soon they trotted out silly quirks in his personality that just weren't necessary.
None of the characters seem to be written with any sense of consistency. Sadly, this extends to Catherine O'Hara's Moira as well. Some episodes she's crazy, others she's merely high-maintenance; others still she's relatively well-adjusted.
Dan Levy should have taken a page from a certain 60s fish-out-of-water sitcom and made all of the townspeople consistently wacky, and played to his father's strengths: Reacting. It would be a much funnier show to have Eugene Levy be the one voice of sanity and normalcy in town, reacting to everyone else, much like Oliver Wendell Douglas did in "Green Acres."
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