Reviews written by registered user
|3 reviews in total|
But it is kinda hilarious, at least if you grew up on Weird Al, like I
did. It's a mockumentary about his life and career, beginning with
superstardom and going back to trace the origins. It's uneven in
places, but some of the segments are still very funny, particularly
when he goes to Japan. Although it's not quite as emotionally textured
as Lost in Translation, and he doesn't find love however fleeting, he
does capture in a bottle the absolutely bizarre cultural melange that
is Tokyo street life.
Perhaps Weird Al isn't recognized as the insightful cultural commentator that he is; perhaps a rose by any other name would smell just as sweet. Still, this is a funny movie.
Although it's utterly ridiculous, I really, really enjoy this movie.
Badham is a fine, if underrated action/thriller director; WarGames is
great, Nick of Time is good, and his other notable movies include
Stakeout, Saturday Night Fever, and The Bingo Long Traveling All-Stars
and Motor Kings. He keeps Drop Zone moving quickly enough that
suspended disbelief doesn't lift, which is a good thing considering
that the bad guys are rogue skydivers. Seriously. Fortunately, the head
bad guy is played by Gary Busey, who could make an interior decorator
There's some great aerial photography, and it makes skydiving look awesome. It's extremely well-paced, the supporting cast is likable, and the script is enjoyably amusing. Snipes is one of the premier action stars of his generation, and his presence alone can elevate a movie from the mediocre to the above average. And Yancy Butler is absolutely smoking. End of story.
This movie is actually one of the more compulsively watchable to be released at the end of the action movie renaissance of the mid-'80s to mid-'90s. I'd watch it right now, even though I just saw it last night. My definition of a good movie.
Whirlygirl was premiered two nights ago at the New Haven Film Festival. The film was shot largely in New Haven, especially the New York scenes. The bulk of director Jim Wilson's film experience has come from producing 6 Kevin Costner films: Revenge, Dances With Wolves, The Bodyguard, Wyatt Earp, The Postman, and Message in a Bottle. So perhaps we shouldn't be surprised to find wooden acting and poor writing in this film, even though Mr. Costner is nowhere to be found. Monet Mazur is certainly beautiful, but her performance is embarrassingly hammy; and the script is, in places, just terrible. But the guys aren't bad, and the scenes in the boys' school are fun. And Fran Kranz is always enjoyable to watch.