Reviews written by registered user
|31 reviews in total|
I was astounding by the idea of this movie. Great script, excellent
design of the ship and its interiors and amazing CGI exteriors.
The plot: A space ship is heading to an earth-like planet with 5250 people on board in hyper-hibernation, in a voyage that will endure no less than 120 years. While en route, a gigantic meteor cloud of meteors smash onto the ship's protective shield without greater damage... only a little bit of stone is let thru against it. Some malfunction happens and one unlucky individual is prematurely awake from his hibernation deep sleep... when he knows that the ship is 90 years short to arrive to the new planet, he realizes he's doomed for good.
This movie is good for a big audience followed by a debate on human emotions and choices. Selfishness or despair? The big question for the movie buff shall be this: What would YOU do? I was completely blown away by this movie. The purity and originality of the script, the gracious ideas in the spaceship, the small but cool action that will unravel as time unfolds and the sparse but vivid comedy in several moments makes this movie well above average.
It is a film that makes us think "what if"?
I have read twice Agatha's "Ten Little Ni**ers" (Which was the original
title by the way, changed only because some minorities would frown
away, play the race card or start an international outcry...).
This novel certainly is one of the best concerning suspense, mystery and plot-driven ("whodunit" conundrum). One of the most powerful, jaw-dropping ending crime novel I've ever read (and let me tell you they were plenty) with a lot of pursuance and nuance to make possible a dark, gloomy atmosphere imagination while reading. Reading it was like tasting honey or to receive a shot of adrenaline - the pace was so good, the characters likable and the fiction itself remarkably well written.
This TV drama ("And Then There Were None" ) was almost the opposite: Surreal and unrealistic narration and actions of the characters (not saying they acted bad, on the contrary), the mansion wasn't sufficient somber or dreary, the end is somewhat forced and disillusioned and the drama's get-along seems missing pieces in the middle.
After the disclosure of every characters' compelling dark event in their lives, half of them will have visions of their "victims" coming back to torture them in a way to show to the viewer the character's guiltiness.
Example of one of some absurd scenes (NO-SPOILERS): When the first and second person dies is it was as if nothing happened, people just carry on and don't bother to really opine, chat or get emotional about it.
Pros: Scenery of the Island, acting and some minor plot development.
Cons: Confusion at the starting episode, illogical, senseless and foolish performance/moves of the characters, the mansion set, supernatural or ghostly visions that befell on some of the characters and the chimerical end in the last episode.
What could have been a wonderful cinematic experience was transformed into a supernatural and improbable story lacking real development and suppressing reality - a small hogwash sufficient to spoil such a great novel by yet such tremendous renowned writer. What a pity.
A rich tormented man seduces a naive or a nitwit female to get his
pervert satisfactions on motion - A movie that presumably can induce
the public that abuse and cheap BDSM is OK to apply on every women.
Nice subject to deter the many Stop Violence against Women campaigns
Stay OUT of this misery - No chemistry, no libido, no sensuality, no eroticism, no NOTHING! Wasting your time is what you will get by seeing this balked, disparaging and insulting story. Amazingly, on top of this all, it was a female that directed this movie... shame on you Sam Taylor-Johnson!
The only positive thing is Boca do Lobo's exclusive and luxurious interiors - An amazing decor! That's why I gave 2 stars in my vote!
One thing that sums all up this movie: The trailer is so much better
than the actual full length. Not kidding!
Cast: Not bad.
Music: Somewhat good.
Effects: Not good, but not awful either.
Plot: Three people encounter a strange device while in a secluded forest cabin. They touch it and ultimately they start to get feeling strange and deviated. (Humm...awkward)
The plot is very predictable, there are clichés everywhere, the pacing of the film blows away the narrative into an incoherent and confusing chaos.
The whole film seems an unfinished puzzle until the very end as if the viewer is meant to be thrown into a spiraling and awkward, ambiguous conclusion.
For fervent sci-fi fans this flick could be enjoying. For me it was just like watching a mundane and humdrum bizarre story to be rapidly forgotten as soon the movie rolls its ending credits.
If you have bought this film but first went seeing these reviews I am
afraid that I have some really bad news for you... this movie is so, so
bad, horrible, lousy and heinous that you better throw it rapidly to
the dust bin without blinking or even seeing it (undoubtelly a smart
decision... believe me!).
Goodies: The zombies looked like clowns and the blood rotted Ketchup.
More goodies: Appalling wardrobe and laid-back/nonthreatening zombies.
Pace: Infinitively slow.
Cast: They were just doing their job for some bucks.
Script review: Flawed from the beginning, clichéd remarks abound everywhere, no credible tension and stupidity all around. A really cheesy B-movie!
Opinion: Don't waste your money or your precious time seeing this utter rubbish. Summing The Dead the Damned and the Darkness it's just three Ds filled with a big S!
Yes, I am saying politely in the summary. This movie is so atrocious
that I advise everyone to use all of its package as combustion to set
some good fire on freezing nights.
Astounding feat: The first half-hour of the movie presents the main actress trying to find her sister. A complete banal and monotonous way to open a film with the first 35 minutes (!!) filled with walking around thru nothings and the nerve-racking ineptitude of the actress to have sex with her man.
Plot review: It is an amazing silliness with grotesque and pointless annoying shots after that blank 35 minutes. The movie tries to offer a miscellany of alien conspiracy theories and weirdo scientific experiments but only delivers confusion, commonplaces, poorly conceived interactions and a horrific bad experience to the viewer.
Big question: How this script found funding is an enigma to me.
Conclusion: Avoid this one for the sake of your time.
Movie packed with a little scent of action-drama of the 1970s. This
Australian movie gets better as it is unfolded.
Good acting, good photography and a brief dose of humanity and thriving. Even if the script is nothing out of the normal, the film itself shows us a fast-driven story of convicted criminals trying to live under a small "mafia" organization - Love, lust, betrayal, death and commiseration will be the ingredients to cook up this story.
PS-> Don't watch the trailer because it sucks and deviates you from seeing a good movie. (I avoided myself from viewing trailers years ago for any movie) - They are simple a pure commercial beacon that use the best scenes as a vehicle of opportunism to forge you into seeing something that ultimately it does not translate into what you are expecting.
They had paid 16.000 people to vote 10 on this idiotic movie... it
can't be possible that there's 16.000 movie-goers acclaiming this
egocentric and unfunny piece of crap as a TOP10 voting...
Let's start to try to save the ill-advised ones: The story goes well before the scene where Hell goes loose on Earth... but after that it all goes off downward as we start to see just rubbish monologues, dialogs, poor character interaction, self-indulgent actors and an unrealistic and beyond frustrating reality and self-absorbed mental apparatus...
I was, as many reviewers here, fooled by the rating of IMDb presenting a 7.5!!!! I felt utterly stupid because I didn't read all the other comments already written as I usually do, and those opinions, unfortunately, showed an otherwise picture... and an awful one i'm afraid.
If this is comedy, I rather see once again Titanic and laugh out at brilliant DiCaprio's jokes and nastiness on-board the ship... yes, they're better than this supposedly comedy movie.
Avoid this film if you want to remain mentally fit and spare your money. I would instead give my $6 dollars to a homeless man rather to this ever-growing disappointing Lions Gate Company.
Seth Rogen and Evan Goldberg... no more for me!
I never saw Lewis Allen's "Suddenly" (1954), but I guess I just don't
need, because I know a priori that it is an Oscar-winning film
comparing to this atrocious remake made by an unskilled, dull and inept
director that, besides being labeled as a movie-killer by making
abominable, heretic and unintelligible movies, still get millions to
produce plain pointless excrement.
Nevertheless, I swallowed an aspirin and, maybe taken a bit away to the fact Boll's last movie drew some fair critics, I finally had the courage to assist a movie made by this European quarreling psyche. Unfortunately my expectations weren't wrong at all: It was like to have an urge to commit suicide or to mutilate myself for being an utterly idiot.
Boll's cinematic masterpieces, according to him, 'Alone in the Dark', 'House of the Dead' and 'Far Cry' are all, cemented by virtually 90% of critics and spectators, a collection of rambling-disjointed narratives of absurdity, execrable directing, vile and poorly written scripts and an unbelievable populist egocentric paranoia product of a tormented mind.
This movie, for which it was presented with established actors, fails miserably in achieving something other than a mind-blowing overly median hogwash.
I really must go out and buy the original movie to make a sincere topic comparison and eventually assert righteously that Uwe Boll must pay in prison terms for brain damage to the public and serious technical incompetence. Even with Liotta and Purcell on the screen the movie drags on into a worn out monosyllabic clichéd and putrid dialog.
The story of 3 assassins posing as secret agents who find an excellent sniper spot (a house) to murder the US president is tantalizing enough to draw a good script, but with Uwe Boll, that's not the case: For Boll it seems the only person to sense something about the fake agents is an alcoholic, self-neglecting and psychically affected and sacked ex-marine who can't cope with his friend death years and years ago. Brilliant!
I really think there's not much more to say unless citing all the mumbo-jumbo and mediocrity that abounds in this Boll's vision of a film. Ultimately, dare me to advise you to spare your limited lifetime and patience and skip this for real - You won't regret, I CAN assure 100%.
PS-> Another priceless story is how I ended up seeing this "piece of art". - But please don't ask me to, I cannot tell, Boll can lawfully sue me or else invite me for a matching box until K.O.
Casted with a cream of talented actors, for which sincerely everyone
gave their best, the movie actually stomped hard in a script and
direction crisis that failed miserably to show interest in the
The film obviously suffers from the absence of anyone to care about because it was shot-like as a documentary - a brief and massively incomplete narrative about the life of this mafia's cold-ruthless hit-man. The director may have well in mind the "based on a true story" concept rather than going into the true Richard Kuklinski's biography idea, but the progress of the film was too expeditious and sometimes obnoxiously recurrent while dealing his countless impulse murders or contract killings.
But the biggest failure in the plot line was the weak portrayal and developing line between Kuklinsky's underground life and the social relationship into his family life - Hardly toned and underplayed.
Even with these serious imperfections the movie still delivers strong punches in the stomach with brilliant performances, atmospheric scores and good photography. In short, it's a demonic experience into the life of a conscienceless man that balance into bloody mayhem and the ingenious caring and love-bound knit to his family. But society often forgets that psychopaths are also pathological liars and misleading dramatis personae.
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