Reviews written by registered user
|20 reviews in total|
George C Scott plays Harry Garmes, a former getaway driver who comes out of retirement to prove to himself he hasn't lost his touch. He lives in a small Portugese fishing village, but he isn't fulfilled; he views retirement as preparation for death and goes behind the wheel again to inject some vitality into his existence. What promises to be a straightforward job, however, brings him unexpected challenges. The film boasts suspenseful car chases, impressive cinematography, a good script and a compelling performance from George C Scott as the cynical driver who gets more than he bargains for as he chauffeurs an escaped prisoner and his girlfriend across country. The film is thought-provoking, it deals with love, death, regret, frustration and determination, and coupled with tension and suspense makes it a memorable ride.
The Last Tycoon revolves around a 1930s movie mogul Monroe Stahr (Robert De Niro) and gives an insight into the studio system of the time. De Niro gives a subtle and sensitive performance as Stahr who becomes distracted following a chance sighting which reminds him of a love from his past. The ensuing budding romance is accompanied by a haunting Maurice Jarre score and beautiful cinematography. At times, though, this part of the film feels drawn out and not enough time is given to the star-studded supporting cast - especially Jack Nicholson, who has great scenes at the end of the film with De Niro. There are plenty of familiar faces, including Robert Mitchum, Tony Curtis, Ray Milland, Dana Andrews and Anjelica Huston, who mainly appear in cameo roles. The film as a whole is richly detailed and absorbing and is a compelling portrait of Stahr's work and love - a love invoked from the past that gradually unravels his grip on the present.
Bette Davis plays Mary Strauber, a nightclub hostess working in club 'Intime' which gets taken over by a gangster Johnny Vanning (Eduardo Ciannelli) who soon changes the decor and the name to 'Intimate'. Mary stands up to the gangster right from the start,defending a friend he tries to fire, and letting him know he won't intimidate her. Her resolve is tested to the limit after her younger sister comes to stay, who unwittingly crosses Vanning's path, leading to tragedy. Davis gives a commanding performance and Eduardo Ciannelli is effective as the ruthless gangster. Humphrey Bogart also puts in an appearance - cast against type as an earnest DA. They don't make movies like this any more - enjoy!
Conflict stars Humphrey Bogart as architect Richard Mason, not in love
with his wife (Rose Hobart) and infatuated with her sister Alexis
(Evelyn Turner) Events soon take a sinister turn, when Richard hatches
a plot to murder his wife on a remote mountain road. Just when he
thinks he has committed the perfect crime, things start to happen which
plant seeds of doubt in his mind.
Sydney Greenstreet gives a fine performance as a psychologist friend of the Masons who offers useful insights into the criminal mind and gives you food for thought as he voices his opinion on the human psyche.
With good performances all round, this is an atmospheric mystery which will keep you guessing to the end.
Humphrey Bogart, Peter Ustinov and Aldo Ray are the motley trio of
convicts who escape from prison on devil's island just before Christmas
in this festive comedy. They look for places to steal from and stumble
across a store run by kindly but bumbling Felix Ducotel (Leo G Carroll)
and persuade him to employ them to fix his roof. From the aerial view,
they observe his wife (Joan Bennett) and love-lorn daughter (Gloria
Talbott) and it isn't long before they descend to lend the family their
Basil Rathbone appears as Felix's scrooge cousin - there are some great exchanges between him and Bogart. Bogart gives a wonderful dead-pan performance, ably supported by a youthful Ustinov and Ray, and you end up rooting for them as they do their best to solve the family's problems! Although the action largely takes place on Christmas Eve, the comic moments ensure things don't get too sentimental - this is an enjoyable, feel-good movie!
The Day of The Jackal is a gripping film, based on the novel by Frederick Forsyth, tracking the efforts of a professional hit-man hired to assassinate the French President in 1963. The hit-man is known only as 'The Jackal', a cool, enigmatic, cold-blooded individual, superbly portrayed by Edward Fox. The film is bolstered by a terrific support cast, particularly Michael Lonsdale as the dogged French police detective on the Jackal's trail. Filmed on location in Britain, France, Austria and Italy, the film has a distinct continental flavour and is complemented by some beautiful scenery. The film always keeps the viewer engrossed, there are plenty of twists and turns and is an enjoyable, intelligent thriller - if only more films today could be like this!
This is a made-for-TV movie starring Helen Hayes as Miss Marple and
features several prominent stars - Bette Davis, John Mills, Dorothy
Tutin and Leo McKern.
Miss Marple is asked to visit an old friend, Carrie-Louise Serrocold (Davis) by her stepson who is concerned that his stepmother is being slowly poisoned. Once Miss Marple arrives at the English country estate, she soon discovers that all is not as it seems.
The location scenery is lovely, however the story is set in the 1980's, losing the authentic period atmosphere so closely associated with Agatha Christie.
Helen Hayes gives a decent performance, although Bette Davis is under-used and looks visibly frail. John Mills is good, as always, and Dorothy Tutin gives a sympathetic turn as Davis's down-trodden daughter. Leo McKern portrays the police inspector with relish, including several entertaining exchanges with Miss Marple.
The plot keeps you guessing, complemented by the usual red herrings supplied by Agatha Christie. Overall, an enjoyable film.
Night must fall is a riveting film with Albert Finney giving a fantastic performance. He plays Danny, the boyfriend of a kitchen maid (Sheila Hancock) who works for a wealthy widow. However, it isn't long before he sets his sights on the widow's daughter, Olivia (Susan Hampshire). Danny hides a terrible secret from those around him, he is not who people think he is. He is charming towards his girlfriend, his employer and even manages to win round Olivia, and it is this charm which makes his dark side even more frightening. Albert Finney is wonderful to watch, combining charm and humour with menace and danger. The supporting cast is also first-rate, there is a tense atmosphere throughout and it is a shame this film is so little-known - it is an excellent, suspenseful, engaging thriller.
Sean Connery and Lana Turner are journalists who fall in love, in this enjoyable war time melodrama. Connery plays Mark Trevors, a radio reporter for the BBC and Turner plays Sara Scott, posted in London working for an American newspaper. Their relationship, which is never fully developed, has a sting in the tail. The second half of the story takes place in Cornwall, and although filmed in black and white, the scenery is still alluring. Turner, who gets most of the screen time, gives a decent performance and Connery, who at the time was relatively unknown, demonstrates the charisma which makes him a potent screen presence.
The Wicked Lady is a sumptuous tale of excitement, passion, danger and deceit. Margaret Lockwood plays Barbara Skelton, who engages in treachery almost from the outset by stealing her best friend's man. It becomes clear that she is a ruthless character who will stop at nothing to get what she wants, even engaging in highway robbery to enliven her dull existence. Soon she meets a notorious highwayman, Jerry Jackson, and sparks soon begin to fly between the two outlaws! In order to preserve her secret lifestyle, all manner of wickedness ensues. Margaret Lockwood is fantastic as the selfish, devious protagonist and James Mason smolders as the dashing highwayman. This is a wicked treat not to be missed!
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