The count stands at at least 2 people!!! I DID see this film (25+?) years ago on UK TV, when I was quite young. I occasionally remember it and am now trying to track down a copy. I agree with all the previous reviewer's comments, the only element he doesn't mention is the "Stalinist" undertone in respect of the relationship of the power and the privilige. The young pop star receives "Privilege" in return for exercising power (unknowing manipulation) over the masses for his unseen (but knowing) masters. The finale of the film is an Orwellian vision where he has fallen from grace, his career is over, but since record of him cannot be erased so easily his publicised image is restricted to visual only, his voice is erased...
I guess the film was originally created as a "pop" metaphor of Communist regimes, but my memory of it resonates with much of modern media, and public, pop-hysteria.
Oh, I remember the music as good too, but I'm bracing myself for a shock if I hear it again... (I remember a time when Alice Cooper sounded heavy and shocking. Nowadays it feels very "middle of the road"!) Paul Jones still rocks, running his show on BBC Radio 2 on Blues (at time of writing).
I guess the film was originally created as a "pop" metaphor of Communist regimes, but my memory of it resonates with much of modern media, and public, pop-hysteria.
Oh, I remember the music as good too, but I'm bracing myself for a shock if I hear it again... (I remember a time when Alice Cooper sounded heavy and shocking. Nowadays it feels very "middle of the road"!) Paul Jones still rocks, running his show on BBC Radio 2 on Blues (at time of writing).
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