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Ian Fleming (Dominic Cooper) is a disappointing playboy with a wealthy
and well connected family. His brother is the shining star of his
mother. He has a great love Muriel Wright (Annabelle Wallis), and a
love affair with the married Ann O'Neill (Lara Pulver). His boss is
Real Admiral John Godfrey (Samuel West), and assistant Second Officer
Monday (Anna Chancellor).
Those who complain about the authenticity really miss the point of the series. His actual career is probably lost forever to time and state secrets. This is a marrying of Ian Fleming and James Bond. Quite frankly, I don't know why nobody has made feature movies about a semi-fictionalized Ian Fleming before. It's a great way to do a Bond movie while skirting the copyright. And you can use Fleming's name right up top maybe even 'The Man who would be Bond'.
This one does it as well as it can be done on TV. The action could be bigger. Dominic Cooper is a bratty playboy writer who turns into a brilliant intelligence officer struggling against the system. All the James Bond ideas are there intermingled with the real Ian Fleming. That's the charming part of this series.
It's a history lesson that many, who did not live through that times,
watch. Like most, I had only a passing understanding of what happened.
fact I listened to those who said Daniel Ellsberg was a traitor, and
it an acceptable view. Having watched the movie, I now have a better
appreciation of the actual story behind the rhetoric. It is a must watch
for everybody who thinks history doesn't repeat itself.
James Spader is always good in his films. Sometimes the film is not up to snuf, but the subject matter here elevates everything. It could have been improved if they had a little more money for the Vietnam parts of the movie. Paul Giamatti is also good in this. YOU MUST WATCH THIS.
Brothers Paxton (Robbie Amell) and Tripp Flynn (Keenan Tracey) find
their parents (Michelle Forbes, Dan Payne) have gone missing, and
they're in a secret society of Hunters who track down legendary
artifacts for safe keeping. The brothers and friend Dylan (Alexa Vega)
have to track down a secret artifact and save the Flynn parents.
There are some good actors working here including the great Victor Garber. But I'm not sure the material is up to it. While the premise of a secret society is interesting, it's been done better elsewhere. This feels like a TV movie pilot hoping for a series pickup.
I get that they're trying to be a different looking thriller. People with crossbows look silly unless they can explain they're some kind of magical crossbows. The production isn't big enough to get the look right. The action isn't strong enough to be exciting. The CGI is lesser TV level. Everything is just slightly not quite enough.
Four magicians answer a mysterious call to work for an obscure secret
society. A year later, they call themselves the Four Horseman, and
create havoc with their magic. Their first trick to rob a bank draw the
FBI and Interpol into a cat and mouse game.
Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco play the 4 magicians. They have great chemistry and their interactions have great energy. They had a fun time being interrogated by Mark Ruffalo's FBI agent. It was a promising start as a fun interesting movie that gives us a little insight into magicians. Then it turned.
It became all flash little substance. The heists kept coming. It's like the movie was its own trick. They kept pumping up the flash in order to disguise the lack of a good story. And the final twist was just fool's gold. There is no foreshadowing. It was done for its shock value. Sadly, by then I was out of shock. All sound and fury signifying nothing.
National Geographic photographer James Balog wanted to test his
skepticism about climate change. With his Extreme Ice Survey, he was
able to photograph undeniable changes in some glaciers.
In this documentary, Balog deploys a series of time-lapse cameras to capture a long term visual record of the world's changing glaciers. The lengths to which this is accomplished is mind boggling.
It's a compelling watch and an important work. But it's the shocking final result that will amaze you. The visual of these glaciers actually melting right before your eyes will shake you to your core as it did to me.
*** This review may contain spoilers ***
After suffering a miscarriage, Rosemary (Zoe Saldana) and Guy Woodhouse
(Patrick J. Adams) move to Paris. They have one friend there, Julie
(Christina Cole). Guy is a struggling writer who is completely blocked.
Soon they befriend Margaux (Carole Bouquet) and Roman Castevet (Jason
Isaacs). They take in the couple to their beautiful exclusive apartment
I love the Paris location but this is an unnecessary remake. The running time is way too long. The 1968 original is already long. I can accept that since the movie was so well made and also that's the style of that era. This one is even longer, and it's not better for it.
The cast is just as impressive as the original. Zoe Saldana doesn't have the fragility of Mia Farrow but she does frantic very well. I like Patrick Adams as the husband more than John Cassavetes. He's a puppy-face pretty boy. The switch for his character is harsher and more heart breaking. Jason Isaacs is a compelling villain and it's nice to see french beauty Carole Bouquet again. Although I miss Ruth Gordon. There is something about an old creepy witch. It matches.
The last group scene is also not an improvement. The old scene from the original is claustrophobic. It used to be interior and closed off. It is creepier, scarier, and ultimately much more effective. Like many changes from the original, it is neither effective nor an improvement.
Karen Mitchell sends her sons Gray and Zach to Jurassic World in Isla
Nublar which is run by her sister Claire Dearing (Bryce Dallas Howard).
Owen Grady (Chris Pratt) is a velociraptor trainer. Vic Hoskins
(Vincent D'Onofrio) wants to turn them into military weapons. The park
is creating genetic amalgamations. The latest is the most dangerous of
them all. Then it escapes and chaos ensues.
It's funny that Claire's heels became such a big complaint. The movie obviously knows it's a joke so pointing it out is a little beside the point. The biggest problem is that Claire isn't funny and I don't blame it all on BDH. The character is written badly and so is Owen. Almost every attempt at comedy ends with me groaning at its clumsiness. Claire and Owen have almost no chemistry. I hated them kissing in the middle of pterosaurs attack. It's just ridiculous. It's one of those cliché moves that needs to be outlawed. Stop kissing and shoot some pterosaurs. The movie still works because it has giant dinosaurs and it's a fun adventure.
Nolan Hayes (Paul Walker) brings his pregnant wife (Genesis Rodriguez)
to the hospital right as Hurricane Katrina is about to hit. His wife
doesn't survive and their baby is born needing an incubator. Then the
hospital is abandoned and he's left alone without any power.
Paul Walker has that charming regular guy persona. I have no complaints about him. He does a great job in essentially an one-man job for much of this movie.
The script doesn't maintain the tension all the way through. There are too many flashbacks, and too many slow spots. The backstory is somewhat charming but not very compelling. Instead of the flashbacks, the story could have used more special effects from the storm. For a low budget movie, that may be asking too much. For much of the movie, Walker is carrying this all by himself. And he pulls it off for the most part.
It's 1300 BC and 400 years of enslavement for the Jews. Moses
(Christian Bale) saves Ramesses' (Joel Edgerton) life in a battle with
the Hittite. Prophecy suggests that Moses would become the leader.
Moses' true origin is revealed and Ramesses becomes leader after his
father's death. Moses had discovered Viceroy Hegep's corruption. Hegep
reveals Moses' secret to Ramesses and Moses is sent into exile. After
having a family, God sends him back to Egypt to lead his people out of
There are some minor differences from 'The Ten Commandments (56)' that explains the human interactions. Ridley Scott brings the big action. There are great actors doing good work. In the end, this is simply another version of the epic with some changes. It is technically sound. The pace is uneven with some very slow sections. It doesn't add anything to the story or cinema. It can only redo some of the iconic special effects. It doesn't dive into Moses' personality. It tries to make him more human and less icon. It's not as compelling. It leaves me wondering why this movie needed to be made. This movie is made to be forgotten.
This is odd little police procedural from Britain. DI Jack Armstrong
(Toby Stephens) is a Neanderthal misogynist.
The first series had 3 episodes where Armstrong is teamed with DI Kate Bishop (Lucy Punch). She's neurotic, witty, and sometimes violent. They are not Sherlock by any means, but they get the job done. It's their relationship that's the most fun. Something about Lucy Punch makes her adorable even when she's crazy.
The second series had 6 episodes and a new partner for Armstrong. Bishop is replaced with DI Georgina Dixon (Miranda Raison). She's a bland character and just doesn't have the witty exchanges like Lucy Punch. I could barely finish watching the first episode. The cases are still forgettable, and without the energetic Punch, this show becomes an unfunny bore.
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