Reviews written by registered user
|1 reviews in total|
I noted that Speen and some other media commentators think that 'Wake in
Fright' was a foreign product that just happened to be made here in
My father was approached by EMI in 1967 or there abouts. The introduction of colour TV in the US had created a demand for weekly films on the networks, and they were rapidly exhausting the supply of colour films (colour only became the norm post WWII).
EMI was approaching media companies around the world to produce films for cinema release. The two caveats were that the films must contain at least one US marqee name (a recognisable draw card), and the rights for US TV must be given to EMI. All other matter of production were a matter for locals.
My father - who was running a large company in OZ (which had a recording arm) and had been involved in the start of TV, signed up.
The result were to very different films. "Squeeze a Flower" with Walter Chiari (who had starred in 'They're a Weird Mob' two years earlier) with Jack Albertson as the US star, and 'Wake in Fright' with Donald Pleasance as the star.
They utilised largely Oz casts, largely Oz crew and were moderately successful financially (from the Oz viewpoint, I don't know how EMI faired). Even Dave Allen who many now think of as an English or Irish star was the host of 'In Sydney Tonight' at the time (the Harbourside version of Graham Kennedies 'In Melbourne Tonight').
The follow on from this scheme of EMI was the beginings of TV features - specifically filmed for TV as feature films. But "Squeeze a Flower" and "Wake in Fright" were Oz films created for a TV market.
The success of 'Wake in Fright'and 'Walkabout' at the same time, along with the support of the Gorton Government for backing the new film push, started the ball rolling for Oz film's renaissance.