Reviews written by registered user
|23 reviews in total|
"A little bit of Duddy Kravitz in everyone," so the poster tells us. Yeah, I guess you could say that, although it is exaggerated in the film to get the message across (either that, or I haven't met anyone like that yet.) Dreyfuss' character is believable, and so is his father. I would have to say the only wooden character in the whole film is that of Lenny, Duddy's brother. There is a good message to get from the film--if you watch it, you won't be disappointed.
This is a great portrayal of what a good rock concert should be like. Full of energy, lots of good tunes, and filmed on 35mm film, it is truly inspiring. I wish all shows could be this good. Long live AC/DC!
I found it hard to be sympathetic with the characters in this film, especially the character of Francesca/Marie. They just seemed to missing depth--I could not get into them. One of the reasons for this, I think, is that the pivotal rape scene was not filmed correctly. It appeared hackneyed while at the same time lacking drama. This scene is the basis for the entire film, especially with the flashbacks, and to have it appear lackluster and dull makes the entire film need something more. Moreover, for a dirty poor girl, Alison Pill is presented in the film as too clean and pretty. I could not connect with her in this context. This is not to say that the story isn't good. In fact, Thompson's play is quite engaging and was successful at making me feel for the characters. However, in contrast, the film was quite a disappointment. The film deviates from the original play too much and the meaning behind the story is lost.
You can see the influence this film has had on countless other
documentaries, and even feature length films, when you watch it. The
jittery, being right there style that is presented in this film was very
at the time it was made, and it was good. It wasn't merely presenting the
facts, but presenting them in a way that shapes how the audience will
I thought the film was really exciting, even in 2003, and it is an inspiration.
This is a great film, if you are willing to be educated more so than
entertained. There aren't any explosions, or bloody scenes, or steamy sex,
or anything of that nature. There is just a story about four people.
I liked this film because it was minimalist, and you had to get everything through suggestion. Nobody comes out and says anything, it is up to the viewer to get it. The cinematography is great, with one of the best examples of the use of night and darkness to portray the film's theme. Though I am not from that generation, being born ten years after the film was made, I was able to get a picture of the underlying political and social atmosphere of that time in American History.
What a great film.
This movie would have been alright, indeed probably excellent, if the directors would have left the interviews and the concert footage separate. "Into the Void" is a great song, and I hate how it is cut off at the best part to go to an mumbling interview with Ozzy Osbourne. That should have been at the end of the film, or located in a special feature. The best part of concert DVDs is to put them on and let the music play, but "Black Sabbath: The Last Supper" is hard to put and and simply let play because the music is continually interrupted. Nevertheless, there are a few strengths to this film; the concert footage, when it does play, it excellent. Black Sabbath returns to the stage after a long hiatus without Osbourne and this film captures that well: Sabbath basically rocks the fans. The fans, of course, have a sweet advantage in the film because they are seeing the band live, of course, but also they do not have to put up with the incessant interviews that the DVD viewers are burdened with. Shame on Jeb Brien and Monica Hardiman (the directors) for doing this to the film! Also, shame on Wyatt Smith for editing the film in such a way.
This film is a B-movie, and you have to keep that in mind when you watch it. Also, it is one of the best B-movies. With Stephen King's popularity and financial situation, this film could have had an almost unlimited budget. Also, anyone could have directed this, but he chose to do it--on purpose. What you see is the way he intended the film to look like: cheesy, more funny than actually scary, lots of fake looking blood. It's destined to be a cult classic. It was intended to be that way. The only thing I was disappointed with was that the DVD did not have more special features.
I know it's crude, and I know that it isn't at all PC, but it's so funny.
you can put it into perspective that it's from the early 80's and it
all the stereotypes of the time--and the movie still makes you almost pass
out with laughter--than it is truly a good comedy.
Going with the tradition of what comedies have been for thousands of
the subject matter of this film is exagerated. If you can suspend your
political correctness for an hour and a half, just to have an all-out
than please watch this.
P.S. Would someone please put this out on DVD, it's so hard to find on VHS anymore.
This movie is very boring and superficial. There isn't anything deep about it, and it gives 21st century women a bad name, essentially portraying there goals and desires as self-centered and base. Rent something else instead.
This is a terrific film, not so much for the concert, but the actual
experience; those who saw Young play at the Cow Palace in San
Fransisco, (where Rust Never Sleeps was filmed) would undoubtedly
agree--the disclaimer, of course being those who could actually
remember the event as something more than a drug-haze. Nevertheless,
this film is fantastic because the selection of songs that Young plays
are some of his finest, and these selections are both acoustic and
This film also shows why it is that Crazy Horse is the band Young selects when he chooses to rock out. The band members accompany his guitar solos with triumph, giving the music a melodic and hypnotizing effect; specifically, songs like "Like a Hurricane" and "Cortez the Killer"--which are good in their own original form--get a new life in this film; the songs linger, sometimes they stray, but never in a negative way. Anyone who likes live performances, particularly live performances that take on a sort of ad-lib aspect, will not be disappointed with Rust Never Sleeps.
The acoustic selections are also very fine, highlighting Young's capacity and talent to not only entertain and soothe as an individual, but one who can do it in grand style. "Grand Style" here, of course, does not mean someone coming across as your typical rock star, (because here Young doesn't), but rather, grand style in the sense that the man is a born musician that can strike a chord in any one's soul. Highlights of the acoustic set include "Sugar Mountain" and "After the Gold Rush," as well as such Young classics as "Comes a Time" and "My My, Hey Hey." Of course, the concert would not be complete without a wicked rendition of "Hey Hey, My My" the electric counterpart to the former, and the band here accompanies Young on this track exquisitely.
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