Lists by Blondie_64

a list of 25 titles
Only live-action movies
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a list of 10 titles
In order from best to good.

Honorable Mentioned:

Green Room
The Void
Swiss Army Man
The Witch
Star Trek Beyond
a list of 10 titles
In order from best to good.

Honorable Mentioned:

Steve Jobs
Straight Outta Compton
The Big Short
Turbo Kid
a list of 10 titles
In order from best to good.

Honorable Mentioned:

The Interview
22 Jump Street
Dawn of the Planet of the Apes
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What is the toughest task in film making? Direction. To catch the actors facial expression at the right time and tailor it into a scene is the most difficult task. The success of the film lies very much in the hand of director. It's the director who controls all the themes, plot and dramatic side of a film. Over the past 100 years of cinema there have been thousands of directors. While some just follows the footstep of others, some stand out of crowd giving a significant contribution to cinema. Here is a list of directors that every time they sits behind the camera they make a masterpiece.
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Only my opinion

Soundtrack - Licensed music appering in a film.
Score - Original music composed for the film.
a list of 100 people
(Not In any order, except for the top 10)
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From good to best
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Breaking Bad fans who are already mourning the end of the best shows ever produced can take some comfort in the fact that a Saul Goodman spinoff is on it's way. Vince Gilligan, the mastermind behind Breaking Bad, is reportedly keen to develop a series featuring Bob Odenkerk’s morally flexible lawyer that may serve as a prequel to the events that take place on Breaking Bad and could even feature cameos from some characters who met their end during Walter White’s reign.

Can a Saul Goodman show ever hope to replace the sublime genius that is Breaking Bad? Probably not. TV spinoffs, however, are responsible for some of the most beloved shows in the medium’s history. Consider that Frasier, The Colbert Report, Melrose Place, Angel and The Simpsons were all spinoffs. This list is of characters who deserve their own spin-off.
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Honorable Mentioned:

“Trial by combat, deciding a man’s guilt or innocence in the eyes of the gods by having two other men hack each other to pieces. It tells you something about the gods.”

He was my nephew as well, so what is that? Fratricide is brothers. Filicide is sons. Nepoticide, that’s the one. Matricide, patricide, infanticide, suicide, there’s no kind of killing that doesn’t have its own word.”

"Laughing at another person’s misery was the only thing that made me feel like everyone else."

“I was the smartest person I knew, certainly I had the wherewithal to unravel the mysteries that lay at the heart of a moron."

Far too much has been written about great men, and not nearly enough about morons.”

"I understand the way this game is played." ―Tyrion to Varys
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Every year, HBO goes somewhere no other television station is willing to go and every year they take home the most Emmy awards for all of their outstanding television series. People who watch HBO constantly find themselves glued to their couch for hours at a time trying to catch up with their favorite shows. In honor of HBO and all of the excellent TV series they have released over the years, Here are the top 10 greatest HBO series. IT'S NOT TV. IT'S HBO
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Movies where the dialogue is what's moving the plot along. Movies with little action insted brilliant dialogue is what's driving the movie.
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I have a dream that one day Hollywood will make a great video game movie. I wish that the best gaming franchise ever should be it. Metel Gear! I thinke they should make two trilogies one for Big Boss and one for Solid Snake.

The Original Trilogy

Movie 1: Metal Gear Solid 3: Snake Eater - 1964

Movie 2: Metal Gear Solid: Portable Ops - 1970 and Metal Gear Solid: Peace Walker - 1974

Movie 3: Metal Gear Solid V: Ground Zeroes - 1975 and Metal Gear Solid V: The Phantom Pain - 1984
To explane the gape between the Movies:

Movie 1 (4): Metal Gear - 1995

Movie 2 (5): Metal Gear 2: Solid Snake - 1999
The Sequel Trilogy:

Movie 1 (6): Metal Gear Solid - 2005

Movie 2 (7): Metal Gear Solid 2: Sons of Liberty - 2007/2009

Movie 3 (8): Metal Gear Solid 4: Guns of the Patriots - 2014
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Honorable mentioned:

"You got some self-loathing to do this morning, that's fine, but it ain't worth losing your hands over."

"I don't sleep, I just dream."

"I had my time where I wondered if this was all in my head. That time passed."

"I'm through talking to you like a man."

"Life's barely long enough to get good at one thing. So be careful what you get good at."

"Just gotta look a man in his eyes. It's all there. Everybody wears their hunger and their haunt you know? Just gotta be honest about what can go on up here. The locked room."

"It's Thursday and it's past noon. Thursday is one of my days off. On my days off I start drinking at noon. You don't get to interrupt that."

"My life's been a circle of violence and degredation long as I can remember. I'm ready to tie it off."

"I transferred from robbery to narco, started hittin' it 24/7. Street rips, knocking down doors. Within three months I was ripping off couriers or ending up in a Ramada Inn with a couple of fu**ckin' 8-balls...Oh yeah. Somewhere in there Claire left and somewhere in there I emptied a nine into a crank head for injecting his infant daughter with crystal…Said he was trying to purify her. State attorney gave me one chance to stay out of jail. Said you can keep your profile but we're going to make you our wild man junkie. So they did. They made me a floater, a trick. Any agency or department that needed a deep undercover narco, they got me. And there was no fu**cking expiration date, baby."
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"I think human consciousness is a tragic misstep in evolution. We became too self-aware. Nature created an aspect of nature separate from itself. We are creatures that should not exist by natural law. We are things that labor under the illusion of having a self, a secretion of sensory experience and feeling programmed with total assurance that we are each somebody, when in fact everybody's nobody. I think the honorable thing for our species to do is deny our programming; stop reproducing; walk hand-in-hand into extinction. One last midnight, brothers and sisters opting out of a raw deal."
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(Not In any order, except for the top 10)
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James Bond is the hero of all heroes, the legendary spy 007.

Here are the 007 actors in order from Best to Worst:

1. Sean Connery (The real Bond)

2. Daniel Craig (The modern Bond)

3. Pierce Brosnan (The charming Bond)

4. Roger Moore (The silly Bond)

5. Timothy Dalton (The brutal Bond)

6. George Lazenby (The stupid Bond)

Here are top 3 actors that could play Bond after Daniel Craig:

1. Tom Hardy
2. Michael Fassbender
3. Henry Cavill
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Damn fine movies...

If cinema is a drug, then in the special section of its pharmacological spectrum reserved for the hallucinogens, sit the movies of David Lynch. Despite padding his resume with myriad short films, videos, installations, and, erm, nightclubs, Lynch's reputation as the reigning King of Cult is founded on just ten feature films and one TV show. The latter, the endlessly adored, fascinating, epochal "Twin Peaks" which he co-created with Mark Frost, will return with Lynch writing and directing, for an anticipated third season in 2017 via Showtime. But as for Lynch and movies, well, only time can tell, but nothing he's said recently indicates any sort of serious desire or intention to return to the medium.

Perhaps that's the cleverest way that Lynch has made junkies of us all: by throttling down the supply of his "product." Because they're not just mind-addling psychotropic substances, his movies are highly addictive, in that once you've found your gateway title (for many it was "Twin Peaks" though for the more cinematically inclined it was often "Blue Velvet") you find yourself quickly jonesing for more. Having made so relatively few features across the four decades of his career, Lynch has more or less guaranteed that the only option for the hooked is to go back and revisit them time and again: thankfully, his is one of the rare catalogues that rewards that practice. Somehow, Lynch's output seems to continually expand in meaning and character, despite the fact that it remains stubbornly enumerated, since 2006, at an uncharacteristically round, decimal ten titles. Here's our assessment of those films: administer intravenously.
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Martin Scorsese is one of America's greatest filmmakers. While mob stories have been his bread-and-butter, he's dabbled in nearly every genre around, filling his work with nods to film history while bringing his own unique bent to the proceedings. His films often explore themes such as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, machismo, modern crime, and gang conflict. Despite this, he has an incredibly varied and accessible filmography that includes a romantic drama, a taut urban cop thriller, an oddball comedy and a religious period film. He's the rare filmmaker of such stature that almost every actors dream is to work with him someday. Even if it's just a car commercial. He's the most passionate director around, plus he's just a likable guy and a real movie nerd.
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Though he's only directed six features, including 'The Revenant,' the 'Birdman' Oscar winner is among the most acclaimed filmmakers working today. Alejandro González Iñárritu is unafraid to push the emotional and thematic envelope, by submitting the mostly ordinary people that inhabit his films to the most extraordinary tests of character. From the precipitous, interlocking tragedies of "Amores Perros" (2000), "21 Grams" (2003), and "Babel" (2006) to the uncompromising auteurist vision of "The Revenant" (2015), Iñárritu resists ingratiating himself to audiences, so much so that his oeuvre has been described as misery pornography.
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There isn't a single Tarantino film I do not enjoy. The man has a way of tapping into exactly the kind of stories I find immensely entertaining and his visual style, use of music and affection for dialogue is something I can't help but love and look forward to whatever it is he may deliver next. Another thing you have to love about Tarantino movies, besides the always great dialogue and pop-culture references, is that he never holds back. The action, violence, and profanity are always in high gear, and his movies are always, literally, buckets full of blood.
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Sergio Leone is rightfully regarded as the patriarch of the Spaghetti Western genre, spawned in the wake of his massively popular films set in the sandy American frontier. A Roman-born director who first gained popularity directing sword-and-sandal epics, Leone soon turned to Westerns with the Dollars Trilogy and inadvertently changed the genre forever. Oddly enough, Leone had never even been to the American West until after he had already singlehandedly emblazoned his mark on the Western film. Leone only solo-directed (he did a few uncredited or second-unit-but-still-actually-directed) seven films; the first of which was The Colossus of Rhodes, and the last was Once Upon a Time in America.

His trademarks are numerous and oft-imitated to this day: extreme close-ups, wide shots with incredible depth and clarity, prominent scores and memorable rogues. Leone’s West was a gritty, sweaty place, populated not by charming cowboys but by scruffy gunslingers. The Spaghetti Western – a term often used for Italo-Westerns alone – was certainly born out of Leone’s style, but the Western genre on the whole owes a credit to his filmography.

Leone found success with other genres as well, and his association with Westerns shouldn’t cloud the fact that his mastery of technique and tone could have been applied anywhere. By focusing on Westerns, Leone was able to breathe new life into a lagging genre.

What follows is a rundown of the filmography of Sergio Leone, highlighting the elements that make his best films so deserving of praise nearly half a century after their release.
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John Carpenter, a man who revolutionized sci-fi and horror and made a string of fantastic movies in a career that dates back 40 years. His work is some of the most iconic and indelible of the 1980s especially, and his films have become staples of double features and retrospectives. Carpenter's dark sci-fi/horror movies were crucial influences on many of today's leading directors, and a few have become pop-culture cornerstones, earning Carpenter a deserved cult following. But after a series of commercial and critical flops in the '90s, along with his growing disenchantment with the Hollywood system, Carpenter all but gave up on filmmaking.
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Stanley Kubrick, one of the most eclectic filmmakers of all time who has done crime, comedy, drama, war, sex, sci-fi, epic, historic and heist, to name a few. Kubrick is one of, if not the most fastidious filmmaker in history, with his cast and crew often attesting to his attention to the tiniest detail. He was a control freak and this would typically be a bad thing but in my own opinion, he never made a bad film. His films feature a melange of powerful performances, wonderful dialogue, incredible cinematography and visuals and of course, unforgettable music. He wasn’t a typical filmmaker who makes one film after the next, allowing the option to have the odd flop here and there. He took years between productions In order to perfect his work, allowing for masterpiece after masterpiece after masterpiece.
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​When you say the name "Mel Brooks," the first thing most people think of is some of the funniest films ever made his movies will always be hailed as some of the greatest comedies ever made, no matter how hard Adam Sandler tries. He's done so much kickass stuff that he should get his own statue in Washington DC, next to that Jefferson guy.
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Wes Anderson has been making movies for two decades now: The director who once defined youthful, oddball outsiderism is now a veteran and a giant. Over these twenty years, Anderson has been meticulously building his own very unique world. Those who love his work admire his quirky sensibility and meticulously designed ompositions, and those who loathe his work find his films too precious and pretentious. I'm somewhere in the middle, and it usually depends on the particular project.
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It’s fair to say that Christopher Nolan has been one of the most influential directors of the new millennium. He may be relatively early in his career, but he has already made some of the best movies in cinema history. And he just continues to make films of the calibre we have come to expect. When his career draws to a close he will likely be heralded as one of the best directors to ever wield a camera.
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Cary Fukunaga’s become one of the most coveted filmmakers in Hollywood after helming three excellent features, and all eight episodes of HBO’s greatest series to date, True Detective. Fukunaga originally wanted to be a pro snowboarder, but switched to filmmaking in his mid-twenties. He got his start as a camera intern and later applied to film school. He enrolled in New York University's Tisch School of the Arts Graduate Film Program. And the rest is history as they say. He is currently one of my absolute favorite directors, and i am looking forward to see more from him.
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Steven Spielberg, is among the most powerful and influential people to have ever worked in Hollywood. He's entertained countless people in his nearly 40-year career. Today it seems almost impossible to remember now, but there was a time when Steven Spielberg was cranking out one incredible blockbuster after another – from 1975’s Jaws to 1981’s Raiders of the Lost Ark to 1993’s Jurassic Park. And though his output in this new century has been almost exclusively limited to overlong disappointments, Spielberg remains one of the most prolific and successful directors in all of time.
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David Fincher began his directorial career making music videos for some of the biggest names in the music industry. He later went over to make feature-length movies. His work in features has combined a drive for technical achievement off-screen with a consistently recognizable interest in detail-oriented obsession on-screen. He is a master craftsman, and one of hollywood's most skillful director of thrillers and procedurals but also one with an uncanny ability to lay his finger right on the cultural pulse.
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Few directors have been as consistent as the Coens, who have spent the past twenty years pumping out instant masterpieces, cult favorites and some sh**it to. Their films are simultaneously straightforward and but also has an deeper meaning if you analysis them. They are two of the most consistently entertaining, inventive, and thought-provoking American filmmakers of the modern era.
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It's possible between 15 and 20 percent of the population have symptoms of dyslexia, according to the International Dyslexia Association. These symptoms could include slow or inaccurate reading and poor spelling or writing skills. Dealing with dyslexia and other learning disorders can prove extremely difficult and frustrating, whether the individual is a child at the time of diagnosis or a grown adult. A struggle with dyslexia can lead to problems in school and low self-esteem.

But success and personal and professional achievement are still fully possible in spite of that frustration. Just one example of this is a recent Business Insider profile of 15 CEOs who have learning disorders, including Apple founder and CEO Steve Jobs, among others. Reachers have suggested famous artists such as Leonardo da Vinci and Pablo Picasso may have also suffered from learning disorders.

And in Hollywood, a handful of stars have come forward in recent years to share their experiences with dyslexia and provide hope for others. The following is just a handful of those famous names and faces linked to to the disorder, as well as how some of them dealt with the symptoms. Their stories serve to inspire others struggling with dyslexia.

Here are the names of some of the many talented and accomplished individuals who are dyslexic, or historic figures who had the pattern of talents and learning difficulties associated with dyslexia.
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This is a list of movies in which espionage playes a lage role in the film or are somehow related with to what happens on screen.
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The market is closed on Monday, but that doesn't mean you have to take a day off from your love of Wall Street (obviously). In the annals of Hollywood, Wall Street has not been treated very kindly. They halls of finance are usually portrayed as places of shiny excesses and dark hearts. Here are the best films that feature Wall Street, finance, banks, stock market, scams and money.
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Has a cultural phenomenon ever inspired such devotion, such passion, such extreme nerdiness than the ‘Star Wars’ saga? From the films to the figures, the tie-in novels to the TIE-fighter coffee mugs, the blogs to the chatrooms to the international fan conventions, it’s the closest thing cinema has to a unifying faith. Here are the best characters from the most iconic saga ever.
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Only characters that originate from Video Game. No Batman from the Arkham series or Bigby Wolf from The Wolf Among Us.
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One of the most cinematic cities in the world has been showcased in literally hundreds of movies. Here is list of the best films to display there love for the most beautiful city in the world NYC.
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Not in any particular order, exept for no. 1
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The worlds most useful word!

This is a list of non-pornographic, English language films containing at least 150 spoken uses of the word fu**ck. Also no stand-up or documentary like the movie, "Fu**ck - a documentary on the Word".
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Gotham was fu**cking sh**it, there I said it! It was god awful. I LOVE Batman, I have read hundred of Batman comics and watched every incarnation of the character ever put on screen so i consider myself a bit of a expert on the character.

I liked the idea of a gritty cop drama. But what we got was this poorly written pices of sh**it. The showrunner said the took inspiration from THE WIRE!! THE WIRE one of the best shows of all time. So i thought it would be really good. Looks like i was wrong.

So insted of the *beep* that is called Gotham I would like it to be about the corruption in Gotham and about that just because you have a bage it dosen't mean you are a good guy. My dream would be if HBO took on this honorable task, to make a good live-action Batman TV-show. A show like this need great writting and a massive budget to be great and Gotham lacks in both.

I want it to focus on mostly Gordon and Bruce. Gordon with all the tragedies in his life, that comes of being the only honest cop in Gotham. I also want it to focus on why and how Bruce became Batman. Above all i want it to focus on Batman and Gordon's developing relationship. I don't want the show to be to long, about 50 episods would be great. It should be a brutally dark cop drama that is heavily influenced by The Wire and True Detective. The characters in the show are human, and you really get an in depth look in to there heads.

I want the first season to be about how Gordon came to Gotham and got to know Batman (similar to Batman: Year One). Also we gets to see how Gordon is fighting against the very corrupt policeforce. We also get a depper look on how and why Bruce Wayne became Batman.

Season two, focus on Batman and Gordon's developing relationship gets stronger and how they are gonna take down the mob (and some supervillans).
Also James, Jr. is born, Barbara discover her husband Gordon is having an affair with his partner, Sarah Essen. Barbara leaves Gotham with their son.

In season tree, we see more of the relationship Batman and Gordon have in the animated series they are good friends with the same goal. The third season is the darkest season of all after the first two episodes. In this season The Joker gets introduced. Gordons new wife Sarah gets killed by the Joker. The Joker also paralyz Gordons nephew.

In the fourth season of the show, we meet Batman in a time of disorder and despair. Bruce doubt his abilities, and belives he can't protect Gotham and the people most importent to him. This is the result of The Joker's rampage in the previous season. Bruce thinkes that Batman does more harm than good and has decided to retire. After the destruction by The Joker, the city is in ruins and Batman haven't been seen for months. The street are ran over by criminals. Gordon now back on the force after his paid leave. He sees what has happend to Gotham and decides to make it his goal in Life to stop crime once again.

In the fifth and final season, Batman is back and for the first time it looks like Batman and Gordon is winning the war on crime. The crime rates are the lowest in Gotham in over a hundred years. Batman and Gordon are flushing out the corrupt politicians and cops in Gotham by following the money. Batman and Gordon also bring down the mob once again.
This season will be more of a political thriller than an classic Batman film with unrealistic villains and action. Don't get me wrong i love that, but this will be more of a realistic take on Batman. Also this will give the character development that Gordon deserves. And of course will there be some super villains in the last season as well.
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It's time for a new trilogy!

I don't thinke they should begin at the end of The Dark Knight trilogy. Nolan's trilogy is over now. I thinke they should make a whole new trilogy without any of the old actors.

I would like to see a mixture of classic noir movies and modern age of batman comics, Very similar to Batman: The Animated Series but much darker and violent.

(All villains on this list or anyone from the Justice League should of course not be involved in the films but I chose an actor to portray them anyway)
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What makes a director good? Having their own style, when you can immediately tell you're watching a movie they directed just by looking at a still frame without any context. There's a visual style they stamp on their films, a certain special effect they like, a narrative preference they utilize, basically, a trademark they have.
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All the best directors seems to not attend any Film School, just look at these guys, here are some very famous directors who never went to Film School.
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It seems like every other week nowadays we see a trailer for a new movie that seems so terrible that we can only roll our eyes and wonder how such a film could have gotten funded in the first place. The answer is simple: Hollywood funds films that they believe will make money. A multitude of interesting films miss out on getting made every year for a variety of reasons, but there are some that stand out from the rest because the thought of “what if” is simply too fascinating to dismiss. But in many cases, the studios’ decisions to pass on a project can’t be entirely criticized — some of the following projects are flat out bizarre and could just as easily be a financial disaster as a hit. Still, it would be amazing to see any of the following projects realized even if they sound pretty crazy.
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Discuss religion on the internet... not a very good idea maybe. I'm an atheist myself and these are some famous people that have shown skepticism or have completely dismissed the existence of a God. There are alot of proof that a God does not exist but there are very few who says he does exist. Just because a story is old does not mean it's true AND YES IT IS JUST A STORY. There is strong evidence for the big bang, but that a man with a long white beard that created earth has not been proven yet. I just thinke that religion has given the world so much pain and destruction, such as the Templars and the Inquisition are only two good example on that. I'm not saying that you should not believe in anything, but that you should open your eyes and see the facts insted of what feels good. But i suppose everyone needs something to believe in and I respect that.
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With "Saturday Night Live" celebrating it's 40th anniversary with a massive prime time special on Sunday — Justin Timberlake, Adam Sandler, Paul McCartney, Kanye West, Steve Martin, Jerry Seinfeld and Eddie Murphy are just a few of the names scheduled to participate — I rank the top 40 best SNL cast members of all time.
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Who needs school just look at this guys. I thinke they have done quite good without it.
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Bromance = An exceptionally tight, non-sexual relationship between two men.
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Here is a list of the most evil TV antagonists. To be on this list you can't be a anti-hero like Walter White or Tony Sopranos, who does horrible crimes but we still root for them to win in the end. These villans are opponents of the protagonist of the show. And some are just a*ssholes
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The TV-show with the best lines in Tv-history.
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Preacher, is probebly the best comic book ever written, and my absolute favourite comic. Garth Ennis' "Preacher" wonderfully written start to finish and with an ending that doesn't let down where so many have before. I recommend it to those who haven't read it. It is about a small-town preacher becomes possessed by the offspring of a demon and an angel, and sets off in search of the absentee Almighty to take issue with his management of the world. Garth Ennis’ bloody, twisted and sickly funny religio-Western epic is full of brutality, mutilation. All that makes this to one of the best comics ever. It also shows you – deep down – a love story that says all of creation can go hang as long as love has its chance. Huh. Despite the castrations and perversions and maulings, despite the Saint of Killers’ glowering menace. Only HBO can adopt this comic book if they won't do it nobody should! Seriously, this profane, bizarre series would be the most entertaining TV show ever. Here is my cast for a direct adoption form the comic series. The characters are grouped roughly in order of first appearance.


Season 1 - Preacher: Book One #1–12

Season 2 - Preacher: Book Two #13–26

Season 3 - Preacher: Book Three #27–33, Preacher Special: Saint of Killers #1–4, and Preacher Special: Cassidy – Blood and Whiskey

Season 4 - Preacher: Book Four #34–40, Preacher Special: The Story of You-Know-Who, Preacher Special: The Good Old Boys and Preacher Special: One Man's War

Season 5 - Preacher: Book Five #41–54

Season 6 - Preacher: Book Six #55–66 and Preacher Special: Tall in the Saddle
Theme song: "Son Of A Preacher Man"
Artist: Dusty Springfield
Album: Dusty in Memphis
Released: 1969

Top 5 Characters From The Comic:

No. 5: Tulip O'Hare
No. 4: Arseface
No. 3: Jody
No. 2: Saint of Killers
No. 1: Jesse Custer
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The TV show is good, but the comic is truly great. The Walking Dead is one of the top selling comic books in recent years. It is well crafted and has made Kirkman a superstar in the comic book industry. Horror fans should definitely check this comic series out as well as fans of comic books everywhere. TV series is nothing like the comic. Sure, there are some certain fragments from the comic in the show. But most of the time it is a whole new thing. There are the same characters but they do new things. And above all there are alot of new people like Daryl and T-Dog in the show. So here is my reboot cast for a direct adoption form the comic series. The characters are grouped roughly in order of first appearance.

Volume 1: Days Gone Bye
Volume 2: Miles Behind Us
Volume 3: Safety Behind Bars
Volume 4: The Heart's Desire
Volume 5: The Best Defense
Volume 6: This Sorrowful Life
Volume 7: The Calm Before
Volume 8: Made To Suffer
Volume 9: Here We Remain
Volume 10: What We Become
Volume 11: Fear the Hunters
Volume 12: Life Among Them
Volume 13: Too Far Gone
Volume 14: No Way Out
Volume 15: We Find Ourselves
Volume 16: A Larger World
Volume 17: Something to Fear
Volume 18: What Comes After
Volume 19: March To War
Volume 20: All Out War
Volume 21: All Out War (Part Two)

Top 10 Characters From The Comic:

No. 10: Axel
No. 9: Glenn
No. 8: Sgt. Abraham Ford
No. 7: Tyrese
No. 6: Michonne
No. 5: Andrea
No. 4: Carl Grimes
No. 3: Paul 'Jesus' Monroe
No. 2: Negan
No. 1: Rick Grimes
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Motherfu**cking dick suck cu**nt fu**cking fu**ck fu**ckity fu**ck fu**cker fu**cking fu**ck fu**ckers! Fu**ck.
~ Negan

"The fastest way to a man's heart is through his vigina"
~ Negan

"I'm sorry, Rick, but...LUCILLE WILL HAVE HER REVENGE!"
~ Negan

[after cutting up Spencer Monroe stomach] "Oh, how embarrassing! There they are! They were inside you the whole time. You did have guts. I've never been so wrong before in my life!"
~ Negan

"My di**ck's so hard right now, it could crack steel. I should wrap it in barbed wire and call it Lucille Two"
~ Negan

"Hi...Rick, is it? I'm Negan and I do not appreciate you killing my men. Also, when I sent my men to kill you for killing my men you killed more of my men."
~ Negan

"We're the big swinging di**ck of this world--have been for a long fu**cking time...but it seems people are forgetting that. So now our big swinging di**ck is going to swing harder...and faster, until we take off like a motherfu**cking helicopter and blow all these motherfu**ckers away."
~ Negan

"Kid, I'm not going to lie to you -- You scare the fu**cking sh**it out of me."
~ Negan

"Now, if you excuse me, I'm gonna go ping pong my di**ck all over these titties."
~ Negan

"I'm just fu**cking with you! A baseball bat doesn't have a pussy!"
~ Negan

"If I'm not balls deep in a wife in the next few minutes I'm going to turn into a fu**cking pumpkin."
~ Negan

"Look kid what you did out there you must have balls the size of fu**cking trucks!"
~ Negan
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- Episode 1: A New Day
- Episode 2: Starved for Help
- Episode 3: Long Road Ahead
- Episode 4: Around Every Corner
- Episode 5: No Time Left

The game opens with Lee on his way to prison after his conviction in Atlanta, Georgia. En route, the sheriff's car in which he is travelling strikes a walker and careens off-road. Lee is knocked unconscious, awakening hours later to find the sheriff lying outside the vehicle. Fleeing the car, Lee is attacked by the officer, who has turned into a walker, and Lee is forced to kill him. He takes shelter in a nearby home, discovering Clementine hiding in her tree house. After learning that her parents had previously left for Savannah, Lee offers to protect and care for Clementine, and help her find them.

They then travel to a nearby farmstead, owned by Hershel Greene, where Lee is introduced to Kenny, his wife Katjaa and their son Duck. When Shawn, Hershel's son, is lost to a walker attack, Hershel banishes the group from his home. Lee and Clementine join Kenny and head towards Macon. There, they find shelter with several other survivors in a drugstore owned by Lee's family, a fact he keeps to himself. While trying to recover medicine from the pharmacy, they set off the alarm and are forced to abandon the store, finding safety in a motel with a defensible perimeter.

Though protected from walkers, Lee and the survivors struggle to find food, and after three months, are at the last of their supplies. However, they are then approached by the St. Johns, a family who own a nearby dairy. The group exchange gasoline to power the St. Johns' electric fence for food and shelter. However, while on the dairy, Lee and Kenny discover the St. Johns have engaged in cannibalism, and the group flee, leaving the St. Johns to their fate as the farm is overrun by walkers. As they return to the motel, they find a seemingly abandoned car full of provisions, which they share out amongst themselves.

The group soon learns that the St. Johns had a deal with local bandits; they would give the bandits food and in exchange the bandits would not attack the dairy. Upon the death of the St. Johns, however, the bandits now turn their attention to the motel. They launch an attack that attracts walkers, and the group is forced to abandon their base and supplies. During the attack, Duck is bitten. After driving for a time, the group come upon a freight train. Lee and Kenny manage to get the train working, and the group head towards Savannah, with the intention of finding a boat and getting out onto the ocean, away from the walkers. During the trip, Duck's condition worsens, and the group stop to deal with him before he turns. Katjaa commits suicide over the loss, and Kenny and Lee are forced to euthanize Duck.
Nearing Savannah, Clementine's walkie-talkie goes off, with an unknown man telling her she will be safe once he deals with Lee and the group, and promising her that her parents are waiting for her. The group takes shelter in a well fortified mansion, and Lee and Kenny head towards the pier to find a boat. There, they encounter Molly, who informs them there are no boats left in the city, and whatever useful supplies do remain are being held in Crawford, a fortified community who don't permit the elderly, the sick, or children into their ranks. When walkers attack, Lee is separated from the group, and as he makes his way back to the mansion through the sewers, he encounters Vernon and his group hiding in a hospital morgue. Vernon returns with Lee back to the house, where Clementine has discovered a boat in the shed. It lacks fuel and a battery, but both items can be attained in Crawford. Lee and the group plan an invasion, but once there, they find the entire population has turned into walkers. They quickly gather the necessary supplies and leave. Vernon departs, but not before warning Lee that he doesn't think he is an appropriate father-figure for Clementine, and offering to take care of her instead.

The next morning, Lee wakes to find Clementine missing, and in his haste to find her, he is attacked and bitten by a walker. Initially suspecting Vernon, Lee finds the morgue abandoned, when Clementine's walkie-talkie goes off. The man on the other end reports that he has Clementine and challenges Lee to come get her. Clementine is able to reveal to Lee where she is being held, and Lee heads back to the house only to find that the boat and other supplies have been stolen by Vernon's group. As the group head to rescue Clementine, Kenny stays behind to distract a hoard of walkers. As they cross the rooftops, Lee is separated from the others, and he instructs the survivors to wait for him and Clementine at the edge of town, making them promise to care for her after he is gone.

Lee makes his way to the hotel where Clementine is held. The man holding her explains that he was the owner of the car that the group ransacked after leaving the dairy, and as a result, he lost his family to walkers. Lee realizes the man has gone insane, and with Clementine's help, kills him. He then helps to cover Clementine in walker blood, disguising her from the other walkers. As they leave the hotel, however, Clementine spots her parents, both of whom have turned into walkers, and Lee collapses to the ground. Clementine drags him into a jeweler's, pulling the shutter down and locking them in. However, Lee realizes he is near conversion, and instructs her to escape the city and meet the other survivors at the edge of town. In his final moments, Lee guides Clementine past a walker near the backdoor, and says goodbye to her. The player can choose to have Lee instruct Clementine to either kill him or leave him be and become a walker, or can opt to do nothing, where Clementine will choose an action based on the culmination of the player's choices within the game.

After the game's credits, Clementine is seen walking in a field by herself. She spots two figures in the distance. After a moment, they stop walking and turn to look in her direction. She holds her gun out nervously as they watch her.
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Begins in 1911, where John Marston , a former outlaw, is taken from his family by the Bureau of Investigation. They state Marston will be granted amnesty if he brings the remaining members of his old gang to justice. Marston agrees and sets off to track Bill Williamson, who now runs his own gang. Marston confronts Williamson at his stronghold, Fort Mercer, only to be shot and left for dead. A local rancher, Bonnie MacFarlane, finds him wounded and takes him to her ranch for recovery. Several days later, Marston begins repaying the MacFarlanes for their help in the form of odd-jobs around the ranch. During this time he works with a U.S. Marshal, Leigh Johnson and his deputies, the dim-witted Jonah and sarcastic Eli; Nigel West Dickens , a con artist selling patent medicines; Seth Briars, a treasure hunter and grave robber who prefers the company of the dead to that of the living; and an unreliable alcoholic arms dealer known only as Irish. Marston performs various tasks and favours in exchange for help with an attack on Fort Mercer. Marston and his group breach the fort and defeat Williamson's gang only to find that Williamson had already fled to Mexico to seek help from Javier Escuella , another member of Marston's former gang.

In Mexico, Marston initially sides with Mexican Army Colonel Agustín Allende and his right-hand man Captain Vicente de Santa , to help put down a rebellion in return for Allende delivering Escuella and Williamson to him. However, Allende attempts to betray Marston, forcing him to side with the rebels. With the help of elderly gunslinger Landon Ricketts , rebel leader Abraham Reyes , and Luisa , one of Reyes' many lovers, Marston leads an assault on the El Presidio fortress, where they discover Escuella, who attempts to bargain for his life by revealing Williamson has been under Allende's protection. Marston and Reyes storm Allende's palace, where they apprehend and execute both Williamson and Allende after a short chase. Reyes takes charge of the local government and plans to advance on the capital, while Marston leaves to return to his farm.

Much to his dismay, Bureau agents Edgar Ross and Archer Fordham refuse to let Marston return to his family until Dutch van der Linde , the leader of Marston's former gang, is killed. Discovering that Dutch has been building his own gang with sympathisers from the local Indian reservation, Marston joins Ross, Fordham and a group of soldiers in an attack on Dutch's hideout. Marston chases Dutch to a cliff overlooking the river and mountains. Dutch ultimately chooses to commit suicide, backing off a cliff to his death. Moments before he dies, he warns Marston that the government will just find another "monster" to justify their pay. Marston is released from his deal with the government and returns to his family at his farm. After some time Marston is forced to repel a surprise attack on his ranch from Ross and government agents. He manages to get his family to safety but stays behind to hold back the attackers. Despite a valiant last stand he is shot multiple times by Ross and his men. He is buried by his family on the hill overlooking the ranch.

Then moves three years ahead to 1914, where Marston's son Jack stands over the graves of his parents, John and Abigail. He leaves home to search for the now-retired Ross, and eventually finds the former agent hunting on a riverbank in Mexico. The two duel, with Jack emerging the victor. The fate of John Marston's companions are later summarized: Marshal Leigh Johnson retired from Armadillo to be replaced by Jonah, and then moved as far as possible from the town; Abraham Reyes, though promising to lead Mexico into an age of freedom, was consumed by power and became a tyrant; Bonnie MacFarlane eventually married; Irish shot himself dead in an outhouse when his gun accidentally discharged; Seth Briars eventually found the treasure he was looking for and became rich; and finally, Landon Ricketts passed away quietly in his sleep.
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A film based on a video game don't need actors who looks exactly like the characters in the game, it needs good actor. So far there hasen't been one good video games movie, but hopefully that will changed.
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20 years after a pandemic has radically changed known civilization, infected humans run wild and survivors are killing each other for food, weapons - whatever they can get their hands on. Joel, a violent survivor, is hired to smuggle a 14 year-old girl, Ellie, out of an oppressive military quarantine zone, but what starts as a small job soon transforms into a brutal journey across the U.S.
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Eric Cartman quotes are perhaps some of the most memorable, and hilarious from any TV character in the past 20 years, and therefore they deserve to be put into one place for your ever-lasting enjoyment. Cartman is perhaps the most irreverent character on television, from human rights, and racism, to profanity and blatant disregard for others, he's undoubtedly shocked us all at one point or another, so today in my weekly effort to round up the most memorable quotes on the Internet, today we take a look at Eric Cartman quotes.

Honorable Mentioned:

"Shut up you black ass**hole!"

"I'm not fat. I'm big-boned."

"Give me your Jew Gold!"

"My mom says if you want to become a lesbian, you have to lick carpet."

"Yeah, cool. Anyway, thanks a lot, and, you know, stay away from my man, bitch."

"Poor people tend to live in clusters."

"Fu**ck you Millie, fu**ck you Annie, fu**ck you Bebe, fu**ck you whatever-your-name-is and FU** CK YOU, bitch!"
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He's possibly one of the most loveably nasty characters in TV, and South Park wouldn't be the same without Eric Cartman. Of all the characters ever created for television Eric Cartman stands proud as possibly the most evil. Since he first graced television screens back in 1997 Cartman has consistently proven that he is a manipulative, selfish and vindictive sociopath.

In a sense, regarding South Park’s history as a whole, it would be fair to say that Cartman is the villain of the piece and if the best thing to do with your enemies is to keep them close, then Stan, Kyle and Kenny have pretty much befriended everyone’s favourite chubby racist.

Whittling down the top 10 moments – note, moments not episodes – of Cartman’s very offensive past is a much more difficult task than you could imagine. This is the spoiled child who has assumed the guise of The Coon, dressed as Hitler, led a hate march against the town’s Jewish society and generally spread hatred for red haired people, hippies, dwarfs and anybody who is unlike his self. His brilliance is rightfully cemented as he constantly reaps what he sows, yet continues to go about his general mischief. So come on down to South Park and see one particularly naughty friend of mine.
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Honorable Mentioned:

Jesse: "What in the hell just happened? You're MY lawyer, not his!"
Saul: "It's the way of the world, kid. Go with the winner."
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The Wire is one the greatest show of all time. There has never and will never be another show like it. I decided to put together a list of the best and most memorable scenes. Now, best and most memorable doesn’t nescesarily mean enjoyable. Some of them are pretty intense and can be pretty heartbreaking, but that’s what makes The Wire so great. It felt so real and got you so invested in the characters that when the bad stuff happened (and theres a lot of bad stuff that happens), it truly affects you.
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The Sopranos is by many considered, the best TV drama of all time.

The Sopranos is by far one of the best written shows of all time. I thinke especially that the dialog in The Sopranos feels real and is very entertaining, truly ingeniously. The acting is first class, by everyone the young as well as the old ones. The Sopranos changed television like no other show before it, it was a game changer. This was my favorite showes of all time Before True Detective, Breaking Bad and Game of Thrones. Despite this it still one of the best showes ever, with characters that feels real and with acting amazing and a great script. Those who tuned into the first episode of The Sopranos in 1999 found not a documentary about opera singers but a dark, offbeat drama about a New Jersey gangster with a fixation on the ducks who visit his swimming pool. As the first season wore on, viewers became hooked on creator David Chase's uncompromising vision of an old-school criminal organisation beset by all the stresses and tensions of the modern day. A fusion of sharp, unpredictable writing and powerhouse acting ensured this show classic status, spawning a videogame, spoofs by The Simpsons and the Clintons (!) and an Artie Bucco recipe book, so you can make like Tony and feast on 'gabagool' yourself
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Honorable Mentioned:

“You got any idea what my life would be worth if certain people found out I checked into a laughing academy?”

"Oh, poor baby. What do you want, a Whitman's Sampler?”

“What use is an unloaded gun?”

"What fu**ckig kind of human being am I, if my own mother wants me dead?"

“‘Remember when’ is the lowest form of conversation.”

"You don’t sh**it where you eat. And you really don’t sh**it where I eat.”

“Log off. That ‘cookies’ sh**it makes me nervous.”

Dr. Jennifer Melfi: “What line of work are you in?”
Tony Soprano: “Waste management consultant.”
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Honorable Mentioned:

"I hate to break it to you but there is no big lie. There is no system. The universe is indifferent."

"Fear stimulates my imagination."

Michael Ginsberg: "I feel bad for you."
Don Draper: "I don't think about you at all."
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The Dark Knight Returns is set in a dystopian near-future version of Gotham City. The year is never specified, though it has been a full decade since the last reported sighting of Batman. Society has lost faith in the functioning of justice, and the current American President, named only Dickard, and whose appearance seems to be a reference to Ronald Reagan, constantly tries to keep the social order with optimistic discourses, while the Cold War is still ongoing. Virtually all superheroes, with the exception of Superman, have been forced by governmental authorities into retirement or otherwise driven away by a distrusting populace. Bruce Wayne has voluntarily retired from crime fighting following the death (under unspecified circumstances) of Jason Todd, the second Robin. In the absence of superheroes, criminals run amok, and a gang called the Mutants terrorize Gotham City.

The return of an old enemy prompts a now 55-year-old Wayne to don the Batman costume once again. Despite Wayne's funding his rehabilitation, including plastic surgery to restore his half-disfigured face, Harvey "Two-Face" Dent has seemingly returned to crime. Batman apprehends Dent, but the populace debates whether Batman's brand of vigilantism has any place in society. The media plays a large role in DKR, with the narrative broken up by news reports and "talking head" editorials debating events in the story as they unfold.

After Batman saves her from a Mutant attack, 13-year-old Carrie Kelly buys herself a knock-off Robin costume, and searches for Batman to aid him. She finds Batman at the city dump, where he is fighting the Mutants. The Mutants' leader defeats Batman in combat, but Kelly distracts him and pulls Batman into the tank-like Batmobile . Kelly attends to Batman’s wounds as the vehicle drives toward the Batcave . Once home, Batman takes Carrie on as the new Robin despite his butler Alfred's objections. With the help of retiring Commissioner James Gordon, the Mutants' leader is allowed to escape from jail, and Batman beats him in a mud fight in front of the assembled gang, which then disbands as a result of his humiliation. Some former Mutants create a new gang, the "Sons of the Batman," using extremely violent methods (up to and including murder) to "purge" Gotham of its criminal element in what they see as emulation of Batman's actions.

Meanwhile, the return of Batman has caused one of his oldest and deadliest foes, The Joker, to awaken from a years-long catatonic state at Arkham Asylum . The Joker convinces his psychiatrist, Dr. Bartholomew Wolper, that he is sane and regrets his misdeeds. Seeking to discredit Batman, whom he has crusaded against in the media, Wolper appears with the Joker on a late-night show. While the police, now led by the anti-vigilante Commissioner Ellen Yindel, attack Batman, the Joker murders everyone in the television studio (including Wolper) and escapes. Batman and Robin track the Joker to a county fair, where Batman defeats Joker in a violent showdown. Batman stops short of killing the Joker; however, the Joker finishes the job himself, twisting his own broken neck, with the intent that the police will charge Batman with murder. Batman escapes, but not before another confrontation with the Gotham police, and a citywide manhunt is now on for the Caped Crusader.

After Superman diverts a Russian nuclear warhead which then detonates in a desert, millions of tons of dust and debris fill the atmosphere, and Gotham descends into chaos during the resulting blackout. Batman and Robin train former Mutants and the brutal Sons of the Batman in non-lethal fighting to stop looting and ensure the flow of needed supplies. In the midst of nuclear winter conditions, Gotham becomes the safest city in America; the U.S. government, seeing this as a credibility-undermining embarrassment, orders Superman to take Batman down. Having been warned of the government's plans by Oliver Queen, the former Green Arrow, Batman confronts Superman. Symbolically, their duel takes place in Crime Alley, where Bruce Wayne's parents were murdered decades earlier. Batman defeats Superman in a well planned fight, but dies from a heart attack immediately afterward. After his funeral, it is revealed that his death was staged as an elaborate ruse; Clark Kent attends the funeral and gives Robin a knowing wink after hearing Bruce's heartbeat as he leaves the grave site, suggesting his silent approval of what will happen next. Alfred destroys the Batcave and Wayne Manor and suffers a fatal stroke. Some time afterward, Batman leads Robin, Green Arrow, and the rest of his followers into the caverns beyond the Batcave and prepares to continue his fight. His plan, which will take years of training and studying, is to build an army, and to bring sense to a world plagued by something "worse than thieves and murderers". He decides that this will be a good life — good enough.
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For half a century, somewhere in America, night in, night out, George Carlin stood on a stage kicking holes in the polyester pants of hypocrisy, giving the finger to the conventional wisdom, convulsing audiences and never failing to do that. George Carlin was the most important stand-up comedian in America. By the time he died of heart failure at age 71, he had transformed stand-up had become one of America's most radical and courageous popular artists of all time. George Carlin is the no. 1 greatest comedian of all time. He had the ability to turn a reasonable, serious argument, into an entire routine that was funny as hell, but had you thinking at the same time. He never apologized for telling the truth. His intelligent comedic style has also inspired other comedians such as Bill Maher, Lewis Black, and Roseanne Barr.
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"You clearly don't know who you're talking to, so let me clue you in: I am not in danger, Skyler. I am the danger. A guy opens his door and gets shot, and you think that of me? No! I am the one who knocks!"