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"Old" SW vs. "New" SW
It seems to me that the reason the second trilogy does not seem to resound as much as the first did is a matter of subject matter. The first trilogy is about a search for spirituality and place in the universe, and is directed by a passoinate, ingenious young man. The second is primarily about politics and sociological philosophies, and is directed by a slightly jaded, ingenious old(er) man.
Has anyone ever made a better movie in which NONE of the cast can act? This film is perhaps the first (that I have become acquainted with) that is entirely reliant on special effects. They hold up totally independent of a downright stupid story, annoying music, and the above mentioned acting (and writing).