Reviews written by registered user
|569 reviews in total|
Simply a great documentary telling the development of console games
from then to now - this is not a film just for geeks and gamers - it
really is a great watch in itself. Director, Jeremy Snead with
brilliant editing by Kenny Price have put together a film that shines
with love and care.
Above all this like the best documentaries is informative and captivating - we not only have interviews with some of the best in the game world and its greatest fans - it does so without resorting to cliché or derision - it clearly is made by a team who care and love their project. That it was partially financed by Kickstarter is notable; sure there is an element of ploy in doing that, but it is a commendable one.
Above all, it conveys some of the fun and wonder that gaming produces - going from Pong to Ryse and beyond it is filled with gaming clips, music, and a strong streak of both nostalgia and insight - and anyone, gamer or not, should enjoy it - it is simply an excellent documentary - well made and a very good watch.
This extraordinary documentary is a winner. Laura Dekker's story is one
not just for marine enthusiasts but for everyone. It has the potential
to inspire through its simple acknowledgment that boundaries are
imposed by others and not by ourselves.
The documentary is mainly just Laura and her boat, Guppy. It reminded this reviewer a lot of the same feeling as Redford's superb All is Lost, and is certainly way better than many other ocean sailing films and documentaries made at huge expense. Maidentrip is simple, clear, very well-edited, with some clever graphics, and it makes for a very good watch indeed.
Above all, this is a film that you wish would be shown to Laura's age group - it demonstrates beyond doubt that allowed the chance they really can be an amazing generation.
Who doesn't love a good inspirational sports movie? In One Square Mile
we both get and then get beyond the standard clichés of the sports
genre to a very good film about running. This is a film with
well-judged pace, it doesn't rush and yet, we were absolutely hooked.
The two leads, Kelly Blatz as the kid from the wrong side of Seattle, and Richard Jenkins, as a the washed-up coach are well cast. Jenkins is always the stoic, and here a stoic with curmudgeon, and both keep the film well balanced. The drama elements centered on family are well-handled without feeling tacked on.
Director, Charles-Olivier Michaud, handles the camera with assurance. His team are excellent - this is a very well made film. It has that same quality in use of the camera as Ron Howard: it's there to tell the story and the flow shows. The superbly composed soundtrack by Stephen Barton reflects that this is not a loud film, it has at it center running, training, and the drives of that, and anyone who's ever run will like it a lot.
All in all, one of our favourite films of the year - it has substance, style, and a lot to say about running.
I watched Bushido Man with low expectations and boy, was I pleasantly
surprised. This is an original film - particularly in its use of camera
- it explores the action through low shot-high shot, avoids camera
shake, close ups, and jump cuts, and instead actually compliments and
augments what are excellent fights really well.
The plot, a pupil returns to his master to tell of his his 8 fights to master all fighting styles, is set firmly in modern Japan - each fight takes place near a city and each fight is preceded by a meal that helps our hero understand his enemy.
There are strong comedy aspects throughout in common with many martial arts, but the fights are well choreographed.
All in all if you are a fan of martial arts films this is a treat - it is not an expensive historical drama it is rather a simple tale, very well made, with surprises, laughs, and ironic twists, this is one that is a rare beast: a low budget martial arts' art film.
Kaze tachini (The Wind Rises) contains scene after scene of
breathtaking animation - there are extraordinary images simply
presented. Studio Ghibli and Miyazaki have over the past forty years
produced some of the greatest animated film work of all time. Their
films are noted for their non-Disney imagination and creativity. The
Wind Rises continues that tradition.
The Wind Rises is the animated biography of Japan's greatest airplane designer: Jiro Hirokoshi. This gives Miyazaki a chance to do stunning flying sequences (and landscapes) as well as other scenes. In keeping with Japn's post-war ethos there are no war scenes, instead the film chooses to look at the earlier life and is really a film about love - and not just love of flying.
I guess I watch a lot of films - it takes a lot for me to feel captivated - this film is captivating, not just visually, it has story, pace, and purpose - and it is clearly from the hand of the extraordinary imagination of Miyazaki.
IN four words?: A digital splatter fest - this low-schlock horror might
work as a frat party cheeralong piece, but fails to be anything other
than unintentionally hilarious as a movie going experience.
300ROAE has the most homoerotic undertones and overtones of any film since Cages Des Folles - every stomach is digitally perfected to resemble not so much a six pack as ice trays, every posing pouch Borat-shaped, and every man looks suitably unsure whether they are fighting or skipping through the daisies. As for comradeship, nobility, honor, heroism, why bother when you can splatter more blood across the screen in 3D.
The film claims courage and valor as its justification - you couldn't find any of these here with an electron microscope. Rather, truth be told, it takes a deliberate lascivious delight in extreme violence as titillation, and with it an utter and total moral vacuum and moral vacuousness.
An appalling film that will garner fans for its OTT approach and Eva Green but deserves to be landfill.
PPS is a homage to the 80s through and through - care has been taken
with the usual wardrobe and hair, but more than that it has tried to
capture something of both the mannerisms and the film style of the 80s.
The film has both a John Hughes' summer of coming of age vibe and even a touch of Napolean Dynamite in the family's relatives. It also pays more than a nod to the Eighties style of sports' movies, here through a ping pong game against the local bully rich kid.
All in all, this has more style than substance, but it well put together with an excellent cast. It will appeal ti a wide audience of those who remember the Eighties and to those who like the idea of the Eighties. It's a fun watch and a good film to share with friends.
Crossbones has kicked-off well - here be pirates, intrigue, exotic
locations, Malkovitch as Blackbeard and a real nod to the mores and
customs of the time. Language in particular feels authentic - the
script is intelligent but followable.
The characters are both credible and larger than life without resorting solely to melodrama. All in all for a first episode it bodes well - sea fights, and overall, there's that feeling of being well put together.
It shares much with Black Sails - this is a well scripted, directed, and acted series. It should be fun to see how it develops - hopefully it will do so without falling into devices and melodrama.
Filth is Trainspotting for the new Millennium - a deranged, wild ride
filled with a sense of the surreal, of comedy, and an incredible sense
of verve. I wouldn't call it shocking per se - but it goes to its
darkness with a superb comic seriousness in a way that American movies
never seem to.
McAvoy gives a performance that shines as a the Detective Sargeant plotting promotion and justifying his beyond outrageous bipolar behaviour in every way possible. What lifts the film is not only superb use of camera and a great script, it's its moral ambivalence - this is not simply a film of shock and awe - in it there are real questions about morality and sanity that are superb.
All in all if this is a film that deserves a wider audience than most - it is full-on but really it is not simply a voyeuristic excuse to shock - it has a lot to say about the meaning of work, and even life and it does so in an exceptionally original way.
The Counsellor is more than simply a film about drugs and drug deals -
it has characterization and design. The stories criss-cross and form a
whole and it a fascinating watch with a superb cast. While Ridley Scott
never manages the multiple story lines with complete mastery it is a
deeply fascinating film about the nature of how corruption, greed and
mega-wealth all warp these protagonists into a schizophrenic norm of
unimaginable hedonism and a palpable paranoia where life as a moral
imperative really holds no sway.
This is a film that has depth and meaning, though it does clearly lack clarity - and it is certainly one of the more interesting films about a multi-billion dollar industry that uses up humans at all stages without a thought. It does remain a very good watch. While it is clearly not the greatest crime movie ever made - it is a surprisingly thoughtful and original look at the top echelons of the drug world at work and play.
This is Ridley Scott's 32nd outing as a director - he has been directing films now since the 1960s and several: Thelma and Louise, Blade Runner, Gladiator are iconic. However, his crime movies: Black Rain (Yakuza 1980s), American Gangster (Harlem 70s) and now The Counsellor (Mexican Cartels) don't hit home in the same way. Let me straight out say, this is not, in any sense a bad movie but compare this to Scorsese's deep understanding of the criminal as an integral part of the American story and we sense that Scott enjoys telling stories but his focus is never as clear. The fault here maybe that Scott wants us to care all along about his characters in a way that Scorsese never does - and so loses the absolute impact that the inevitable implosion deserves.
This is a crime film worth your time: Fassbinder, Bardem, Cruz, Diaz, and Pitt are not acting light here - there is depth, some would argue too much and I get that, but this is a film that takes up deeper into the mindset of their world than most, and it is worth your time.
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