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Current City: Chicago, IL
Hometown: Denver, CO
Political Views: Anarchist
Religious Views: Pantheist
American Conservatory of Music - Performance, Composition
University of Georgia - English Literature
Portland State University - Theatre Arts
Colorado Art Institute - Multimedia Design
Google Profile: google.com/profiles/zimmermanstein
Blogger Profile: blogger.com/profile/04790431384832342496
Rate Your Music: rateyourmusic.com/~zimmerman
Shallow and predictable. Perfect for an American TV equivalent. The writing is obvious and sensational. The core cast's acting is abominable. The foil, Keeley Hawes is employed as a prop. Her presence is insufferably stilted. The show is a sound effects bonanza. John Lunn's music is dated, generic, and aggressively overused. The most enjoyable moments of the series are in episode five, thanks only to Clive Russell.
The director, the writer, and the creator helped to make many episodes of the inspirational 'Waking the Dead', notably the final story, 'Waterloo'. But all the richness of that great show is lost to 'Identity'. This is the police procedural fallen victim to the lowest common denominator and, probably, decision by committee.