Change Your Image
Upload An Image
Crop And Save
Lacking a sense of time
The least you can expect from a biography made by a former Production Designer is a sense of authenticity. The film has a complete lack of authenticity, be it production design or a sense of the age. Add that to the film having no sense of progression of time. The time has been marked by people stating it has been 10 years or 3 years or some other thing.
To start with, the film takes a non-linear approach, so that in the beginning when we see Aishwarya Rai and Richa Chaddha crying, we feel no sense of sympathy for them because we have not seen their relationship with Randeep Hooda. After that we go into Aishwarya Rai's traumatic past to create a connection with her, in a manner which is very melodramatic and over the top. Randeep Hooda's capture is very unconvincing, and you never feel the time as it would have been felt by a person living in solitary confinement for years. The madness in his performance is also very inconsistent. His performance is good but hampered by the inconsistency.
Aishwarya Rai's performance is over the top and does not evoke anything, it is the sort of performance we have come to expect from her. Richa Chaddha has not been utilized properly as she has to convey all her emotions through staring. Also hampering the narrative are the songs, none of them good and always trying to evoke something different from what is actually happening in the film. One of the worst biopics made in India.
Gangs of Wasseypur (2012)
The Solitary Epic of Indian Cinema.
Premiering at Cannes, this was one of the most anticipated movies of the year. Maybe not for the Multiplex going, entertainment seeking audience but for people who actually care for gritty cinema. I, personally, have always been a fan of Anurag Kashyap, Manoj Bajpayee as well as Piyush Mishra. So, for me this movie was like cinematic heaven, before it even started.
It is a story unfolding through generations in Wasseypur, Jharkhand(erstwhile Bihar). It starts with Sahid Khan( played brilliantly by Jaideep Ahlawat), who robs trains by the pseudonym of Sultana Daku which is in fact the pseudonym of another Dacoit that lives in the village. So, on one such attempt, the original Sultana Daku kills of Sahid Khan's gang and throws him out of Wasseypur. Thus starts the rivalry of the Khans and the Qureshis. Sahid Khan moves to Dhanbad where he leaves this life of robbery behind him and starts working in a field mine. During child birth, his wife dies while he was unable to reach her in time because he wasn't informed by the authorities. The son grows up over the years and India soon wins independence. With Independence, the British abandon the mines which are soon given to a Jamindar, Ramadhir Singh. He needs Pahalwans(bouncers) to run the mines and keep the workers in control, so he hires Sahid Khan. What Ramadhir Singh did not foresee was that Sahid Khan himself wanted the throne all for himself. When Ramadhir Singh finds out, he sends Sahid for a job at Banaras where Sahid Khan is assassinated. He also tries to kill Sahid's younger brother and son but they escape. The kid grows up to be Sardar Khan( Manoj Bajpayee) whose only aim in life is revenge against Ramadhir Singh, the guy who killed his father. "Goli Nahi Maarenge Usko, Keh Ke Lenge Uski".
I won't say that if i continue with the story, it'll give the movie away but the thing is every twist and turn of the story, every little detail, Anurag Kashyap wants you to explore for yourself. There are so many characters and so many stories that it becomes more of an epic than a movies. With Piyush Mishra's narration, the movie unfolds smoothly as you will keep watching dumbstruck at the crime and the 'bakaiti'. The usage of slang is in abundance. Definitely, not a movie that you can watch with your family, or even girlfriend, for that matter. Brilliant performances, a brilliant script, and wonderful direction leaves you expecting for more. Waiting for the 2nd part eagerly.