Reviews written by registered user
|11 reviews in total|
Not, I hasten to add, the punishment inflicted by the strangely drawn participants of this anime, but the torture of having to listen to yet more irritating, whiny dialogue thanks to the geniuses behind the English dub who seem to be aiming at a 6 year old level. And if you think that's bad, wait till you see the animation, all 5 frames of it. Disney this is not, and calling it substandard would be a kindness. The plot is as follows: Overlong, boring fight scenes. Cut to overlong, boring bonding scenes. Then it's back to the fight. Now bonding. And then.. you get the picture. You might feel sorry for the people involved in this mess, that is until you find out they made 291 twenty five minute episodes of it. That means that either a) they were in it for the money and didn't mind having this on their CV (how sad) b) they had no taste and thought they were involved in a multi-part story to rival Lord Of The Rings or c) They were complete morons. I'll leave it up to you to decide..
Well it's official. Futurama is cancelled. I can't say I'm that upset as I
have been anticipating it for a while now, but it still hurts that a show
with so much potential has been flushed down the crapper the way it has.
Only Cartoon Network, who brought the show from Fox and shows all the
earlier episodes, seems to have treated it with the respect it
Futurama was conceived in 1999 as a potential successor to that long-running animated classic, The Simpsons. The same creator, Matt Groening had created a show which seemed simple on the outset, but overflowed with sci-fi references and highbrow gags, as well as being superbly animated and with a cast of characters the viewer could genuinely care about. Things looked up from the start with high-ratings and much critical acclaim, but it didn't take long for the initial success to turn sour thanks to an argument between Groening and Fox considering the content of the show, which resulted in a spate of pre-emptions and re-scheduling. Ratings soon fell as people didn't know what time their favourite show came on or whether it was still on at all, and Fox took advantage of that by announcing in 2002 that the show was on definite hiatus with no new episodes being made for the time being. This position might have been justified if the programs that replaced Futurama in it's timeslot had garnered superior ratings, but those pretenders barely fared better than the show they had desposed. The only possible explanation is that the replacements were cheaper to produce than an animated show, or maybe they were worried that it wouldn't have the staying power of a brand name like The Simpsons. However, our yellow skinned family has been on the slide for a while now, and Futurama only being four years old still feels relatively fresh and perhaps would have been a contender for the crown with a bit more advertising, but Fox again didn't seem remotely bothered and just hung out the show to die. Another quality program, Family Guy suffered the same fate while another undeserved survivor, King Of The Hill, stumbles on like a dead duck. What a crazy, sad world we live in.
With the event of reality TV providing an inexpensive easy ratings winner, the future for decent programming looks even bleaker as intelligent, funny shows such as this get swept aside for another attempt to make a star out of some talent-less wannabe. Fortunately, Futurama will never die, the availability of all 72 episodes on DVD will see to that, but you can't help but feel that they barely scratched the surface of this universe: there were more stories to tell, more adventures to be lived, but that will never be now, thanks to TV executives after a quick buck. What will happen to Fry, Leela, Bender etc? Only a million fanfics and the imagination of the Futurama-loving nation can answer that. On TV I'm afraid this space voyage has come to an end, and there is nothing left to do but to say goodbye and hope that the unaired 8 or so episodes will be shown sooner rather than later. What a waste of a brilliant concept.
*** This review may contain spoilers ***
Now let me just say this made-for-British-TV so-called comedy drama is
worth commenting on, let alone watching but for the benefit of anyone
thinking of suffering through it, I will write a few lines but be as
as I can so I can purge all memories of it and get on with my life. Here
Plot: The most irritating Irish girl in the world moves to London with her boyfriend after her graduation. She tries to get a job, but after embarrassing herself in an interview by vomiting all over some fish (don't ask) the best she can manage is a position as head photocopier. After her partner leaves her far later than most sane men would, she hitches up with some weirdo from her office, gets pregnant from him then finds herself in a bit of a pickle when her ex returns. Oooh 'eck!! Hilarity (allegably) ensues.
Things I like about it: You are kidding right? Even the accents were awful.
Things I don't like about it: How long have you got? OK seeing as I'm struck for time, I'll just say 5.
1. The endless monologues to the camera (a'la Shirley Valentine) were not only not funny or interesting, but they brought the plot to a crashing halt.
2. Suffer from motion sickness? Don't watch this. (In fact, don't watch it anyway) During one musical montage, the camera spins round London at night with the lights going on and off and people rushing around our heroine at light speed as she does her work. What is the point of putting that scene in here?! I haven't a clue. Maybe so the director could show what a clever boy he is.
3. Mind numbingly predictable doesn't even begin to describe this. Near the start, our lad and lass are on the aeroplane bound for London and are feeling a tad frisky. What do they do in the bathroom? You guessed it! Later on, our female protaganist spends all of 5 minutes practicing a speech to her beloved about how sorry she is for putting him through so much trouble and that she really loves him, and when she gets back to her flat, will he be there? What do you think? And see that nice boy that walked her home who's just leaving, when she calls him back what manner of revenge has she got in mind? BINGO!! And finally, who will she end up with in the last 5 minutes of the programme, her brusque violent psychopath of a Irish boyfriend, or the nice, polite foppish British lad who she had a one night stand with and is the father of her baby? Hmm.. can I phone a friend?!
4. So many better actors here than Anna Friel, yet they are stuck here playing supporting roles to her in a showcase for her dubious "talents." If I were them, I'd get sick of playing second banana to vacuous star names and hire me a better agent.
5. The ending. Gag. Pass me a sick bag. And there was me thinking only American films could be this cloyingly sentimental. Boy was I wrong..
And there you have it. 5 reasons (plus many more that I couldn't be bothered to list) to better your life significantly by avoiding this pile of old trousers like the proverbial plague. Don't make the same mistake I did. Now if you'll excuse me, I have some scrubbing to do. I feel unclean all of a sudden..
*** This review may contain spoilers ***
(1) The song (Don't wanna go where theres no Coca Cola
(2) Eric Roberts's manic, amusing performance where he acts like a hyperactive child on valium half the time.
(3) "Give me churches..schools..houses."
(4) Kangeroos being rescued from planes on their way to the vet.
(5) The ultra-sexy Greta Scacchi shower scene where nothing is left to the imagination.
(6) The super-sexy Greta Scacchi's seduction of Roberts involving a Santa suit, a shoe that keeps coming off and feathers. Lots and lots of feathers.
(7) The tour of the McDowell factory, the Willy Wonka of the drinks Industry.
(8) Gay parties with Roberts dancing with the most unconvincing drag queen this side of Priscilla.
(9) An impromptu sing-along of that perennial Australian favourite, Waltzing Matilda, with backing vocals provided by a group of dancing Santas.
(10) The ending text, something about the world ending and the US declaring war on China (you what!?)
Apart from those, there are plot holes big enough to drive a double-decker bus through and the whole film undertakes annoying changes in tone from time to time. There is some good stuff here and it certainly earns the tag "original" but I cannot in all good conscience give this heroic faliure a:
Take care now!!
National Security is the kind of film that has been made hundreds of times
before, sometimes worse, many times better. Your typical Buddy Movie about
two partners who start off hating each other but then gradually learn a
grudging respect for the other guy, this one shows only spots of originality
in the first 15 minutes before reverting to type. This could have been quite
bearable though, if it wasn't for two reasons: A very annoying central
performance, and an incessant racism and sexism streak that permeates the
The film actually starts out quite well, with Steve Zahn playing the straight role as the police officer who, with his partner, makes a warehouse bust and become involved in a shoot out with the bad guys. Unfortunatly, his partner gets shot and dies, and the criminals get away. While this is going on, motormouth Lawrence (covering the same sort of territory Chris Rock mined in the Rush Hour movies) is training to be a cop, sadly though in a training exercise he goes slightly overboard and ends up destroying most of his surroundings. He gets kicked off the premises, and on his way home he stops to get something to eat, locking his car door but leaving the keys inside. At this point Zahn comes past just having returned from his friends funeral and spots Lawrence's futile attempts to retrieve his keys by sticking his hand through the open window. He obviously makes the assumption that perhaps he has a case of grand theft auto on his hands, and stops to question Lawrence. It's at this point the movie starts to pall, with Lawrence thinking his arrest is down to racism and after a mistake involving a tourist's camera and a bumble-bee Zahn is thrown off the force for allegedly abusing Lawrence with his stick. After spending the best part of six months in solitary, he can be forgiven for wanting to knock Lawrence into the middle of next week for lying at the trial and generally being an obnoxious idiot, but for the time being the two must team up as security men to crack a metal alloy smuggling ring (don't ask) one of whom's members wouldn't you know, turns out to be the guy who shot Zahn's partner. Funny that!
Every time Lawrence opens his gob in National Security, it will either be a) A white man/ black man joke or b) a statement along the lines of "I know more about police work than you do." It is true that Eddie Murphy said much the same things in the Beverly Hills Cop films, but he actually made some effort to flesh out his character and provide himself with some semblance of personality, here Lawrence seems to takes offense to everything that is said or done to him and responds with a tirade of racial jokes, which grow old real fast. Also he seems to possess a strange magnetism in this film that causes every woman he comes into contact with to fall at his feet with desire. (The exception is a polite middle-aged lady who doesn't take too kindly to the idea of our mismatched duo hi-jacking her vehicle for an emergency chase). This is a complete mystery as he has nothing to offer at all apart from a few cheap innuendos involving handcuffs and strip-searches (ho ho). This is a key example of a script making people respond to situations in a way they never would in real life. Zahn on the other hand, tends to fade into the background at times and lets Lawrence get on with it. Unlike Lawrence, he has a few emotional moments that he handles quite well, though they feel out of place in what is essentially a knockabout comedy.
The plot goes off on its tired little way, and we get crosses, double crosses, plenty of fights between our combative twosome and lots of completely over the top explosions, which must have ate up at least a third of the budget (Lawrence and Zahn aren't exactly marquee names.) You'll probably more fun ticking the cliches off: The Police chief is a big black man, The lead villian has bleached blonde hair (He looks like a grown up version of Malfoy from the Harry Potter flicks) and the partners who can't stand the sight of each other are best friends by the end of the movie. Yeah!! To be fair, there are a few amusing scenes and a pretty good shoot-out in a drink storage room if you like that sort of thing, but overall you can do much better than this and I wouldn't even recommend it as a rental. In fact you'll probably have forgotten about it in less time than it took you to read this review. Now what was it called again?!
An American Werewolf in London is a perfect example of how to make a
horror/comedy and for some fans 20 years later remains the definitive
example of the genre (not for me though, my fave is Brain Dead.) It is a
rare film that makes you laugh out loud one minute, before sending you
cowering behind the settee the next, but this movie manages it with
something in reserve.
A couple of American Lads have a three month holiday backpacking round Europe lined up, so where do they start? You betcha, sunny olde England!! Between suffering the twin indignities of having to hitch a ride on a van full of sheep and being thrown out of a pub populated by English eccentrics, they now have to cope with the inconvenience of a werewolf attack on the Yorkshire Moors. This left one of them stuck in Limbo as a walking corpse in a slow state of deteriation and the other with the strange habit of sprouting hair and tearing people up every full moon. Can David find a solution to his affliction before it affects his relationship with sexy British nurse Alex? Can Jack have peace in death at last and stop being as David brands him "A walking meat loaf"? And will David's family ever be able to finish off that episode of "The Muppet Show" without being viciously murdered by zombie Nazis? All will be revealed..
The key to American Werewolf's success is twofold: Rick Baker's Oscar winning make-up and an excellent storyline.The transformation scenes are all the more amazing because they were done when computer animation was practically unheard of so everything you see is manual. They still look good now over 2 decades on, however some later shots of the animal in flight may seem slightly dated. Overall though a great job considering the era's limitations. Even more impressive though is the script that successfully juggles two different styles and turns them into a solid whole. As well as the jump-out-of-your-seat scenes and the hilarious lampooning of old horror films, it actually makes us care about the characters and hope against hope that they find someway out of their situation, also in large part due to good work by David Naughton playing the hugely sympathetic hero and Jenny Agutter as the NHS love interest. Griffin Dunn is mostly there as a comic foil, but even he has some human moments that emerge from his schick.
The recent DVD release gives this classic the treatment it deserves: a much cleaner, digitally remastered picture and tons of extras, including a hilarious commentary with Naughton & Dunne, outtakes and a feature length interview with director John Landis himself. I recommend this for fans of the film, which will surely still be simultaniously making people giggle and scream in equal measure in another 20 years time.
O.K here's a quick summary of the plot: Madeline is an orphan. She is a
girl but one always seems to end up in some sort of trouble because of her
tomboy-ish nature. She lives in a home in France with 11 other little
who walk in straight lines and tend to say everything in unison. They are
looked after by a kind-hearted nun(?) and have an abnormally smart dog.
Other characters include the somewhat dim-witted governor of the house and
the son of the Spanish Ambassador who lives next door with his father and
seems to hold a torch for Madeline. This was originally a book that was a
favourite for females in the 5-8 bracket, before becoming an animated
from which this film is derived from.
To start with, the animation is a huge improvement from the TV programme, with bright colours and some actual movement in the background. Madeline and her friends are pretty simplisticly drawn, but the art does it's purpose and does not claim to be Toy Story quality. The voiceovers are typically in English but done in French accents: how these people who were born and bred in France are fluent in English is not explained, neither is why they never use their native tongue (They write in it a couple of times) but it sounds amusing nontheless, with Lauren Bacall the undoubted highlight playing the very bald villianess.
The storyline gets pretty frenetic at times, but not so much that young minds will get lost in it. There are some pretty scary moments involving a child abduction and threats made with a pair of scissors, but nothing that should unduly concern any parent of a child of school going age. However, the songs in the film are absolutely dreadful, with forced rhymes and twee lyrics a common factor: don't expect the accompaning soundtrack album to exactly sell out in the shops. A good idea to praise the inventor of the mute switch, methinks. Aside from that, they are a couple of moments for grown-ups in the movie, like when a police artist does a Picasso rather than what he is instructed to do, but such parts are rare and mostly this is a kid-only enterprise.
Basically this is an ideal babysitter for the sprogs when Mum and Dad are busy round the house, but anybody over the age of 10 will probably quickly tire of it any go off to do something more interesting. By all means watch it with your young un's, but don't be surprised if you nod off after half an hour. There are certain cartoon films out there designed for all the family and people of all ages, like Shrek and Ice Age. This is not one of them.
I hate to burst everybody who loved this show's bubble, but the sad fact
this is arguably one of the worst programmes to ever be unleashed on that
box of tricks called a TV. Everything about it was bad, from the flat
delivery of the characters they called acting, to Gary Colemans quickly
irritating catchphrases that he seemed to say about half-a-dozen times a
show. Also noteworthy is the horrible fashion and stupid hair that may
looked good for the 70's but will now provoke more hysterics than anything
contained in the so-called "scripts".
So now we have realised that it has virtually nothing in the laugh department, what kept people watching for 6 odd years? What it the lead's height problem? The "catchy" theme tune? The disbelieving state of mind that a programme so awful could take up valuable air time? I have to draw a blank, I'm afraid. All I will say is: if you can survive half an hour of any episode of this without rolling your eyes whenever Arnold does his little routine, cringing whenever Kimberly opened her big fat gob to moan about how unfair life is or feel violently sick whenever Drummond spun yet another of his sentimental philosophies about family unity which always ended in a "group hug" then you are a better man than me.
Now I know what you're thinking, but don't worry I'm not some kind of
pervert, just a guy who is trying to find a redeeming feature in this
The made-for-TV adaptation of D.H Lawrence's classic(?) novel was
over 2 nights on the ITV channel here in the UK and is a long winded thing
indeed with scene after scene of boring talk which didn't seem to move the
plot forward one iota and a performance from ITV drama stalwart Sarah
Lancashire (ex-Coronation Street) which seemed to consist of her staring
the camera with those puppy-dog eyes of hers trying to elicit a reaction
from the audience along the lines of "Poor her" as her character
humilation upon humiliation. The only good part of this long slog through
the early part of the 20th century was that one of her sons had some
hot looking girlfriends who kept removing their corsets for pointless yet
entertaining nude scenes, this at least kept me awake during the second
If you think I'm being unfair, take a look at some other D.H Lawrence films that originated from his books e.g Women in Love and The Rainbow then come back and tell me which scenes were most memorable in them for you. Was it the brilliant acting? The great period detail? The romantic storylines? No? Well then, you can see my point!!
Having not seen the two previous entries in the series I can't comment on how similar this film is to the rest of them, but what I can say is as someone who normally avoids sentimental family films like this it came as a very pleasant surprise. There were plenty of animal fights between the assorted bears/dogs/cats when the pace looked like dropping, and some moments in the film that were sweet without being corny. The acting was generally good too with the actor portraying Boomer (forget his name) being the highlight providing some welcome moments of comic relief.. love that accent too!! True, the music was universally poor (Did they have to play that damn chirpy title track 3 times? We get it.. they're happy!!) And there were some pretty unbelievable parts (Like when the father falls about 10 metres from a tree while being attacked by a bear and survives without a scratch?!) But ultimately this is a pretty decent movie for your whole clan to enjoy.. in fact its almost enough to make me want to give all my worldly possessions away to charity and go and live the simple life in the wilderness. Almost, but not quite.
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