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You are Snake Logan, top CIA operative, awesome in name and all other
respects. After you parachute out of the plane you were flying to do
recon, you find yourself in the thick of it, in the city. You have to
stop Dr. Mangle(oh, like Mengele... that fits pretty well), who's
unleashed countless untold horrors upon it.
Though this is called Bio Menace, you go up against robots, in addition to the genetically mutated. They walk, run, hop, fly, drive. In patterns, at you. Ranged, up close, kamikaze. Lasers, energy, explosives. You can use those, as well, in addition to bullets. Once they spot you, a lot will remain focused on you, which is something you have to be ready for, and can take advantage of. Same goes for the fact that they and you can attack something that isn't on the screen as it moves centered on you.
If you don't have special ammo, you will fire in bursts(from your thankfully infinite supply, since you'd be out of luck without it), otherwise, you may be able to use the fully automatic nature of your rifle. You can aim left, right, and whether you are or aren't crouched or stationary. Never up or down, and not from ladders, though those could be incredibly useful. Your throwables are, and you have to use them in this order when you have more than one of them: the Landmines that you typically have too many of for how relatively, well, useless, they are. To be fair, they can take the brunt for when you're really being rushed, and some enemies can't be taken out with your gun. You *can* kill anything that moves. Incendiary, meaning they spit out a few flames, and then plain old pineapple, grenades. Careful when something goes boom... you'd be surprised how much of it can hit yourself, too.
This uses the same engine as Captain, sorry, *Commander* Keen: Secret of the Oracle. And, The Armageddon Machine and Aliens Ate My Babysitter!, , since it's the same. He even makes a cool cameo at one point! Stating he's on his way to, once again, teach Mortimer McMire who's boss(1 point higher IQ, my butt). Well, Id Software? You promised it here, in 1993, and then you didn't deliver until 2001! And then it wasn't even you who developed it! Cancelled for the sake of Wolfenstein and Doom, pfft... I demand you feed my addiction for Billy Blaze adventures! Here, though, you can't grab ledges. It sacrifices saving anytime(now only at the start of any given level), in favor of a replenishable health bar rather than contact meaning insta-death, which is now reserved for the toughest foes. While I miss the original way, here, hey, we do have VG's that way, and this is another flavor, and, in the immortal words of Cameron Poe("you... have been...near death... the entire... trip?" Con Air for life!), it tastes good.
And then, there's, of course, the adult tone. We've gone from Goonies and Flight of the Navigator to Commando and The Terminator. Giving a headache, complete with stars flying around the head in cartoony fashion? Nope! Let's blast them apart like it's StarCraft. Gore is plentiful in the corpses strewn about, as well. You die, you won't bounce out of sight, looking like you're in pain. No, you turn into a skeleton that then falls apart. Yeah, you'll wanna keep the kids out of the room for this one. They'll just try to yank the controller from you, anyway. From my cold dead hands! The story is paperthin, and yet, wonderfully, takes itself very seriously and is played straight. Twists aplenty, you'll have to go through all three episodes to see it all, and, thus, to figure out what is even going on, behind the scenes. Remember, you'll miss some if you don't click F1, in all 3. You can also use PageUp and, well, down, to look above or beneath you. Why did they move them from the arrow keys? ...well, you got me.
In order to complete any given section, you, well, uh, reach the exit. Except for the boss fights, which, to a greater extent than the rest of this, increase exponentially in how difficult it is(you may want to settle for Easy of the three settings), this means rescuing a hostage. They have the keycard that lets you leave. Why did they bother capturing anyone, when they annihilated everyone else with seemingly no regard for who? Hey, evil master plans are complicated, OK? It'll all make sense when you realize that...look over there! Of course, they're not merely tied up. Some including to a chair, which they hilariously kick back and forth with no impact on how trapped they are. No, there's a beam of electricity between them and you. Don't cross the stream. It'll need turning off, with a crystal. And you may need at least two to progress. They grant passage to an area you hadn't been to.
They're hidden inside doors. Of course, there are tons of those. And every last one of them requires a key. You will find a seemingly endless series of ones that don't have anything of the sort. Instead, they have point items. Not power-ups, such as health and armaments. Those you get elsewhere. So you spend a lot of time seemingly not getting anywhere.
It doesn't help that clearly, you're meant to know where to go and what to do, or you'll have to adjust inhumanly fast, based on where sources of your demise are and how you interact with them. So it may be useful to redo a portion after you've done it once. Inflating how long it'll take you, annoyingly. You already have a high score table. Which once full of players, not the standard it comes with, will grant you a scene of your character knocking off a small group.
I recommend this to any fan of action platformers. 7/10
Logan(Jackman, truly understanding the role that made him a star off
Broadway too) is faced with helping a young female mutant who's having
trouble with her powers. So it ends in much the same way it began. He's
also taking care of Xavier(Stewart, grumpy and foul-mouthed, and we
love it, but still some hope left). They're both dealing with aging,
losing control of their abilities. The next generation need their
protection. One last ride.
Third time's the charm. As close as the second solo outing got, this is what we've wanted from Wolverine right from when we saw him cage-fighting. And with X-23, or Laura(played to perfection by the incredibly talented young Keen), the torch is passed. The way is paved for the X-Force, as well as the New X-Men. This is a slow burn, and a road movie. The action is amazing, using the R-rating for the ferocity and brutality that is called for, never gratuitously. There is not as much of it as in other entries in the series, and if you're not that interested in the characters this studies, you probably won't be that compelled to watch this. You can go into this blind.
This has a lot of strong language, and brief nudity, in addition to what I've already described. I recommend this to anyone who even considers themselves a little bit of a fan. 8/10
December 31st, 1959. The big night. And with a noir flair, familiar
faces are moved into a place we recognize. What is going on? Why are
they here? And what will become of them?
If you're considering getting any of this DLC, aim for the Season Pass. Even if you don't get into anything else, the Gears are great. You probably won't swap them out for anything. I didn't. Same goes for the ones in the only you have to buy separately from the rest, Columbia's Finest. Stuff is called what it should be, looks and sounds right. And of course, we meet characters that we're already familiar with. They even look as silly when changing facial expression as before! And Atlas is rendered more racist, because if you use offensive material without meaning it, that's controversial. And not just... y'know. Crass. Immature. And far too reminiscent of how Rise of an Empire, or 300 #2, uses its few swear words.
It was clear from very early on that Irrational's latest outing, despite several delays, and a 3-year-development, had at least as many bafflingly wrongheaded decisions as good ones. I crossed my fingers that it would end there. It did not.
In this, you can carry every gun you come across. You're not limited to 2. So why are you, at all? And why can I still not scroll through them using the mouse wheel? And couldn't you at least then have let me use it for the Vigors? Why only use a toggle key? And then a wheel for the latter, again showing that you could easily have done that with the former!
Carry capacity has been appropriately lowered. And custom/alternate ammo is introduced! ...so why only here?! Instead we were stuck with bland weapons. Down from 5 different Grenade types. Resource management is vital here. Don't get me wrong, ADAM remains gone. A return to Eden, this ain't. Still, you're keeping health kits on your person. So what's Booker's problem? How did he stay alive through all those armed conflicts he excelled at, without a shield?
And, more to the point, a permanent source of safely respawning? Though she does charge for the service, apparently. Hey, if you're good at something, don't do it for free. ...of course, everything else she does, she asks for nothing in return. She'll do it with a smile on her face, even though she's just been facing the darkness inherent in the world she's in. I'm on a Hook. Are you going to stay down there? As you have to? Like you always do? And as you are sure to tell me every single time, with barely any different line reads?
Don't get me wrong, real consequences still aren't a thing. Not since the System became the Bio. Let's go through it once more, for those who weren't paying attention. When you were dealing with SHODAN, the circumstances surrounding the resurrection stations were different. There was only one to a Deck. You had to find it and activate it. It might be very far away from where you had to go, so you lost a lot of time. More of a hassle than a challenge? How about this: a bunch of the sections, did. Not. Have. Them. At all. So if you had gotten used to a do-over, boy were you in for a surprise. You'd better have saved recently. Because it doesn't just send you back to the last portion. It put you back at the menu. You may even get to see your corpse be turned into a cyborg. You will serve her well.
You get to see Rapture before the fall. And yes, it *is* by way of walking simulator! How did you know?! 20 agonizing minutes. Out of 110 total! And after that, it's a decent recreation of what we've seen before. Which we could simply go back to.
Well, that amount of time covers the first episode. The more traditionally FPS one. Dull. And then you get to the other one. The worse one. That makes you wish you were just bored. It took me a little under 3 hours. I've heard others say they did it in 5, or 6. I'm not a leet master hacker. But when the choice is between obnoxious gameplay, and Sprinting past, yeah, you can figure out what I pick, then.
Like the name of the 1998 Mode suggests, it's Thief-style stealth. Except you don't know where the enemy is before they can easily spot you, too. The amount of light you are or aren't in, not to mention the distance between you, don't make the slightest bit of difference. So it's Dishonored. You even have a crossbow! It's not useless. Bolts for knocking out with a syringe of sedative, ones that use sleeping gas and can affect several at once, and ones that give off noise to distract. Yup, Garrett should message his lawyer.
Of course, you could also draw comparison to Splinter Cell: Blacklist. It came out around the same time. And it definitely has shortcomings, problems and such. Nevertheless, it wipes the floor with this. Reminding people of better things they could be doing is always unfortunate to do in your pieces of creative expression. And given that this lets you visit a firm, propagandaistic education center, I do find myself wondering if I could go to school, instead. Maybe clean my room. I'm certain I could find some paint that would be *stunning* to watch dry, by comparison.
The Tears let you move between the two fantastical cities. You get background on Songbird, and genuinely compelling interaction with a Big Daddy. Of course, it's also eager to awkwardly, terribly retcon plot twists that some found disappointing. Sacrificing for that thematic resonance, chilling realizations and historical significance.
I recommend this only to people who insist on trying every single piece of content. Otherwise, steer clear(you're welcome). 5/10
At the onset, you know almost nothing. "Bring us the girl, and wipe
away the debt". You've gambled. Owe the wrong people. You don't know
her, the place, or yourself. Over the course of this, that will change.
She's not "a" Disney princess... she's Rapunzel! You two meeting, and
you getting her out of there, is right out of Tangled. You will be
followed by the robotic creature Songbird. He's not in it much, though.
It's almost like they forgot he was there. And there's a lot of that.
This has a compelling, deep, emotional story and ending(you can't
affect which you get, they wanted to tell a specific tale, and it was
the right choice), though you could argue that it takes over from
You spend a lot of time simply admiring the world they built up, and that's what they wanted. At first, it simply looks beautiful. Stunning. Then you realize that you're only seeing whites. And then you do find them. Waiters. Cleaning personnel. The industrial plant is full of them. And the propaganda sends chills down your spine. "8 hour day? That's anarchy, which leads to starvation! Anything less than 16 is against all of our values. Of course you are to use *my* stores. Others might cheat you! That's not what laws are for. You will live right next to the factory. On cots, mere feet away from each other. Privacy, spare time, space, are not for you." They bid on what job to do, by how fast they can complete it. The hungry and dying are turned away at the door, rather than more positions created for them.
The walking simulator parts make you wonder why they didn't go for something like Penumbra and Amnesia. I'm not asking that they offer solutions for problems that don't involve a lot of violence on your part: this serves the interesting themes. But as it is, there are no puzzles. It's much longer than the plot needs it to be, thus it gets contrived and repetitive to pad it out, much like Max Payne 3. And the FPS is start-stop, underdone, and just as eager to throw out solid ideas that worked as it is to introduce new ones.
Enemies are stupid and too easy or annoying. The weapons are bland, too similar, overpowered, and you can only carry 2 at any time. Not asking for 10. I'd be happy with 4. You don't have to give us a proper inventory where we decide between them and other vital things. I mean, you took back carrying items. So you have to loot all the time.
Actually, Elizabeth(Draper, sweet, maturing) will do that, too. Not sure how she finds anything I didn't. I can't tell her what to look for. Sometimes a while will pass without any result. If I relied on her, I'd have a ton of trouble. Did they forget about one while working on the other? She'll somehow locate you a newly reloaded gun just like the one you were using. Though I agree it doesn't make sense, I do appreciate that the upgrades you've gotten are permanent to that one, no matter how many times you trade it out and back. Not every pistol to every other: rather, every Handcannon.
How does she make it? She kinda crouches awkwardly on the edge of the area during combat. A bunch of the foes are there to stop you and kidnap her: why risk live rounds? They *literally* worship her! Couldn't she hide, temporarily disappear or the like? You know, into one of her Tears? That's tares. Not tiers. Rittsch, not boo-hoo. You can use them for fares. Cover. Aid. Mechanical assistance... that you can get more than once, if it's destroyed! Lame. Only one can be active.
You point and press the key for it. That's the same way you move between the Sky-Line, Hooks and the ground. You can't miss, and you won't fall. Unless a Handyman electrifies what you were on which you can see and hear before it hits. This makes it accessible while allowing for complex combinations. And thus the fighting that would otherwise get tedious remains enjoyable. I will say that I spammed the 2 tactics that worked best, stuck with the Carbine and Hailfire and thus encountered little challenge.
Gears I also didn't swap much. Since the DLC ones are so strong. If you think you did get Columbia's Finest, even if Steam says you didn't, and won't let you post a review for it, you might have it. It didn't give me the money or such. You wear them. They're Hats, Shirts, Boots, and Pants. You use one for each of those, regardless of how many you've found of the same kind. They're like Tonics.
Vigors are the new Plasmids. There's no ADAM, it's Silver Eagles for them. You'll come upon all, not having to make a moral decision to determine whether you get more or less. It's true that there are issues with the Little Sisters. "Who would want to hurt this cute widdle girl with humongous, adorable eyes?" As has been pointed out, presumably if they had been overweight, middle-aged truck drivers, we wouldn't care as much. About this innocent individual's pain.
The ethics remain. Do you, or not, use force against those who cannot defend themselves. Here, they're NPCs. So it's more like Grand Theft Auto. Except it is truly just about whether you personally take satisfaction in shooting them. You won't earn anything by doing so. The society here does celebrate minorities. Used as slave labor, I mean. And that's just it. People who live that, who support that in that they aren't trying to change it. What fate do they deserve? No one can stop you. It's your trigger. Cops, you are just returning fire.
I recommend this to anyone that the hype appealed to. Adjust your expectations for reality first. 7/10
Machines need love too. And so, CM Porter(Lumbly, charismatic) tried to
give just that to The Thinker, the central computer that runs all of
Rapture. Yes, we're still there. Last time, thankfully. But now, it's
in the hands of its worshiper and co-developer(read the fine print),
Reed(Szarabajka, mad. Easily the dullest antagonist of the franchise).
And he doesn't wanna let go. Ideally, you bring it to the surface. It
can do a lot of good. That's what Charles Milton(that's what those
stand for. Now sit down) tells you. And Tenenbaum(Bobby, caring)
agrees. Of course, she's assisting you. Kind of a hobby of hers.
"Underwater city in need of saving? I'm there." You're a Big Daddy.
Again. Subject Sigma, instead of Delta. This keeps most of the things
that BioShock 2 did, you know, better than the original. Nothing meant
to be dramatic is unintentionally hilarious. It doesn't have a lot of
new content. The returns are handed to you since it doesn't have time
to build up. Upgraded firearms don't have to be bought! An Ion Cannon
that feels a little obvious, attention-grabby, desperate, y'know. Come
back, please! Uh... laser! Everybody likes those! And it introduces the
Gravity Well. The reason you get it is contrived: to get through some
doors, you need something to throw over a divider that can pull out the
magnetic thingiemajig. So you'll need something that sucks. Hard. And
it does that. It's fine, it feels showy, an over-baked concept. This
took me 5 hours, I doubt I'll play it again, and I could have done it
faster. It got pretty bland and boring. The ending(only one, regardless
of the moral choices you make. They made the right decision. Of course,
given the length, they could have removed it) does pack a real
emotional punch. Heck, the whole thing does, even more-so than its core
game. And the twists do really get to you, in addition to surprising
you. There are further explorations of the characters, and of the new
ones. The insulation and loneliness of leaving behind the rest of the
world. Coping. The late Pearl(Ricks, sweet) is mourned over.
You move from point A to B, fighting Splicers, who have gone insane from the messing with their genetic code that they do. There are new types of them. The Fiery Brute, who's OK, and the Wintry Houdini. He teleports around. Now, he can temporarily take out of commission anything that, well, moves. They'll leave behind goodies, and you can loot closets, boxes and the like. You, too, can find and use Plasmids, which are powers that your mind can let you send out from your body. Set on fire, electrify, freeze, etc. Tactics come from which you carry and how you use them with the weapons. Shotgun, pistol, and more. You have a Drill instead of a Wrench. I do hope they give you a hammer next. Or let you screw. Let's go through all the tools. There are not many Little Sisters to Rescue/Harvest. They immediately take a liking to you after you killed the only defense they had from this volatile world. And you keep them safe as they get stab-by with the syringe on Angels. You also find that someone tried to do mechanical versions of them, and that didn't work. I imagine we're supposed to be creep-ed out by that. We even get a silly jump-scare attached to it. It does not land.
You also fight the robotic security systems, including cameras that will sound the alarm if they spot you. And Bots. Those attack as you can. This has some improved ones, such as using rockets, and using them feels like cheating. You do so by Hacking them, which you can do to a lot of automated things. Also vending machines. This can be done from a distance, or up close. When you engage it, there will be a readout, with a needle that moves swiftly from one side to the other. You click at the right time, it works out. What you want is green, or even better, blue. If you miss, it may alert if you hit red, or just zap you if it's blank. Comparatively, this is a lot more exciting, less over-involved, and it doesn't pause, so you have to keep on your toes. Unlike simply connecting pipes that water will flow through. Eh, maybe someone at Irrational loved that program when it originally came out. And I get it. Plumbing. And we're in the deep ocean. With metal keeping dry the... yeah.
Dying simply means you re-spawn at a nearby Vita Chamber. It's not difficult to have consequences to that! Most VG's get that right. System Shock 2, which these badly wanna be, did. You don't come back with full health. You may have to spend a while getting back to where you were geographically. And every time you reach a new section, you actually have to find, and activate, the resurrection station, or you'll just plain die. Not return to the previous area. No. You'll just be gone. Why these can't go there, I do not know.
Huh, prior to sitting down to type this review up, I never really looked at the voice cast for these. I guess it couldn't hurt to... Armin Shimerman? Quark? *He's* Andrew Ryan? I mean, the "cruel capitalist with low empathy" comparison is clear, I just didn't believe he could sound that classy. Is that what they mean when they say no one admits that's how they sound when recorded? Yuri Lowenthal, not surprised. Too bad he doesn't have a pouty Persian Prince to play here. Jodelle Ferland? As a creepy girl who has a connection to a parental figure? I coulda told you she'd fit that. At least she doesn't scream the title in this one. Matt Letscher? Good Morning, Miami's Gavin Stone? Man.
There is a lot of violent, disturbing content in this. I recommend this only to completionists. 7/10
Revenge. And bounty hunting. Getting in the way of each other. Picking
one and sticking with it, even if it were the latter, similar to Thief:
The Dark Project and do world-building with, like this, relatively
little plot, would have been preferable. Both do allow you to meet, and
usually go up against, if not always kill or even win against, tons of
infamous people. Name-dropping, mostly, albeit some get to do their
thing, such as a bank robbery or blowing up train tracks, which you try
This whole thing is you, Silas Greaves(Cygan, charming), recounting highlights from his career to a handful of listeners in a saloon that you do get to visit, an opportunity they waste. That allows jumping around the US and in time. Along the way, they'll challenge your account. So you adjust to fit. Enemies and paths will come and go. They occasionally overdo it. And I can understand those who dislike this, well, gimmick. If you do, this is not for you. Or hearing them talk in general, which there could have been an option to turn off since most of it doesn't affect anything. Personally, I'm glad we're getting different approaches, as long as the ideas and execution are, at least, good, and here, they are. Not bad, and not ugly. I'll get to those.
This is essentially a shooting gallery. And Where's Waldo, since they blend in with the background, something I can't recall seeing elsewhere, even in retro stuff. Everything is an excuse for the bullets to fly in all directions. At least it's not really racist... the Latinos and Natives are treated the same as the Whites. Not better, either... after all, you *are* trying to snuff out each other, you're not doing reparations. They may charge at you, throw dynamite as grenades(you can, as well, and hit and blow it mid-air) and carry it on belts that scream "aim for me", hold up a wooden shield(feels like it was designed for another setting in time and place) and sometimes peaks out from behind it, or wear armor. That's how similar they are.
What you're using to deliver the lead matters. And ultimately, you only have revolvers(fast and weak, ranged and power, and the middle-ground), shotguns(short and regular. Good luck using them, what with being fought by their spread and frequent reloading) and rifles(one of the two being sawn-off). For all the limitations of the where and when, it still feels as lacking in variety as it is. I'm not asking to be able to pick up the Tomahawk, or the bow and arrow that they could have had. Just something. You can dual-wield the first four mentioned, using either the same one, or two separate, triggers. Ammo conservation is an obvious strength of the latter: if you run out in one, the other might have some left.
The upgrades don't alter much, other than stats. Compared to developer Techland's Dead Island, which is definitely overall worse than this, it's simple. There, they change how you play. Examples include boomeranging what you toss, crushing skulls of downed foes, the Rage attacks, customizing extra damage for weapons. It has special enemies that force you to adjust how you play when dealing with them. Varied ones in general. The fun of freely chopping off limbs instead of merely proceeding in a straightforward manner. I'm not saying all of these could be in this, or should be, still, the contrast is stark. The three are: speed, close range, and distance. Each has two skill trees, and can unlock two "Legendary"(read: improved version) firearm.
Completing this once unlocks level selector, the hardest of the 3 difficulties, with no HUD, and New Game +: Play again with all your stats carried over. It apparently gets tougher, as well. This is challenging on easiest. I personally got everything I wanted the first time through. I don't see myself returning to this. It took me four and a half hours, another two for the Arcade ones, each once. For the current asking price of about 15, bucks or Euros, that's basically fine.
Even if you're not doing Duel Mode, you will have to master the quickdraw to complete this. You know, where it's vital that you avoid being hit by this one person, when you take plenty any other time. It's awkward all the way. Hold a shrinking circle over the possibly-probably-not-though-moving-either-side to focus, and it'll zoom in on him. Eh, not too bad? Wait. For some reason, it moves slowly, barely, and going too far happens a lot. Position your hand over the holster. Or don't. Not sure it matters. This whole bit needs to be repeated each time you do, and you will, die. No idea why, you can't do it more than one way. Finally, at 80% or so, you can go for it. If you're fine with doing it dishonourably. Otherwise, wait for him to, first. Be polite about it. Then, you dodge to either side if he gets one off, which decidedly doesn't fit the period and location. At least the bullet-time mimics the reflexes. You, obnoxiously, adjust the reticule to get a mortal wound on them. And voila.
I haven't played the first three in the franchise... it's not quite a series anymore, not much continuity. In research, I did find that they had a lot this doesn't, and thus, is missed. Stealth. Two characters that offered abilities the other didn't. You might switch between them one level to the next. Or choose which. Maybe they go together, one of them controlled by AI. Riding horses and doing drive-by's as it were. Multiplayer, with modes beyond the bare minimum. Of course, at least this is considered to be superior to the dreadful third one. Not sure why the cover mechanic is gone. It left a gaping hole. It should be there.
I recommend this to the biggest fans of spaghetti Westerns. 5/10
This is the only special feature(the menu even has it in singular, not
plural. Somebody had a sense of humor in designing that) found on the
DVD of Batman V Superman(wait, is it a fight or a court battle?):
Dawn(a word that doesn't need to be used in titles anywhere near as
much as it is) of Justice(get it? Because we're threatening, sorry,
promising, we'll get to a certain well-known League, no matter how
ill-advised), or at least my library's copy of it. For comparison, the
first three Hunger Games ones come with commentary tracks and lots of
It's made up of clips of the film, voice-over analysis(why? It's not like we needed the play-by-play) and animated visuals. Ignore the "as himself" listings. They don't appear in this outside of the footage we've already seen, and certainly not out-of-character. Why isn't the narrator credited? Did he ask not to? The running time is 5 minutes. I'm not sure the subject needed its own documentary. While it's what we were promised, a huge part of why it attracted so many viewers, and certainly has stand-out moments, we were all really let down by it. Seems like an exploration of the philosophical themes weaved into it, the story structure, the overload of hinted content... well, I suppose an apology for those would be better. And Snyder gets immensely defensive before he admits he's wrong. If shooting Jimmy Olsen in the face without even making sure anyone knew that's who he was... but I digress.
I recommend this only to the biggest fans. 3/10
This is a documentary made up of interviews(from different times and
places) with franchise(and outside ones who are fans) cast(albeit
Shatner's absence is hard to ignore. They do talk about him, and it's
almost all positive. Well, the other captains aren't there, either. I
could go into the many smart, thoughtful people's names, but it would
quickly become a list, and a lovefest), crew, scientists, etc.(they of
course don't get equal time), show and film clips, zooms on stills, and
historical footage. It goes into, well, see the title. It's 1 hour and
24 minutes without ads. According to what I read on here. I watched it
with, and couldn't tell you for sure. For me, it was 117 min.
They discuss a lot of subjects. Diverse people working together to solve problems: women, Asians and African-Americans: right there next to white men, with responsibilities, receiving respect. The technology and how much of it we have today. Inspiring generations. Everyone has something to say and is interesting to listen to. It's edited well and goes into the right amount of detail. Here and there they dive deep into a certain special effect, scene or important conversation. And yet they manage to cover half a century's worth of series and movies. It doesn't really touch on J.J.'s reboot and its trilogy. So, you know, all of Star Trek is gone into. They're fairly honest, admitting when there were missteps.
This contains some disturbing content and two bleeped swears(you know exactly the words used). It spoils countless of the big plot points in the many hours of ST. Keep that in mind. I recommend this to anyone, Trekkie or otherwise. 8/10
1922. Returning to Ireland, though it may be a bad idea. Awful accents.
You're there to repay a life debt. You fought with him in World War I.
You wouldn't be here if not for him. Four cruel siblings who won't
leave alone their one brother. Only problem? They've already passed on.
And yet they won't. You're the only hope. Expert on the occult. Clive
Barker's works makes sense for two mediums more than the rest: books
and video-games(this has been said to read like one, whilst being a
novel). The detail, background, world-building, length, how gruesome it
gets, the beings, the events, etc. Having not played Jericho, not taken
in a word written by him short of Arabat(the initial of that series,
both of them titled that), and only watched Hellraisers 1, 2, 5 and
6(yes, I'm one of the lucky ones to have steered clear of most of the
sequels), Candyman 1-3 as well as Dread, I base what I say about him,
not to mention Lovecraft, on cultural osmosis.
This has a *lot* of notes. And they are heavy, they aren't in the style that people actually talk, and they play a lot of stuff close to the chest. Much less so than the Penumbras. Of course, that does bring up that this isn't a pure action-adventure like those are. It would have worked as one. Some would have preferred it like that. And where those are all exploration and investigation, this is fast-paced, and this element bogs you down. Mostly, they're spaced out. It's the worst, with explaining what you've got on you, in the opening... where you move for 5 seconds before one cutscene gives way to the next. At least it's a third-person one, with cuts and angles, not you merely looking at a gardener, maid or groundskeeper, who is likely to be murdered soon, expositing, and maybe granting you passage. Of course, it's still a lot of talking. Lot of words in this one. And still no subtitles, and yet so few of them spoken. Too much is told, not shown, and we don't see firsthand what happened before... with one exception.
Other than what is here Kill Bill Vol. 1's respect for what you'll acquire to use in the fight, this, by and large, avoids the standard FPS clichés and traits. It does go back and forth between that genre, and, well, diving into the lore. You'll wanna approach this like one of those. One of the early ones, at that. Strafe, keep your distance, never stop moving, let the projectiles fill the air. Enemies can stagger you, especially if they're using melee. When they surround you, that gets ridiculous. Unless you follow that advice. And consider using the easiest of the three difficulty settings. Trust me, you will still be challenged. This doesn't have modern weapons. The ones it does have, are awesome and, like almost everything in this, varied whilst aiding and fitting the thick atmosphere.
Let's get the obvious out of the way. Revolver and shotgun. Oh, and they have alternate ammo of silver and phosphorous. You can use both barrels at the same time. Molotovs. Those, by the way, you light with your fingers, using pyrokinesis. Same for torches and candles. Admit it: if you could, you would, too. For everything. A speargun with zoom, which can be charged with your lightning. A Phoenix that you can guide. It's straight-up the Redeemer from Unreal Tournament '99. When you get it, you're in a level that has a lot of open areas where it's useful. The Tibetan War Cannon: Cold: freeze small patches of water, slow and harm enemies. It's really effective against a number of them. You can charge it up, by holding it down. It takes maybe a second between pressing the trigger and it firing. Arcs in flight, so it can't go more than maybe 20 meters ahead of you and/or up. It may seem too powerful, even for the delay. It'll one-hit-kill a bunch. And you cannot run out of munitions for it. Don't hit too close to yourself, it'll hurt you, too. It does splash damage. It's alive on my hand, like Half-Life! Only way creepier. And that says a lot. It's an actual dragon's head. And the Scythe of the Celt, which can separate a soul from a mortal shell. You do have to scroll through them. Well, that, or use the menu/ring. It doesn't pause for it. You have to keep it pressed, then point, then let go.
You dual-wield one of these, in your left hand, with one of the spells in your right. Like was later done in BioShock 2. Not 1, for some reason. And this, like System Shock 2, has you using the two options in tandem. Some are boosts, others are attacks, others defense. They use Mana, which regenerates over time. Haste: speeds you up, necessary for some of the occasional, and relatively seldom overly obnoxious, jumping puzzles. Those are also sometimes done with the, sparsely allowed, wisely leaving us wanting more, Flight. I've seen a lot of different takes on that. This one is one of my favorites, as well as a different take on it. You hop, keeping that active, and for 2 seconds in the air to another 2 to ready it for another bout, meaning you can fall and "catch yourself" if it's far enough down, you... swim. In the air. So if you want, you can remain in place. You can go backwards. And while you can go forwards, you're not being propelled. And this is probably what it would be, if you or I woke up tomorrow with wings. Think of birds just learning how to use theirs. And you'll find it tremendously effective. You work for it, and it pays off.
I recommend this to any fan of the author, of survival horror, of having the crap scared out of you. Just beware the problems. 6/10
30 years ago, a boy loses his mother. Today, grown up, that man is
executed. Only he's actually moved to a hospital-like facility. They
want his genetic memories. And he's not the only one like him, in the
building. The others want him to pick a side. And 500 years in the
...and it goes on like that. It's overexplained and never begins to make sense when you think about it for a little bit. That's alright for the VG's, but this plays it far too straight. We're given almost no levity. Attempts at it fall flat. This idea was never going to work well on film. It's an engine for the fun, addictive gameplay, which this has about half an hour of. The rest of it is trying to explain the absurd concept, while barely getting anywhere in the overall plot. This does score some points. The action is fast-paced, tight, choreographed(occasionally excessively), and in the 1492 sequences, nearly constant. It's broken up only when they awkwardly jump between it and the present. Losing his grip on reality also works. The father/daughter relationship is engaging.
There is a lot of relatively strong, bloodless violence in this. I recommend it to forgiving fans, and those who wanna see if it really is as out-there of an idea as it is. 5/10
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