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These are singers, who have a unique and distinctive voice with timber and depth, range and resonance. They stand apart from the singers, who have a good singing voice, but their affect is flat, that hundreds of other singers share. A good melody has its place, but most of the times the melody is composed for the particular singer's vocal vocation, and is enhanced by the singer. There are only Four Genre of Songs-Romantic Songs, Sad Songs, Songs with Joy and Mirth and Songs with Religious Ferver or Prayer songs.
The late Mohamed Rafi, had a great voice, similar to the late Ustad Fathe Ali Khan. But he could not modulate his voice like him or had depth and resonance of voice as Ustad. There was nothing distinctive about his voice (after few songs it was a monotony) or depth as in Mukesh, Kishore or Hemant Kumar. Lata Mangeshkar shares the same traits with the late Rafi. She is a great singer but there is no uniqueness to her voice as Asha Bhonsle.
It is amazing how the Indian playback singers modulate their voice to the actor or actress they are lending the voice to. Recent example was Shreya Goshal, singing for Soha Ali Khan, as in the movie "Khoya Khoya Chand". it is surreal how close she sounds to the actress. This is as close to Asha Bhonsle came to imitating Asha Parekh' voice.
No matter the genre, their singing will last and linger for ever. The melodies will haunt us for ever. Few of the recent composers are kachada suvvar rats from kuttaestan, who would not be fit to clean the toilets of the great composers, let alone compose a tune.
These scum banchods who are illegal and illiterate for language and music, have no creative talent, they pirate and copy-cat songs from old Hindi movies and rehash them into vulgar music and "Item Dance" numbers with vulgar and mechanical and un-aesthetic dances done by imported imbeciles with no talent that cater to the filthy frontbenchers from filthtystan.
Any six year old can compose these songs with a synthesizer and probably fare better. Five songs in each movie times 1000 and odd movies churned out in a year, like an assembly plant equates to 5000 songs of rubbish malady manufactured each year. This is pollution of the music world.
They have taken the Indian music down the gutter. Their music is not melody but sheer malady. These kuttaes are entirely supported by the fellow suvvar producers from suvvarstan and the three leading dogs and the three bosudike banchod camel brothers with this leading khoja six pack ab ape. These camel bosudike suvvar rats pirate all old movies and their own movies (body cavity searched in all airports for dvds) without any copyright and then they sit on film panels condemning the practice. These sewer rats should have never been allowed in the movies in the first place or compose music.
Hedy Lamarr's counterpart in Hindi cinema would be Sadhana and for Taylor-would be Waheeda Rehman. The three were captivating as Hedy Lamarr in "Samson and Delilah" or Nancy Kwan in "The World of Suzie Wong" (the most romantic movie ever made) and Elizabeth Taylor in Cleopatra. The three were truly beutiful women and there was one movie that captured their beuty over the countless movies they starred.
An Oscar nomination has no meaning when it comes to the Bollywood movies. It is based on an one person or persons with enough pull or bribe to get the movie nominated. Prime example is 'Barfi" a slovenly stupid and excruciatingly painful to watch movie, that was nominated for Oscars. The performances were pathetic and the International fraternity will not consider this a work of art, but only pity the Indian cinema.
On the other hand, the ek tha banchods suvvar scums movies are nominated since these swines bribe everyone in sight. These suvvar swines have no creative talent and produce movies for the chamcha frontbenchers sewer swines who like the fellow cousins camels, live in the gutter and the taste belongs in the gutter.
These bosudike banchods are born to bribe, since they lack any creative talent and only know how to mimick or copy the older stelwarts of film making not to mention they all look like camels albeit to their credit-few are more handsome camels than the rest.
There is no way the Hindi Film industry can depend on these Ek tha banchod brothers and the three idiots to make any decent movie since these camels are only meant to ride camels and spit like camels. These banchods have no creative talent.
Maderchods have canine ancestry and scum of the earth dirt bags are only good for working in the sewer or riding camels. The midgets are good for maderchod midget mud wrestling or camel race since they are built with sixpack abs like the leading maderchod cretin with his IQ lower than his biceps.
This is also when the Indian cinema was in a peak, when it was not ruled by the three Kuttaes from Kuttaestan and the three Kongs (the ugly kong, the midget and the meathead) and this list does not include the three kuttae brothers who are the maderchod Banchods of Bollywood-a National embarassment and disgrace to the Indian Film industry and Indians. Thsi list also does not include a suvvar frontbenchers propelled Ek Tha Kojah with a corn cob cheap hair transplant that is one of the few things visible from space (other being th great wall of China)
Good Talent Scouts, wear no blinders nor practice nepotism. They are not obligated to their friends or repeat the same actors in every movie. They don't try to win favors from the filthy frontbenchers who are the filthy idiots who have never seen an international movie and are totally immersed with the ugly camel actors from camelstan and support every sewer movie made by them. The reason they are all midgets and ugly too is because they were brought in to perform in the Three Ring Circus and they escaped the circus to Mumbai where they are actors and producers now.
In Hollywood, there are Talent Agents with their own Guild, that oversees quality and standards, and they are the best in what they do. This is one of the reasons the Hollywood movies are a rage all over the globe. Movies like "Bugsy" "Good Fellas" 'God Father" and "Shawshank Redemption" had reputable Talent Directors who chose the actors to the fit the part like a glove and they became immortal movies. In fact, Francis Ford Coppola, threatened to resign from "Godfather" if Marlon Brando and Al Pacino were not chosen for the parts.
According to Morgan Freeman's biography, Frank Darabont, who belonged to the "Book of the Month Club" got the book by King, in his mail and reluctantly read and paid King, a nominal sum of $1 for the rights to the movie and then spent nine long years in coming up with one of the best and Oscar winning scripts from prolific fiction writer Stephen King, for the movie "Shawshank Redemption" chose Morgan Freeman, for the part of "Red" and Freeman, in turn was told to select his co-actors.
This will never happen in Bollywood, an industry, inaptly titled and ruled by incompetent mutant ninja turtles in the nature of the three or more idiots-the so called leading actors-and the six pack ab chimpanzee from monkeystan, who look and smell like camel jockeys and were brought in by the older stelwarts for menial labor like cleaning after the camels in a Kamala Three Ring Circus.
These maggots have taken over an illustrious industry started by the likes of Raj Kapoor, Bimal Roy, Hrishikesh Mukherjee, Mehboob Khan to mention a few and turned into "Item Dance Industry" that caters to their maggot cousins-the filthy frontbenchers.
These bosudike traitor and scum maderbanchods have no clue about talent or how to find a good talent, since they have sewer taste and they themselves have any talent if there is miniscule of talent it is put on pedestal by the traitor criminal frontbenchers and the media. Their sole existance is to payback to their benefactors and mint money for themselves at the cost of the industry.
These maderbanchods, only know about "Item Dance" since they only cater to their cousins, the frontbenchers of the cinema, the kind who spit like camels in their own homes and ride camels to the cinema. They are oblivious as to what makes a good actor or the right actor for the right part, since they only cast their brothers, family or friends or import the imbeciles who are good for nothing idiots for the item dance.
Very Few have the innate talent of a scout and they cast imported imbecile actresses, who can't walk and chew paan at the same time let alone act. As far as dance it is mechanical and unaesthetic and remotely resembling the art of dancing.
They are the traitors of the the industry and should go back to the circus. picking behind the elephants with a pail, so they can still claim to their freinds back home they are in the Showbiz.
They have to be bold and un-inhibited, can't be condescending or dominate or be biased towards fellow artists or be unfair to other actors or demeaning. Very few posess these traits.
They should not have a conflict of interest in promoting their own movies or songs of their films. An Emcee can make or break a show. The recent award shows with Priyanka Chopra with comedy sketches and parodies are funnier than any comedy movie.
There is no one who came from an item dance to being a good actress. The item dance is the stooping stone for failure and they are branded as such and appeal only to the frontbenchers, who are oblivious to taste or class, since they are illegals and illiterate. For them any thing moving is the best movie.
Item dance will never attract the attention of an International producer or director or a casting agent. Item dance will give them physical stamina but zero acting skills.
English Vinglish (2012)
Suggest as Nominee for the Oscars...Instead of "Barfi"...If I May !
Women writers and directors like fiction, fantasy and platonic relations as evidenced in this movie and "Mr.& Mrs.Iyer." Gauri Shinde, does a great job as a first time? director, of this gem of a movie, which is a cross between "Mr.& Mrs. Iyer" by the very talented Ms.Aparna Sen and "Monsoon Wedding" by the prolific Ms.Mira Nair. The story is absolutely spell binding and riveting like a suspense movie, since, all immigrants to The United States of America, have gone through the routine and nothing is a fantasy. The sessions in the English learning school with a gay teacher (David-a good perf.) is hilarious with the quirks and traits of different ethnic groups brought up without being insulting or demeaning.
Each scene flows into another like a garland and the screenplay is simple and homely. The movie is as sweet as laddoo. Sridevi, The French guy (Mehdi Webbou),the kid,and the niece Radha (Priya Anand)the stand out among the rest of the cast, who are above average and the interaction and peace at the end of the semester, could not have been better achieved by United Nations Peace Force.
The long story is poignantly related by the woman director, whose feminine touch is evident all along, like Shashi, riveted to the romantic movie, when her platonic relation is watching her. The long walk catching her mental turmoil after the brief spark of awkward romance on the top of the skyscraper.
Not everything is as sweet as laddoo. The grandmother left back in India with an excuse she can't get Visa (not Passport as in the movie) was cruel and utterly selfish of her son, to devoid her the joy and happiness of being part of her grand daughters wedding. This is typical of how Indian women are put on a pedestal and worshiped and treated like second class citizens at the same time. If she couldn't get Visa the wedding should have been canceled in New York and they parties should have been flown to Pune, and the expenses should have been born by the parents of the groom (applies to all weddings)
The scene in the Deli is so authentic it is tough to believe it is a movie. So is the actress taking Sashi's call at the English school (the patience, perseverance and tolerance shown is so much opposite to the attitude at the Deli and the director is so shrewd to show the contrast.) All said and done, this is feel-good movie that should have been the Oscar Nominee-and probably would have won too-instead of the slovenly stupid and annoying movie called "Barfi."
Not Bhandarkars Finest Hour
The script is not tight and the movie is too long with few scenes that are non relevant to the story telling unlike Bhandarkar's previous films. This is Kareena's best acting after "Chameli" and she should win an award or two. Kareena, who looks little like the portrait of Mona Lisa without makeup, does well in her introspective insights and reaches the bottom of the pit when even her manager (Govind Namdeo, who was superb in "Mai Madhuri Banaa Chati Hoon' as an Agent, is mediocre and lost without significant part here) throws the books at her.
She does portray the confused Desi Heroine well. The best part of the movie is the segment with Ranvir Shorey and the movie inside the movie with a great acting (not to mention great cleavage!) by Shahana Goswami as a drunken lesbian seducer. The scene with the heroine in the car stranded too long and claustrophobic even for the audience. The heroines want adoration and it is tough to deny it.
Bhandarkar, tries hard to portray the times and tribulations of a Desi Heroine, but seems to be confused himself as to how to go about it. Other than Kareena, Ranvir Shorey (Bhandarkar's protégé as a director, who is not in the Hundred Crore Movie Club) in the movie is good to watch as always. The other is Divya Dutta as the PR Gal.
The movie deserves a rating of six or seven, since not so good movie by Bhadarkar, is hundred times better than the maderchod banchod produced the so-called Hundred Crore Movies, meant for the sewer and filthy frontbenchers who are dictating the Hundred Crore Club market. Their movies are a disgrace to decent Indians and the illustrious Indian film industry. If not for the likes of Bhandarkar,there would be no film industry...just "Item Dance Industry" taken over by the goonda banchods like Ek Tha Kojha maderchods, acting and producing movies for the frontbenchers and praised by and selected swines of the Mumbai Media since they are bribed to do so.
Menacingly Boring and Overrated Movie
Except for Ranbir Kapoor, whose acting is mediocre-as expected of him and his generation of borderline talent-the movie is overrated as expected, menacing and annoyingly boring beyond belief. Any movie with a sentimentality (handicap or a misfortune) however stupid appeals to a certain segment of the audience and gender. But that does not mean the movie is good or Oscar material. In fact, the movie will never make it to the Oscars.
The Indian directors and the selection committee, are very naive as to what is an Oscar worthy movie, since they are in their little pond and belief that the industry is big enough to know what they are doing. They just have to watch the Oscar nominations or winners from the past-as simple as that.
"Laggan" the last movie, touted by the same people and the Media, as one of the greatest Indian movie ever, was a piece of trash, that was sentimental (handicap) theme with 13 demented cretins led by an idiot (an idiot even as a leader of the gang is still a cretin) trying to win a cricket match with a last minute miracle of shoulder disability. The movie itself being demeaning to Indians and the brave servicemen who defend the country. Then again this movie was made by a producer whose IQ is in the range of a cretin and he is a unpatriotic illegal traitor who disguises as film maker.
If you compare this movie to "Ek Tha Tiger/Water Buffalo" any movie is Oscar worthy! In fact the hero of "Ek Tha Water buffalo" would have been perfect to portray the deaf and mute since this maderchod scum is a real life a dumb cretin (heavy lisp, khoja hair transplant, six-pack ab,and dialog delivery that sounds like mating call of sea urchins)
The acting? of Priyanka Chopra, is pathetic and unbearable to watch and her mannerisms are irritating (this has no bearing on the real autistic children.) We were told that she is autistic, but where in the terminology? does it say she can't wear makeup and have to bat her eyelids like a chipmunk! The Ileana D'Cruz girl can't act..period. She should take some other vocation (teach autistic children?) and save the industry from disgrace.
Few Scenes are funny till the Chopda girl trotters on and then we don't know to whether to cry, cringe or laugh at her heavily googled interpretation of an autistic girl/woman. Here is a good actress-probably the best actress-but not everything she touches is gold or autistic.
The cinematography is good as in any Hindi movie and Ranbir's (touted by the same producer to portray Kishore Kumar! in his new movie..this must be another low point in the casting by Basu) flair for trite imitating his grandfather Raj Kapoor, has manifested on more than one occasion and more than one movie. The gene has not skipped a generation-but has stopped at his father Rishi Kapoor. He is one of the most overrated actors..mostly by the virtue of his famous name and he is not even good looking like his grand father or his famous uncles.
If this movie is Oscar material, then God Bless the Indian Cinema. God only can save the industry from the likes of Ranbir Kapoor, Ek Tha Tigers and Buffalos and the 3 leading idiots...the Kongs of Bollywood.
Raaz 3: The Third Dimension (2012)
Raaz.....The Junk Secret in 3D
Vikram Bhat's "Raaz" was one of the best thriller Hindi movies, but the latest offering is a voodoo gone bad (The 16th Franchise will have Bipashu practicing Feng Shui?) and in 3D..or three times bad. The hero is a chubby cheeked midget who is slovenly boring and imbecilic. His acting is mostly staring into space and exposing what used to be his biceps. Pity the heroines who have to kiss a goat. Since when? a clown singing happy birth-day is a horror segment in a movie may I ask? Bipashu (a clever mix of Bipasha and Basu)is in fading as an actress for this franchize. She does not command the screen as she used to and she better leave the heaving and the heavy breathing to Sunny Leone. Shouldn't her gripe and black magic be more against Sunny instead of Sanjana! The direction by Bhat is corny and appeals to the astute Six-Year old moviegoer sitting on an adult lap. The story is ridiculous and vehemently put together to accommodate the wanna-be actors that are picked from the men doing dirty laundry at dhobi ghat. They must have auditioned for Bhatts, ever since they were given permission to churn out movies. The horror in the movie seems to be more in the making than the content.
Ek Tha Tiger (2012)
Ek Tha Water Buffalo
The hero looks more like a water buffalo than a tiger, with a corn dog hair transplant that he covers with a generous supply of brylcreem jello under a hood that makes him look prettier than the heroine. He is toady eyed and talks with a lisp and hush hush, more like a cretin than a spy. His build is more like a imbecile pehlwan than a Agent. When he does speaks anything intelligible the dialog sounds like an obscene phone call or even mating call of a sea urchin, which again fits with a water buffalo than a tiger.
One of the worst movies ever that is targeted to to the sewer scum filthy illegal illiterate frontbenchers and not for a decent Indian audience. This unknown actress who has face like a horse, has no acting or dancing skills. Erratic action in a tomato stand (even the tomatoes are rotten) runaway dialog, stunts befitting a khoja hero, worst editing, lousy music and horrible and vulgar dancing with the water buffalo, non existent story or story made up to spend money earned on the backs of the poor Indian audience in foreign locations. The hero is more like a coolie or servant of an actor and the ugliest maderchod in in the history of movies.
This movie belongs in the annals of the gutter. The success of movies like this, is an indication, that the inmates are running the asylum and the moron frontbenchers are dictaing the box office. Spells doom and decadence for Indian movie industry. Only God (and newer directors like Gauri Shinde of "English Vinglish" ) can save this industry.
Yet another rotten film by the 20something crowd, who clearly are no-talent nerds, who are in this industry because of connections or nepotism. On their own they are worthless bums, inluding this hyped up jerk director, who has written the story. The story is stupid, contrived and excruciatingly prolonged to spend the money earned on the back of the unsuspecting Indian audiences on foreign locations and actors-who are pathetic (as in the scene on the beach front Where do they get these Anglo actors from..Central Casting?) The direction is awful and the music by the newer composers are typical of six year old playing with a synthesizer. Erratic disco numbersc and music if any is not worth listening. The dialogs are stupid and boring. This movie sucks big time and the producer, director, story writers and music director should get a day job and save the industry from disgrace. Only acting of any substance was Dimple.Padukone is good in few scenes. Rest of the times, she acts like she is on vacation from acting. Saif Ali Khan acts like he is on vacation. Rest of them are filmy wannabees AKA Nargis Fakrhi and Sonam Kapoor kind, who cant' act or dance. They take more than they give to the art of cinema.
One of the Best Indian Movies
The movie is riveting akin to a suspense movie since the story builds up to a crescendo. Any one with a hint of how a good film should be made should see this marvel of a movie. Shyam Benegal is a genius the like of Raj Kapoor, Hrishikesh Mukherjee and Satyajit Ray. For example there is a long shot of a corridor with no action or actors but it builds a certain expectation. The scree play is one of the best in an Indian movie. The story even though has a disclaimer is intriguing since it is loosely based on an actress in the 40's. All have acted well but Smith Patil is the ace as in the movie within the movie she is in the witness stand and switches from acting to a normal with such an abandon that clearly set her apart from an amateur actress. This is one incredible movie that will never happen again since Bollywood is taken over by pubescent directors with kachada movies that are not even worth to be spit on.
Rowdy Rathore (2012)
"The Face That Launched a 100 Crore Movie"
If not for the stunningly sensationl-Sonakshi Sinha, this movie has all the ingredients of a kachada movie. You can't expect much class from a Telugu director like Prabhu Deva (Vastundi Shigramu..Kachada moviealu-Bhayankara Kattivarasalu-Bhayankara Mustiyuddalu) who is not only the worst but cheap and un-aesthetic choreographer. By letting him direct a movie, the producer, the caliber of Bhansali, is stooping low and has shown disrespect to the Hindi cinema. The music is horrible, and it is a shame, if this duo, were paid for this malady of composition. The humor is low brow and stupid, very much consistent with front-bencher's expectation of comedy.
Akshay Kumar,is the highest paid actor in Hindi cinema. He is capable of good acting as in "Patiala House" yet, he keeps churning out stupid, dimwit, buffoonary as in this movie. The action is generic dishum-dishum that a six year old street kid can direct. I give this movie a 3 for Sonakshi (who looks very much Indian as opposed to the imbecile imports, who can't act, dance or speak Hindi,) reminding us of classy actresses of yester-years, the likes of Vijayntimala and Sadhana. The rest of the movie is for the birds, with cheap thrills for the front benchers who relish and dictate the 100 crore movie market, and not for the sophisticated audience, which is in the process of extinction and this movie along with "Dabhang", "3 Idiots" and Delhi Belly" will only help to hasten that process.
Dangerous Ishhq (2012)
Neither Danger Nor Ishq.
The movie has two reputable and talented names, that evokes an interest namely-Vikram Bhatt and Karisma Kapur. Karisma, who dumped her hubby of six odd years and embraced the movies for good, is one of the best talent from the Kapoor clan. Her thick eyebrows are kind of distraction from her acting. She is good in certain roles like regressed past as in this movie, since she has that eternal lost-look that fits right in. Somehow Vikram Bhat, fails as a director, since the movie is not tight as you would expect from a Veteran like Bhat. There are no strong male actors attached to the movie. The beginning of the movie and the scene inside the hospital is totally confusing to an average viewer, till the hypnotherpay sessions. Rajesh Duggal has talent in his blood..wish it was in his acting. Divya Dutta and other actors do fine. The one number by Himesh "Tere Chehra" is good. This movie hundred times better than the flicks by the 3 suvvar kuttae brothers and the 3 suvvar Kongs who are a disgrace to the movie industry.
Loosely Produced Movie
RGV is a force to reckon in Hindi movies, but this movie is a bummer, the likes of 'Darna Mana Hai" from his Camp. The script is bad and loose. The worst camera work of any movie. If the directors idea is to convey the thinking process or a controversy, you do that with the script, not the vertigo generating and going in circle camera work as in the Hospital scene. The action which seems to come at a regular interval is expected in a picture dealing with underworld, but the item dances also seem to come at a regular interval, with Sanjay Dutt's character, avraciously indulging in the dancing to the underworld tunes! Amitab Bachchan, looks aged, and for an actor of his caliber, this part is a cheescake. There is nothing in this movie that has a stamp of the famous RGV banner. It is too drawn out with repetitous and boring conversations. Not worth the expectation and clear disapppintment. The camera guy should find a day job for the sake of the Industry.