Reviews written by registered user
|18 reviews in total|
I caught this film on terrestrial TV in the UK last night. For all you
non-UK readers, terrestrial TV in this country leaves a lot to be
desired. Sure, there are nuggets of gold, but you can't rely on top
quality viewing every night of the week. So when I stumbled upon this
movie, I though "let's give it a go." I'm very glad I did! I was glued
to my seat. And for two and a half hours (including ads), that's a very
So whenever I see a movie that I either really love or really hate, I come onto IMDb, see what other people thought and sometimes give a review. I just couldn't believe the negative reviews, so felt compelled to review this movie and give my reasons for the positive score.
Fisrtly, I think all those who "read the book; hated the movie" should get over themselves. This is a pet peeve of mine. If you ever fall in love with a book, either (a) Don't watch the movie - it WILL be different, or (b) Watch the movie with an open mind, expecting it to be different. For what it's worth, I've never read the book, but now I might (and get this, if it's different from the film, I won't go writing negative reviews on book forums!).
Those who just hated the film. It seems that, from the language used in your reviews, you should, like, totally grow up or something. Okay, maybe I'm getting a bit personal here. Everyone is entitled to their views, so to get back on track, this is why I liked the film.
Story/plot: Far fetched, sure. Borrows from other stories, guilty. A few holes, maybe. But still magical, engaging and heartwarming. If you want a hard-hitting, realistic thriller don't watch this movie. Simple. But if you want to forget about things and just enjoy some lovely silliness, and some good old-fashioned romanticism, then this movie is for you.
Acting: Well, you can put your RADA critiquing hat on and rip everyone to shreds, or else you can just get lost in the movie and allow the more-than-adequate turns to carry you along to the movie's climax. I though the ensemble did a great job.
Score/Cinematography: Almost invisible in the background, but doing enough to bring the magic on the screen to life. Sure, I'm not going to remember either to my dying days, but then sometimes it's nice to allow a score/visual to just carry us along for the ride. Subtlety was king here.
So all in all, in case you haven't guessed, I loved this movie. In it's field (if you'll pardon the pun), I think it stands alone as an outright bobby dazzler. If you're like me and prefer to go into a movie with no preconceptions, then give this one a go. You might not like it, but if you let yourself go, you more than likely will.
The brilliantly stark backdrop to this movie is mirrored by an
intelligently dark script. But it's the clever sprinklings of light
relief that make this film so watchable. William Beck as Scott is the
real star performer, effortlessly transforming a turn of phrase into
all-out comedy. But the whole ensemble earn their spurs, turning a
story that teeters on the edge of believability into a thoroughly
plausible and engaging yarn.
As British independents go, this is a good one. In true Brit flick style, rather than pandering to Hollywood, it pokes fun at it, to hilarious effect courtesy of a great turn by Elizabeth McGovern as the Zen-aware Donna. But rather than simply joining the bandwagon, it actually contrives to give it a knowing nod, before going on to develop in its own unique way.
All in all, this is well worth a visit to the cinema, so get out there and support new British talent!
*** This review may contain spoilers ***
I still can't quite decide what I think about this one. Certain
elements were really good; others were less so. But at the end of the
day, I was entertained. It was certainly a very stylish movie, and some
of the cinematic techniques were really, really good - why have
subtitles been so boring for so long?! But then there were the slightly
dubious aspects. What was the owl/woman all about? A van can't really
perform a jump like that! And the curse was lifted how? But you can
sometimes get hung up on the small details, when all you should really
be concentrating on is the whole.
This film was pretty good, and certainly a refreshing change from the Hollywood machine and its soft focus superstars. It seemed to be quite heavily influenced, though never came across as a rip off. And Quentin Tarantino loves it!! But only good for me. Maybe the follow ups will shed a little more light onto proceedings, but until then, this one gets 6 out of 10.
Movies are meant to entertain, be that via humour, shock, surprise, fantasy or whatever. But one thing that all movies have to do in order to make them watchable is make the viewer empathise with the characters. This empathy doesn't always have to have a positive spin, but the characters must always make the viewer love, hate, feel sorry for them. With Donnie (the brilliant Jake Gyllenhaal), we have a character that draws us right in, spits us out, then leaves us with a tear in our eye but a smile on our face. The movie carries a really good concept, and the direction is excellent (and what about the musical score - wow!), but it is the empathy that Donnie demands that really makes this film so watchable. And the ending is one of the most powerful and emotionally confusing that I've ever witnessed. A brilliant movie.
This movie is a real winner. I often judge a movie by how often I can watch it without getting bored; and I have yet to reach that stage with The Matrix, five viewings later! The concept is awesome, the visuals are outstanding, the score is perfect and the acting is, well, let's say efficient. The two sequels lose a bit of something as they try to explain everything away, but this first instalment of the trilogy contains that bit of mystery and wonderment. It's one of those rare moments in sci-fi when you think "hang on, this could actually be true!" It's hard not to think of The Matrix without its two slightly uglier sisters, but if you do (and I wish they had've done), then what you get is sci-fi at its very best.
I notice that the people who hate this film are the "die-hard" fans of the book/radio show/TV series. Listen, this isn't the book/radio show/TV series; it is a relatively good standalone movie. Okay, so it isn't perfect. There is a lack of explanation regarding some of the 'inside' jokes, and it does edge towards Hollywood a little too much (love interest followed by rescue attempt followed by shoot out etc). But come on, it's funny, lighthearted and visually great. And it hangs together quite well, no matter what the die-hards tell you. If you go into the cinema hoping to see an jumped-up repeat, then you won't get it, and all the better in my opinion. Instead, head in there expecting to see an entertaining movie, and hopefully you shouldn't be disappointed.
This is only Sofia C's second effort, but it looks like the work of an
accomplished director (and then some). It's the whole reality of it that
gets me. As a person accustomed to the potential of isolation in a foreign
country, this movie hits the nail firmly on the head. Helped along by a
soundtrack that both conveys the general mood and captures the whole essense
of that particular period in time, this is a nailed on masterpiece. The cast
is excellent, the cinematography is superb and the script is just right.
I can't wait for the next one Sofia.
There's little to say about this movie other than it is the quintessential 80s comedy. The cast is superb, the script is sharp, the story is great and the effects are perfect (their cartoon-like quality makes them all the more enjoyable and fitting). This is one of those films that I can watch over and over again without getting in the slightest bit bored. If you haven't seen this movie, then watch it, and then watch it again.
This movie is a bit of a stinker. I see that some of the young ladies really like it, possibly due to Kutcher(!). However, I judge a movie on more than just the fanciability of the cast. I mean, Brittany Murphy is pretty hot, and that's worth at least a point, but the movie as a whole is quite lame. Kutcher and Murphy do seem to have a bit of chemistry, and they do show sporadic flashes of real acting ability, but in all, this movie doesn't really go anywhere. It's a bad advertisement for the new wave of "brat-packers". American Pie was always going to be tough to follow, but nothing since has come close, and Just Married is light years away.
I'm not the biggest fan of biographies, and I'm afraid this failed to turn the tide. In actual fact, it took me three attempts to watch it the whole way through (I fell asleep on the previous two occassions). Now I know that De Niro pulls off a fantastic La Motta, and there is no doubting Scorcese's directorial excellence, but this film just failed to engage me. It crawls along with a premise of some kind of story, but just bores. I can't really say anything more, other than this movie must be highly rated based on its constituent parts, because the whole certainly doesn't do anything for me.
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