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2. Sweetest TV Friendships
3. There's Something About Dexter
4. What actor would get your vote for President
5. Scorsese & De Niro vs. Scorsese & DiCaprio
6. Pride Week
7. The Master of One's Own Fate
8. The Best Film Titles: Part I of Run-Off
9. Shark Week: You never forget your first shark
10. Friday Face-Off &Birthday Bash: De Niro v. Penn
11. Friday Face-Off: Robin Williams' Comedy v. Drama
12. Who Said Women Aren't Funny?
13. Where would you most like to swim?
14. The Best Film Titles: Part II of Run-Off
15. Take Me Out to A Ball Game
16. What's the First Thing You Would Do as a Survivor Castaway
17. Yeah, I'm talking to you, Travis Bickle
18. Run-Off Poll: The Best Film Title Ever
19. What 2013-14 TV character would you be for Halloween?
20. Friday Face-Off: I could have been a contender!
21. Waxing Nostalgic: With whom did you grow up?
22. With what family would you LEAST like to spend the holidays?
23. Small Business Saturday: Your Favorite Underdog Business
24. Bridging the Gender Gap: The Best Films from Women Directors
25. With what family would you LEAST like to spend the holidays? Part 2
26. Should Auld Acquaintance Be Forgot?
27. What Angel Most Deserved Its Wings
28. "I Have a Dream": Film That Best Depicts the Fight for Civil Rights
When known, finale dates are listed.
(Documentaries, films after 2010, and films made before meta-scores were given are not included.)
Who Killed the Electric Car? (2006)
Entertainment and Integrity in a Compelling Caper
This is an important film. What you will learn is disconcerting but the manner in which you'll learn it is enjoyable.
It is well organized, revealing "clues," in the form of convincing evidence, as this whodunit unrolls into a persuasive case against corporate money in politics, the power of the oil industry over both the auto industry and government, and the power of all three to subvert the will of consumers and the well-being of the citizenry.
Some documentaries are dry, and while they may present strong cases, they offer little in the way of keeping the audience engaged. Some documentaries, on the other hand, are little more than empty entertainment in the guise of serious exploration. Some are so polemical as to alienate the viewers they're trying to persuade. Who Killed the Electric Car is entertaining, unfolding the way a great mystery does, while also maintaining journalistic integrity and evidentiary rigor.
I couldn't help but to compare it to, for example, many Michael Moore movies. Moore can be an excellent filmmaker in many ways but, while I agree with him on the issues, he too often ignores empirical evidence and cogent argument, even though there is much of both to buttress his conclusions. Instead, Moore too often appeals only to the viewer's emotions, lessening his credibility. Chris Paine, the writer and director of Who Killed the Electric Car, doesn't exchange logos and ethos for pure pathos. Rather, he combines all of the essential elements of documentary filmmaking and offers us a product that is simultaneously engaging, convincing, and credible.