Change Your Image
Upload An Image
Crop And Save
Gods of Egypt (2016)
What "aubuchon" said...but to add to it: I also had reservations and only watched because I'm a huge Game of Thrones fan and figured if Nikolaj Coaster-Waldau was in it, then chances were, it would be good. Then you have Gerard Butler so I knew it wouldn't be a waste of my time. The film was even better than I could have hoped. I think it's more to do with the times we're living in whereby film makers can no longer get away with having two dimensional characters (and still expect a high IMDb rating) or women who just stand there looking pretty, or have an all-white cast with a few token darker-skinned people who get thrown one or two lines...erm...well, there's always going to be 'some' of that (society hasn't progressed that much) but this film at least 'tries' to avoid those clichés. The two main women have real personalities and Hathor, a.k.a. the Goddess of Love (Elodie Yung), portrays her sexuality in a refreshingly modern way (no crying about feeling taken advantage of for her own decisions etc.) The action is spectacular, there's a lot of originality in most of the fight scenes, and I liked the storyline. It was predictable but again, they at least explored other possibilities before returning to the road more travelled.
Gods of Egypt was a very nice surprise and it deserves a much higher IMDb rating. I'd have given it a 10 if they had stuck to one of the possible less-predictable endings but 9/10 it is.
10 Cloverfield Lane (2016)
Stop reading reviews and go watch it
I haven't reviewed anything for a very long time despite having watched many excellent and deserving films. I try to avoid trailers and reviews because they all too often ruin my enjoyment of films, either by giving too much away or just by increasing my expectations too much.
So I'll keep it short: the first ten minutes or so were boring and had I not read a glowing review and seen the first film already, I likely would have turned the film off. It's when Howard (John Goodman) and Michelle (Mary Elizabeth Winstead) finally have a conversation that I felt engaged. Every scene from that point onwards was riveting. There's something for everyone in this film and it feels modern (i.e. Michelle doesn't do anything stupid...maybe one thing...) and there's nothing gratuitous.
There aren't many films of this calibre being released so stop reading reviews and just watch it.
An entertaining cyber cliché
I finally watched this and it was much better than I was expecting but was still hampered with a few too many clichés (or rather, 'borrowings' from other films).
It's a bit cheesy in places (e.g. dialogue, plot points) but the pacing is great and the characters are really engaging.
Tom Schilling and Elyas M'Barek have great chemistry and special shout out to Wotan Wilke Möhring for his dancing!! I had to rewind that a couple of times until I'd stopped laughing! Trine Dyrholm was wonderful throughout. All I could think when I saw her was, "this is Portia de Rossi's twin from another mother".
I was gutted with the twist at the end...at first...but by the time the film ended, I was pretty happy (except for that last 'wink', what was the director thinking?!) I hadn't read any synopses of the film so I won't spoil the surprise for others because as soon as you mention the similarities between this and 'another film', you know what's coming.
I watched with German subtitles as I'm not 100% fluent in German and didn't want to miss any of the dialogue but I found it to be very straightforward.
This is a good, solid film and well worth watching.
True Story (2015)
Low key, meandering waste of time
I'll keep this brief. I liked the film up until about halfway through when it became clear that absolutely nothing was going to happen.
I thought there would at least be an interesting twist; there wasn't.
The conversations between the leads should have been engaging but they weren't and I got the sense that James Franco and Jonah Hill were struggling to act seriously during their scenes together.
There's a particular scene involving Hill's wife and Franco's character which is just unbelievably stupid and pointless. There were so many red herrings in terms of character reactions to things (mostly by the wife) and set ups for future plot events which never materialised.
The film gained some momentum during the court scene, mostly just because of the graphic and disturbing scenes of child murder, but this quickly fizzled due to poor script and/or story writing.
The end credits state this film was written based on a true story and whilst I have nothing but empathy for the real life people affected by these events, this film was a waste of talent and should have been much better executed.
5/10 (I didn't switch it off though in hindsight, I should have)
Ex Machina (2015)
Mostly superb Sci Fi mystery
I love Sci Fi. I love well-written and well-acted character-driven films and Ex Machina mixes both, albeit with some considerable faults.
First off, if you're a fan of this genre, definitely watch Ex Machina. You won't be disappointed. But be warned:
The opening sequence was distant and cold and didn't fit the tone of the rest of the film. The first 15 minutes were so unbearably slow and unremarkable that I decided to stop watching. But being such a huge Sci Fi fan, at the last minute, I decided to skip ahead to see if things would get more interesting. I'd skipped to just past the hour mark and I can confirm that 'things would definitely get more interesting'! I skipped back to the scene I'd abandoned and realised that if I had kept watching the second session with Ava for just 20 seconds longer, I would have been fully hooked so my advice: keep watching!
From that point forward, the tension was palpable as the interactions between Caleb (Domhnall Gleeson) and Nathan (Oscar Isaac) were intensified and there was so much investment in the outcome of the experiment, not to mention the subtle twists and turns of the plot.
What really lets the film down is the ending. There is so much anticipation building, so many clever ideas thrown around and it does start off incredible, actually becoming powerful and it seems like it will all pay off in this wonderful climax and then... devastation. Like when your bowling ball is heading towards the gutter and you're urging-pleading-begging it to curve in the opposite direction, but it doesn't.
======= ======= =======
(I confirm if Ava lives or dies, I hint strongly at Caleb's fate but there is one shocking twist at the end which I don't discuss.)
======= ======= =======
After a powerful scene involving Ava, I realised what was intended for Caleb and I distinctly remember shouting at the screen: "No!", "Don't you dare ruin this film!" - Caleb's fate is infuriating because it's not even certain what 'does' happen to him. As it stands, we're clearly expected to believe one thing (otherwise, why bother going to the trouble of filming those events?), but the very first thing that pops into your head is: "The secondment was for a fixed period", "Someone knows about this place", "This guy is a computer genius and has access to all of the best technology"... so it's hard to care when the scenario is so flimsy.
Finally, everything we'd been led to believe about Ava's artificial intelligence fell apart the moment she left. Sociopaths are not human, they are machines. The only real test of a human being is our inexplicable ability to feel compassion and show mercy even when it's not expected of us. Is this random? Is this also socially conditioned, or 'programmed', just like everything else about us? I'm not sure, I'll leave that to the experts. But regardless, I would have preferred an ending where Ava walked outside; saw, heard and felt the world, "turned human" (referencing an earlier conversation in the film) and then went back to Caleb and when asked why she returned, she'd reply (with something less trite than): "I don't know". This final interaction would 'prove' her artificial intelligence and they would both leave together.
As it stands though, I suppose the chosen ending left them with the option of filming a sequel. I would definitely watch a sequel, but please don't sacrifice a powerful and logical ending to set up another film!
This deserved a 9 until the end.
All romcoms have a hook and with Focus that hook is con artistry. As a pure 'con' film, I would have rated it slightly lower due to the superficial con scenarios and over-the-top premise but when judged as the genre it is at heart, the film exceeds expectations.
This is the perfect romcom for everybody; there's a beautiful woman (who is funny and endearing), a stunning man (who is also funny and acting for his life), the jokes come hard and fast and the script manages to maintain the prerequisite level of romcom predictability while delivering clever twists along the way. Bonus: it's not an obvious romcom i.e. there are no cringeworthy or sappy moments.
The two leads, Will Smith and Margot Robbie, don't necessarily have that undeniable chemistry that makes them instantly believable as soulmates but both actors have so much likability and charm that I found myself rooting for them straight away. I loved that we saw them developing a bond (as opposed to just looking into each other's eyes and 'knowing') and there's a lot of intelligence to the romance aspect; we see them have a friendship and interact on a level which explains why they care about each other and therefore, why we should too.
No matter how silly, I did enjoy all of the cons, much like in Now You See Me (2013). I probably enjoyed Focus a little bit more than that film as Focus had more...well...focus! In the sense that, there's always a sense of purpose and control i.e. nothing ever becomes too convoluted.
I enjoyed the ending too, there's nothing new here but there was a nice little twist and overall, I felt like it was a well-spent hour and half.
Worth noting: Having watched so many films, I often 'drift' and when I return I find I haven't missed much and don't care to check if I have. On the two occasions where my mind wandered, I found myself frantically rewinding as there are so many clever and/or hilarious one liners that I didn't want to miss even one. Also, the trailer didn't spoil all the best bits. In fact, I think they went for understated appeal which beats overhyping any and every day of the week in my book.
Highly recommended 8/10
Competent mystery / gore
I've watched a fair few German films now as part of my mission to improve my language skills so I feel confident in pointing out one or two commonalities I've noticed among them: No matter what year/decade German films are made, they always feel like they were made in the 90s. Granted, Anatomie was made in 2000 but even more recent German films (and TV shows) always have a 90s feel to them due to various reasons, the most prominent being the typically all-white cast. German films are very 'Disney' in the sense that there seems to be this 'ideal' vision of what Germany looks like or rather, what the German audience looks like but the reality is that times have changed and even Disney is finally updating its thinking. German films need to diversify, stop portraying women as simple stereotypes, and stop promoting smoking in films. I am sick to the back teeth of seeing the main protagonists light up in every single German film I watch. Not just because 'morals' but also because it's distracting. As soon as someone takes that first drag, you know their breath absolutely stinks so if this is happening right before a love scene, it's completely off-putting.
Another thing I've noticed is that German films will often have a fascinating premise and will start off strong but will then falter towards the middle, like they don't know how to properly pace a film or write an engaging story from start to finish. I sometimes wish people would send me their scripts for review before selling them to studios! I did feel that the film was very predictable but luckily, Anatomie doesn't try to be a 'true' mystery. The bad guy(s) is revealed fairly early on but there was at least one twist which I didn't figure out until near the end.
A special mention for Benno Fürmann; a powerful actor who simply terrifies in every scene. He also worked with Franka Potente in the superb Der Krieger und die Kaiserin (2000) where he put those tremendous eyes of his to good use too.
After the opening and an initial genuinely gruesome and terrifying scene, the horror of which Hostel (2005) later replicated, Anatomie loses momentum and meanders down an irrelevant path instead of focusing on the daily duties of the students at the medical school. That was a huge missed opportunity and like so many other German films I've watched, it felt like a case of 'the audience is invested now, we can switch to auto-pilot'.
I only watched this a few hours ago and already, I can't remember the ending. There was another ending during the credits so maybe that's interfering. No, I've got it: it was an extremely predictable, although fitting ending.
If you have time to kill, this is definitely worth a watch. It will however, be almost instantly forgotten.
A phoned-in slasher movie
It was difficult to determine the genre of this film. IMDb tags it as 'horror, mystery, thriller' but it's not any of those. 'Horror' requires a certain level of intelligence to the plot and filming style in order to generate fear; 'mystery' implies there is an actual plot with some depth giving the audience something to decipher and 'thrillers' are supposed to be tense, exciting and suspenseful which Creep isn't. There's a psycho on the loose randomly killing people and there's not much more to the story than that so I'd classify this as a basic 'slasher' movie.
There's a five minute opening sequence which sets the scene, none of it is important. The entire film is Kate (Franka Potente) running away from a mad man/monster. She meets people along the way who may or may not get killed (avoiding spoilers) and there's a bit of gore midway through.
As a brainless slasher flick, watched with friends while drinking, you'd likely enjoy this as it's inoffensive slasher/gore nonsense but if you actually concentrate on films while watching them and you don't like wasting your time then definitely give this a miss.
I'm a huge fan of Franka Potente and she's a wonderful actress but her acting in Creep during a handful of scenes was downright amateurish. It felt like she was there for the paycheck to be honest but she still managed to pull off a good performance, it was just a bit choppy.
I don't understand why the producers/studio chose 'order of appearance' to list the cast. Franka was the (only) star and should have received top billing.
Overall, this felt like a cynical money-making endeavour by everyone involved.
The Cobbler (2014)
Good, low-key entertainment
If you don't like Adam Sandler films, don't read any reviews because you have no reason to watch The Cobbler.
I would have given this a 7 but the ending was fairly by-the-numbers and in hindsight, the film could have been funnier.
I enjoyed it; Adam Sandler gives a somewhat stripped-back performance (i.e. his voice is less whiny) and it's an interesting idea. The plot is fairly predictable, although it does get a bit rapey part way through. There were a fair few laugh-out-loud moments and Sandler does have a way of projecting his emotions no matter how trite and manipulative they may be.
I think the film's current 5.8 is good because it lowers your expectations thereby increasing your enjoyment of the film and inspiring better reviews than it may otherwise have received.
Jupiter Ascending (2015)
Fantastic or laughable depending on your mood(/age)
Well I enjoyed it! I read the negative reviews, saw the slightly-under-6 IMDb rating (to date) and almost wrote it off but luckily, I'm a fan of both lead actors (Channing Tatum and Mila Kunis) and I love Sci Fi so I gave it a chance.
First off, the Sci Fi element is fantastic. The new technology, gadgets and aliens are brilliant. One species in particular reminded me of the Scarrans in Farscape. I wish they'd had a bigger presence, in the film but also in the film's fictional society as once again, despite Channing's character explaining how arrogant we are for assuming we're the only sentient beings in this vast universe, it appears that humans, with all our limitations, still managed to become the rulers of the universe.
The effects and chase sequences, especially one extended chase early on, were outstanding.
In terms of dialogue, character development, story progression etc. I'd place the maturity and intellect somewhere along the lines of Divergent (2014), The Hunger Games (2012) and at times, hints of Twilight (2008). This is definitely pure fantasy fodder for young people but like John Carter (2012), there are some genuinely hilarious and insightful moments that pull you back in at times when your post-pubescent brain may be wandering. Bonus: Sean Bean pops up part way through which is always a nice surprise.
I thought there could have been better direction because almost everyone mumbles their lines at one point or multiple and Eddie Redmayne basically whispers all the way through.
Depending on your mood, the reviews you've read (i.e. your expectations), your age and so on, you will either consider this an entertaining bit of fantasy fluff or, you will cringe at the predictability and resume your game of scrabble.
I switched off my brain for a couple of hours and thoroughly enjoyed it so it's 7/10 for me.