Reviews written by registered user
markdelguado

3 reviews in total 
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Burlesque (2010/I)
66 out of 94 people found the following review useful:
Almost Bob Fosse, 27 November 2010
6/10

The musical numbers reminded me of "Sweet Charity" and the camera moves around the Kit Kat Klub style room like Fosse's camera did in "Cabaret" The similarities stop there. The film is a brave attempt but the writing walks a very, very thin line. Was Steve Antin trying to be funny? Some of the lines were received with loud guffaws and there is no way to know if that was the intention because, personally, I felt like cringing. Never mind. It was fun. Christina has a powerful voice but not film presence and Cher is a fearless icon but she had so little to show for it. The best performance is, without question, by Stanley Tucci. The songs work at the moment you're watching them being performed but I couldn't hum a tune now, 48 hours later, for the life of me. So, I was entertained and in the big scheme of things, I guess that's enough

11 out of 14 people found the following review useful:
Cillian's Kitten, 28 July 2007
9/10

Cillian Murphy is superb as an alien of sorts finding its way in our midst. Giving the other cheek as if it was nothing. The goodness, Cillian Murphy, finds in his character goes - I'm sure - far beyond what the screenplay may have required. The goodness of his character feels private. A personal discovery. I hope I'm not making the character sound sentimental, because he/she's not, far from it and that is one of the many surprises to be enjoyed in a film full of surprises. Neil Jordan had already confronted sexual identity in the brilliant "The Crying Game" he, as far as I'm concerned, goes even further in "Breakfast On Pluto". There is no confusion here, everything is blatantly true. Moving beyond words. A mesmerizing piece of acting and film making of the purest kind. Don't miss it.

46 out of 50 people found the following review useful:
A Cult Classic For The Ages, 19 May 2007
9/10

Adrian LeDuc lives in a world of his own. The actual setting is Buenos Aires, Argentina in 1988, just after the fall of the military junta. A place of unsettling confusion. Economic instability forces Adrian to sublet part of his elegant apartment. Tough thing to do for someone who's only social moments are with himself or with images on the screen of his movie theater. But he must and he does. A series of potential tenants parade the apartment, convincing Adrian that he will never be able to share his space with another human being, until HE arrives. Jack Carney with his movie star looks, his sensuality and his mystery will fit not just in Adrian's apartment but in his fantasies. "Apartment Zero" is one of those rare films that you can see many times and that, according to ones mood, it will deliver something different. I hadn't seen the film in years. Now on DVD, I was able to see it again from an entirely new angle. I had forgotten the humor, lots of it, outrageous and elegant. I had forgotten how frightening it is at moments and how brilliantly conceived from a psychological perspective. Colin Firth (Adrian) creates a unique film character. So complex and so true. The wanting without knowing. An all of that, at times, in amazing close ups where nobody can really hide. He should have been nominated for an Academy Award. Hart Bochner (Jack) is superb as the mysterious tenant that becomes paramount in Adian's life. The sexual tension could be cut with a knife and the brilliant thing about it is that it's all in our minds. The supporting characters are a stroke of genius. Not an excuse but a pivotal piece of the puzzle. Dora Bryan (A Taste Of Honey) and Liz Smith (A Private Function) are two British spinsters willingly caught in Jack Carney's web. I laughed out loud without ever relaxing completely. The sense of dread permeates every moment. Fabrizio Bentivoglio (Un Eroe Borghese) a single tenant with an emotional skeleton in his closet is not only impossibly good looking but brilliant in his unnerving ambiguity. So are the rest of the neighbors: the transsexual Vanessa (James Telfer) looking for the dark and craving for sex and love, the lonely wife, Mirella D'Angelo (Caligola) a Garboesque character of desperate longings. Their stories are compelling and contribute to the sense of dread. I'm sure I'll see it again some day and another layer will be discovered. Most highly recommend it to film buffs all over the world.