exceladeogun Reviews

All of Us Strangers (2023)

A profound exploration of grief

[9/10 · 27 May 2024]

All Of Us Strangers

"All Of Us Strangers" is a profound exploration of grief and human feelings. The story follows Adam, a lonely screenwriter, who begins a relationship with his neighbor. Meanwhile, Adam also experiences vivid visions in which he reconnects with his deceased parents.

The storytelling in "All Of Us Strangers" is brilliant, as it deftly navigates a multitude of themes: loss and grief, sexuality, bullying, missed opportunities, closure, loneliness, mental illness, and depression. The film intertwines a dual narrative of a budding romance and Adam's reconnection with his deceased parents. The love story gradually fosters Adam's healing, helping him confront the long-standing pain of his parents' loss. This relationship symbolizes hope, but the film delivers a gut-wrenching twist that takes it all away. The final sequence is both memorable and poignant, with a touch of beauty in the end shot, despite the surrounding pain. Adam must heal again, find hope anew, or possibly continue living through vivid visions and explorations.

This is an intimate film with a small cast, and the performances are outstanding. Andrew Scott, Paul Mescal, and Jamie Bell all shine, but it was Claire Foy who left a lasting impression on me. Foy's performance is nothing short of phenomenal, and her scenes with Andrew Scott are the film's highlight. I could have watched the entire movie with just the two of them.

Overall, "All Of Us Strangers" is a masterfully crafted film that explores complex emotions and themes with a memorable and heartbreaking conclusion that'll linger long after the credits roll.

8.5-9/10.

Challengers (2024)

An excellent blend of tennis and cinema!

[9/10 · 19 May 2024]

Challengers

In this movie, a professional tennis champion endeavors to make a comeback, supported by his wife, a former tennis star who retired due to an injury. His primary rival is his former best friend, who also happens to be his wife's ex-boyfriend.

With the trio of Zendaya, Mike Faist, and Josh O'Connor, Challengers was bound to deliver solid performances, but the main star of this movie is the writing. The storytelling here is keen and focused, also striking a perfect balance between sexy and sensual. Challengers is about tennis and all through the 131 minutes of runtime it makes sure to stamp that.

Characterization is another strength of Challengers. The characters here are complex and developed with proper care. Watching their motives gradually unfold as the timeline alternates is truly delightful.

The exploration of themes such as friendship, obsession, love, and passion is breathtaking in its originality. There's nothing cookie-cutter here, the perspectives trailed are fresh and unique whilst fitting perfectly with the story being told.

The performances delivered by the lead trio are some of the best of the year. Zendaya has shown in the past her acting finesse but her take as Tashi Duncan is probably her most complex role to date. Her mannerisms and subtle facial changes are the crown jewel of her performance here. Josh O'Connor, as always, delivers a mesmerising performance. This is the first project I've seen Mike Faist in, and I'm eager to see more from him.

What truly holds this movie together is the incredible direction from Luca Guadagnino. He masterfully handles the story and characters, drawing out the best in his cast. His use of callbacks is superb. The editing choices, the artistic structure, and the way he handles the metaphoric nature of the story are brilliant. The score, cinematography, and camera work just make everything that's great even better.

I had times where I had to pause the movie, times I had to rewind, times I screamed, times I laughed... Challengers is a complete cinematic experience.

9-9.5/10.

Quiz Lady (2023)

Sandra Oh is brilliant!

[7/10 · 16 May 2024]

Quiz Lady

Quiz Lady tells the story of estranged sisters that go on a quiz show to save their dog, after a moblord abducts the dog because of unpaid debts by their runaway mother.

This movie thrives on the undeniable chemistry between its leads. Awkwafina, renowned for her exaggerated comedic style, brings a refreshing touch to her role as a laid-back, reclusive game show whiz. Conversely, Sandra Oh, typically known for her calm, dramatic performances, shines as an effervescent and free-spirited character, delivering a breathtaking portrayal. The delightful switch in the leads' usual roles adds to the enjoyment of the film.

The sister duo brings heart and sisterly warmth to this movie, especially Sandra Oh's character. The comedy isn't always spot-on but for most parts it's good. The story isn't grand or special and during the first half I felt it may amount to nothing but by the time the end credits rolled I found the entire movie to be well worth my time and honestly wanting more from the sister duo. There are some silly and eye-roll-inducing moments but given the movie's style, these are forgivable.

Once again, Sandra Oh is just brilliant in this movie and I want to see her in more comedic roles.

6.5-7/10.

The Idea of You (2024)

A good love story with the allure of boy bands

[7/10 · 11 May 2024]

The Idea Of You

Dubbed The Harry Styles fanfiction movie, we get a romantic movie about a 40-year-old single mother who finds herself in a passionate relationship with the young lead singer of a boy band. What could possibly go wrong?

These days, many romantic comedies fail to captivate audiences, often due to uninspired plots or mediocre acting. However, "The Idea Of You" doesn't transport viewers back to the golden era of romcoms, yet it distinguishes itself from the generic ones flooding the market today.

We get a story that's solid and engaging even though there are storylines that are left unexplored such as the tension among band members upon the relationship's revelation and a more gradual development of the romance. The ending may not please everyone. I found the darker false ending, suggesting the relationship as a catalyst for Solene's break from her routine life, more compelling than the actual conclusion. Ending on this note would have been more impactful because we get that the relationship has made Solene primed for more romance with other people. Realistically, this would have been a tough relationship to carry on.

In the final act, Solene's daughter, Izzy, gives her support to her mother but when the full weight of that decision crashes on her she withdraws her support. This element infuriated me because I loved how understanding and mature she was, but upon reflection, that decision the plot takes is one of the best. It portrays the complexity of doing what's right. It also shows the fickleness of our minds and the challenge of sticking to our decisions when it's difficult, and also the necessity of letting go.

Anne Hathaway is the linchpin that makes The Idea Of You work. She brings as much dedication to this role as she would a grander performance, and it shows. The chemistry she shares with Nicholas Galitzine is also undeniable, brimming with sensuality and ease. Nicholas Galitzine is slowly building a reputable repertoire as an actor.

Looking for a good love story? How about the allure of boy bands and their electrifying performances? Add in stunning leads with undeniable chemistry and an emotionally vulnerable male protagonist, and "The Idea Of You" becomes the ideal choice.

6.5/10.

Champagne (III) (2014)

A product of its time

[3/10 · 11 May 2024]

Champagne

Seeing this a decade after its release, there's just so much that is wrong technically. These issues might not have been as noticeable upon its initial release, but given the higher standards of quality today, they are quite jarring.

Champagne tells the story of a married couple that resorts to extramarital affairs to support their family financially. Initially, we see the husband engaging in this act before his wife forces him to stop. However, faced with financial strain and mounting bills, the wife reluctantly engages in an extramarital affair when a wealthy man takes interest in her.

For its time, I'd acknowledge that the open-marriage theme, albeit driven by financial motives in this instance, was relatively groundbreaking for Nigerian cinema. However, the film ultimately adopts a sexist perspective, portraying the husband as emotionally detached during his affairs while his wife develops feelings. While this serves the narrative, it lacks the nuance necessary for a more insightful portrayal. Additionally, the subplot involving the side man's relationship with his girlfriend in the US, though intended to add suspicion to his character, feels largely unnecessary.

From a technical standpoint, the film suffers from odd camera angles, abrupt transitions, audio-video mismatches, and an overall sense of poor direction.

Most of the performances here aren't special, they're just enough to keep the plot going. But Majid Michael delivers a solid performance, infusing his character with effortless sweetness and a little dose of suspicion which ultimately blossoms at the end.

Champagne reflects the era in which it was made and coupled with it being a directorial debut, there's undeniable room for improvement in its execution.

2.5-3/10.

Immaculate (2024)

Sydney Sweeney!!!

[7/10 · 28 April 2024]

Immaculate

In Immaculate, we're given a nunsploitation story. Sister Cecilia relocates to an Italian convent following the closure of the one where she was raised in America. Soon after her arrival, she becomes pregnant and this is tagged an immaculate conception seeing as she's still a virgin.

The film explores the concept of women's bodily autonomy and challenges the perception of women solely as vessels for reproduction.

This psychological religious horror is mostly good but the religious aspects could have gotten more emphasis. The social commentary on faith could have been explored better. However, it delivers a satisfying amount of scares and builds to a pulsating final act. The restraint we'd gotten in the previous acts is tossed in the final act, and here is where the movie shines best. The pacing is good even though it does take time to get to the juicy parts but with the limited runtime, it avoids being tedious. The creepy atmosphere also effectively carries the film through its initial stages.

Sydney Sweeney delivers as sister Cecilia. Remarkably, she auditioned for the role at just 17 years old before the project was shelved. Years later, as a producer, she secured financing for the film, demonstrating her dedication to the project. This dedication is palpable in the performance she gives.

In conclusion, Immaculate is a solid psychological religious horror and although it falters in some areas, particularly in its underexplored themes, the film's gripping final act and Sweeney's impassioned portrayal make it a worthy watch for horror enthusiasts.

7/10.

Migration (I) (2023)

Cuckoo, wild, and fun.

[8/10 · 27 April 2024]

Migration

In this animated comedy, a flock of ducks embarks on a migration journey from New England to Jamaica.

Migration follows a very simple premise but it weaves a very thrilling journey into it. Mack, the father of the flock, is very guarded and just wants his family to live out their life in their pond. But his wife and son yearn for adventure and coax him into giving in to the migration. Kim, the young daughter, is willing to go with whatever the family decides, and with the family deciding on migration, she convinces Uncle Dan, Mack's uncle, to join on this trip.

Looking for sibling squabbles, heartfelt family dynamics, and an adventure about embracing life's challenges? "Migration" delivers all that and more. Mack's desire to protect his family sometimes hampers their freedom, echoing the struggle many parents face in balancing care with independence. Dax and Kim yearn for more autonomy and opportunities to explore life's possibilities.

The love between the parents, Pam and Mack, is so sweet and can rival most live-action movies. The sibling love here is also beautiful.

Much praise should be given to the voice actors, with Tresi Gazal as Gwen being the most notable. She manages to be the heart of the movie, and her adorableness is just infectious.

The animation style is fitting and the style of comedy used is very typical of other illumination animations. The runtime is simply perfect, it delivers its message and ends before it can get tiring, with this, it's hard to find fluff scenes.

Migration is cuckoo, fun, and wild. I'd like to see more adventures from this flock of ducks.

So gather your flock and embark on this heartwarming journey.

8/10.

Dune: Part Two (2024)

Hungry for more!

[8/10 · 26 April 2024]

Dune: Part Two

This sequel to Dune: Part One continues from where the first one ended. It follows Paul Atreides alongside the Fremen people in their fight against House Harkonnen.

Dune: Part One had criticisms of runtime and pacing, and even though Dune: Part Two tries to improve on these, the issues are still present.

The grandness of Dune is very evident. From the score to the cinematography to the world-building, this is a movie with ambition that seeks to thrill.

This sequel places greater emphasis on the story, yet even as Dune: Part Two reaches its conclusion, it's the journey itself that remains paramount.

Dune: Part Two explores several themes, prominently Fate versus Free Will. Paul Atreides grapples with the concept of his predetermined destiny as a messiah, attempting to resist it but eventually succumbing, despite foreseeing its detrimental consequences. The white saviour narrative is stoked and exposed for what it is; how charismatic leaders are ultimately dangerous. However, the film's deliberate ambiguity leaves the question of Fate versus Free Will unanswered by its conclusion.

Religion plays a key role in Dune, it aids colonial control. Paul's mother skillfully manipulates the longstanding myth propagated by the Bene Gesserit to support her son. At first, Paul is very unreceptive but when he seeks revenge he plays into the myth.

Themes of commerce and capitalism are also used in Dune. It's evident that these economic forces serve as the underlying catalysts for the issues depicted in the story (mirroring real-life colonial undertakings.)

The performances in Dune: Part Two are brilliant. Timothee Chalamet finally brings his range to Arrakis. The subtle changes he possesses in the course of the movie can only be done by a seasoned actor. Having gotten very little screen time in the first Dune, Zendaya shines as Chani in this sequel. She possesses a great level of expression control in the final act. Rebecca Ferguson delivers yet another captivating performance as always. This sequel brings a host of new cast members but Austin Butler and Florence Pugh stand out prominently. Austin brings a menacing and effective villainy to his portrayal of Feyd-Rautha, and is an absolute scene-stealer.

Dune: Part Two adequately builds and surpasses its predecessor. It solidly brings the ambition of the filmmaker to life. It is a visual treat that'll leave audiences hungry for the next instalment, Dune: Messiah.

8/10.

The Boys in the Boat (2023)

A solid sports biopic

[7/10 · 25 April 2024]

The Boys In The Boat

This sports biopic chronicles the 1936 Summer Olympics journey of the University of Washington's rowing team.

Most movies in this genre will rather go for theatrics and hone in on effective drama, but this biopic remains rather simple and traditional. The storytelling is clear and rows smoothly to its conclusion.

The movie falls short in character development. With numerous characters appearing, many are sidelined, and even the main ones lack proper exploration. This is honestly what sports biopics are about, the drive and push that offers the eventual success, and this movie doesn't pack a lot of that.

The Boys In The Boat authentically captures the era it portrays. The setting, wardrobe, cinematography, and overall atmosphere of the movie vividly bring this period to life.

The cast of Joel Edgerton, Callum Turner, Hadley Robinson, and Thomas Elms bring their best to what they're offered.

The Boys In The Boat had the potential to be great, but it still makes for an enjoyable and straightforward watch.

6.5-7/10.

Irish Wish (2024)

A comfortable kind of bad

[5/10 · 20 April 2024]

Irish Wish stars Lindsay Lohan in a fantasy romantic comedy. Here, Lindsay's character, Maddie Kelly, is a book editor in love with the author she works with. When he falls in love with her best friend and they subsequently get engaged, she makes a wish to live her best friend's life a few days before their wedding.

The plot of Irish Wish is very predictable but the leads manage to infuse as much interest to keep it engaging. Lindsay Lohan's revival deserves more than what her recent movies offer but she still brings her charm to them. Ed Speelers also brings a cute chemistry to the dynamic between him and Lohan.

There's nothing special or groundbreaking about Irish Wish but it ends up being a comfortable easy watch that banks on the lead performances and the Irish setting.

5/10.

This Is Me... Now (2024)

Jennifer Lopez epitomises audacity

[6/10 · 11 April 2024]

This is Me... Now: A Love Story

This is a romantic musical that accompanies Jennifer Lopez's album, This is Me... Now.

Is it a biopic? A musical? A visual album?

Ultimately, this film doesn't firmly establish its identity, and it's possible the filmmaker isn't certain either. However, what it unmistakably offers is a chaotic exploration of Jennifer Lopez's romantic experiences.

Only someone with immense audacity could conceive of a film like this, and Jennifer Lopez epitomizes audacity. It's an amalgamation of numerous ideas, not all flawlessly executed, yet each capable of standing alone to make this an enjoyable watch.

Jennifer Lopez is a romantic and that's fully on display here. We're transported into the careless chaotic mind of J Lo with visuals that are nothing short of breathtaking. Many big-budget productions would find it challenging to match the visual splendor of this film. Each landscape we encounter is both stunning and distinct. The zodiac signs embodied by superstars are a welcome highlight in this movie, and after the novelty of their presence wears off, the bouncy dialogues they have helped sustain the film's energy.

Jennifer Lopez is a performer and she keys into that with the choreography. Musical numbers are accompanied by well-thought-out choreos.

The biggest letdown about this movie is the music. Jennifer Lopez has never been a capable vocalist but she's always been able to create groovy songs. But that's absent here. Most of the songs aren't interesting; from the phrasing to the melodies to the sonics, all that's present is music that isn't imaginative, and even when she tries to switch up with a rap flow, it all ends up being jaded. The lyrics aren't that profound and sometimes don't necessarily sync with the visuals or storyline. Now, even though the music isn't sonically imaginative, the cohesion found is solid. There's nothing jarring or incongruent to upset the flow of the songs.

Jennifer Lopez's performance here is applaudable. She's a romantic lead aficionado so the territories here are very familiar, but there's also a freshness to the performance she delivers.

This is Me... Now: A Love Story would have been a splendid musical movie/visual album if not for the accompanying music. However, despite this drawback, the movie still stands as a grand and bold ride.

6.5/10.

Madame Web (2024)

Better than the reviews stated

[5/10 · 8 April 2024]

Madame web

Madame Web emerges as the origin tale of Cassie Webb. Her quest leads her to rescue three girls from the clutches of Ezekiel Sims, a ruthless figure intent on their demise to evade his own fate at their hands in the future.

Films in Sony's Spider-Man universe have received criticism, and Madame Web isn't exempt from that. However, contrary to many reviews, Madame Web is a straightforward and enjoyable superhero film. It doesn't aim for grandeur, which aligns well with its storyline. Despite uninspiring dialogue hinted at in trailers, the actual movie doesn't suffer from this. Though not particularly imaginative, the dialogue effectively propels the story forward.

The film effectively captures the nostalgia of its 2003 setting. The soundtrack plays a significant role in this, and the homage to Beyoncé's "Dangerously In Love" was a delightful touch.

Madame Web does indeed encounter several challenges. The unfolding of subplots relies too heavily on convenient occurrences, which can be frustrating for viewers. While the exploration of the titular character's powers is intriguing, it diminishes the suspense that should accompany this genre of film. As obstacles arise, the predictability of their resolution removes any sense of genuine tension or dread.

For a superhero movie where the principal characters are battling a villain palpably stronger and possessing no impressive powers of their own, the action scenes manage to be more effective than one would expect.

The performances in this film may not be stellar, but they are well-suited to their roles. Dakota Johnson portrays just the right balance of detachment and confusion required for her character. Her reluctance to embrace heroism is palpable and serves as a driving force throughout the movie. The rest of the cast also meet the expectations for their respective roles.

Numerous aspects of Madame Web require refinement and clarification but it's notable that the runtime isn't adversely affected. Surprisingly, the two-hour duration passes smoothly without feeling prolonged or dragged out.

Madame Web would benefit from better writing but overall it's a simple and decent movie that knows what it is and doesn't try to go beyond that.

5.5/10.

The Thundermans Return (2024)

Bring back the series!

[5/10 · 7 April 2024]

The Thundermans Return

This film serves as a continuation of the beloved Nickelodeon series, "The Thundermans," and is sure to delight fans of the show. While some flaws, particularly in the CGI department, may be apparent from a critical perspective, it's important to consider that these elements are likely less noticeable to the film's target audience.

The acting remains consistent with that of the series, also mirroring its plot structure, set design, and overall tone of the series. This faithful adaptation effectively evokes nostalgia for fans of the original show. Considering the current landscape of Nickelodeon series, a potential reboot sparked by this film would be a welcome development.

5.5/10.

Poor Things (2023)

An experience that defines cinema

[9/10 · 7 April 2024]

Poor Things

In filmmaking, injecting comedy can be a hit-or-miss endeavor, often feeling forced or overly contrived. However, "Poor Things" effortlessly sidesteps these pitfalls. Its comedy flows naturally, buoyed by sharp dialogue and standout performances. The dialogue is so captivating that I found myself hanging onto every word, fully engrossed in the film from start to finish.

Poor Things starts with pizzazz and even by the second half where the plot becomes more profound, its charm remains unbroken.

Poor Things earns applause on multiple fronts, starting with its exceptional costuming. Bella Baxter's character comes alive with vivid clarity, thanks to the impeccably structured and colorful dresses she wears, each one more stunning than the last. Another high mark to be found here is in the camera work and angling. Praise should also be given to the production designers, art and set decorators, and makeup department. All these are capped with a brilliant direction from Yorgos Lanthimos. The world he presents is picturesque, strange, and rich.

Many times movies serve style over substance but Poor Things is a delightful dose of both. With excellent pacing, it seamlessly transitions through tone shifts without sacrificing its essence. The film explores various themes, adeptly handling coming-of-age elements, and while its feminist messaging may not be flawless, it remains a commendable addition to the genre.

Emma Stone, already regarded as one of the finest actresses of her generation, continues to astonish with each new role she undertakes. In Poor Things, she fully embodies the character of Bella Baxter, showcasing her remarkable talent once again. Mark Ruffalo's onscreen suffering delivers some of the most memorable comedic moments in recent memory. Completing the ensemble, Willem Dafoe and Ramy Youssef deliver equally impressive performances, rounding out this stellar cast.

Poor Things is a rare gem, a bold and sensual journey that defies convention. Its unabashed portrayal of sexuality and audacious storytelling set it apart, making it an experience that defines cinema.

9.5/10.

Train to Busan (2016)

Thrilling zombie action with a lot of heart

[8/10 · 12 March 2024]

Train To Busan

One thing every survival movie needs is an emotional core; connecting to the characters is key and this is what Train To Busan brings.

This South Korean action horror film follows passengers during a zombie apocalypse as they race to Busan aboard a train.

At the heart of the film is a father-daughter duo, as the father endeavors to fulfill his daughter's birthday wish by taking her to Busan to reunite with his estranged wife. Along their journey, a myriad of supporting characters are introduced to enrich the plot with depth and emotion. While melodrama is a staple in Korean cinema, it's skillfully balanced in this narrative.

The action and special effects present in this movie are riveting, and complemented by stellar performances from the cast.

While Train To Busan is engaging, it does have flaws. These include continuity issues, particularly in the inconsistent behavior of the zombies, and factual inaccuracies regarding train travel.

With its potent character development, Train To Busan stands out as one of the best zombie flicks. Though not flawless, it delivers an exhilarating ride from start to finish, culminating in a final scene guaranteed to tug at the heartstrings.

8-8.5/10.

May December (2023)

Retrospective, provocative and poignant

[9/10 · 10 March 2024]

May December

This drama offers a fictionalized account inspired by the Mary Kay Letourneau scandal, exploring the couple's life two decades after the event.

Elizabeth Berry (an actress) arrives in Georgia to study a woman she's about to play in a movie. This woman, Gracie Atherton-Yoo, was caught having sex with 13-year-old Joe Yoo and sentenced to prison. While incarcerated, she gives birth to a child fathered by Joe, and upon her release, their relationship persists. Over 23 years, they raise three children together and are on the verge of becoming empty nesters when Elizabeth enters the picture.

A delicious tale of control, power dynamics, and manipulation unfolds as Elizabeth delves deeper into her research. She strives to understand the woman she's portraying, gradually absorbing the essence of her character. Gracie is mostly an enigma and as Elizabeth closes in she discovers that Gracie is always several steps ahead. In the end, Gracie remains elusive, leaving us with only glimpses of her true self. On the other hand, Elizabeth's integrity is called into question, revealing her inner complexities. It's ironically humorous that the movie she ultimately stars in is of poor quality, resembling nothing more than highbrow pornography.

May December is campy and highly subjective, inviting audiences to walk away with diverse interpretations of the film. This intentional ambiguity, orchestrated by director Todd Haynes, adds to its charm. While it's both uncomfortable and entertaining to watch, the experience is deliberately crafted to provoke thought and stir emotions.

The performances here are stellar. Natalie Portman skillfully takes us down this wild ride with Julianne Moore meeting her every step of the way. Their performance can be summed up in a mirror scene that sees them both fight to unseat the other, as they both admire one another. It's a sort of balanced act that's not easy to achieve. With the star power of Natalie Portman and Julianne Moore, it's crazy how Charles Melton is the one who steals the show. As they both struggle for control, he's by the side giving a nuanced portrayal of a man emotionally stunted, a 13-year-old boy trapped in the body of a 36-year-old man. We can't say his dreams were stolen as he wasn't even old enough to formulate any; he's a loving father but when put beside his kids it's obvious who's a child and who's an adult. Transitioning from "Riverdale" to this role marks a dramatic 180-degree turn in his career and has me excited for where he goes from here.

May December is wrapped up in soft cinematography, complemented by a campy score and impressive camera work. The pacing is also well-executed.

May December won't be an easy watch for everyone because of its subject matter but it's a poignant watch nonetheless. A movie that's retrospective and provocative and sure to leave audiences with questions worth pondering.

8.5/10.

Oppenheimer (I) (2023)

Cinematic masterpiece

[9/10 · 10 March 2024]

Oppenheimer

Oppenheimer follows the life of American Physicist, Robert Oppenheimer. This journey goes from his days as a student, through his pivotal role in developing the atomic bomb during World War II, to his security hearing in 1954.

Oppenheimer hails as the most visually stunning movie of 2023. Christopher Nolan delivers a brilliant feat of filmmaking in this movie, there's an undeniable triumph across the board. The film delves into humanity's fascination with destruction and our relentless pursuit to enhance the means to achieve it.

Character study is pivotal to the success of Oppenheimer, and a brilliantly layered examination is present here. This movie is mostly about Oppenheimer, and Cillian Murphy is up to the task as he delivers a brilliant lead performance. Robert Downey Jr exceptionally complements Murphy with a final act that shows him at his best. Matt Damon, Emily Blunt, and Florence Pugh round up this stellar cast.

Pacing isn't perfect here and that's impacted greatly by the extended run-time, but Oppenheimer weaves through a fragmented nonlinear plot that ends with a slam dunk.

Oppenheimer concludes as a brilliant biopic and a masterclass in filmmaking.

9/10.

Killers of the Flower Moon (2023)

Picturesque

[8/10 · 10 March 2024]

Killers of the Flower Moon

This epic western crime saga recounts the tale of the Osage people in 1920, whose newfound wealth from oil discovery on their land brought both prosperity and a wave of violence and death.

"Killers of the Flower Moon" presents a grim examination of how individuals, driven by greed and cowardice, can commit heinous acts. Ernest Burkhart witnesses his uncle's ruthless killings of the Osage people for their wealth and becomes complicit in these atrocities. As the violence seeps into his own home, he remains indifferent, even contemplating ending his wife's life despite his love for her.

Despite its lengthy runtime of three and a half hours, the film maintains tight pacing throughout. While it delves deep into the lives of the Osage people, it also explores the broader circumstances surrounding them, offering a comprehensive view of the events that shaped their lives.

Leonardo DiCaprio delivers a fully committed portrayal of his character; Ernest embodies both heartlessness and cowardice with chilling authenticity. Robert De Niro, true to form, delivers a stellar performance. Lily Gladstone's portrayal of Mollie stands out as one of the 'daintiest' performances I've witnessed. Despite her character, Mollie, not delivering monologues or extravagant expressions, her gentle demeanor exudes life and commands attention effortlessly. She serves as a brilliant representation of the positive values inherent in her tribe.

Martin Scorsese's direction is immersive, and atmospheric, and demands patience from the audience. With meticulous detail, he resurrects a forgotten incident, shedding light on it with painstaking care.

While "Killers of the Flower Moon" may pose a challenge due to its lengthy runtime, for those willing to weather the storm, it offers a blend of education and entertainment.

8/10.

After Everything (2023)

Fin

[5/10 · 10 March 2024]

After Everything

Having read the books, I chose to remain loyal to this franchise despite the subpar acting. It wouldn't be inaccurate to label this installment as the finest in the series.

Firstly, let's talk about the soundtrack. It seamlessly transitions from delicate to moody and then to thrilling as the movie progresses. Whoever curated it deserves commendation for their work.

If Portugal needs a tourism ad, After Everything delivers that. We're navigated through beautiful landscapes and natural sights.

The acting from the cast isn't better or worse, but there's a level of maturity in the portrayal that makes it seem better. Mimi Keene is undoubtedly the star here.

Josephine Langford is missing for most of this finale as the story focuses on Hardin. Hardin broods his way to redemption, even though we can't definitively say he's a changed man because the movie ultimately utilizes a time jump. Nonetheless, fans of Tessa and Hardin will undoubtedly rejoice to witness their eventual reconciliation.

We can take solace in the fact that this franchise has reached its conclusion, at least for now, disregarding the prequel and sequel reportedly in development. It's a relief to see the main storyline come to an end.

5/10.

A Green Fever (2023)

A distinct Nollywood entry

[8/10 · 7 March 2024]

A Green Fever

This thriller follows the journey of Kunmi Braithwaite, an architect, and his daughter, Ireti, who is struck by green fever. While in search of help, they end up in the house of a strict Colonel and become trapped. As the story unfolds, secrets are revealed, unveiling the true nature of the characters.

The first thing to note is that A Green Fever is a beautiful film to watch. This visual beauty faithfully captures the era it portrays through meticulous attention to detail in setting and location. The camera work is stunning and fitting as it follows the characters. There is also a sense of intimacy that's pivotal in this movie. These elements are further elevated by a perfectly suited score.

Storytelling here is done well. Firstly, the story is fresh and engaging. The story begins with a frenzied introduction, before slowing down and gradually building momentum again. As we watch the characters, we're anxious to see where it all ends but still delighted to follow through the movie's guide. The climax, while both brilliant and flawed, pushes the boundaries of the story, leaving us stunned by its revelations. Although the final moments may feel hurried, the overall experience is undeniably rewarding.

Temilolu Fosudo and William Benson are interesting leads. Fosudo as a protagonist is effectively counterbalanced by Benson's portrayal of villainy. As the men try to outwit one another, we're glued to our seats.

Amidst the flood of unoriginal, recycled stories saturating Nollywood, "A Green Fever" emerges as a refreshing and distinct standout.

7.5/10.

Avatar: The Last Airbender (2024– )

Change isn't always needed

[6/10 · 7 March 2024]

Avatar: The Last Airbender (2024 TV Series) Season 1

In this live-action adaptation of the animated series with the same title, we follow Aang, the Avatar tasked with preserving balance between the mortal and spirit realms. His quest for peace involves thwarting the sinister schemes of the Fire Nation.

This adaptation endeavors to capture the essence of the animated series while introducing fresh elements and narratives, although achieving perfect balance isn't always attainable.

On a positive note, this adaptation dazzles with breathtaking visuals and effects, showcasing a visually stunning world. The fight scenes are meticulously crafted, and although not always showcasing the diverse fighting styles of the animated series, the choreography, and presentation remain commendable.

Change is not always accepted, especially when not done well or not being grounded in logical reasoning, and this is probably the biggest problem with this adaptation. The story told here has been reworked. New materials have been added; if stories aren't merged, they're imagined differently, and sometimes some storylines are tossed out. The most egregious is when the new storylines aren't followed through and forgotten. Some of the new materials here are good, for example, the backstory given to Zuko's character, but most will have audiences griping.

Another element that sticks out is the portrayal of some characters. Katara here is stripped entirely of the essence she had in the animated series, and calling her a caricature seems like praise. While it's refreshing to see Azula introduced early on, her ruthless and cunning demeanor doesn't fully translate. Zuko's character, on the other hand, receives the most authentic portrayal, capturing all the qualities that made him beloved, and perhaps even enhancing them

There are other minor flaws to note. The choice of wigs for certain characters and how they're installed is poor. Dialogue is poor and sometimes infused with overdrawn expositions. Another gripe here is that it seems like fun has been sucked out of this adaptation, the characters hurry from location to location and ultimately leave comedy on the chopping block.

In conclusion, while it may fall short of the masterpiece that is the animated series and evoke constant comparisons, this adaptation represents a positive step forward following the forgettable movie that preceded it.

6/10.

Maestro (2023)

Style but no substance

[6/10 · 4 March 2024]

Maestro

This biographical drama highlights the relationship between composer Leonard Bernstein and his wife Felicia Montealegre.

In Maestro, Bradley Cooper pours his all as he stars as the lead, writes, directs, and also produces. But sometimes one's all isn't enough.

Bradley's virtuosity truly shines through his performance as an actor in "Maestro," presenting a portrayal that stands apart from his previous roles and undoubtedly marks a career highlight. However, while his script is anticipated to be sharp, "Maestro" falls short in achieving that expectation. The film struggles to find a balance between its lead character's romance and career, particularly evident as the second act loses focus. Nevertheless, Bradley's prowess as a director is evident as he skillfully utilizes cinematography and score to their fullest extent.

Opposite Bradley, Carey Mulligan delivers a brilliant performance. However, hindered by a less-than-sharp script, she isn't able to fully showcase her talent. Matt Bomer, Maya Hawke, and the remaining cast members round out the ensemble effectively.

With Martin Scorsese, Steven Spielberg, and Kristie Macosko Krieger also serving as producers, it's disheartening that the script of "Maestro" prevents it from reaching the brilliance it could have achieved.

6.5/10.

Orion and the Dark (2024)

A profound journey about confronting fears

[8/10 · 3 March 2024]

Orion And The Dark

Sean Charmatz (in his feature directorial debut) delivers a fantasy adventure animation based on the 2014 book of the same name. Orion And The Dark tells the story of Orion, a young boy who grapples with various fears, the foremost being the darkness. Personified, the dark pays Orion a visit, extending an invitation for a journey to confront his fears head-on.

Littered with metaphors and meaning, Orion And The Dark embodies a journey of self-discovery and confronting one's fears. Storytelling is an important piece here and is done absolutely well. Additionally, the plot is brightened with fun revelations and twists.

The relationship between the lead characters is special and explored beautifully. The complex supporting characters also help this layered tale.

The animation showcased in this film is outstanding, with a visually immersive and stunning world, particularly during the night scenes.

While occasionally nonlinear and featuring a conclusion that may pose some confusion, this animation has broad appeal and serves as an excellent choice for family entertainment.

8/10.

The Wonderful Story of Henry Sugar (2023)

An immersive experience

[8/10 · 3 March 2024]

The Wonderful Story Of Henry Sugar

This short film is inspired by Roald Dahl's 1977 story of the same name, depicting a wealthy man's pursuit to master the art of seeing without using his eyes in order to cheat at gambling.

Wes Anderson's directorial flair is unmistakable, especially when paired with Roald Dahl's story. The visual aesthetic is vibrant, unique, and controlled, offering a harmonious mix of auditory elements and theatricality.

The pacing is spot-on, transitions flow seamlessly, and the editing is top-notch, showcasing technical excellence throughout the short film.

The cast of Benedict Cumberbatch, Dev Patel, and Ben Kingsley deliver performances that are just right.

While not the most profound, this short film captivates with its technical finesse and outstanding performances, inviting viewers to immerse themselves in Wes Anderson's unique world.

8.5/10.

Moonshot (2022)

Run-of-the-mill romcom

[4/10 · 29 February 2024]

Moonshot

This sci-fi romcom shows a love that blossoms when a college student helps a barista sneak onto a space station headed for Mars.

The standout feature of this romcom lies in its inclusion of robots, yet even with the added allure of Mars, the film falls short due to its lack of thorough exploration. There's a notable absence of depth in both the romantic connection between the leads, which feels forced rather than genuine, and the development of the Martian setting. At best the leads have only learned to tolerate one another. Most of the supporting characters also do nothing other than fill the run-time.

Given the insufficient romance, did the film deliver in terms of humour? Unfortunately, no. The jokes and comedic moments fall flat.

Despite its promising premise, Moonfall ultimately disappoints due to lackluster performances and direction, resulting in a generic and unremarkable romantic comedy.

(Sidenote: Why was this titled Moonshot when they were headed to Mars?)

3.5-4/10.