Although as 'old' as 20 when I saw this film I still was, still am, a sucker for action and adventure. I can forgive a lot and often find that re-watching old films, often made on wobbly budgets, continually enlightening. I find that films that I was dismissive of, on first viewing, now stand stronger in the light of more recent 'works'. I occasionally re-watch 'The Long Ships' in hope, as it should be the sort of film I love. It is not.
I rate Cardiff as one of the top cinematographers, but not necessarily as a director. I like colour and light.(e.g. 'Tremors'rather than 'things' in two thirds darkness). There is colour and light in 'The Longships' so it is not that which turns me off. It does not have the excuse of a low budget. I enjoyed Widmark in The Alamo, Warlock and The Law and Jake Wade, Russ Tamblyn in Seven Brothers and West Side Story. I had not seen much of Sydney Potier as I recall, A Man Is Ten Feet Tall (Edge of a City). The cast were experienced, as a whole. The second unit and fight arranging are a bit wobbly but often were and are. Even Sidney Potier said "To say it was disastrous is a compliment"
It works against the problem that I had read the book, something like 500 pages, from which The Longships takes a side story of about a page and a half and couple of incidents. The Film could be much shorter if it was just a 'romp'. The problem is that it is patched together, much like current UK Government policy, a few ostentatious high spots stuck together with 'spin'. They had the means and makings of a much better film, not just something that gets away with it because it is 'fun'. So why did they not make a better film. In the older 'Halliwells' film guides the late Leslie Halliwell frequently questioned the motives for making certain such films. These comments are now edited out of more recent editions since Halliwells untimely death.(Strangely the same has happened to details of other persons untimely deaths, removed from the pages of the 'Guides')
Allen's (Warwick Avilla) films, like those produced by Lew Grade and Columbia often involved filming in the then Soviet bloc and featured casts of overtly 'Left Wing' affiliations (Why did Peter Finch 'just happen' to be on the set of The First Men on the Moon and play {uncredited) the 'Process Server'?). If you are a seeker of truth check some of these out. You may find it more fun than 'The DaVinci Code' or The Long Ships'.
I rate Cardiff as one of the top cinematographers, but not necessarily as a director. I like colour and light.(e.g. 'Tremors'rather than 'things' in two thirds darkness). There is colour and light in 'The Longships' so it is not that which turns me off. It does not have the excuse of a low budget. I enjoyed Widmark in The Alamo, Warlock and The Law and Jake Wade, Russ Tamblyn in Seven Brothers and West Side Story. I had not seen much of Sydney Potier as I recall, A Man Is Ten Feet Tall (Edge of a City). The cast were experienced, as a whole. The second unit and fight arranging are a bit wobbly but often were and are. Even Sidney Potier said "To say it was disastrous is a compliment"
It works against the problem that I had read the book, something like 500 pages, from which The Longships takes a side story of about a page and a half and couple of incidents. The Film could be much shorter if it was just a 'romp'. The problem is that it is patched together, much like current UK Government policy, a few ostentatious high spots stuck together with 'spin'. They had the means and makings of a much better film, not just something that gets away with it because it is 'fun'. So why did they not make a better film. In the older 'Halliwells' film guides the late Leslie Halliwell frequently questioned the motives for making certain such films. These comments are now edited out of more recent editions since Halliwells untimely death.(Strangely the same has happened to details of other persons untimely deaths, removed from the pages of the 'Guides')
Allen's (Warwick Avilla) films, like those produced by Lew Grade and Columbia often involved filming in the then Soviet bloc and featured casts of overtly 'Left Wing' affiliations (Why did Peter Finch 'just happen' to be on the set of The First Men on the Moon and play {uncredited) the 'Process Server'?). If you are a seeker of truth check some of these out. You may find it more fun than 'The DaVinci Code' or The Long Ships'.
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