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flightoffancy

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10 out of 13 people found the following review useful:
Absolutely FANTASTIC!!!, 18 December 2000
10/10

I'd heard so many different opinions about this movie. At first it sounded like just another psycho-killer road movie (although with a cast of some of the greatest actors around) but then it got chosen for the Cannes film festival and won a bunch of other 'serious' awards. Anyway, one night my mom and dad saw it at a festival and when they got home they were arguing like mad - my dad (who hates EVERYTHING) called it a masterpiece - my mom said it freaked her out and shouldn't have been made! After that I didn't know what to expect but I knew I had to see it. Well, tonight I did and oh my God, it turned me upside-down. I wouldn't go so far as to call 'American Perfekt' a masterpiece, but it's smart, funny, beautifully acted and directed, and has moments of such straight-faced hilariously chilling brilliance that it made me remember why I love movies. I won't try and explain the plot in detail but Amanda Plummer plays a woman lost in the desert after her car is driven off the road by a mysterious car. She gets picked up by a criminal psychiatrist and a strange romance develops between them based on making all their decisions on the flip of a coin. Plummer is better than I've seen her since 'The Fisher King' (and even more beautiful) and Robert Forster is AWESOME! Better even than 'Jackie Brown'. David Thewlis is alternately funny, creepy and downright sad. And watch out for Chris Sarandon, too, as a gentle Deputy to Paul Sorvino's gung-ho Sheriff - a great performance that reminds us why he got nominated for an Oscar once (Dog Day Afternoon). The gorgeous Fairuza Balk is also excellent in a really intense performance much more mature than the usual flashier stuff she gets asked to do. Yeah, 'American Perfekt' starts off slowly but only because it's lulling you into a false state of security while it's crawling under your skin. And writer/director Paul Chart pulls it off without resorting to being 'above' his audience ie: despite all the clever different layers to the film, you never feel like it's trying to prove how smart it is - also, everyone really looks like they're having fun. All in all, 'American Perfekt' isn't so much a psycho 'art film' as a really neat and original movie that's been 'artfully made'. Give it chance and don't be afraid to laugh at how nightmarish it becomes. A warning to the faint-hearted, however - although Chart keeps the sex and violence fairly low-key, it has a habit of coming out of nowhere and is presented in such a matter-of fact way that it WILL stay with you (just ask my mom). There's another great score from Simon boswell, too ('Shallow Grave', 'Trainspotting').

Now, where did I put that shovel ....?