Reviews written by registered user
|12 reviews in total|
There's nothing wrong with the CGI and most of the other VFX. The score
is wonderful. The story somewhat comical and endearing in places.
That's the good.
The bad is that this movie is the ultimate in form over content. The plot has more holes than Swiss cheese, the logic of none of the characters makes any sense and the childishly superficial character traits are laughable. It's offensively dumb.
All of this might work if there was somehow a good core to the movie, but sadly it doesn't have what it takes to become a true cult classic either. You can tell a story with stereotypes, sure. And perhaps the makers were just going for a movie that was zef. But none of that explains the mess that Chappie is in the end.
If you want to put a movie on that offers nice visuals, robots running around and shooting and some Die Antwoord tracks, Chappie is for you. Check social media and listen to some Spotify while you do it and play a game on the side - because that's what this movie is for: cinematic wallpaper.
Although the premise is slightly darker (allowing Besson to mix in
Asian mob tropes) and the ending certainly better, Lucy is still just
another Limitless. But where Limitless at least managed to get a thrill
going and didn't dwell too long on the flawed premise of the movie,
Lucy gets stuck on it and revels in it.
It's never a pain to watch Scarlett Johansson, but this isn't a performance she will be remembered for and the script doesn't give her much to work with either.
Some entertaining visuals and certainly decent sound, but even there Besson is like a raving movie fan on your couch, remembering cool stuff from other movies and putting it in, when all you really want to do is turn in and get some sleep. Trying to guess the 'references' could be fun, perhaps.
(and no, we really *don't* use only 10% of our brain capacity, this goes in the same bin as ghosts, flying saucers and Bigfoot - that doesn't affect the rating of the movie though)
.. but this movie was actually a rather fun experience. There's a lot
of gratuitous violence and crude language, so if that puts you off,
skip this movie.
But the structure actually makes sense and the movie has decent momentum. The soundtrack is right on target at some times, OK at others. Visually, the movie has a consistent and strong style, though the freeze-frames are not so strong.
I liked the performances, though if you have seen the trailer, don't expect better jokes - it definitely spoiled some of the better ones. But on the whole, most roles are genuinely funny and work in their own way; maybe the Rock isn't exactly helping the "true story" angle in his performance, but comically it works.
Still, there's plenty of Michael Bay here to deter the real haters. Generally I'm no fan of the man's work, but considering his history, I think Pain & Gain is actually somewhat redeeming. Not for everyone, but nice as an OK action romp with a moral of sorts.
District 9 was a little rough around the edges, but you were inclined
to forgive quite a bit for the original story, the zany acting and the
over the top look.
However, no such luck for Elysium. It has great Hollywood actors acting like logs, the plot is so full of holes, you can fly the ISS through it and trying to make sense of it assaults your intelligence. Too bad it's not so bad it's funny, like Escape from LA.
In the end, Elysium is hopeless and only worth watching for the OK special effects in places. There are a few clever gadget ideas in there as well, if that's your thing. But quite frankly, reading a fan website (if any exist) will probably get you more satisfaction in that department and it won't cost you the hour and a half I wouldn't mind getting back.
Neill Blomkamp shouldn't deserve another big budget shot, after this major disappointment, if you ask me.
Why anyone would give M. Night Shyamalan money to make new movies, is
beyond me. The Sixth Sense wasn't exactly Otto e Mezzo and after that
it's been a wild tumble downhill. And Will Smith apparently needs to
stay away from writing material and just act fun, perfect son-in-law
characters or tongue in cheek action heroes. And Jaden, well... I'm
sure there's lots of careers he can pursue that he will be successful
The acting in this movie is painful. The plot is ridiculous. The science fiction is pure internally inconsistent science fantasy. There is no real threat, no stakes and in the end it's an empty movie.
The one good thing about it were some really nice looking fantasy animals with interesting ideas to them. (though don't think about how it's impossible for them to evolve in only 1,000 years, or ..., or ...)
If you have to watch a Dystopian science fantasy, watch Oblivion. If you have to watch a Will Smith ego picture, watch I am Legend. And if you feel both of those aren't all that good either, you know exactly how to rate After Earth...
*** This review may contain spoilers ***
The main reason for not rating this movie a "1" was its one redeeming
quality: it was the first feature film I've seen shot on Red and it was
interesting to see where these cameras shine and where it pays to have
slightly more high-end stuff. But it's encouraging to see what can be
done with relatively affordable gear.
Beyond that, this is a movie made by a couple of FX guys (both writers and both directors) and it shows. It's nothing -but- FX. Sure, sure, the aliens win. That's pointless when I couldn't care less about the cast being killed in similar ways, without worthwhile suspense. The plot is so full of holes, it's not even funny. Everything about this movie shouts "B-movie" except for the special effects. And even when you go for a B-movie style, there's a right way to do it and a wrong way (ask Tarantino, Rodriguez or even Jackson). Skyline gets everything wrong.
It's similar to watching an ugly girl with lousy character drunk and in a bad mood, but dressed in a stellar dress with wonderful hair. You can't keep your eyes off of her, but a conversation with anyone else in the room would give you a better time.
Skyline shows movies like District 9 how good you can look on a budget without resorting to just shaking the camera. But District 9 is a movie the Strause brothers should watch to learn how to do everything else better with a similar premise.
*** This review may contain spoilers ***
This movie is an amazing piece of work, for the first two hours at
A carefully constructed plot, an amazing cast, a fine host of interesting characters. The movie has an unrivaled pace, which I think is both innovative and so natural that I expect to see it emulated (and possibly improved upon) a lot. Not only are there really high paced scenes, not unlike Requiem for a Dream, but the pace is high all the way through and it gives the movie some serious momentum.
Not a typical Scorcese, his craftsmanship still shines through and it makes me wish he would start making more movies that depart from his usual themes. There's some weak bits, like the limp relationship hook between the two main characters and the shrink. Some more Hollywood clichés find their way into the movie, but it's never really in the way of a decent picture.
But then we come to it: The Elevator Scene.
Up to that point, a carefully constructed plot has you in your grips, on a roller-coaster ride with casualties left and right. And then, the worst of the worst: a deus ex machina ending... It's no just bad and easily forgiven. It's horrible.
Despite all the good things you can say about this movie, it's about the story and the plot first and foremost. And to destroy it with a completely unpredictable and unrelated character, for no apparent reason other than proving the point that everyone is a rat and the world is going to hell, is weak. Nothing but weak.
This one takes the throne. For me personally, it replaces the Dallas "it's all a dream" scam. The Oscar for "Best Writing" goes to a flimsy deus ex machina tale... Those golden statues just lost some of their luster.
I noticed the movie got rated somewhat better by the younger part of the
public and frankly, that doesn't surprise me. You'll have to have played an
online shoot-em-up or war game at least once to see why the idea of a gamer
making a life of her addiction in a near future isn't such an outlandish
Avalon takes this idea to new extremes, without being cheap or easy and adds a healthy dose of magical realism. The artwork is stunning, the soundtrack very strong (and classical instead of the usual techno), the acting is cool and distant, which is all perfect for the dark setting. Even the choice of Poland as the scenery seems right on.
Why then doesn't this flic deserve a 10? Well, although I liked the story and though it does have depth, it is a bit one-dimensional. The world doesn't seem to harbor more than this one story and that's a shame. The movie could have become a classic with a little bit more background plot. But nonetheless, a must-see.
An at times beautifully shot, well thought out thriller. A feast for the eye with only a few characters in a few locations, it is a story that really sucks you in. Not too complicated, it manages to keep your attention easily. And although the ending may be a little predictable, the movie has enough extras to even consider seeing it again.
As a vampire-movie enthusiast I had some high hopes for this picture. Jude
Law usually makes for pleasant watching and Elina Lowensohn matches
perfectly. That's the first good thing about the movie that really stood out
to me: the casting is perfect. Not stereotypical, but very believable and
right on target.
The movie is a bit slow and doesn't offer a lot in the way of a horror-movie as most viewers might expect it to, but it tells an engaging story. The plot isn't overly original, but when you look at some of the details, it's obviously well thought out. I loved most of the dialogue: witty, to the point and original. No fake grandeur or excessive posing (like many vampire movies do have), subtle jokes and no giveaways by the characters.
The movie is a good one overall, but even on its strong points, it sometimes misses genius and excellence, so only a 7 for this one.
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